Showing posts with label emotion. Show all posts
Showing posts with label emotion. Show all posts

Sunday, April 30

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Zealous


A young doctor fights to contain an epidemic in a tight-knit community.


Why writing prompts can be a helpful tool, no matter where you are in your writing journey: 5 Reasons to Write with Prompts.

Love writing with prompts?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as steampunk, historical fiction, or a thriller?
Sunday, April 30, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Zealous


A young doctor fights to contain an epidemic in a tight-knit community.


Why writing prompts can be a helpful tool, no matter where you are in your writing journey: 5 Reasons to Write with Prompts.

Love writing with prompts?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as steampunk, historical fiction, or a thriller?

Thursday, April 27

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Worry


Diary of a person who imagines the worst case scenario about everything.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Need more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as middle grade fiction or romantic comedy?
Thursday, April 27, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Worry


Diary of a person who imagines the worst case scenario about everything.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Need more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as middle grade fiction or romantic comedy?

Monday, April 24

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Thankful


Write a thank you note to someone who changed your destiny.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Love writing with prompts?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as time travel romance or legal drama?
Monday, April 24, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Thankful


Write a thank you note to someone who changed your destiny.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Love writing with prompts?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as time travel romance or legal drama?

Friday, April 21

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Rage


The tiny remnant of a people who survived genocide plot their revenge.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Need more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as science fiction or steampunk?
Friday, April 21, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Rage


The tiny remnant of a people who survived genocide plot their revenge.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Need more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as science fiction or steampunk?

Monday, April 17

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Nervous


A singer waits to go onstage to compete in a televised singing contest.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Love writing with prompts?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as dystopian, cozy mystery, or a farce?
Monday, April 17, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Nervous


A singer waits to go onstage to compete in a televised singing contest.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Love writing with prompts?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as dystopian, cozy mystery, or a farce?

Saturday, April 15

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Mourning


How it would feel to suddenly or gradually lose one’s abilities due to injury or illness.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Looking for more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as suspense, middle grade fiction, or romance?
Saturday, April 15, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Mourning


How it would feel to suddenly or gradually lose one’s abilities due to injury or illness.



Writing prompts can be a helpful tool, no matter where you are in your writing journey. Here's how: 5 Reasons to Write with Prompts.

Looking for more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as suspense, middle grade fiction, or romance?

Wednesday, April 12

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Jealousy


Worry about an unfaithful partner gradually grows into paranoia. 


Writing prompts aren't only for beginners. How they can be a helpful tool, no matter where you are in your writing journey: 5 Reasons to Write with Prompts.

Craving more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as middle grade fiction, fantasy, or cyberpunk?
Wednesday, April 12, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Jealousy


Worry about an unfaithful partner gradually grows into paranoia. 


Writing prompts aren't only for beginners. How they can be a helpful tool, no matter where you are in your writing journey: 5 Reasons to Write with Prompts.

Craving more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as middle grade fiction, fantasy, or cyberpunk?

Tuesday, April 11

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Indignation


What makes your inner child holler, “That’s not fair!”?


Discover how writing prompts can be a helpful tool, no matter where you are in your writing journey: 5 Reasons to Write with Prompts.

Need some more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as political thriller or literary fiction?
Tuesday, April 11, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Indignation


What makes your inner child holler, “That’s not fair!”?


Discover how writing prompts can be a helpful tool, no matter where you are in your writing journey: 5 Reasons to Write with Prompts.

Need some more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as political thriller or literary fiction?

Monday, April 10

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Happiness


What might the phrase “happily ever after” mean to each of your characters?


Writing prompts can benefit writers at all stages of their careers. Here's how: 5 Reasons to Write with Prompts.

Enjoy using this prompt and looking for more?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about to develop your science fiction or mystery characters?
Monday, April 10, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Happiness


What might the phrase “happily ever after” mean to each of your characters?


Writing prompts can benefit writers at all stages of their careers. Here's how: 5 Reasons to Write with Prompts.

Enjoy using this prompt and looking for more?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about to develop your science fiction or mystery characters?

Thursday, April 6

Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Envy


A time when a friend’s success soured our friendship and I had to distance myself.


Why writing prompts can be a helpful tool, no matter where you are in your writing journey: 5 Reasons to Write with Prompts.

Looking for more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as new adult or steampunk?
Thursday, April 06, 2017 Laurel Garver
Welcome, A-Z Blogging Challenge friends. This year, my theme is Prompt-a-day, with fun or thought-provoking writing prompts to use as a story start, warm up, or creativity stretching exercise.

Envy


A time when a friend’s success soured our friendship and I had to distance myself.


Why writing prompts can be a helpful tool, no matter where you are in your writing journey: 5 Reasons to Write with Prompts.

Looking for more writing inspiration?

Check out my latest release, 1001 Evocative Prompts for Fiction Writers. It will stimulate your thinking wherever you are in your writing journey and get you writing today. It provides story starts and writing inspiration for a wide variety of genres by focusing on emotions, character development, and pivotal moments.

You can face a blank page with confidence when you use these prompts to warm up, beat writer’s block, develop and maintain a writing habit, change up your routine, start a new project, experiment in a new genre, deepen parts of an existing story, or overcome burnout.

What are you waiting for? Dig in and get writing right now!

Add it on Goodreads
e-book: Amazon / Barnes and Noble / Apple iTunes / KoboSmashwords
Pocket paperback (5"x 8", 114 pp.) Amazon / Barnes and NobleCreateSpace
Workbook (8"x 10", 426 pp.) Amazon / Barnes and NobleCreateSpace


Q4U: How might you spin this prompt in an unexpected direction? How about as new adult or steampunk?

Friday, October 21

I've been hard at work on several collections of writing prompts that I hope to release in the coming months. Just for fun, I thought I'd give you a small taste of what's in store. The prompts below are a very small sampling of the character and emotions prompts collection, over 1,000 in all. on 40 different emotions and numerous aspects of character development.

(Update: 1001 Evocative Prompts for Fiction Writers is available NOW!)

----

Emotions are the raw material for all creative writing (and quite a lot of nonfiction as well). Use one of the following prompts to delve into a strong emotion, writing as yourself, a fictional character, or a poetic persona. Let your exploration lead you toward the beginnings of a work of memoir, fiction or poetry. Some hint at a particular genre, others could be spun to fit multiple genres.

Amusement / Mirth


  • The best prank I’ve ever pulled / heard about.
  • How the court jester turned back an invading army.
  • Ten terrible metaphors and/or similes
  • Epic fail involving a skateboard, trampoline, or rope swing.
  • Mischievous magical folk create havoc in a village one spring evening.
  • Ten of the most ridiculous ways to kill off a character.
  • I can’t keep a straight face when I see ____.
  • A group of stand-up comics is taken hostage and must joke their way out of captivity.

Boredom


  • The most boring family event I can remember (or imagine)
  • You are a spinster noblewoman in 1815 England.
  • An athlete recovering from a concussion may not do, watch, or read anything to rest his/her injured brain.
  • A child’s eye view of a wedding.
  • You work as a lifeguard at a lap pool in a retirement home.
  • The diary of a prisoner in solitary confinement.
  • To marry your true love, you must attend weekly three-hour prayer meetings with your future in-laws for the next six months.
  • The dullest person you have ever dated.
  • An astronaut must live alone on a space station for a year.

Defeat / Discouragement


  • A setback or failure from which you thought you would never recover.
  • You missed the last bus/train/flight for the day.
  • Your science fair invention works perfectly until the judges come to observe it.
  • A false rumor causes everyone to shun you.
  • In a team competition, your teammates suffer a series of injuries, one after another.
  • Your corporate sponsor threatens to withdraw funding for a minor mistake.
  • You can’t hold a job because of a crazy relative who makes trouble everywhere.
  • A chronic illness makes it impossible to complete an important task.

Embarrassment


  • I have never been so embarrassed as when ____.
  • A beauty queen gets a nosebleed/gas attack during a pageant.
  • A dignitary comes for dinner and you/your child/your pet vomits on him/her.
  • Your swimsuit gets gobbled up by the pool drainage system.
  • Your parent with Tourette’s Syndrome chaperones the class trip/school dance.
  • The bakery accidently sends a lewd bachelorette party cake for Nana’s 90th birthday party.
  • The fart that changed my destiny.
  • Your doting mother shows off your baby pictures/awkward adolescent pictures/dweeby polka-band pictures to a potential mate.

