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[185] such distinctions, it is of a kind which might be expected immediately to alarm the prejudices of the self-styled orthodox. Again, the style of composition, though uniformly correct, and often what we might call elegant, presents surprisingly little of what would commonly be called oratory. It is for the most part, perfectly plain and simple, with no rhetorical ornaments or flights of declamation. It is calm reasoning, addressed almost exclusively to the understanding, in no instance seeking to rouse the passions, and with comparatively few attempts even to appeal to the imagination or interest the feelings.

These sermons are favourable specimens of what has sometimes been called the middle style is compositions of this sort; they rarely, if ever, aim at the higher flights of genius; and would, probably, be pronounced, for the most part, better fitted for the press than for the pulpit;—more likely to prove acceptable in the calm sobriety of the closet, than when addressed to the public congregation. It is true, that with the outward graces of an orator, Mr. Foster appears, by the reports of his contemporaries, to have been endowed in a high degree. ‘His voice,’ says one, ‘was naturally sweet, strong, distinct, harmonious; always adapted to his matter, always varied as his method changed, as expressive of the sense as the most judicious recitative. Monotony was a fault he was never guilty of. His action, the soul of eloquence, was grave, expressive, free from distortion, animated without being theatrical;—in short, such as became the pulpit. He reminded us of St. Paul, at Athens, arresting the attention of his auditors.’ But to say nothing of the unpopularity

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