Ya know, Groove-ophiles, when I was a Li'l Groove, Gold Key/Western Publishing's painted covers really turned me off. They looked like magazines, not comicbooks, ya know? Now, by the time I hit my teens, painted covers (and comics) were lookin' pretty far out to me, but in between there was one title that I rather dug the painted covers on: The Lone Ranger. For some reason, painted covers seemed natural for Kemosabe. Maybe it was because guys like Ernest Nordli, Hank Hartman, and Don Spaulding did such a cool, cool job of making the Lone Ranger, Silver, Tonto and the Old West look real...
Showing posts with label western publishing. Show all posts
Showing posts with label western publishing. Show all posts
Friday, August 16, 2013
Saturday, February 19, 2011
Science Fiction Theater: "Who Goes There?" by Campbell, Drake, and Abel
Greetings, Groove-ophiles! Anyone remember when Western Publishing published four issues of an oddball comic called Starstream under their Whitman umbrella? The year was 1976, and sci-fi was getting hot again thanks to the network TV debut of 2001: A Space Odyssey, new flicks like Logan's Run and Star Wars, and TV shows like Space: 1999. Someone thought the time was right to pick up where Marvel had left off with Worlds Unknown and Unknown Worlds of Science Fiction and produce comicbook adaptations of classic sci-fi prose tales.
Starstream was a strange duck as it was a thick, square-bound anthology with cardstock covers. It sold for seventy-nine cents and could be found in most department stores racked with coloring books back in the toy department. (At least that's where you found 'em in Young Groove's neck of the woods.) It didn't have the "zing" of Marvel's previous offerings (you knew it was the same guys who did mags like Twilight Zone, Boris Karloff, and Ripley's Believe It or Not behind it), but boy, editor Roger Elwood had good taste in material. The first issue alone featured strips adapting Joan Hunter Holly, Raymond Banks, Howard Goldsmith, and the great John W. Campbell--the focus of today's post.
Campbell, often credited as the man behind the Golden Age of Science Fiction thanks to his legendary and lengthy run as editor of Astounding (which later morphed into Analog--and is still going strong). He also wrote the classic "Who Goes There?" in the late 1930s, considered one of the all-time greatest sci-fi stories. You probably know the story better as The Thing, since that was what the cult-fave movie adaptations were called. Well, here's that ground-breaking sci-fi shocker in its four-color debut from Starstream #1. Adapted by veterans Arnold Drake and Jack Abel..."Who Goes There?"
Starstream was a strange duck as it was a thick, square-bound anthology with cardstock covers. It sold for seventy-nine cents and could be found in most department stores racked with coloring books back in the toy department. (At least that's where you found 'em in Young Groove's neck of the woods.) It didn't have the "zing" of Marvel's previous offerings (you knew it was the same guys who did mags like Twilight Zone, Boris Karloff, and Ripley's Believe It or Not behind it), but boy, editor Roger Elwood had good taste in material. The first issue alone featured strips adapting Joan Hunter Holly, Raymond Banks, Howard Goldsmith, and the great John W. Campbell--the focus of today's post.
Campbell, often credited as the man behind the Golden Age of Science Fiction thanks to his legendary and lengthy run as editor of Astounding (which later morphed into Analog--and is still going strong). He also wrote the classic "Who Goes There?" in the late 1930s, considered one of the all-time greatest sci-fi stories. You probably know the story better as The Thing, since that was what the cult-fave movie adaptations were called. Well, here's that ground-breaking sci-fi shocker in its four-color debut from Starstream #1. Adapted by veterans Arnold Drake and Jack Abel..."Who Goes There?"
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Special thanks to Mike's Amazing World of Comics and Grand Comics Database for being such fantastic resources for covers, dates, creator info, etc. Thou art treasures true!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!
Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.
All other commentary and insanity copyright GroovyAge, Ltd.
As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!