Hope


  • You romantically connect with someone on a chance encounter, and the person asks for your number or gives you theirs.
  • A woman who has suffered several miscarriages enters the 36th week of a healthy pregnancy.
  • Describe the bodily sensations you have when you are hopeful.
  • Interstellar explorers find what looks like a viable planet for colonization, capable of sustaining human life.
  • A cancer patient begins an experimental treatment.
  • Police get an anonymous tip about a cold case.
  • The addict you love reaches their first anniversary of sobriety.
  • A group of castaways finds a crate on the beach full of farming and fishing equipment.

Shame


  • I could never tell ____.
  • How someone with an eating disorder might think about his/her body.
  • What deeply shameful experience could I more easily write myself free of if I gave it to a fictional character?
  • What skeletons do my parents have in their closets?
  • The day I realized there was something deeply wrong with me.
  • What shameful secret might my antagonist hide at all costs?
  • Deeply religious parents learn their child is leaving the faith because…
  • You learn that your parent or grandparent was once a Nazi, a torturer, or slave dealer.
  • A doctor makes a simple error that causes a patient to ____.


Interested in doing more with emotion in your writing? Pick up my guided journal Emotions in the Wild: A Writer's Observation Journal. This tool, based on exercises used in method acting, leads you through observation activities so that you can better describe character emotional responses in your writing. 

Pocket sized, with plenty of space to record your observations, this is a tool useful for writers of any genre. 

Available here: 
Amazon / Barnes and Noble / Createspace / Book Depository

Which of these prompts appeal most to you? Why?
Friday, October 21, 2016 Laurel Garver
I've been hard at work on several collections of writing prompts that I hope to release in the coming months. Just for fun, I thought I'd give you a small taste of what's in store. The prompts below are a very small sampling of the character and emotions prompts collection, over 1,000 in all. on 40 different emotions and numerous aspects of character development.

(Update: 1001 Evocative Prompts for Fiction Writers is available NOW!)

----

Emotions are the raw material for all creative writing (and quite a lot of nonfiction as well). Use one of the following prompts to delve into a strong emotion, writing as yourself, a fictional character, or a poetic persona. Let your exploration lead you toward the beginnings of a work of memoir, fiction or poetry. Some hint at a particular genre, others could be spun to fit multiple genres.

Amusement / Mirth


  • The best prank I’ve ever pulled / heard about.
  • How the court jester turned back an invading army.
  • Ten terrible metaphors and/or similes
  • Epic fail involving a skateboard, trampoline, or rope swing.
  • Mischievous magical folk create havoc in a village one spring evening.
  • Ten of the most ridiculous ways to kill off a character.
  • I can’t keep a straight face when I see ____.
  • A group of stand-up comics is taken hostage and must joke their way out of captivity.

Boredom


  • The most boring family event I can remember (or imagine)
  • You are a spinster noblewoman in 1815 England.
  • An athlete recovering from a concussion may not do, watch, or read anything to rest his/her injured brain.
  • A child’s eye view of a wedding.
  • You work as a lifeguard at a lap pool in a retirement home.
  • The diary of a prisoner in solitary confinement.
  • To marry your true love, you must attend weekly three-hour prayer meetings with your future in-laws for the next six months.
  • The dullest person you have ever dated.
  • An astronaut must live alone on a space station for a year.

Defeat / Discouragement


  • A setback or failure from which you thought you would never recover.
  • You missed the last bus/train/flight for the day.
  • Your science fair invention works perfectly until the judges come to observe it.
  • A false rumor causes everyone to shun you.
  • In a team competition, your teammates suffer a series of injuries, one after another.
  • Your corporate sponsor threatens to withdraw funding for a minor mistake.
  • You can’t hold a job because of a crazy relative who makes trouble everywhere.
  • A chronic illness makes it impossible to complete an important task.

Embarrassment


  • I have never been so embarrassed as when ____.
  • A beauty queen gets a nosebleed/gas attack during a pageant.
  • A dignitary comes for dinner and you/your child/your pet vomits on him/her.
  • Your swimsuit gets gobbled up by the pool drainage system.
  • Your parent with Tourette’s Syndrome chaperones the class trip/school dance.
  • The bakery accidently sends a lewd bachelorette party cake for Nana’s 90th birthday party.
  • The fart that changed my destiny.
  • Your doting mother shows off your baby pictures/awkward adolescent pictures/dweeby polka-band pictures to a potential mate.

Hope


  • You romantically connect with someone on a chance encounter, and the person asks for your number or gives you theirs.
  • A woman who has suffered several miscarriages enters the 36th week of a healthy pregnancy.
  • Describe the bodily sensations you have when you are hopeful.
  • Interstellar explorers find what looks like a viable planet for colonization, capable of sustaining human life.
  • A cancer patient begins an experimental treatment.
  • Police get an anonymous tip about a cold case.
  • The addict you love reaches their first anniversary of sobriety.
  • A group of castaways finds a crate on the beach full of farming and fishing equipment.

Shame


  • I could never tell ____.
  • How someone with an eating disorder might think about his/her body.
  • What deeply shameful experience could I more easily write myself free of if I gave it to a fictional character?
  • What skeletons do my parents have in their closets?
  • The day I realized there was something deeply wrong with me.
  • What shameful secret might my antagonist hide at all costs?
  • Deeply religious parents learn their child is leaving the faith because…
  • You learn that your parent or grandparent was once a Nazi, a torturer, or slave dealer.
  • A doctor makes a simple error that causes a patient to ____.


Interested in doing more with emotion in your writing? Pick up my guided journal Emotions in the Wild: A Writer's Observation Journal. This tool, based on exercises used in method acting, leads you through observation activities so that you can better describe character emotional responses in your writing. 

Pocket sized, with plenty of space to record your observations, this is a tool useful for writers of any genre. 

Available here: 
Amazon / Barnes and Noble / Createspace / Book Depository

Which of these prompts appeal most to you? Why?

Wednesday, March 2

Welcome to my new periodic series I'm calling "Word Smart," an expansion of my "Homophone Helps" series. In it, we will look at two words and/or concepts that writers confuse, offering clarifications to help you express your ideas most clearly and accurately.

I often hear the term "jealous"  used incorrectly as a synonym for envious or covetous or even greedy. And dictionaries, because they are descriptive (reflecting what is seen in speech) rather than prescriptive (defining rules), have let the erroneous conflation become acceptable.

I hope you want better for your fiction. Because there are very good reasons to NOT conflate these two very different emotions.

Jealousy

A rival stirs jealousy (Photo from morguefile.com)

Jealousy is a very complex emotion that arises when you fear losing something rightfully yours. It most often arises in threatened relationships. Generally jealousy involves at least three parties--you, your beloved/valued thing, and a rival. This rival threatens to take away the beloved and break the bond you have.

A classic example of jealousy can be found in Shakespeare's Othello. In it, a villain named Iago convinces Othello that his wife is cheating on him. Othello's jealousy grows into a murderous rage. He orders a hit on his supposed rival, then murders his supposedly unfaithful spouse. When he later discovers the infidelity was a lie concocted by Iago, Othello is overcome with remorse and kills himself.

Jealousy is built upon distrust. It finds fertile ground to grow in relationships when trust between partners is weak and/or one partner is deeply insecure and fearful about the relationship.

While in the throes of jealousy, one wants to cling to the beloved while simultaneously feeling fearful, suspicious, hurt, betrayed, and angry.

Jealousy can also be experienced regarding more abstract things rightfully yours, like your good name, reputation or accomplishments. I suspect this is where the confusion with envy happens, If someone else gets praise for your accomplishments, is it rightly envy? No. They took what is yours. Your accomplishment, your deserved praise. You would rightly be jealous.

Teens often like to play jealousy games as a way to test whether someone is a beloved. They flirt with a possible rival to see if feelings of hurt and betrayal are stirred up in their love interest.

Non-exclusive relationships, like siblings with parents, can also lead to complex jealousies--a sister might see her brother as rival for Mom's time or Dad's affection, relational perks that are rightly hers (but also rightly his). Ditto with friend groups. Valerie is spending more time with Morgan than with me. But I'm her BFF! That sense of rivalry and betrayal, of a wedge in a relationship, is jealousy.

Envy

Photo by greyerbaby at morguefile.com

Envy is the desire for some good you do not have but another does. Another word for this is coveting, though to covet can simply mean yearn for or deeply desire, Envy involves only two parties, you and the envied one. You want to take away what they have--it is desire mixed with malice.

