Showing posts with label Roy Babbington. Show all posts
Showing posts with label Roy Babbington. Show all posts

10 August 2023

JOE GALLiVAN & CHARLES AUSTiN Intercontinental Express :: London (Compendium 1976)

 


An all-star big band recorded in London and released on LP by Norweigian label Compendium in 1976 (?)

Joe Gallivan - drums (B1,3), moog synth
Charles Austin - sax, flute
Elton Dean - alto sax (B3)
Ronnie Scott - tenor sax
Ian Hamer - trumpet
Kenny Wheeler - trumpet, flugelhorn
Nick Evans - trombone
Toni Cook - horn
Tony Randell - horn
Stephen Wick - tuba
Jeff Green - guitar
Roy Babbington - bass
Paul Robinson - drums (A1-3, B2)

Recorded 1976-77 at Freerange Studios, London 
Produced by Joe Gallivan


A1 Cry Of Hope 6:00
A2 Human Syndrone 7:56
A3 Hash 6:00
  
B1 Branetu 4:51 
B2 Melody (3:10)
  a) The Sphinx
  b) The Lynx
B3 Kingfisher Blue 9:50


This is mp3@320 found somewhere on web. If anyone can provide flac vinyl rip, it will be very welcome. (Now flac is contributed by Ernst!)

4 June 2020

Keith Tippett & Larry Stabbins, Ric Colbeck Qt, Exeter Free Jazz Duo - radio broadcasts

























01 Keith Tippett and Larry Stabbins - Clay  15:58
02 Charles Fox intro to Ric Colbeck Qt - 2:58
03 Ric Colbeck Qt - Loose Joints - 11:04
04 Ric Colbeck Qt - Aphrodite - 13:44
05 Charles Fox intro to Exeter Free Jazz Duo - 1:34
06 Exeter Free Jazz Duo - Bird's Touch - 22:40

Keith Tippett  piano
Larry Stabbins  tenor saxophone
b'cast 21.11.83
----------------------
Ric Colbeck  trumpet
Mike Osborne  alto saxophone
Roy Babbington  bass
John Stevens  drums
b'cast 11.06.79
----------------------
Exeter Free Jazz Duo
Lou Gare  tenor saxophone
Fred Burwood  drums
b'cast 30.11.81

BBC Radio 3 Jazz in Britain broadcasts

24 February 2016

Charles Austin, Roy Babbington, Joe Gallivan - Home from Home



Charles Austin Roy Babbington Joe Gallivan - Home from Home
Ogun OG 522 (1979)

Due to a request from Miloš, here is a trio recording from 1977, released on the Ogun label in 1979. This is a set of quiet, emphathetic sketches, most of them fairly short, at least by jazz standards. Chamber jazz might be a word to describe what we hear on this record. Not the stuff to leap at you, but to grow insidiousaly after repeated listenings. Quite a fine little gem, in my humble opinion. Nice flute playing with an oriental touch, sinuous electric bass to the fore and there is even a synth creeping in on several tracks.

Charles Austin and Joe Gallivan have cooperated a lot over the years and both are active up to the present date. Austin is a resident of New Orleans and devoting more time to teaching than to playing in later years. Gallivan played with several stalwarts on the UK jazz scene while living in the UK for some years in the 70s, but also made a memorable album with Larry Young, well worth seeking out. Babbington was associated with the Canterbury scene in the 70s, playing in one version of Soft Machine, but also with Elton Dean and Keith Tippett and later with Barbara Thompson.

Side One

Oriental Fantasy
Piecing It Together
Soft Day
Percussive Moments
Whistle Two-thirty-eight
Two On A Train

Side Two

Soul One
Catch Me If You Can
Winter Solace
Finding Speed
On Top Of the World
Speedway
Zero Is The Hour

Charles Austin    Flutes Oboe Saxophones
Roy Babbington    Bass Bass Guitar
Joe Gallivan    Drums Synthesizer Percussion

23 November 2013

Ovary Lodge (Keith Tippett, Roy Babbington, Frank Perry)



Here is the first of the two Ovary Lodge records released, This was out on RCA in 1973 and rereleased on cd in 1999. I have the lp, but comparing it to the cd version, I would have to conclude that the background noise and pops/clicks are a little less noticeable on this version. One can hear that it is sourced from an lp, particularly in the quiet passages, of which there are many, indicating that the master tapes may have got lost in the mentime. The second Ovary Lodge came out on Ogun a few years later with Harry Miller replacing Roy Babbington and adding Julie Tippetts. That one is fairly easy to get  on cd, though the initial lp release is out of print. But as I understand, even the cd release of the first one may be hard to find.

This first one came two years after Tippett's mammoth Centipede ensemble with 50 plus players and one year after Tippett went to the other extreme with the closeted, chamber-like Blueprint with roughly the same small group of musicians featured here and Ovary Lodge is very much a follow-up to Blueprint. This new one was fully improvised, as Tppett informed us, and all acoustic with no electronics, as producer Robert Fripp added.

Reading some reviews, it seems quite apparent that for critics coming out of the jazz-prog-fusion intersection, this one was outside the comfort zone, especially for those who associated Tippett with his contribution to King Crimson records (with producer Robert Fripp being the obvious link). What we get here are two trio pieces at the beginning and end. In between there are a couple of piano solos and several pieces exploring space and silence, getting into some very quiet and intimate dynamics, even sounding vaguely meditative at points. This record, the Mutant Souds blog informs us, made the NWW (Nurse With Wound) list, a list which has been a sort of holy grail of obscure gems. The fellow at Allmusic finds this record to be challenging and one supposes, rewarding. Yes, I would think so, too.


Tracks:

1 First Born
 Mountain Temple Spring
2 Part 1: Amethyst, Gold And Royal Blue (My Way Of Saying Thank You)
 3 Part 2: A Frail White Butterfly, Beneath The Spell Of Moon Is Sleeping On The Huge Bronze Bell (Buson)
4 Tropic Of Capricorn
5 Come On In
6 Nursery Rhyme
7 Sylphs In Pisces

 Composed By – Perry (tracks: 1 - 3, 7), Tippett* (tracks: 1, 3, 5- 7), Babbington* (tracks: 1, 5, 7)

Piano – Keith Tippett (tracks: 1, 3, 5 - 7)
Bass – Roy Babbington (tracks: 1, 5, 7)
Percussion – Frank Perry (tracks: 1 - 3, 7)

Producer – Robert Fripp