Showing posts with label grief. Show all posts
Showing posts with label grief. Show all posts

Saturday, April 15

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Mourning


How it would feel to suddenly or gradually lose one’s abilities due to injury or illness.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Looking for more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as suspense, middle grade fiction, or romance?
Saturday, April 15, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Mourning


How it would feel to suddenly or gradually lose one’s abilities due to injury or illness.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Looking for more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as suspense, middle grade fiction, or romance?

Thursday, March 9

Image by Charmaine Swart for morguefile
One of the most helpful things in researching Never Gone was attending a seminar on grief. The keynote speaker, Dr. Diane Langberg, discussed how grieving isn’t a linear process and it’s highly individual. The famous Kubler-Ross “phases of grief,” are often misinterpreted as a road map. Dr. Langberg said it’s helpful to re-label those “phases” as “faces.”

 Any bereaved person, whether terminally ill (the focus of Kubler-Ross’s work) or facing a job loss, divorce or death of a loved one, will cycle through denial, anger, bargaining, depression and acceptance at various times. Some steps may be skipped, some lingered over for extended periods. When grieving a death, the nature of that death will color the grief process. For example, in the case of a prolonged illness, some grieving happens prior to the death.

 I was particularly interested in exploring the immediate grief experience — those turbulent first weeks immediately after a death. Most grief fiction tends to enter the experience later and cover a longer time period than I do in Never Gone. My novel begins a few days after the protagonist loses her dad and the story covers approximately three weeks’ time. Danielle spends much of the story cycling through denial, anger, and bargaining. There are moments of depression and glimpses of what acceptance will look like when it fully flowers. Most of the deepest grief work is still to come for Dani, but the events of the novel prepare her to begin to earnestly do that work, rather than deny or flee from it.

Dani especially struggles with feelings of anger, in part because of her family history and culture, in part because she mistakenly believes that anger has no place in a life of faith. I hope this story will encourage kids growing up in a faith tradition that it’s okay to really wrestle with God in places of deep pain. One of Dani’s friends tells her, “I think God can handle it when we’re mad.” He goes on to point out that large chunks of scripture are at root complaints to God. The Psalmist and other saints of old give us models for talking (and hollering and crying) to our Creator honestly about our pain, which at root is an expression of faith that He hears, cares, comforts and makes things new.

(This post was originally written for the Rabble Writers blog, which has been suspended.)

Have your own experiences of grief borne out the idea that healing is not a linear process? What are the best stories you've read that involve a grieving character?
Thursday, March 09, 2017 Laurel Garver
Image by Charmaine Swart for morguefile
One of the most helpful things in researching Never Gone was attending a seminar on grief. The keynote speaker, Dr. Diane Langberg, discussed how grieving isn’t a linear process and it’s highly individual. The famous Kubler-Ross “phases of grief,” are often misinterpreted as a road map. Dr. Langberg said it’s helpful to re-label those “phases” as “faces.”

 Any bereaved person, whether terminally ill (the focus of Kubler-Ross’s work) or facing a job loss, divorce or death of a loved one, will cycle through denial, anger, bargaining, depression and acceptance at various times. Some steps may be skipped, some lingered over for extended periods. When grieving a death, the nature of that death will color the grief process. For example, in the case of a prolonged illness, some grieving happens prior to the death.

 I was particularly interested in exploring the immediate grief experience — those turbulent first weeks immediately after a death. Most grief fiction tends to enter the experience later and cover a longer time period than I do in Never Gone. My novel begins a few days after the protagonist loses her dad and the story covers approximately three weeks’ time. Danielle spends much of the story cycling through denial, anger, and bargaining. There are moments of depression and glimpses of what acceptance will look like when it fully flowers. Most of the deepest grief work is still to come for Dani, but the events of the novel prepare her to begin to earnestly do that work, rather than deny or flee from it.

Dani especially struggles with feelings of anger, in part because of her family history and culture, in part because she mistakenly believes that anger has no place in a life of faith. I hope this story will encourage kids growing up in a faith tradition that it’s okay to really wrestle with God in places of deep pain. One of Dani’s friends tells her, “I think God can handle it when we’re mad.” He goes on to point out that large chunks of scripture are at root complaints to God. The Psalmist and other saints of old give us models for talking (and hollering and crying) to our Creator honestly about our pain, which at root is an expression of faith that He hears, cares, comforts and makes things new.

