Showing posts with label science fiction theater. Show all posts
Showing posts with label science fiction theater. Show all posts

Saturday, February 19, 2011

Science Fiction Theater: "Who Goes There?" by Campbell, Drake, and Abel

Greetings, Groove-ophiles! Anyone remember when Western Publishing published four issues of an oddball comic called Starstream under their Whitman umbrella? The year was 1976, and sci-fi was getting hot again thanks to the network TV debut of 2001: A Space Odyssey, new flicks like Logan's Run and Star Wars, and TV shows like Space: 1999. Someone thought the time was right to pick up where Marvel had left off with Worlds Unknown and Unknown Worlds of Science Fiction and produce comicbook adaptations of classic sci-fi prose tales.

Starstream was a strange duck as it was a thick, square-bound anthology with cardstock covers. It sold for seventy-nine cents and could be found in most department stores racked with coloring books back in the toy department. (At least that's where you found 'em in Young Groove's neck of the woods.) It didn't have the "zing" of Marvel's previous offerings (you knew it was the same guys who did mags like Twilight Zone, Boris Karloff, and Ripley's Believe It or Not behind it), but boy, editor Roger Elwood had good taste in material. The first issue alone featured strips adapting Joan Hunter Holly, Raymond Banks, Howard Goldsmith, and the great John W. Campbell--the focus of today's post.

Campbell, often credited as the man behind the Golden Age of Science Fiction thanks to his legendary and lengthy run as editor of Astounding (which later morphed into Analog--and is still going strong). He also wrote the classic "Who Goes There?" in the late 1930s, considered one of the all-time greatest sci-fi stories. You probably know the story better as The Thing, since that was what the cult-fave movie adaptations were called. Well, here's that ground-breaking sci-fi shocker in its four-color debut from Starstream #1. Adapted by veterans Arnold Drake and Jack Abel..."Who Goes There?"

Saturday, October 16, 2010

UPDATED! Countdown to Halloween 2010! Science Fiction Theater: A Twilight Zone Double Feature by Walt Simonson


Welcome to my nightmare, Groove-ophiles! It's time for another Science Fiction Theater, this time we're focusing on some early (I'm talkin' eeeaaaaaarrrrrrrlllllllyyyy) Walt Simonson from, of all places, Gold Key's Twilight Zone series. I'm pretty sure these twin tales (along with ish 55's "Musk's Daughter", which I've already posted here) are all of the stories Wondrous Walt did for Twilight Zone (if I'm wrong, I'm sure somebody'll come to Ol' Groove's rescue), so I figured we'd put 'em all in one place for posterity. They're short, sweet, and spooky, and they're here for you! From TZ #50 (April 1973) here's "Nature's Way"!


And finally, it's "The Prisoner" from TZ #54 (October 1973)!


AWESOME UPDATE! The astounding Mr. Simonson has linked to and been discussing today's post on his official Facebook page and has kindly shared more information about his three (I was right!) Twilight Zone stories for Gold Key. Ready? Let's go!

The TZ trilogy was, indeed, some of his earliest work, done over a span of 8 or 9 months--the first 8 or 9 months of Simonson's career. Walter feels his work wasn't exactly what Gold Key was into at the time, and says his good fortune to be published in TZ is due to efforts of young GK editor Frank Tedeschi (sp?). "Nature's Way" was Walter's second published work and was probably written by Gerry Boudreau.

"The Prisoner" and "Musk's Daughter" were most likely written by John (Bloodstone) Warner.

Since "Nature's Way" and "The Prisoner" were so short, Walter wasn't allowed to draw Rod Serling narrating them.

His favorite piece of the trilogy, "Musk's Daughter", (Mr. Simonson calls it "...one of the best jobs of (his) early career.") was primarily inked with technical pens as Walter was trying to emulate the inking style ("textures and period feel") of the great Howard Pyle. He was also thrilled to actually get to draw Serling in this story--complete in "fairy tale" costume.

Oh, and Gold Key was actually returning original art at that time, so Walter got the original pages for these classics back after they were printed. Now that's cool!

Thanks again to Mr. Simonson for his interest and generosity in sharing all of the above tid-bits. And a special thanks to Stephen ('Mazing Man) DeStefano for bringing this post to Mr. Simonson's attention. What an awesome day this has been, Groove-ophiles!

Saturday, August 14, 2010

Science Fiction Theater: Flash Gordon and the Elders' Deathtrap" by Pearson and Crandall


Greetings, Groove-ophiles! What better way to spend a sci-fi Saturday than with the granddaddy of sci-fi super-heroes, Flash Gordon? When newspaper comic strip syndicate King Features dipped their toes into the comicbook publishing arena during the Batmania-fueled late 1960s, they sure did it up right! Take for example "Flash Gordon and the Elders' Deathtrap" from Flash Gordon #8 (cover-dated September 1967). Written by the mega-prolific Bill Pearson with art by the great Reed Crandall, one would be hard-pressed to find a more far-out and fabulous sci-fi comicbook.

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Special thanks to Mike's Amazing World of Comics and Grand Comics Database for being such fantastic resources for covers, dates, creator info, etc. Thou art treasures true!


Note to "The Man": All images are presumed copyright by the respective copyright holders and are presented here as fair use under applicable laws, man! If you hold the copyright to a work I've posted and would like me to remove it, just drop me an e-mail and it's gone, baby, gone.


All other commentary and insanity copyright GroovyAge, Ltd.

As for the rest of ya, the purpose of this blog is to (re)introduce you to the great comics of the 1970s. If you like what you see, do what I do--go to a comics shop, bookstore, e-Bay or whatever and BUY YOUR OWN!