Some say that consumer culture and advertising are intended to stoke feelings of envy.  But note that envy is deeper than greed, You don't merely want a Maserati, for example. You want to take away your neighbor's black Maserati and keep if for yourself. An envious person couldn't enjoy having a matching car. The envious could only enjoy the car if it is gained through another's loss.

Desiring someone else's partner is therefore envy. You want to take away their beloved and keep him or her for yourself. Should you succeed, you would be the rival another is jealous of, but you don't actually experience jealousy in this case. The relationship did not belong to you; you yearned for it and maliciously stole it from another.

When your coworker is lauded for his accomplishments, the emotion it stirs is envy. You desire to take away both his accomplishments and his praise. There is no beloved thing of yours betraying you or being taken from you in this case.

When a someone seems to hate you because you have a talent they do not, they are not "just jealous" but rather envious. Make sense?

Final thoughts


When deciding how to describe one of these emotions, remember this: jealousy involves fear of losing something rightfully ours. Envy involves taking something another has.

Interestingly, in the Ten Commandments, envy or coveting is condemned ("Thou shalt not covet your neighbor's wife. Thou shalt not covet thy neighbor's animals or his servants or anything that belongs to your neighbor"). Jealousy is not mentioned.

In the Torah/Old Testament, God calls himself "a jealous God" who desires that his people be faithful in worshiping only Him. As creator and protector of his people, he expects them to not give allegiance to Zeus or Ashera or Horus or Odin or the Tree Spirit. Thus jealousy is a "relationship protective" sort of emotion. It becomes pathological when there is no reason for distrust of the beloved, or when exclusivity is demanded in a naturally non-exclusive relationship (such as friendship).

Do these words have distinct images in your mind, or do you confuse or conflate them?
Wednesday, March 02, 2016 Laurel Garver
Welcome to my new periodic series I'm calling "Word Smart," an expansion of my "Homophone Helps" series. In it, we will look at two words and/or concepts that writers confuse, offering clarifications to help you express your ideas most clearly and accurately.

I often hear the term "jealous"  used incorrectly as a synonym for envious or covetous or even greedy. And dictionaries, because they are descriptive (reflecting what is seen in speech) rather than prescriptive (defining rules), have let the erroneous conflation become acceptable.

I hope you want better for your fiction. Because there are very good reasons to NOT conflate these two very different emotions.

Jealousy

A rival stirs jealousy (Photo from morguefile.com)

Jealousy is a very complex emotion that arises when you fear losing something rightfully yours. It most often arises in threatened relationships. Generally jealousy involves at least three parties--you, your beloved/valued thing, and a rival. This rival threatens to take away the beloved and break the bond you have.

A classic example of jealousy can be found in Shakespeare's Othello. In it, a villain named Iago convinces Othello that his wife is cheating on him. Othello's jealousy grows into a murderous rage. He orders a hit on his supposed rival, then murders his supposedly unfaithful spouse. When he later discovers the infidelity was a lie concocted by Iago, Othello is overcome with remorse and kills himself.

Jealousy is built upon distrust. It finds fertile ground to grow in relationships when trust between partners is weak and/or one partner is deeply insecure and fearful about the relationship.

While in the throes of jealousy, one wants to cling to the beloved while simultaneously feeling fearful, suspicious, hurt, betrayed, and angry.

Jealousy can also be experienced regarding more abstract things rightfully yours, like your good name, reputation or accomplishments. I suspect this is where the confusion with envy happens, If someone else gets praise for your accomplishments, is it rightly envy? No. They took what is yours. Your accomplishment, your deserved praise. You would rightly be jealous.

Teens often like to play jealousy games as a way to test whether someone is a beloved. They flirt with a possible rival to see if feelings of hurt and betrayal are stirred up in their love interest.

Non-exclusive relationships, like siblings with parents, can also lead to complex jealousies--a sister might see her brother as rival for Mom's time or Dad's affection, relational perks that are rightly hers (but also rightly his). Ditto with friend groups. Valerie is spending more time with Morgan than with me. But I'm her BFF! That sense of rivalry and betrayal, of a wedge in a relationship, is jealousy.

Envy

Photo by greyerbaby at morguefile.com

Envy is the desire for some good you do not have but another does. Another word for this is coveting, though to covet can simply mean yearn for or deeply desire, Envy involves only two parties, you and the envied one. You want to take away what they have--it is desire mixed with malice.

Some say that consumer culture and advertising are intended to stoke feelings of envy.  But note that envy is deeper than greed, You don't merely want a Maserati, for example. You want to take away your neighbor's black Maserati and keep if for yourself. An envious person couldn't enjoy having a matching car. The envious could only enjoy the car if it is gained through another's loss.

Desiring someone else's partner is therefore envy. You want to take away their beloved and keep him or her for yourself. Should you succeed, you would be the rival another is jealous of, but you don't actually experience jealousy in this case. The relationship did not belong to you; you yearned for it and maliciously stole it from another.

When your coworker is lauded for his accomplishments, the emotion it stirs is envy. You desire to take away both his accomplishments and his praise. There is no beloved thing of yours betraying you or being taken from you in this case.

When a someone seems to hate you because you have a talent they do not, they are not "just jealous" but rather envious. Make sense?

Final thoughts


When deciding how to describe one of these emotions, remember this: jealousy involves fear of losing something rightfully ours. Envy involves taking something another has.

Interestingly, in the Ten Commandments, envy or coveting is condemned ("Thou shalt not covet your neighbor's wife. Thou shalt not covet thy neighbor's animals or his servants or anything that belongs to your neighbor"). Jealousy is not mentioned.

In the Torah/Old Testament, God calls himself "a jealous God" who desires that his people be faithful in worshiping only Him. As creator and protector of his people, he expects them to not give allegiance to Zeus or Ashera or Horus or Odin or the Tree Spirit. Thus jealousy is a "relationship protective" sort of emotion. It becomes pathological when there is no reason for distrust of the beloved, or when exclusivity is demanded in a naturally non-exclusive relationship (such as friendship).

Do these words have distinct images in your mind, or do you confuse or conflate them?

Wednesday, December 9

Melodrama. It might make for addictive daytime TV, but it tends to drive readers crazy.

It's a long, slow ride to the top (Photo by kconnors from morguefile.com)
Consider the following melodramatic scenarios:

  • Eyes lock across a crowded room and the hero will now spend 300 pages risking his life for a woman he has never spoken to.
  • The heroine's boyfriend sees her touch another man's shoulder in a conversation, A page later, he strangles the rival and disembowels him, then sends the organs to the heroine.
  • A knee-replacement patient wobbles during physical therapy and has a crying, screaming, furniture-tossing tantrum.
  • A destitute single mother receives a million-dollar check from a philanthropist she never met.

What do you notice is a common thread among these scenarios?

Suddenness. Instantaneous action. Emotionally going from 0 to 60 m.p.h. in two seconds flat.

In other words, what tends to convert a dramatic moment into a melodramatic one is lack of preparation.

Consider how each of the above scenarios could be converted from melodrama to drama with some preparation.

Scenario 1

Eyes lock across a crowded room and the hero will now spend 300 pages risking his life for a woman he has never spoken to.

~Eyes lock across a crowded room. That woman looks so much like his dead wife, the one he couldn't save. He'll do anything to atone for his failure on that mountainside.

~Eyes lock across a crowded room. That woman looks so much like his missing sister. Could it really be her? He'll do anything to find out, and to keep her safe.

~Eyes lock across a crowded room. He knows she's had nine drinks so far, and he won't let her out of his sight. Not like he did with his college roommate who didn't live to see graduation.

Backstory, parsed out at key moments, can give some preparation for a character's radical actions.

Alternately, you can use nonlinear narration to give us this moment that seems out of the blue, then gradually reveal how this character's reaction is inevitable, based on previous experiences. 

Finally, you can ratchet down the emotion, so it's not no connection to "die for you" in seconds. More on that with the next scenario....

Scenario 2

The heroine's boyfriend sees her touch another man's shoulder in a conversation. A page later, he strangles the rival  and disembowels him, then sends the organs to the heroine.

The heroine's boyfriend sees her touch another man's shoulder in a conversation. That's her brother, right? he thinks. No wait, who is that guy?

He ponders whether she tends to touch shoulders of anyone she converses with. He gathers data, watching her talk to women, children, men old and young. He notes that she rarely touches anyone but him.

He casually brings up the shoulder-touching incident in conversation with her, not mentioning the touch. "Who were you talking to the other day?"

When she gives an innocent spin on the story, he fears she is lying, and presses back. "You seemed awfully friendly."