(This post was originally written for the Rabble Writers blog, which has been suspended.)

Have your own experiences of grief borne out the idea that healing is not a linear process? What are the best stories you've read that involve a grieving character?

Thursday, July 21

"A grieving teen believes her dead father is haunting her" --a tagline for my debut Never Gone, often raises this question: how could this topic possibly be Christian fiction?

Photo by http://morguefile.com/creative/whiterussian
What exactly is a ghost, after all? Do people have a consciousness separate from their bodily existence? If so, can it interact with embodied people? Can it do so when it wishes, or must it be summoned by the living? Is this entire mythos something created to explain demonic presences in our world?

In some circles, this latter view tends to dominate, though the Bible actually shows us an intermediate view: there is a consciousness separate from bodily existence, but it can only interact with embodied people through occult means because it exists in another realm or plane. See the story of Saul contacting Samuel's ghost via the mediation of the Witch of Endor in I Samuel 28. Trying to summon the dead is a bad idea, one that spells the end for Saul's reign.

In Never Gone, my protagonist Danielle has moments where she specifically fears she might have summoned her dead father, knowing that doing such a thing is very dangerous. But longing for a lost loved one does not make one a medium. Reaching across the divide between the living and dead isn't something people can do accidentally.

So what is going on with my ghost of Dani's dad, Graham Rhys Deane?

The idea of parental haunting is pretty old. Shakespeare uses it in Hamlet, for example. I also was inspired by the TV show Providence that aired from 1999-2002, in which a young woman moves home after her mother’s death, and often has long heart-to-heart talks and arguments with her mother’s ghost. The idea of a parental presence lingering to help a child fascinated me, especially when it’s unclear why it’s happening.

Is it possible that not every ghost appearance has a supernatural cause?

Generally, ghost lore in our culture is associated with bad deaths, with unfinished business. The question for me is whose unfinished business? The departed’s or the survivors’?

Dani is a fairly grounded Christian who knows enough “proof texts” (scripture quotes used to prove a particular point) to shut down her own natural emotions in the wake of a devastating loss. Her dad is bound for a happy eternity in heaven, she reasons, so she’s really not supposed to be upset.

This kind of warped stoicism that sometimes arises in my faith tradition concerns me. It’s bad theology to my mind, giving a false view of who God is and how he relates to humanity. In the face of it, a really hurting person can suffer deep internal fracturing. My story’s ghost is in some ways a manifestation of that inner state.

So how does Danielle cope with her ghost problem? I invite you to check out Never Gone to find out!

About Never Gone

Teen artist Dani Deane feels like the universe has imploded when her photographer father is killed. Days after his death, she sees him leafing through sketches in her room, roaming the halls at church, wandering his own wake. Is grief making her crazy? Or is her dad truly adrift between this world and the next, trying to contact her?

Dani longs for his help as she tries and fails to connect with her workaholic mother. Her pain only deepens when astonishing secrets about her family history come to light. But Dani finds a surprising ally in Theo, the quiet guy lingering in the backstage of her life. He persistently reaches out as Dani’s faith falters, her family relationships unravel, and she withdraws into a dangerous obsession with her father’s ghostly appearances. Will she let her broken, prodigal heart find a reason to hope again?

From the skyscrapers of New York to the sheep-dotted English countryside, Never Gone explores life after loss with emotional honesty, humor, and a touch of romance. 



View the trailer HERE

What is your take on the ghost trope?
Thursday, July 21, 2016 Laurel Garver
"A grieving teen believes her dead father is haunting her" --a tagline for my debut Never Gone, often raises this question: how could this topic possibly be Christian fiction?

Photo by http://morguefile.com/creative/whiterussian
What exactly is a ghost, after all? Do people have a consciousness separate from their bodily existence? If so, can it interact with embodied people? Can it do so when it wishes, or must it be summoned by the living? Is this entire mythos something created to explain demonic presences in our world?

