Showing posts with label Links. Show all posts
Showing posts with label Links. Show all posts

Dr Phil Stalking the Shining


Many of us remember the rather disturbing interview Dr. Phil ran in 2016 of Shelly Duvall.  Turns out, the story wasn’t over. I found this article interesting account of Duvall’s ongoing frustrations with Dr. Phil.

The article notes that the 2016 appearance was “slammed by critics for being exploitative of her mental health struggles.”  Duvall noted that she later regretted having done the segment for Phil.

 One of those who expressed disappointment in the interview was none other than Stanley Kubrick’s daughter Vivian.  She tweeted, "You are putting Shelly Duvall ‘on show’ while she is suffering from a pitiable state of ill health.  Unquestionably, this is purely a form of lurid and exploitive entertainment – it’s appallingly cruel."

However, that’s not all.  Duvall claims that even after the show, “Phil McGraw tried repeatedly tried to get in touch with her mother even after the show.”  It quotes her, “He started calling my mother.  She told him, ‘Don’t call my daughter anymore.’ But he started calling my mother all the time trying to get her to let me talk to him again."


CBS The Stand: We're On The Titanic



How many times have we heard this year, "We're all in this together" ?  Well, I'm afraid when it comes to the Stand, we are all having the same frustrating experience.  At some point (think around episode 2) this big beautiful boat hit an iceberg and we're now all on a sinking ship. 

CBS has put a lot of time and effort into offering Stephen King fans a plate of trash.  I was so excited with the first episode, endured the second, and am ready to cancel CBS after the third.  After watching the latest gob of mush, I finally decided to open my eyes and see what others were saying.  Am I the only one who hates this?  What I found was -- I'm not alone.

In fact, after reading article after article expressing similar frustrations, I started looking for someone who enjoyed this.  Some reviews found some entertaining moments, but no one seems blown away.  Even Lilja at struggled to find positive notes in his spoiler free review. (liljas-library.com)  Surprised, I turned to the ever-fan at thetruthinsidethelie.blogspot.com.  Stuff I hate, Bryant and usually find hope in.  But when it comes to this version of the Stand, we all seem to be on the same sinking ship. "Thus far, The Stand has failed utterly to establish that it is the "present" which is the real story."  He notes the timeline is "sloppily connected." (Well said.)

Stephen King has rightly pointed out that no movie can really "ruin" his book, since the book is right there for you to read any time you want.  Which might be what I end up doing.  That, and canceling CBS. 

hollywoodreporter: CBS All Access' new adaptation of The Stand is a car on cinderblocks. It looks great. If you glance under the hood, you can see all of the work that's been done on the engine. But no matter how ready it seems to peel out onto the road, it isn't going anywhere. Very rarely is the Benjamin Cavell-steered adaptation, with Josh Boone directing the pilot, actively bad, but it's very frustrating.

Rotten Tomatoes: Critics Consensus: Despite an A-list ensemble and a smattering of poignant moments, The Stand's extended runtime doesn't make for better storytelling, leaving its expansive cast stranded in a cluttered apocalypse.

rogerebert.com: Most damningly, there’s no sense of the world’s descent into madness, no seeping dread, no unbearable builds of tension; “The Stand” hits you with the glowing eyes of evil and the mystical wisdom of the “magical old black lady” (the show’s description, not mine) early and often, leaving subtlety in the dust.

www.vulture.comWhile there are some genuinely effective attempts to generate suspense, those sequences stand beside some of the wildest and most off-the-mark sections of the series,

indiewire.com: in an article titled, "‘The Stand’ Review: Stephen King’s CBS All Access Adaptation Is a Plague Unto Itself": Even more debilitating is the realization these flashbacks are going to keep happening every time we meet a new character. “The Stand” is famous for having a massive cast, and while jumping ahead in time so we can get past the pandemic is a sound instinct — the show’s viral outbreak is close enough to reality to remind viewers what’s going on outside, but far too extreme to provide meaningful parallels — repeatedly going back in time kills forward momentum. And it doesn’t help that all these flashbacks fail to set up any intriguing “how did they get from here to there” teases.

and: It is also miscast, in nearly every role. “The Stand” isn’t bolstered by a fleet of skilled actors so much as it’s hindered by watching those proven talents struggle to find a credible tone within the series’ cleaned-up TV sheen and dirty allegory for good vs. evil.