Her protestation confirms his fear. The lady doth protest too much, as Hamlet's mom says. My girl is definitely lying.

He becomes fixated on learning more about his rival. Is he married or in a relationship? How long has he known my girlfriend? In what capacity? He asks friends' opinions of the rival.  Googles the rival. Stalks his Facebook page. Any data that confirms his suspicions will be worried over, repeatedly rehearsed.

When the heroine will next be put into contact with the rival, her boyfriend  tries to convince her to change plans. When she refuses to do so, his anxiety increases more. He will try to control her appearance, suggesting she wear more modest clothes, less makeup.

He asks a friend to keep tabs on her while she is in contact with the rival, and to call him if anything seems out of line.

While his friend is spying, the boyfriend torments himself. He imagines the heroine in passionate embraces, hotel trysts, a Vegas wedding chapel. He wonders what he did wrong in their relationship that would drive her to cheat. He re-imagines every happy memory they ever had together and looks for signs that she was somehow unhappy or deceptive.

When the friend reports back that he saw the heroine and rival whispering together in a corner, the boyfriend ups his game once again and begins stalking the heroine, the rival, or both.


I can probably pause here, as you likely see where this is going. Jealous rages do not come out of nowhere. They start from a small suspicious action that is misinterpreted and gradually magnified. The jealous one will work every possible angle to either disprove or prove his suspicions, depending on how trusting vs. insecure he is, or how healthy vs. narcissistic.

Likewise, jealous rages do not become homicidal in nature until the one cheated on slowly but inevitably comes to the end of his rope. He will try all kinds of other methods to part the lovers or protect his own feelings before he will resort to murder.

Skipping the long arc of emotional escalation will always feel unrealistic and melodramatic.

Your MUST slow it down. Think escalator, not bullet train. The increase in "height" (intensity) should be gradual. 

Dissect the emotion. Think through how suspicion becomes worry becomes paranoia becomes jealous heat becomes anger becomes rage. 

Too fast emotional escalation is one of the key problems I see in beginning writers. If you want to improve your craft, make it your mission to understand HOW emotions escalate. 

  • Study books and films that do it well and analyze how they did it. 
  • Read psychology books and self-help books that analyze emotion.
  • Observe emotional escalation in those around you and make notes about what you see and hear. 
  • Listen to your inner voice when your emotions are stirred. How does it feel to become gradually more angry, for example, or more hopeful?

Exercise

Take one of the remaining melodramatic scenarios above and consider how to rewrite it either by properly preparing or by slowing down the emotional escalation.


Do you struggle with melodramatic scenes cropping up in your story? How might you better prepare for dramatic actions?

Wednesday, December 09, 2015 Laurel Garver
Melodrama. It might make for addictive daytime TV, but it tends to drive readers crazy.

It's a long, slow ride to the top (Photo by kconnors from morguefile.com)
Consider the following melodramatic scenarios:

  • Eyes lock across a crowded room and the hero will now spend 300 pages risking his life for a woman he has never spoken to.
  • The heroine's boyfriend sees her touch another man's shoulder in a conversation, A page later, he strangles the rival and disembowels him, then sends the organs to the heroine.
  • A knee-replacement patient wobbles during physical therapy and has a crying, screaming, furniture-tossing tantrum.
  • A destitute single mother receives a million-dollar check from a philanthropist she never met.

What do you notice is a common thread among these scenarios?

Suddenness. Instantaneous action. Emotionally going from 0 to 60 m.p.h. in two seconds flat.

In other words, what tends to convert a dramatic moment into a melodramatic one is lack of preparation.

Consider how each of the above scenarios could be converted from melodrama to drama with some preparation.

Scenario 1

Eyes lock across a crowded room and the hero will now spend 300 pages risking his life for a woman he has never spoken to.

~Eyes lock across a crowded room. That woman looks so much like his dead wife, the one he couldn't save. He'll do anything to atone for his failure on that mountainside.

~Eyes lock across a crowded room. That woman looks so much like his missing sister. Could it really be her? He'll do anything to find out, and to keep her safe.

~Eyes lock across a crowded room. He knows she's had nine drinks so far, and he won't let her out of his sight. Not like he did with his college roommate who didn't live to see graduation.

Backstory, parsed out at key moments, can give some preparation for a character's radical actions.

Alternately, you can use nonlinear narration to give us this moment that seems out of the blue, then gradually reveal how this character's reaction is inevitable, based on previous experiences. 

Finally, you can ratchet down the emotion, so it's not no connection to "die for you" in seconds. More on that with the next scenario....

Scenario 2

The heroine's boyfriend sees her touch another man's shoulder in a conversation. A page later, he strangles the rival  and disembowels him, then sends the organs to the heroine.

The heroine's boyfriend sees her touch another man's shoulder in a conversation. That's her brother, right? he thinks. No wait, who is that guy?

He ponders whether she tends to touch shoulders of anyone she converses with. He gathers data, watching her talk to women, children, men old and young. He notes that she rarely touches anyone but him.

He casually brings up the shoulder-touching incident in conversation with her, not mentioning the touch. "Who were you talking to the other day?"

When she gives an innocent spin on the story, he fears she is lying, and presses back. "You seemed awfully friendly."

Her protestation confirms his fear. The lady doth protest too much, as Hamlet's mom says. My girl is definitely lying.

He becomes fixated on learning more about his rival. Is he married or in a relationship? How long has he known my girlfriend? In what capacity? He asks friends' opinions of the rival.  Googles the rival. Stalks his Facebook page. Any data that confirms his suspicions will be worried over, repeatedly rehearsed.

When the heroine will next be put into contact with the rival, her boyfriend  tries to convince her to change plans. When she refuses to do so, his anxiety increases more. He will try to control her appearance, suggesting she wear more modest clothes, less makeup.

He asks a friend to keep tabs on her while she is in contact with the rival, and to call him if anything seems out of line.

While his friend is spying, the boyfriend torments himself. He imagines the heroine in passionate embraces, hotel trysts, a Vegas wedding chapel. He wonders what he did wrong in their relationship that would drive her to cheat. He re-imagines every happy memory they ever had together and looks for signs that she was somehow unhappy or deceptive.

When the friend reports back that he saw the heroine and rival whispering together in a corner, the boyfriend ups his game once again and begins stalking the heroine, the rival, or both.


I can probably pause here, as you likely see where this is going. Jealous rages do not come out of nowhere. They start from a small suspicious action that is misinterpreted and gradually magnified. The jealous one will work every possible angle to either disprove or prove his suspicions, depending on how trusting vs. insecure he is, or how healthy vs. narcissistic.

Likewise, jealous rages do not become homicidal in nature until the one cheated on slowly but inevitably comes to the end of his rope. He will try all kinds of other methods to part the lovers or protect his own feelings before he will resort to murder.

Skipping the long arc of emotional escalation will always feel unrealistic and melodramatic.

Your MUST slow it down. Think escalator, not bullet train. The increase in "height" (intensity) should be gradual. 

Dissect the emotion. Think through how suspicion becomes worry becomes paranoia becomes jealous heat becomes anger becomes rage. 

Too fast emotional escalation is one of the key problems I see in beginning writers. If you want to improve your craft, make it your mission to understand HOW emotions escalate. 

  • Study books and films that do it well and analyze how they did it. 
  • Read psychology books and self-help books that analyze emotion.
  • Observe emotional escalation in those around you and make notes about what you see and hear. 
  • Listen to your inner voice when your emotions are stirred. How does it feel to become gradually more angry, for example, or more hopeful?

Exercise

Take one of the remaining melodramatic scenarios above and consider how to rewrite it either by properly preparing or by slowing down the emotional escalation.


Do you struggle with melodramatic scenes cropping up in your story? How might you better prepare for dramatic actions?

Tuesday, November 17

Photo credit: jdurham from morguefile.com 
I'm not here today, I'm guest posting over at Jami Gold's blog on honing your observation skills in order to better portray characters' emotion in fiction.

Reading others' emotions is something you do every day.  It's a skill one begins to develop from infancy. But like other kinds of reading, it's a learned skill, not an entirely inborn one. So if you feel like this is a weakness, never fear, you can improve with practice.

And it's worth the effort to observe people's natural emotional reactions in natural settings in order to better represent human behavior in your fiction.