In some circles, this latter view tends to dominate, though the Bible actually shows us an intermediate view: there is a consciousness separate from bodily existence, but it can only interact with embodied people through occult means because it exists in another realm or plane. See the story of Saul contacting Samuel's ghost via the mediation of the Witch of Endor in I Samuel 28. Trying to summon the dead is a bad idea, one that spells the end for Saul's reign.

In Never Gone, my protagonist Danielle has moments where she specifically fears she might have summoned her dead father, knowing that doing such a thing is very dangerous. But longing for a lost loved one does not make one a medium. Reaching across the divide between the living and dead isn't something people can do accidentally.

So what is going on with my ghost of Dani's dad, Graham Rhys Deane?

The idea of parental haunting is pretty old. Shakespeare uses it in Hamlet, for example. I also was inspired by the TV show Providence that aired from 1999-2002, in which a young woman moves home after her mother’s death, and often has long heart-to-heart talks and arguments with her mother’s ghost. The idea of a parental presence lingering to help a child fascinated me, especially when it’s unclear why it’s happening.

Is it possible that not every ghost appearance has a supernatural cause?

Generally, ghost lore in our culture is associated with bad deaths, with unfinished business. The question for me is whose unfinished business? The departed’s or the survivors’?

Dani is a fairly grounded Christian who knows enough “proof texts” (scripture quotes used to prove a particular point) to shut down her own natural emotions in the wake of a devastating loss. Her dad is bound for a happy eternity in heaven, she reasons, so she’s really not supposed to be upset.

This kind of warped stoicism that sometimes arises in my faith tradition concerns me. It’s bad theology to my mind, giving a false view of who God is and how he relates to humanity. In the face of it, a really hurting person can suffer deep internal fracturing. My story’s ghost is in some ways a manifestation of that inner state.

So how does Danielle cope with her ghost problem? I invite you to check out Never Gone to find out!

About Never Gone

Teen artist Dani Deane feels like the universe has imploded when her photographer father is killed. Days after his death, she sees him leafing through sketches in her room, roaming the halls at church, wandering his own wake. Is grief making her crazy? Or is her dad truly adrift between this world and the next, trying to contact her?

Dani longs for his help as she tries and fails to connect with her workaholic mother. Her pain only deepens when astonishing secrets about her family history come to light. But Dani finds a surprising ally in Theo, the quiet guy lingering in the backstage of her life. He persistently reaches out as Dani’s faith falters, her family relationships unravel, and she withdraws into a dangerous obsession with her father’s ghostly appearances. Will she let her broken, prodigal heart find a reason to hope again?

From the skyscrapers of New York to the sheep-dotted English countryside, Never Gone explores life after loss with emotional honesty, humor, and a touch of romance. 



View the trailer HERE

What is your take on the ghost trope?

Tuesday, October 8

Bonding with an animal is a very special kind of relationship, one that seems to find its way into my work regularly. How someone treats other living creatures communicates volumes about what he or she values.  If you want to know who will grow up to be a villain, look no further than the kid down the block who delights in maiming insects and tormenting stray cats. Similarly, someone who can connect only to a totem creature that's a narcissistic extension of himself (think Voldemort and Nagini) is likely to be coldly ruthless to every other living thing outside his tiny circle of self. Conversely, an aimless underachiever who rescues hurt animals demonstrates a courageous compassion that can blossom into heroism. Learning to care for and communicate with a living thing whose cognition is so different from our own stretches and grows us.

Once that bond is built, it's quite hard to say goodbye.

Yesterday we had to put down our 15-year-old dog, a shelter rescue Husky/Australian shepherd mix we adopted in November 2000. My hubby and I tended to think of Nicky as our "firstborn," the creature who prepared us to become responsible parents when our daughter arrived in 2002.

It was painful to watch his decline over the last several years. His gait became more stiff, his back legs atrophied. He could no longer climb stairs and eventually couldn't walk on his own. A hip harness to carry his back end on walks enabled him to stay mobile for a few more months, but the degenerative neurological condition eventually hit his front legs too. When the slow decline became a sudden, cliff-like-dive and he was truly suffering, we had to make the hard decision to let him go.

I'll especially miss his wolf-like howls of joy whenever I returned home--his way of saying "Woo-hoo! The awesome one is here! I'm so psyched to see you!" It was like having my own ticker-tape parade every day, the way that dog made me feel.

