This is the custom Pelican scroll that I worked on last month, for the 48 hour scribal challenge I've been mentioning. It was a bit of a stretch for me, both to return to scribal activity after quite a sabbatical, and to attempt a very different style than my beloved Gothic artwork. The challenge image for this year was "March Hare" and the challenge color was "heraldic Azure"...
I was inspired by Insular and Anglo-Saxon artwork and artifacts from the 9th to the middle of the 11th century. I decided that the best way to incorporate the "March Hare" theme would be to add interlaced running hares to the side borders of the scroll, and incorporated heraldic "Azure" by being sure to include plenty of blue gouache in the borders and backgrounds of the decoration, the hares will also either be blue, or on a blue background, when painted.
The scroll is made on a Bristol board backing, painted with Holbein gouache paint and calligraphed with Calli ink. I added a small amount of metallic golden Finetec mica paint as accents. These are all modern materials.
What has worked well for me on this scroll is that I was able to create a pleasing composition in a style I never attempted before. I was also able to figure out a new variation on Roman Rustic calligraphy appropriate to the period, based on the Stone of Odda. In addition I was also particularly inspired by some of the minor imagery in the Book of Kells, and by various Anglo Saxon garnet jewelry.
In the future, I will return to my former practice of seeking out specific pages of manuscripts to use as my exemplars, and writing down where I found my ideas. In this case, I did not do so, and I sorely regret my lack of good documentation. I think this piece would have benefited by being made on Perg rather than Bristol, and will attempt that in the future.
The new to me thing I did was to use pictures of an existing artifact, The Odda Stone, as a source for the calligraphic hand on this scroll. The carved stone, which dates from the middle of the 11th C, has an inscription in Latin lettering. Since that hand is similar to Roman Rustic, which I recently learned, I was able to adapt my writing to this new variation. The other new thing I learned in my reading was that the Book of Kells used line-fillers. Those small graphics have always been a favorite of mine, and I did not know that they were used so early on. Therefore I added those to this scroll as well, where needed.
Sources I looked at for inspiration:
"Odda Stone" (https://en.wikipedia.org/wiki/File:Odda_Stone.jpg)
The Book of Kells"; Bernard Meehan; Thames and Hudson; 1994
What has worked well for me on this scroll is that I was able to create a pleasing composition in a style I never attempted before. I was also able to figure out a new variation on Roman Rustic calligraphy appropriate to the period, based on the Stone of Odda. In addition I was also particularly inspired by some of the minor imagery in the Book of Kells, and by various Anglo Saxon garnet jewelry.
In the future, I will return to my former practice of seeking out specific pages of manuscripts to use as my exemplars, and writing down where I found my ideas. In this case, I did not do so, and I sorely regret my lack of good documentation. I think this piece would have benefited by being made on Perg rather than Bristol, and will attempt that in the future.
The new to me thing I did was to use pictures of an existing artifact, The Odda Stone, as a source for the calligraphic hand on this scroll. The carved stone, which dates from the middle of the 11th C, has an inscription in Latin lettering. Since that hand is similar to Roman Rustic, which I recently learned, I was able to adapt my writing to this new variation. The other new thing I learned in my reading was that the Book of Kells used line-fillers. Those small graphics have always been a favorite of mine, and I did not know that they were used so early on. Therefore I added those to this scroll as well, where needed.
Sources I looked at for inspiration:
"Odda Stone" (https://en.wikipedia.org/wiki/File:Odda_Stone.jpg)
The Book of Kells"; Bernard Meehan; Thames and Hudson; 1994
"The Golden Age of Anglo-Saxon Art"; ed. Janet Backhouse, DH Turner, Leslie Webster; British Museum Publications Ltd; 1984
May SMART goals (x=extra)
# | THINGS MADE | THINGS FIXED | THINGS GONE |
1 | 4 tiny books | half front yard mowed | yard waste bin |
2 | 10 tiny books | more front yard mowed | recycle bin |
3 | - | replace cloudlight bulb | dead rosemary |
4 | - | clean large paper lantern | - |
5 | - | - | - |
6 | x | x | x |
7 | x | x | x |
8 | x | x | x |
9 | x | x | x |
today's gratitudes -
1. The KAMsnaps setting tool is sized such that even my wee paws will be able to use it. This is very much not always so!!
2. The new house stepladder arrived today, and it makes a huge difference in what I can reach, for obvious reasons. While it doesn't feel quite as secure as my lower one, the extra foot of height means I can easily reach the ceiling in the main part of the house, and actually, if not quite so easily, reach the ceiling in the workroom
3. I was able to cut away the dead portions of the rosemary, which fortunately was only about half the entire shrub.
Time of Isolation - Day 1398