CNN notes, 'The Stand' turns Stephen King's epic book into what feels like a very long sit." And Collider headlines their article, "'The Stand' Review: A Sprawling Apocalypse Epic That Trips on Its Own Ambition."

USA Today said, "CBS All Access makes a -- mess out of Stephen King's epic." I think this form the USA Today article nails everyone's frustration: :The most troublesome problem with "Stand" is the decision to jump around in the timeline, starting not at the pandemic that destroys humanity but in the middle of a new society that sprang up after it. Working backward (and then forward, and then backward again), the episodes struggle to clearly explain what happened with "Captain Tripps," a lethal super flu accidentally released from a military facility. Most plot developments and characterizations are implied rather than filmed, making this "Stand" more confusing than anything else."

Dee Wallace Describes CUJO Trauma




Check out the Fox interview with Dee Wallace. (HERE)  She has quite a bit to say about her work on Cujo.

Fox News: It’s been said “Cujo” was the most difficult film for you to make, but one that you’re the proudest of. How so?
Wallace: My God, it was the hardest thing I’ve ever done mentally, physically, emotionally. You have to understand you’re working with a dog – an incredibly trained dog – actually there were 13 dogs that played Cujo. Then there was a young kid of 6 and me. So I had to absolutely be on the whole time. What an emotional ride. And every time you see a scene, we probably shot it 15 times from different angles. That’s a huge amount of emotional output. And what most people don’t understand is that your body does not differentiate between a perceived threat and an actual threat. So I blew all my adrenals out because for eight weeks, literally, I was in fight or flight.

They treated me for exhaustion for about three weeks afterward. I still take raw adrenal supplements because I just blew them out from all the emotional work. And physically. Physically alone was incredibly demanding. But I look at the film and think that I went as far as I could go, as truthful as I could go. If I can do that in every performance, I will die a happy actress.



Fox News: What did Stephen King think of the film?
Wallace: He was down there for the first couple days of shooting... He often touts "Cujo" as the best film rendition of any of his writing and that I should have received an award nomination. He’s really generous with his praise. My job is to really honor in the most authentic way what the writer and the director want to bring to life. I feel a real duty to my fans to do that in the most truthful way I can.

Georgie



www.indiegogo.com/projects/georgie-a-short-film#/

WHO WE ARE
John Campopiano is an audiovisual archivist, film writer, and producer living in Boston. He co- wrote, produced, and directed the 2017 documentary, Unearthed & Untold: The Path to PET SEMATARY and is writer and co-producer on the forthcoming documentary, Pennywise: The Story of IT. Ryan Grulich is a writer/producer/director based in Seattle. He produced the 2017 film, Foolish Mortals, a documentary about Disney’s Haunted Mansion, and has directed several short films including, I Hate Halloween, which premiered on July 28, 2018.

ORIGINS OF PROJECT IDEA
GEORGIE started out as an adventurous idea "what if?" What if, years after his apparent death, Georgie Denbrough returned to the screen? As two ardent fans of the 1990 miniseries, John and Ryan decided they wanted to explore the possibilities of that very scenario in the form of a short film. GEORGIE will shake your mind and rattle your bones.


WHY WE NEED MONEY / WHAT WE'LL DO WITH IT
GEORGIE needs your help to return to reality. Your participation will support the hiring of cast and crew, to turn what is truly a surreal and horrifying script into the cinematic return of the original Georgie Denbrough.

PERKS OFFERED
As a way of showing our appreciation for any contribution you're able to make, we have a variety of really exciting and very limited perks that you have the chance to add to your collection. These one of a kind items have been procured lovingly by the filmmakers with the IT fanatic in mind. You will only be able to see them here, so join us before the chance FLOATS away.


  •  Receive a signed & personalized GEORGIE postcard from Tony Dakota! Artwork by Tom Ryan. (Limited to 150)
  • Official Theater of Creeps GEORGIE enamel pin! Artwork by Zachary Jackson Brown. (Limited to 225)
  • Official Fright-Rags GEORGIE t-shirt! Men & Women designs available. Artwork by Zachary Jackson Brown.
  • Official GEORGIE 11x17 poster signed by Tony Dakota! (Limited to 150)


Burnette Weighs In On THE OUTSIDER

Want a great, non-spoiler, honest review of King's new book, The Outsider?  Head on over to Bryant Burnette's great blog, thetruthinsidethelie.blogspot.com.  What I like about the review is that he's not King's hired gun.  The review is from a fan's point of view.