Today I'm deeply sad to no longer have Nicky's trusting, joyful presence in my life. Though I expect we'll stay dog-free for a while and enjoy our two sweet kitties, I'll keep on writing canine (and equine and other species) friends for my characters.

Do animals have a role in your life? Do you incorporate animals in your fiction? 
Tuesday, October 08, 2013 Laurel Garver
Bonding with an animal is a very special kind of relationship, one that seems to find its way into my work regularly. How someone treats other living creatures communicates volumes about what he or she values.  If you want to know who will grow up to be a villain, look no further than the kid down the block who delights in maiming insects and tormenting stray cats. Similarly, someone who can connect only to a totem creature that's a narcissistic extension of himself (think Voldemort and Nagini) is likely to be coldly ruthless to every other living thing outside his tiny circle of self. Conversely, an aimless underachiever who rescues hurt animals demonstrates a courageous compassion that can blossom into heroism. Learning to care for and communicate with a living thing whose cognition is so different from our own stretches and grows us.

Once that bond is built, it's quite hard to say goodbye.

Yesterday we had to put down our 15-year-old dog, a shelter rescue Husky/Australian shepherd mix we adopted in November 2000. My hubby and I tended to think of Nicky as our "firstborn," the creature who prepared us to become responsible parents when our daughter arrived in 2002.

It was painful to watch his decline over the last several years. His gait became more stiff, his back legs atrophied. He could no longer climb stairs and eventually couldn't walk on his own. A hip harness to carry his back end on walks enabled him to stay mobile for a few more months, but the degenerative neurological condition eventually hit his front legs too. When the slow decline became a sudden, cliff-like-dive and he was truly suffering, we had to make the hard decision to let him go.

I'll especially miss his wolf-like howls of joy whenever I returned home--his way of saying "Woo-hoo! The awesome one is here! I'm so psyched to see you!" It was like having my own ticker-tape parade every day, the way that dog made me feel.

Today I'm deeply sad to no longer have Nicky's trusting, joyful presence in my life. Though I expect we'll stay dog-free for a while and enjoy our two sweet kitties, I'll keep on writing canine (and equine and other species) friends for my characters.

Do animals have a role in your life? Do you incorporate animals in your fiction? 

Friday, December 21

As an author who writes about grief, specifically a loss that occurs during the holidays, I'd be remiss if I didn't take a moment to talk about how to cope with the pain of loss during what's supposed to be a joyful season.

I highly recommend this wonderful series from griefshare.org, "Surviving the Holidays."

A few practical things I gleaned from it:

image by Bekahboo42, morguefile.com
Keep your expectations low
It's not necessary to accept every invitation, nor do the level of decorating and baking you've done other years. You're more vulnerable to being ambushed by emotions by the season, so don't add more stress.

Take care of your body
Exercise and exposure to sunlight should be part of your daily routine. If you feel like self-medicating with alcohol or unhealthy food, take a walk.

Dispense with the usual traditions or build new ones
If the thought of going through the usual holiday rituals fills you with dread, give yourself permission to do something completely different. Leave the usual ornaments in a box and make new ones. Take an impromptu trip to a lovely destination, or offer to house-sit for friends who are traveling. Change the time of day or room in which you open gifts. Make a completely different menu.

You might alternately find it comforting to build new traditions into your existing ones that honor your lost loved one. Here are some ideas for doing that.

Treat yourself
Give yourself a gift from your lost loved one, something that honors the special relationship you had or simply comforts you: a new album if you shared a love of music, an item of clothing in your loved one's favorite color, a book you've been eager to read, tools for a hobby you've always wanted to try.

Stay connected
Force yourself to attend social gatherings, if only for a short time. Try to plan a few fun activities with a good friend, like seeing a movie or concert or going out for coffee.

Reach out
Get involved with charity work--perhaps visiting a nursing home, delivering meals to needy families, serving at a homeless shelter. Supporting others who are also hurting can ease some of your pain.

Have you endured a post-loss Christmas? What helped you most? How might you reach out to a grieving friend during the holidays?
Friday, December 21, 2012 Laurel Garver
As an author who writes about grief, specifically a loss that occurs during the holidays, I'd be remiss if I didn't take a moment to talk about how to cope with the pain of loss during what's supposed to be a joyful season.