So please swing by to say hello and, I hope, pick up some useful tips for turning your ordinary trips to the grocery store, your kids' swim meet, the dentist, the gym into an emotions laboratory.
Tuesday, November 17, 2015 Laurel Garver
Photo credit: jdurham from morguefile.com 
I'm not here today, I'm guest posting over at Jami Gold's blog on honing your observation skills in order to better portray characters' emotion in fiction.

Reading others' emotions is something you do every day.  It's a skill one begins to develop from infancy. But like other kinds of reading, it's a learned skill, not an entirely inborn one. So if you feel like this is a weakness, never fear, you can improve with practice.

And it's worth the effort to observe people's natural emotional reactions in natural settings in order to better represent human behavior in your fiction.

So please swing by to say hello and, I hope, pick up some useful tips for turning your ordinary trips to the grocery store, your kids' swim meet, the dentist, the gym into an emotions laboratory.

Wednesday, August 5

Summer is an innately frustrating season for working moms who write (people like me), because the usual routines that help us keep some balance between roles are mostly gone. The kids are at home, there's no homework to fill the evenings, and night owl sleep patterns of the rest of the family can keep one from getting one's usual rest. I often struggle with being perpetually grouchy in the summer months because my writing time gets squeezed more than usual by family needs, and when I can eke some out, it is often interrupted.

By Alex (Flickr: [1]) via Wikimedia Commons
I recently had another layer of frustration added on. Both neighbors with whom we share walls had workmen in--basement repair guys on one side, demo and rehab guys on the other. Between the squealing saws, booming hammers, grumbling cement mixer, and pounding hard rock radio station, I thought my head would split in half. Headphones and music didn't help, because some of the pounding was my own rising heart rate making blood thump in my ears.

I wanted to scream. Throw a tantrum, Or snap my fingers and mute the world.

But I'm a writer, so I didn't do any of these things.

Instead I sat very still and listened. Listened to what my body was telling me, listened to my inner monologue--both what I did  and did not want.

Why? Because frustration is one of the key emotions that drives fiction, one commonly triggered by an unmet desire.

And we all know what unmet desires are, don't we? They are the driving force of tension. And tension is what moves stories forward. (For more on this helpful definition of tension, see Steven James's Story Trumps Structure.)

So the next time you feel like punching someone because you are stuck in traffic, or the dog ate your shoes, or the kids won't give you ten minutes of peace to write, stop. Pay attention to how your body feels. Listen to the words screeching in your head. This is an emotion you need to know inside out, because it will help you write stronger scenes.

And when you're out and about and witness someone else about to explode, watch (from a safe distance) and record what you observe.

  • What facial expressions does a frustrated person have?
  • What postures, gestures, and motions does the person use?
  • How does the frustrated person talk about his/her feelings?
  • What colorful phrases and idioms come out?
More ideas on observing and journaling emotions for use in fiction can be found in my new book Emotions in the Wild: A Writer's Observation Journal.

How might you use your writerly mind to turn everyday experiences into fiction fodder? 
Wednesday, August 05, 2015 Laurel Garver
Summer is an innately frustrating season for working moms who write (people like me), because the usual routines that help us keep some balance between roles are mostly gone. The kids are at home, there's no homework to fill the evenings, and night owl sleep patterns of the rest of the family can keep one from getting one's usual rest. I often struggle with being perpetually grouchy in the summer months because my writing time gets squeezed more than usual by family needs, and when I can eke some out, it is often interrupted.

By Alex (Flickr: [1]) via Wikimedia Commons
I recently had another layer of frustration added on. Both neighbors with whom we share walls had workmen in--basement repair guys on one side, demo and rehab guys on the other. Between the squealing saws, booming hammers, grumbling cement mixer, and pounding hard rock radio station, I thought my head would split in half. Headphones and music didn't help, because some of the pounding was my own rising heart rate making blood thump in my ears.

I wanted to scream. Throw a tantrum, Or snap my fingers and mute the world.

But I'm a writer, so I didn't do any of these things.

Instead I sat very still and listened. Listened to what my body was telling me, listened to my inner monologue--both what I did  and did not want.

Why? Because frustration is one of the key emotions that drives fiction, one commonly triggered by an unmet desire.

And we all know what unmet desires are, don't we? They are the driving force of tension. And tension is what moves stories forward. (For more on this helpful definition of tension, see Steven James's Story Trumps Structure.)

So the next time you feel like punching someone because you are stuck in traffic, or the dog ate your shoes, or the kids won't give you ten minutes of peace to write, stop. Pay attention to how your body feels. Listen to the words screeching in your head. This is an emotion you need to know inside out, because it will help you write stronger scenes.

And when you're out and about and witness someone else about to explode, watch (from a safe distance) and record what you observe.

  • What facial expressions does a frustrated person have?
  • What postures, gestures, and motions does the person use?
  • How does the frustrated person talk about his/her feelings?
  • What colorful phrases and idioms come out?
More ideas on observing and journaling emotions for use in fiction can be found in my new book Emotions in the Wild: A Writer's Observation Journal.

How might you use your writerly mind to turn everyday experiences into fiction fodder? 

Wednesday, July 22

I'd intended to blog once I got back from Florida, where I was helping my mother prepare to move from independent to assisted living in her retirement community. What I didn't anticipate was arriving there with a toothache that turned out to be an abscessed molar. Fortunately, mom's dentist put me on an antibiotic, and we had so much to do that tasks rather than pain occupied most of my thoughts. But I kind of crashed when I got home. A root canal has alleviated the worst pain, and I'm slowly returning to normal.

Photo credit: sideshowmom from morguefile.com 
The primary task while in Florida was to help my mom choose a small portion of her copious belongings to move to her new studio apartment. Oddly enough, most of the purging process was pretty painless, because Mom hadn't even looked at some of her belongings in a decade, or realized she had no use for some items in her "new life" in which all meals are served in a dining room--no more meal prep or clean-up.


For over a year, she had resisted making the move, even though she was painfully lonely and isolated, because she falsely believed she needed a bigger apartment. All this stuff was holding her back from moving ahead, being in a better environment.

The whole experience got me thinking deeply about my relationship to not only stuff, but also ideas that can keep a person stuck. To extend my moving-prep metaphor, first step to overcoming the junk crammed in the closets is to open the door and actually look at it.

Here are a handful of ideas that can limit you, keep you stuck.

  • No one cares what I have to say; I'm a nobody.
  • No one else is writing about ___, so it must be a stupid idea.
  • Everyone is writing in __ genre, so I should, too.
  • That's way too complicated.
  • If I try this new thing, it will be such a time-suck, I'll go under.
  • I can't build a new routine, it's just too hard.
  • I can't afford ___ (to attend a conference, a pro editor, a computer that doesn't crash). 
  • This technique worked for me in the past.
  • All the experts say ___ will guarantee me success.
  • I'm scared of ___ (rejection, public speaking, not having a steady income).
  • My family needs X, Y, Z from me.
  • I can't ask so-and-so to pitch in, they'll just say no and make me resentful. 
  • My one experience doing ___ was so bad, no way will I try it again.
  • I can't approach X or Y, they are way too busy.
  • I don't have a head for ____ (marketing, social media, business).
  • What if I do this new thing at the wrong time and it flops?
  • What if people read my work and think I'm ____ (weird, unhinged, a heretic, a bad parent)?
  • I didn't do such-and-such perfectly the first time, so I might as well quit now.
  • This is really hard, therefore I must not have any natural talent and should quit.

Wow, that was kind of frightening, wasn't it? But I've had a lot of these thoughts, or heard them in some form from writer friends.

I don't have a quick fix for self-sabotage. But I know for sure that remaining in denial isn't going to resolve the problem any more than refusing to see the doctor about that weird mole will prevent you from having skin cancer.

So take the time to open that metaphorical dark cabinet where you've stuffed your worries and fears. Bring them into the light, examine them. Then consider how they might be false and need to be trashed, pronto. Or perhaps they seem true, but tell only part of the story. The unwritten part might involve a creative work-around, a challenge you just need to contemplate for a while, and a solution will come in time.

Do you ever emotionally "clean house"? What negative thoughts plague you that you'd like to jettison?
Wednesday, July 22, 2015 Laurel Garver
I'd intended to blog once I got back from Florida, where I was helping my mother prepare to move from independent to assisted living in her retirement community. What I didn't anticipate was arriving there with a toothache that turned out to be an abscessed molar. Fortunately, mom's dentist put me on an antibiotic, and we had so much to do that tasks rather than pain occupied most of my thoughts. But I kind of crashed when I got home. A root canal has alleviated the worst pain, and I'm slowly returning to normal.