He declares, "Alas, in the end, I've got to mark it down as a misfire." But that's not quite the final take. Keep reading, because the comments section is just as fun as the article itself.

Tim's Stephen King Collection

I'm enjoying reading my friend Tim's new Stephen King blog.  Check it out at timsskcollection.blogspot.ca/.

It's like sitting in the library of a super serious collector as he takes his prized pieces off the shelf and lets you have a look.  I love it!

Not convinced he's serious about collecting?  Check this photo out:


Would you like to hang out in that room?  Of course yo would!  I may need to drive to Canada some time just to wander around this room.  Wall to wall Stephen King.  And, in a way, by starting the blog, Tim is letting us all in to play with the toys.

By the way, Carrie in "doll house size" is pretty cool.  -- just check it out, I liked it.

Oh, wait, before you go, I've got to tell you that Tim has been a huge encouragement to me personally over the years.  When a blog article hits him right, he's known to email me and tell me it's right on.  Always upbeat, always a joy to talk Stephen King with, I thankful he is now adding his voice to the Stephen King community.  Welcome my friend!

9/11, Our Choices, and Making a Stand

I really enjoyed Julie Davis' insightful article at Patheos titled "9/11, Our Choices, and Making a Stand."  She graciously gave me permission to repost it here.  Note her insights on The Stand and faith. 

9/11, Our Choices, and Making a Stand
by Julie Davis


Two days after 9/11, my father-in-law had a massive stroke. My husband and I drove from Dallas to the hospital in Houston. Largely in shock between the double burden of terrorist attacks and personal tragedy, we were nevertheless stirred with pride at the many flags and hand-made signs we saw along the road. Tears sprang to my eyes when we passed a battered pick-up truck complete with obligatory shotgun rack and "We are all New Yorkers today" written on the rear window.


My husband said, "Those terrorists don't know what they have done. This guy would've spit on a New Yorker last week. And now he'd fight for them."

We were lucky. We didn't know anyone, then, who had died or been in the attacks. But we still suffered with the rest of the nation. It changed us as a people and as individuals.

It taught me a big lesson in forgiveness; as I expressed my forceful wish to see the people behind this attack "killed," a gentle friend from our parish looked at me with a troubled face. "I don't know," she said slowly. "But that doesn't seem right either."


I was taken aback and began to pray, even as I expressed anger. Gradually, the anger faded and the ability to forgive crept in.

Ten years later, I mourn the 9/11 attacks as much as ever. Easy tears still spring to my eyes when I look over the old pictures, video footage, and exchange "what I was doing when I heard" stories with others.

I also think about the opportunity that we had to go forward as a people united—to bring something good out of the evil. We are more divided than ever, and ruder than ever. We squabble and complain about the red states, the blue states, the liberals, the conservatives, the Muslims, the Catholics, and on and on it goes.

Some of this is basic human nature, as old as the stories in Genesis, of brother striking brother. It seems to me, though, that some of it is Evil pushing its way into the world, and we are failing to push back for the common good. We listen to the siren call of "my way," which goes hand in hand with pride.
As always, when it comes to thinking things through, I find that others have pondered the matter so much more thoroughly than I could. Recently I picked up one of my favorite "good versus evil" books and found the words defining my thoughts.

It is said that the two great human sins are pride and hate. Are they? I elect to think of them as the two great virtues. To give away pride and hate is to say you will change for the good of the world. To vent them is more noble; that is to say the world must change for the good of you. I am on a great adventure. (Harold Emery Lauder, in Stephen King's The Stand)
Twenty-three years before 9/11, Stephen King published one of his best-known and best-loved books, The Stand. It tells a tale of the United States, laid to waste when a biological weapons-grade virus inadvertently gets loose. As survivors roam the post-apocalyptic ruins, they begin to have dreams about an incredibly old holy woman, named Mother Abigail, or of a supernatural entity—Randall Flagg—who is her opponent.

Following their dreams, two communities begin to form—Mother Abigail's in Boulder and Flagg's in Las Vegas—and the stage is set for a final "stand" between Evil and God.


King has expressed frustration that so many fans call The Stand their favorite work, even though he has written scores of books since its publication.