I highly recommend this wonderful series from griefshare.org, "Surviving the Holidays."

A few practical things I gleaned from it:

image by Bekahboo42, morguefile.com
Keep your expectations low
It's not necessary to accept every invitation, nor do the level of decorating and baking you've done other years. You're more vulnerable to being ambushed by emotions by the season, so don't add more stress.

Take care of your body
Exercise and exposure to sunlight should be part of your daily routine. If you feel like self-medicating with alcohol or unhealthy food, take a walk.

Dispense with the usual traditions or build new ones
If the thought of going through the usual holiday rituals fills you with dread, give yourself permission to do something completely different. Leave the usual ornaments in a box and make new ones. Take an impromptu trip to a lovely destination, or offer to house-sit for friends who are traveling. Change the time of day or room in which you open gifts. Make a completely different menu.

You might alternately find it comforting to build new traditions into your existing ones that honor your lost loved one. Here are some ideas for doing that.

Treat yourself
Give yourself a gift from your lost loved one, something that honors the special relationship you had or simply comforts you: a new album if you shared a love of music, an item of clothing in your loved one's favorite color, a book you've been eager to read, tools for a hobby you've always wanted to try.

Stay connected
Force yourself to attend social gatherings, if only for a short time. Try to plan a few fun activities with a good friend, like seeing a movie or concert or going out for coffee.

Reach out
Get involved with charity work--perhaps visiting a nursing home, delivering meals to needy families, serving at a homeless shelter. Supporting others who are also hurting can ease some of your pain.

Have you endured a post-loss Christmas? What helped you most? How might you reach out to a grieving friend during the holidays?

Thursday, September 6


So here it is, my lovely cover.

This is very much a group effort. The concept is mine. I wanted a clean, minimalist look with custom art that reflected my protagonist's two great loves--pencil drawing and her dad--yet hinted at the grief-oriented content.

Thankfully I have a very talented husband who was able to create this wonderful sketch of my protagonist's father, Graham the photographer. From there, the sketch went to an actual photographer, my friend's cousin, Whitney Levin. She had a laugh about how strange it was to photograph a photographer. Very meta. The shoot was done in August with a green leaf. Deep green.

That's when the real magic happened. I turned over the photograph (purchased all rights, something I'd recommend for the most flexibility) to my designer friend Ruth. She worked in book design before becoming a homeschooling mom, a thorough pro. She was able to autumn-ize the leaf and give me wonderful typography that manages to keep minimalist from being boring.

So what's NEVER GONE about? Grief, ghosts, and God.

Here's my official product description:

Days after her father’s death, fifteen-year-old Dani Deane begins seeing him all around New York — wading through discarded sketches in her room, roaming the halls at church, socializing at his post-funeral reception. Is grief making her crazy? Or could her dad really be lingering between this world and the next, trying to contact her?

Dani desperately longs for his help. Without him keeping the peace, Dani’s relationship with her mother is deteriorating fast. Soon Mum ships her off to rural England with Dad’s relatives for a visit that Dani fears will become a permanent stay. But she won’t let her arty, urban life slip away without a fight, especially when daily phone calls with her lab partner Theo become her lifeline.

To find her way home, Dani must somehow reconnect with Mum. But as she seeks advice from relatives and insights from old letters, she uncovers family secrets that shake her to the core. Convinced that Dad’s ghost alone can help her, she sets out on a dangerous journey to contact him one last time.

For ages 14+, YA edgy inspirational

= = =

You can add it to your to-read shelf on Goodreads today. The ebook will be available in a matter of days, the paperback by my official release date, September 27.

Stay tuned for more news about blog tours and other festivities.

What do you think? 


Thursday, September 06, 2012 Laurel Garver

So here it is, my lovely cover.

This is very much a group effort. The concept is mine. I wanted a clean, minimalist look with custom art that reflected my protagonist's two great loves--pencil drawing and her dad--yet hinted at the grief-oriented content.

Thankfully I have a very talented husband who was able to create this wonderful sketch of my protagonist's father, Graham the photographer. From there, the sketch went to an actual photographer, my friend's cousin, Whitney Levin. She had a laugh about how strange it was to photograph a photographer. Very meta. The shoot was done in August with a green leaf. Deep green.