Photo credit: sideshowmom from morguefile.com 
The primary task while in Florida was to help my mom choose a small portion of her copious belongings to move to her new studio apartment. Oddly enough, most of the purging process was pretty painless, because Mom hadn't even looked at some of her belongings in a decade, or realized she had no use for some items in her "new life" in which all meals are served in a dining room--no more meal prep or clean-up.


For over a year, she had resisted making the move, even though she was painfully lonely and isolated, because she falsely believed she needed a bigger apartment. All this stuff was holding her back from moving ahead, being in a better environment.

The whole experience got me thinking deeply about my relationship to not only stuff, but also ideas that can keep a person stuck. To extend my moving-prep metaphor, first step to overcoming the junk crammed in the closets is to open the door and actually look at it.

Here are a handful of ideas that can limit you, keep you stuck.

  • No one cares what I have to say; I'm a nobody.
  • No one else is writing about ___, so it must be a stupid idea.
  • Everyone is writing in __ genre, so I should, too.
  • That's way too complicated.
  • If I try this new thing, it will be such a time-suck, I'll go under.
  • I can't build a new routine, it's just too hard.
  • I can't afford ___ (to attend a conference, a pro editor, a computer that doesn't crash). 
  • This technique worked for me in the past.
  • All the experts say ___ will guarantee me success.
  • I'm scared of ___ (rejection, public speaking, not having a steady income).
  • My family needs X, Y, Z from me.
  • I can't ask so-and-so to pitch in, they'll just say no and make me resentful. 
  • My one experience doing ___ was so bad, no way will I try it again.
  • I can't approach X or Y, they are way too busy.
  • I don't have a head for ____ (marketing, social media, business).
  • What if I do this new thing at the wrong time and it flops?
  • What if people read my work and think I'm ____ (weird, unhinged, a heretic, a bad parent)?
  • I didn't do such-and-such perfectly the first time, so I might as well quit now.
  • This is really hard, therefore I must not have any natural talent and should quit.

Wow, that was kind of frightening, wasn't it? But I've had a lot of these thoughts, or heard them in some form from writer friends.

I don't have a quick fix for self-sabotage. But I know for sure that remaining in denial isn't going to resolve the problem any more than refusing to see the doctor about that weird mole will prevent you from having skin cancer.

So take the time to open that metaphorical dark cabinet where you've stuffed your worries and fears. Bring them into the light, examine them. Then consider how they might be false and need to be trashed, pronto. Or perhaps they seem true, but tell only part of the story. The unwritten part might involve a creative work-around, a challenge you just need to contemplate for a while, and a solution will come in time.

Do you ever emotionally "clean house"? What negative thoughts plague you that you'd like to jettison?

Monday, June 15

Every season comes with special challenges for writers. In summer, it's often kids home from school, friends and family visiting, and time away for family vacation that can destroy your writing routine.

But what if time away from the keyboard could be as useful to your craft as the hours of "butt in chair"? The hours you spend out in the world can indeed be a creative gift to you, putting you in new places with access to new experiences. In particular, you have wonderful access to the laboratory of human emotion. You just have to pay attention.

People-watching is the best way to gain an understanding of how real people express their feelings. Observe and record, and you'll never be at a loss for how to represent your characters in your fiction-- without resorting to tired cliches.

Do this haphazardly, however, and it won't be as useful an exercise. Organization is truly key.

With these issues in mind, I created a tool that writers of any genre can use to develop their own "emotions bible" in their own authorial voice. It is based on an exercise used by method actors: observing and journaling expression, gesture, carriage, stance, motion in order to better embody it on stage.

Emotions in the Wild: A Writer's Observational Journal contains over 200 pages of guided journaling exercises to help you record your observations of how real people express thirty nine different emotions. Once completed, the journal can serve as your go-to source for creating realistic dialogue and facial and body language that is uniquely yours.  You can use it again and again on any fiction project.

Tuck the journal in your bag and make use of any and every opportunity to observe emotion, whether you're stuck in line at the grocery store, waiting for your child at swim lessons, sitting in a doctor's waiting room, or lounging on the beach or at the pool. Watch your emotional vocabulary grow, you productivity soar, and your reliance on cliches fade away,

Add it on Goodreads
Purchase the paperback from CreateSpace / Amazon (US) / Amazon (UK)

Where will summer take you? How might your writing benefit from observation research?
Monday, June 15, 2015 Laurel Garver
Every season comes with special challenges for writers. In summer, it's often kids home from school, friends and family visiting, and time away for family vacation that can destroy your writing routine.

But what if time away from the keyboard could be as useful to your craft as the hours of "butt in chair"? The hours you spend out in the world can indeed be a creative gift to you, putting you in new places with access to new experiences. In particular, you have wonderful access to the laboratory of human emotion. You just have to pay attention.

People-watching is the best way to gain an understanding of how real people express their feelings. Observe and record, and you'll never be at a loss for how to represent your characters in your fiction-- without resorting to tired cliches.

Do this haphazardly, however, and it won't be as useful an exercise. Organization is truly key.

With these issues in mind, I created a tool that writers of any genre can use to develop their own "emotions bible" in their own authorial voice. It is based on an exercise used by method actors: observing and journaling expression, gesture, carriage, stance, motion in order to better embody it on stage.

Emotions in the Wild: A Writer's Observational Journal contains over 200 pages of guided journaling exercises to help you record your observations of how real people express thirty nine different emotions. Once completed, the journal can serve as your go-to source for creating realistic dialogue and facial and body language that is uniquely yours.  You can use it again and again on any fiction project.

Tuck the journal in your bag and make use of any and every opportunity to observe emotion, whether you're stuck in line at the grocery store, waiting for your child at swim lessons, sitting in a doctor's waiting room, or lounging on the beach or at the pool. Watch your emotional vocabulary grow, you productivity soar, and your reliance on cliches fade away,

Add it on Goodreads
Purchase the paperback from CreateSpace / Amazon (US) / Amazon (UK)

Where will summer take you? How might your writing benefit from observation research?

Wednesday, May 6

I volunteered to run a workshop on writing at a women's retreat for my church. Our congregation has more than its fair share of highly educated people, situated as we are near several major universities and medical institutions. With that in mind, I've been busy assembling some writing exercises to appeal to brainy spiritual people who want to take a break from the grind and do something different.

The retreat speaker's theme is "Things Not Seen," which provided a good jumping off point for the kinds of exercises I plan to offer. I don't know exactly who will turn up and where they are in their particular writing journey, so I've had to think broadly about topics that could be thought-provoking and nourishing to both veterans and newbies.

Things Not Seen: Writing Explorations


We cannot see the wind, but its force is powerful.

Hidden blocks: why I don't write


Distractions
"Losing our voices is a natural outcome of trying to ignore what bothers us." --Georgia Heard, Writing Toward Home 34.

What rumblings in daily life are too painful to face? Make you feel resigned and helpless? Write about what is rumbling for you, what bothers you. What prevents you from seeing or changing the situation? It's not an ideal environment that you most need, but rather honesty and awareness. Brainstorm what your personal blocks are and how you might move toward clarity.

Inner Critics
"To avoid criticism, do nothing, say nothing, and be nothing." --Elbert Hubbard

To write, you have to face the inner sources of criticism, those harsh voices in your head that fill you with doubt and a sense of defeat. Identify them. What do they look like? Where do they work? How did they enter your life? How did they gain power over you? Personify these voices in as much detail as you can.

Write a letter to your critics and let your anger flow. How have they harmed you? It might help to express the specific fears you have about writing that they have exacerbated. Express how you will protect yourself from their negativity.

Now imagine your muse/guardian angel/Holy Spirit who knows and loves you and wants you to flourish and help others flourish through the beautiful truths you share. Write what you hope and dream for your writing. Write how you would like this protective spirit to keep you safe inside, what messages you most need to hear, and what resources you need in order to write.

Lack of vision
"Where there is no vision, the people perish." Proverbs 29:18a

Perhaps your desire to write has been a vague rumbling you've been unable to articulate. Without a sense of the why, you indefinitely put off starting any project. What you most need is to draw to the surface an inner passion that has been pushed to the back burner.

Take some time to brainstorm and think more deeply about why your desire to write exists. Complete this sentence: I want to write because _____. Be specific. Is there a particular truth you want to share? An audience you want to engage with? Have stories shaped you in a significant way that you want to engage with more deeply at this stage of life? Is there a set of skills you want to develop? A favorite author you wish to emulate?