Well, it's a heck of a book for one thing, so it's no wonder people love it. And although this is a horror novel, it is very translatable to our own lives. We no longer worry about bio-terrorism the way we did back then, but we can still relate to the scenario King paints.

In The Stand, King holds up the mirror to us. God and evil are present, of course, but they work through men, as ever, and we recognize ourselves in the pages.

Harold Emery Lauder was the quintessential misunderstood nerd, picked on in school, crossed in love, and finding power in hatred. His note could have been written by any of the terrorists who flew those planes into the World Trade Center. I imagine that, like Harold, their betrayal of innocents was the culmination of a long trail of choosing their own desires first. King shows us enough of Harold's choices—sometimes made despite the screaming of his own instincts—so that we can see a little of him in every selfish choice we make.

Harold's end is not a good one, and it is made pitiful by the fact that he is tossed aside like a worn out doll when evil is done using him for its own purposes. We cannot hold onto our anger at him because he has been misled so completely. In a similar way, when I think of those terrorists and their deliberate evil, I have a bit of that pity for them as well.

Once they were somebody's babies. I don't know what led them astray, but I lament the loss of the people they could have been.

King directly juxtaposes a rock star, Larry Underwood, against Harold.
"You ain't no nice guy!" she cried at him as he went into the living room. "I only went with you because I thought you were a nice guy" . . . A memory circuit clicked open and he heard Wayne Stuckey saying, There's something in you that's like biting on tinfoil. ~ The Stand
After the plague, Larry is haunted by those words, "you ain't no nice guy"—they jump to mind whenever he contemplates a selfish or cowardly act. Ultimately, he actually becomes a "nice guy" by consistently choosing the nobler act, if only to prove those words wrong.

Larry is no different than you or me, or anyone who can see themselves with a modicum of self awareness. None of us are "nice guys" deep down because we are all stained with Original Sin. And we know it.

We have help, though, that Stephen King didn't give Larry Underwood. We have the grace of Christ, the sacrament of reconciliation, and our faith to strengthen us. Like Larry, though, we have to keep picking ourselves up and trying again. We must practice until we are more perfectly "nice guys."

9/11 has presented us with a chance to practice forgiveness over and over again. We're all in this together and lifting our thoughts (or hands) in hatred belittles us and our targets. We are Christ’s followers, charged to see Him in everyone they meet. We all have the same choice. Do we embrace Harold's way, or Larry's?
There's always a choice. That's God's way, always will be. Your will is still free. Do as you will. There's no set of leg-irons on you. But . . . this is what God wants of you. ~ Mother Abigail, The Stand
__________________________________________


Julie Davis blogs at Happy Catholic and discusses both books and movies at A Good Story is Hard to Find podcast. Her new book is Happy Catholic, published by Servant Publishing.




CARRIE- THE REMAKE. 2013. REVIEW BY SANDRA HARRIS.


I enjoyed Sandra Harris' review of the 2013 Carrie.  She kindly allowed me to repost her review here.  Check out Sandra's blog, it's full of some great movie reviews.


reposted with permission:  
sandrafirstruleoffilmclubharris.wordpress.com

CARRIE- THE REMAKE. 2013.
BASED ON THE BOOK BY STEPHEN KING.
DIRECTED BY KIMBERLY PEIRCE.
STARRING CHLOË GRACE MORETZ, JULIANNE MOORE, JUDY GREER, GABRIELLA WILDE, ANSEL ELGORT, ALEX RUSSELL AND PORTIA DOUBLEDAY.
REVIEW BY SANDRA HARRIS.

This is the reworking of Brian De Palma’s classic 1976 film adaptation of Stephen King’s novel, CARRIE. The book was Stephen King’s first major success and some people still regard it as one of his best works, along with THE SHINING, PET SEMATARY, SALEM’S LOT, IT, MISERY and CHRISTINE.

Sissy Spacek was unforgettable and perfectly cast in the original film as the lonely, socially awkward Carrie White, whose single mom Margaret is a religious fanatic with violent tendencies and mental problems that have clearly gone untreated for some time.

While Sissy Spacek is a hard act to follow, newcomer to the role Chloë Grace Moretz certainly gives it her best shot. She’s a beautiful young woman with a fabulous head of strawberry blonde hair and I actually think she does a good enough job in the remake, which seems to be a straightforward take-for-take reimagining of the original movie.