That's when the real magic happened. I turned over the photograph (purchased all rights, something I'd recommend for the most flexibility) to my designer friend Ruth. She worked in book design before becoming a homeschooling mom, a thorough pro. She was able to autumn-ize the leaf and give me wonderful typography that manages to keep minimalist from being boring.

So what's NEVER GONE about? Grief, ghosts, and God.

Here's my official product description:

Days after her father’s death, fifteen-year-old Dani Deane begins seeing him all around New York — wading through discarded sketches in her room, roaming the halls at church, socializing at his post-funeral reception. Is grief making her crazy? Or could her dad really be lingering between this world and the next, trying to contact her?

Dani desperately longs for his help. Without him keeping the peace, Dani’s relationship with her mother is deteriorating fast. Soon Mum ships her off to rural England with Dad’s relatives for a visit that Dani fears will become a permanent stay. But she won’t let her arty, urban life slip away without a fight, especially when daily phone calls with her lab partner Theo become her lifeline.

To find her way home, Dani must somehow reconnect with Mum. But as she seeks advice from relatives and insights from old letters, she uncovers family secrets that shake her to the core. Convinced that Dad’s ghost alone can help her, she sets out on a dangerous journey to contact him one last time.

For ages 14+, YA edgy inspirational

= = =

You can add it to your to-read shelf on Goodreads today. The ebook will be available in a matter of days, the paperback by my official release date, September 27.

Stay tuned for more news about blog tours and other festivities.

What do you think? 


Tuesday, April 10

My weekend took a rather tragic turn. The beautiful stray cat we took in last May to be my daughter's kitty passed away.

We learned last summer that Rosie had feline leukemia and we watched her go through successive bouts of anemia, appetite loss, poor grooming, UTIs and respiratory infections over and over and over. My daughter adored her and loved to hug, snuggle and brush her. Despite all the sickness, Rosie had a very sweet and loving disposition.

On Sunday, Rosie's milder illnesses took a sudden turn for the worse. She couldn't stand, wouldn't drink. Her breathing was labored and her heart rate slow, so we took her to a university veterinary hospital--the only place open on a holiday. After the vets confirmed she was in late stages of the disease, we sat by petting her as the doctor sent her to eternal rest.

At times like these, I find great comfort in poetry that addresses these tough places of loss. Below are some contemporary poems by four gifted, living poets that look at themes of death, loss and grieving.

I imagine for some of you readers, your initial reaction is to now click away rather than read on. Our culture seems to want to wall away sadness, to deny it. I challenge you to read on.

Note that the in two middle poems, the title also functions as the first line.

Before
by Carl Adamshick

I always thought death would be like traveling
in a car, moving through the desert,
the earth a little darker than sky at the horizon,
that your life would settle like the end of a day
and you would think of everyone you ever met,
that you would be the invisible passenger,
quiet in the car, moving through the night,
forever, with the beautiful thought of home.

Sick to death of the hardpan shoulder,
By Greg Glazner

the froth of noise
the undersides of the cedars make,

the windblown dark that hints
and fails for hours at effacement—
maybe I could claim it isn’t

praying, but it’s asking,
at the least, begging
that these lungfuls of this blackness

eat whatever keeps on swelling
and collapsing in my chest, and be done
with it, no more noise

left hanging in the spaces
between brake lights than a smothered rush
that sounds like suffering

and is nothing. Instead a sobbing isn’t
so much easing from my throat
as shining like black light from my torso,

veining the leaves of weeds, stoning
the whole roadside in a halo—I can feel
the heat of truck lights on my back,

I’m inside that brilliant gravity,
I think of time, I’m in the driver’s
nightmare and it shudders by—


I Can Afford Neither the Rain
by Holly Iglesias

Nor the strip of light between the slats, the window itself blind with grief. Nor the bench where the last mourner lingers, the others on to the next thing, leaning into the bar, toasting the sweethearts, gone and gone, their passion and ire softening now into the earth. Nor the bluff above the Mississippi where centuries of war dead rest, where the stone stands bearing their names, the wind of romance hard against it.


Curtains
by Ruth Stone

Putting up new curtains,
other windows intrude.
As though it is that first winter in Cambridge
when you and I had just moved in.
Now cold borscht alone in a bare kitchen.