Hidden Emotions


Emotions are the raw material for all creative writing (and quite a lot of nonfiction as well). Use one of the following prompts to delve into a strong emotion, and let your exploration lead you toward the beginnings of a work of memoir, fiction or poetry.

Don't be afraid to begin with brainstormed jots and lists, or snippets of conversation, or messy stream-of-consciousness musings. Think of your first step as "making clay" that can then be shaped.

Anger
Repressed anger can be a major block to creativity, as it tends to fester and cause deep soul damage. Release anger by writing about it, as a journal entry, a poem, or channeled through a fictional character. Be brutally honest, holding nothing back.

Grief
Unresolved sadness in your life can be another major creativity blocker. Write about a significant place of loss you have been reticent to address. Circle around the edges, gradually going deeper into details and the emotions they stir up in you. Turn these musings into a memoir of loss, a poem, or story about a character grieving a loss--or struggling to do so.

Shame
Your deepest secrets are your deepest, truest sources of story material. To access that material, you have to bravely allow those secrets to come to the surface, at least in your own consciousness. Write a list that completes this sentence: "I could never tell...." Feel free to throw in some pseudo secrets and to scribble out anything you are completely mortified to admit. The goal is to think about and acknowledge these deeper stories. The act of acknowledging them to yourself will allow you to tap into the power this material has.  You might find, in giving your secrets to a fictional caretaker to grapple with, the old shame releases its hold on you.

Fear
Being scared is one of the key drivers of all human behavior. It often tinges even places where we should feel most confident or at ease. Write about the things that consistently leave you uneasy or even terrify you. What worst-case scenarios often invade your imagination? Write about them in detail. Put a fictional character through your worst fears. How will he or she cope?

Love
Desire and longing--inner passion--are powerful drivers that can combat fear. Think of a time when you fell in love, whether with a person, a place, or a discovered passion for something. Write about that experience, either as memoir, poem, or channeled through a fictional character's slightly different details. What did this person, place, thing, experience call forth from you (or him/her)? What fullness did it offer you (him/her)?

Comfort
A desire for peace and harmony is a deep longing of the human heart. Write about a time/place when you experienced being fully welcomed and loved. Include as much detail as possible. Alternately, think of what kinds of moments, relationships, or environments would enable you to experience comfort and peace. Describe it for yourself or a fictional character.

Pivotal Moments
This is a mix-and-match exercise for exploring emotion in all its complexity. Choose a word or phrase from each list to select a mattering moment. Consider why it is significant to you, or a fictional character you create. How did/does it shift your/her self concept, approach to tasks, relationships? Write a memoir piece, poem, or short story.

List A
first, last, best, worst

List B
memory, accident, surprise, school day, class, performance, game, event, outing, vacation, holiday, pet, project, date, kiss, relationship, job, car, home

Final discussion

At the end of our time, we'll wrap up with sharing a little of what each person has written or a reflection on the exercise chosen and what was gleaned from the experience.

Which of these prompts appeal to you most? What is  your experience with retreat workshops?
Wednesday, May 06, 2015 Laurel Garver
I volunteered to run a workshop on writing at a women's retreat for my church. Our congregation has more than its fair share of highly educated people, situated as we are near several major universities and medical institutions. With that in mind, I've been busy assembling some writing exercises to appeal to brainy spiritual people who want to take a break from the grind and do something different.

The retreat speaker's theme is "Things Not Seen," which provided a good jumping off point for the kinds of exercises I plan to offer. I don't know exactly who will turn up and where they are in their particular writing journey, so I've had to think broadly about topics that could be thought-provoking and nourishing to both veterans and newbies.

Things Not Seen: Writing Explorations


We cannot see the wind, but its force is powerful.

Hidden blocks: why I don't write


Distractions
"Losing our voices is a natural outcome of trying to ignore what bothers us." --Georgia Heard, Writing Toward Home 34.

What rumblings in daily life are too painful to face? Make you feel resigned and helpless? Write about what is rumbling for you, what bothers you. What prevents you from seeing or changing the situation? It's not an ideal environment that you most need, but rather honesty and awareness. Brainstorm what your personal blocks are and how you might move toward clarity.

Inner Critics
"To avoid criticism, do nothing, say nothing, and be nothing." --Elbert Hubbard

To write, you have to face the inner sources of criticism, those harsh voices in your head that fill you with doubt and a sense of defeat. Identify them. What do they look like? Where do they work? How did they enter your life? How did they gain power over you? Personify these voices in as much detail as you can.

Write a letter to your critics and let your anger flow. How have they harmed you? It might help to express the specific fears you have about writing that they have exacerbated. Express how you will protect yourself from their negativity.

Now imagine your muse/guardian angel/Holy Spirit who knows and loves you and wants you to flourish and help others flourish through the beautiful truths you share. Write what you hope and dream for your writing. Write how you would like this protective spirit to keep you safe inside, what messages you most need to hear, and what resources you need in order to write.

Lack of vision
"Where there is no vision, the people perish." Proverbs 29:18a

Perhaps your desire to write has been a vague rumbling you've been unable to articulate. Without a sense of the why, you indefinitely put off starting any project. What you most need is to draw to the surface an inner passion that has been pushed to the back burner.

Take some time to brainstorm and think more deeply about why your desire to write exists. Complete this sentence: I want to write because _____. Be specific. Is there a particular truth you want to share? An audience you want to engage with? Have stories shaped you in a significant way that you want to engage with more deeply at this stage of life? Is there a set of skills you want to develop? A favorite author you wish to emulate?

Hidden Emotions


Emotions are the raw material for all creative writing (and quite a lot of nonfiction as well). Use one of the following prompts to delve into a strong emotion, and let your exploration lead you toward the beginnings of a work of memoir, fiction or poetry.

Don't be afraid to begin with brainstormed jots and lists, or snippets of conversation, or messy stream-of-consciousness musings. Think of your first step as "making clay" that can then be shaped.

Anger
Repressed anger can be a major block to creativity, as it tends to fester and cause deep soul damage. Release anger by writing about it, as a journal entry, a poem, or channeled through a fictional character. Be brutally honest, holding nothing back.

Grief
Unresolved sadness in your life can be another major creativity blocker. Write about a significant place of loss you have been reticent to address. Circle around the edges, gradually going deeper into details and the emotions they stir up in you. Turn these musings into a memoir of loss, a poem, or story about a character grieving a loss--or struggling to do so.

Shame
Your deepest secrets are your deepest, truest sources of story material. To access that material, you have to bravely allow those secrets to come to the surface, at least in your own consciousness. Write a list that completes this sentence: "I could never tell...." Feel free to throw in some pseudo secrets and to scribble out anything you are completely mortified to admit. The goal is to think about and acknowledge these deeper stories. The act of acknowledging them to yourself will allow you to tap into the power this material has.  You might find, in giving your secrets to a fictional caretaker to grapple with, the old shame releases its hold on you.

Fear
Being scared is one of the key drivers of all human behavior. It often tinges even places where we should feel most confident or at ease. Write about the things that consistently leave you uneasy or even terrify you. What worst-case scenarios often invade your imagination? Write about them in detail. Put a fictional character through your worst fears. How will he or she cope?

Love
Desire and longing--inner passion--are powerful drivers that can combat fear. Think of a time when you fell in love, whether with a person, a place, or a discovered passion for something. Write about that experience, either as memoir, poem, or channeled through a fictional character's slightly different details. What did this person, place, thing, experience call forth from you (or him/her)? What fullness did it offer you (him/her)?

Comfort
A desire for peace and harmony is a deep longing of the human heart. Write about a time/place when you experienced being fully welcomed and loved. Include as much detail as possible. Alternately, think of what kinds of moments, relationships, or environments would enable you to experience comfort and peace. Describe it for yourself or a fictional character.

Pivotal Moments
This is a mix-and-match exercise for exploring emotion in all its complexity. Choose a word or phrase from each list to select a mattering moment. Consider why it is significant to you, or a fictional character you create. How did/does it shift your/her self concept, approach to tasks, relationships? Write a memoir piece, poem, or short story.

List A
first, last, best, worst

List B
memory, accident, surprise, school day, class, performance, game, event, outing, vacation, holiday, pet, project, date, kiss, relationship, job, car, home

Final discussion

At the end of our time, we'll wrap up with sharing a little of what each person has written or a reflection on the exercise chosen and what was gleaned from the experience.

Which of these prompts appeal to you most? What is  your experience with retreat workshops?

Tuesday, November 11

Compulsion is a deep-seated need to do something, a belief that a particular action will make one's anxiety evaporate. More serious compulsions we label "OCD"--obsessive compulsive disorder. OCD sufferers need to wash their hands frequently to dispel their anxiety about germs, or flick light switches a certain number of times to keep the universe in harmony.

Photo credit: mensatic from morguefile.com
Most of us have less dramatic compulsions that surface in times of stress. "I'll be okay if I can just go for a run," says the exercise-compulsive. One of my good friends cooks and freezes huge portions of food when she's anxious. I tend to clean, organize, and rearrange the furniture. Having a neat environment makes me feel like life is under control.


There's a wonderful indie film that got me thinking more deeply about this: Sunshine Cleaning, starring Amy Adams and Emily Blunt as sisters Rose and Nora. These women are both struggling financially and learn that they could be making good money starting up their own business--cleaning up crime scenes.

What sort of person would be drawn to this work? It's grisly and just really, really gross. But as you learn Rose and Nora's backstory, it becomes clear that this is therapeutic work for them. They lost a loved one in a grisly manner when they were both quite young and have had difficulty moving on. Clearing away the evidence of painful loss for their clients cleans their own damaged souls.

If a different set of characters had been set in this scenario, I don't know that it would have worked as well. A socialite scrubbing gore off the walls would have been funnier--but less believable. What kept me gripped by the film was a desire to understand the underlying compulsion--the psychological need being met in this particular set of circumstances.

At one point, Rose is at a baby shower and has to explain her new business to a group of well-off young women who were high school friends. You couldn't ask for a more ironic juxtaposition, so I was bracing myself for things to go horribly, hilariously wrong. But the writer took a light touch, and in that moment we expect to writhe for Rose, she gives a wonderfully layered response to her friends' questions that's simultaneously sappy and deep.

"We're helping people," Rose says, "at a time when they are going through something profound. And we make things better."

When you can link an old wound with a new challenge, well, friends, you have the makings of deep, compelling drama. The trick is to match your protagonist and plot well.

Does your story's plot force your character to grapple with an old wound? If not, how might you better match protagonist and plot?
Tuesday, November 11, 2014 Laurel Garver
Compulsion is a deep-seated need to do something, a belief that a particular action will make one's anxiety evaporate. More serious compulsions we label "OCD"--obsessive compulsive disorder. OCD sufferers need to wash their hands frequently to dispel their anxiety about germs, or flick light switches a certain number of times to keep the universe in harmony.

Photo credit: mensatic from morguefile.com
Most of us have less dramatic compulsions that surface in times of stress. "I'll be okay if I can just go for a run," says the exercise-compulsive. One of my good friends cooks and freezes huge portions of food when she's anxious. I tend to clean, organize, and rearrange the furniture. Having a neat environment makes me feel like life is under control.


There's a wonderful indie film that got me thinking more deeply about this: Sunshine Cleaning, starring Amy Adams and Emily Blunt as sisters Rose and Nora. These women are both struggling financially and learn that they could be making good money starting up their own business--cleaning up crime scenes.

What sort of person would be drawn to this work? It's grisly and just really, really gross. But as you learn Rose and Nora's backstory, it becomes clear that this is therapeutic work for them. They lost a loved one in a grisly manner when they were both quite young and have had difficulty moving on. Clearing away the evidence of painful loss for their clients cleans their own damaged souls.

If a different set of characters had been set in this scenario, I don't know that it would have worked as well. A socialite scrubbing gore off the walls would have been funnier--but less believable. What kept me gripped by the film was a desire to understand the underlying compulsion--the psychological need being met in this particular set of circumstances.

At one point, Rose is at a baby shower and has to explain her new business to a group of well-off young women who were high school friends. You couldn't ask for a more ironic juxtaposition, so I was bracing myself for things to go horribly, hilariously wrong. But the writer took a light touch, and in that moment we expect to writhe for Rose, she gives a wonderfully layered response to her friends' questions that's simultaneously sappy and deep.

"We're helping people," Rose says, "at a time when they are going through something profound. And we make things better."

When you can link an old wound with a new challenge, well, friends, you have the makings of deep, compelling drama. The trick is to match your protagonist and plot well.

Does your story's plot force your character to grapple with an old wound? If not, how might you better match protagonist and plot?

Tuesday, August 19

Photo credit: RoganJosh from morguefile.com 
How often are you going happily along in your routines when—BAM!—some misfortune or difficulty derails you? One's natural instinct is to get through, get out, get away from the hardship as soon as possible, looking neither to the left or the right.

But there’s another way to think about life’s rough patches—as opportunity.  This perspective is something I’ve been raised with, but didn’t always appreciate. A mishap with the plumbing in our hundred-year-old urban rowhouse was a poignant refresher course.

In early August 2009, I had a harrowing night when our third floor toilet’s water line broke. The problem went unnoticed for about 20 minutes, until the water started raining into the second floor through a light fixture and continued downward into the first floor and basement. The next few hours were eaten up with bailing, mopping, tamping down towels, laundering towels, running fans. The next morning, as I stumbled around, fatigued and worried a ceiling might still collapse, I couldn’t help but remember what my mother always says about these sorts of disasters: “it will make a good story later.”

If my life is a story, then it’s the messes, mishaps, and failures that actually make it interesting. Not that I seek these things out, but when disaster does occur, it carries with it the promise of bringing something ultimately transformative, maybe even redemptive. “It will make a good story later” makes me notice things I otherwise wouldn’t, from the shape of stains on the ceiling to the way my husband’s shoulders slump as he contemplates them.

Watching Mom over the years ferret away details in the midst of turmoil then transform them into captivating comic stories has been quite an education. Not only have I learned to see the humor potential in all things (and to never take myself too seriously), I’ve also gained a habit of attentiveness when life goes awry—a valuable skill in any writer’s toolbox.

As you come to grips with the possibilities of  “it will make a good story later,” you can begin to develop both a habit of attentiveness and a new perspective on what makes you truly the writer you are, with stories only you can tell.

Life’s interruptions to routine can be a creative gift to you. They put you in new places with access to new relationships and experiences. They force you to understand suffering, fear, frustration, anger, sorrow, and all other shades of negative emotion necessary to create deeply real characters that readers connect with.

Don’t panic when life interrupts your writing routine. Pay attention. It will make a good story later.

What hardships have made you the writer you are? What storytelling mentor has shaped your approach and how?
Tuesday, August 19, 2014 Laurel Garver
Photo credit: RoganJosh from morguefile.com 
How often are you going happily along in your routines when—BAM!—some misfortune or difficulty derails you? One's natural instinct is to get through, get out, get away from the hardship as soon as possible, looking neither to the left or the right.

But there’s another way to think about life’s rough patches—as opportunity.  This perspective is something I’ve been raised with, but didn’t always appreciate. A mishap with the plumbing in our hundred-year-old urban rowhouse was a poignant refresher course.

In early August 2009, I had a harrowing night when our third floor toilet’s water line broke. The problem went unnoticed for about 20 minutes, until the water started raining into the second floor through a light fixture and continued downward into the first floor and basement. The next few hours were eaten up with bailing, mopping, tamping down towels, laundering towels, running fans. The next morning, as I stumbled around, fatigued and worried a ceiling might still collapse, I couldn’t help but remember what my mother always says about these sorts of disasters: “it will make a good story later.”

If my life is a story, then it’s the messes, mishaps, and failures that actually make it interesting. Not that I seek these things out, but when disaster does occur, it carries with it the promise of bringing something ultimately transformative, maybe even redemptive. “It will make a good story later” makes me notice things I otherwise wouldn’t, from the shape of stains on the ceiling to the way my husband’s shoulders slump as he contemplates them.

Watching Mom over the years ferret away details in the midst of turmoil then transform them into captivating comic stories has been quite an education. Not only have I learned to see the humor potential in all things (and to never take myself too seriously), I’ve also gained a habit of attentiveness when life goes awry—a valuable skill in any writer’s toolbox.

As you come to grips with the possibilities of  “it will make a good story later,” you can begin to develop both a habit of attentiveness and a new perspective on what makes you truly the writer you are, with stories only you can tell.

Life’s interruptions to routine can be a creative gift to you. They put you in new places with access to new relationships and experiences. They force you to understand suffering, fear, frustration, anger, sorrow, and all other shades of negative emotion necessary to create deeply real characters that readers connect with.

Don’t panic when life interrupts your writing routine. Pay attention. It will make a good story later.

What hardships have made you the writer you are? What storytelling mentor has shaped your approach and how?