What does it mean if I say this years later?

Listen, last night
I am on a crying jag
with my landlord, Mr. Tempesta.
I sneaked in two cats.
He screams, "No pets! No pets!"
I become my Aunt Virginia,
proud but weak in the head.
I remember Anna Magnani.
I throw a few books. I shout.
He wipes his eyes and opens his hands.
OK OK keep the dirty animals
but no nails in the walls.
We cry together.
I am so nervous, he says.

I want to dig you up and say, look,
it's like the time, remember,
when I ran into our living room naked
to get rid of that fire inspector.

See what you miss by being dead?


Do you tend to run from sad things, to avoid those who are mourning? What things have helped you through a loss?
Tuesday, April 10, 2012 Laurel Garver
My weekend took a rather tragic turn. The beautiful stray cat we took in last May to be my daughter's kitty passed away.

We learned last summer that Rosie had feline leukemia and we watched her go through successive bouts of anemia, appetite loss, poor grooming, UTIs and respiratory infections over and over and over. My daughter adored her and loved to hug, snuggle and brush her. Despite all the sickness, Rosie had a very sweet and loving disposition.

On Sunday, Rosie's milder illnesses took a sudden turn for the worse. She couldn't stand, wouldn't drink. Her breathing was labored and her heart rate slow, so we took her to a university veterinary hospital--the only place open on a holiday. After the vets confirmed she was in late stages of the disease, we sat by petting her as the doctor sent her to eternal rest.

At times like these, I find great comfort in poetry that addresses these tough places of loss. Below are some contemporary poems by four gifted, living poets that look at themes of death, loss and grieving.

I imagine for some of you readers, your initial reaction is to now click away rather than read on. Our culture seems to want to wall away sadness, to deny it. I challenge you to read on.

Note that the in two middle poems, the title also functions as the first line.

Before
by Carl Adamshick

I always thought death would be like traveling
in a car, moving through the desert,
the earth a little darker than sky at the horizon,
that your life would settle like the end of a day
and you would think of everyone you ever met,
that you would be the invisible passenger,
quiet in the car, moving through the night,
forever, with the beautiful thought of home.

Sick to death of the hardpan shoulder,
By Greg Glazner

the froth of noise
the undersides of the cedars make,

the windblown dark that hints
and fails for hours at effacement—
maybe I could claim it isn’t

praying, but it’s asking,
at the least, begging
that these lungfuls of this blackness

eat whatever keeps on swelling
and collapsing in my chest, and be done
with it, no more noise

left hanging in the spaces
between brake lights than a smothered rush
that sounds like suffering

and is nothing. Instead a sobbing isn’t
so much easing from my throat
as shining like black light from my torso,

veining the leaves of weeds, stoning
the whole roadside in a halo—I can feel
the heat of truck lights on my back,

I’m inside that brilliant gravity,
I think of time, I’m in the driver’s
nightmare and it shudders by—


I Can Afford Neither the Rain
by Holly Iglesias

Nor the strip of light between the slats, the window itself blind with grief. Nor the bench where the last mourner lingers, the others on to the next thing, leaning into the bar, toasting the sweethearts, gone and gone, their passion and ire softening now into the earth. Nor the bluff above the Mississippi where centuries of war dead rest, where the stone stands bearing their names, the wind of romance hard against it.


Curtains
by Ruth Stone

Putting up new curtains,
other windows intrude.
As though it is that first winter in Cambridge
when you and I had just moved in.
Now cold borscht alone in a bare kitchen.

What does it mean if I say this years later?

Listen, last night
I am on a crying jag
with my landlord, Mr. Tempesta.
I sneaked in two cats.
He screams, "No pets! No pets!"
I become my Aunt Virginia,
proud but weak in the head.
I remember Anna Magnani.
I throw a few books. I shout.
He wipes his eyes and opens his hands.
OK OK keep the dirty animals
but no nails in the walls.
We cry together.
I am so nervous, he says.

I want to dig you up and say, look,
it's like the time, remember,
when I ran into our living room naked
to get rid of that fire inspector.

See what you miss by being dead?


Do you tend to run from sad things, to avoid those who are mourning? What things have helped you through a loss?