Julianne Moore plays Mommie Dearest this time around. As I’m a big fan of hers, I actually prefer her to Piper Laurie. It’s nothing personal, I just love Julianne Moore, that’s all. She’s gorgeous and I loved her in such films as HANNIBAL, THE END OF THE AFFAIR and JURASSIC PARK 2- THE LOST WORLD.

She really works the role of the self-harming Margaret White. It’s horrible to watch her banging her head off the wall, hitting herself in the face and stabbing herself in the leg with scissors. The two leads also really look like mother and daughter, which certainly helps.

What I don’t like about the remake is the fact that it’s inevitably set in a much more modern and technologically-advanced world than the one in which Stephen King initially wrote it, but that’s not the film’s fault. It’s now the era of boring old cellphones, so the remake is full of the bloody things.

The famous scene in which an hysterical Carrie gets her first period in the school showers after gym class is actually filmed by the little bitches in her class on their cellphones and uploaded to the Internet. They all think that Carrie’s ignorance of what’s happening to her body is a big hilarious joke and they can’t wait to share that joke with the rest of the world.

They don’t know, of course, that they’re sealing their ultimate, terrible fate with every act of nastiness they commit against the telekinetic Carrie, who has the power to move people and objects with the force of her mind. Her powers have been considerably ramped up for this remake. Books and knives and all sorts of households objects spend half the film flying around the place.

Carrie can fly now too, a little bit, and she has the ability to fling her crazy mom through the air and slam her into the wall or into the dreaded ‘prayer-closet,’ the one with all the Jesus statues and pictures, etc. Carrie’s extra powers are accompanied by a lot of arm-waving, finger-pointing and mad facial expressions as little Chloë hams it up big-time in an effort to do the job well. She ends up looking a bit like Kate Bush in one of her early videos, but she still gets the job done, I think.

The ‘bucket of pig’s blood at the prom’ scene lacks a little of the sheer power (there’s that word again!) of the same scene in the first movie, and I prefer the original Tommy Ross and Billy Nolan to the chinless wonders (sorry, guys!) playing the parts this time around. The teacher, Miss Desjardins, is maybe slightly less effective than the teacher in the first film and, overall, I think I prefer the film when it’s set in the ‘Seventies. It has a grittier, more authentic feel to it, somehow.

Still, if a remake was unavoidable and seemingly it was, haha, I think that this is a perfectly decent effort. It does everything the first film does, just with a different cast and a more contemporary feel. Of course there’s a loss of atmosphere and it’s not as frightening, but I’m happy with the two female leads and I thoroughly enjoyed watching them take on these two iconic roles. I don’t know what more you can ask for, really.

* * * * * * * * * *

AUTHOR BIOGRAPHY OF SANDRA HARRIS.

Sandra Harris is a Dublin-based performance poet, novelist, film blogger, sex blogger and short story writer. She has given more than 200 performances of her comedy sex-and-relationship poems in different venues around Dublin, including The Irish Writers’ Centre, The International Bar, Toners’ Pub (Ireland’s Most Literary Pub), the Ha’penny Inn, Le Dernier Paradis at the Trinity Inn and The Strokestown Poetry Festival.

Her articles, short stories and poems have appeared in The Metro-Herald newspaper, Ireland’s Big Issues magazine, The Irish Daily Star, The Irish Daily Sun and The Boyne Berries literary journal. In August 2014, she won the ONE LOVELY BLOG award for her (lovely!) horror film review blog. She is addicted to buying books and has been known to bring home rain-washed tomes she finds on the street and give them a home.

She is the proud possessor of a pair of unfeasibly large bosoms. They have given her- and the people around her- infinite pleasure over the years. She adores the horror genre in all its forms and will swap you anything you like for Hammer Horror or JAWS memorabilia. She would also be a great person to chat to about the differences between the Director’s Cut and the Theatrical Cut of The Wicker Man.

reposted from: 
sandrafirstruleoffilmclubharris.wordpress.com

Wes Craven 1939 - 2015

This is reposted with permission from one of my favorite blogs, The Girl Who Loves Horror (Thanks Michele!)



The loss of the great Wes Craven has been a terrible blow to the horror community. I know there are dozens of posts like this out there right now, and I know that we have lost so many great people recently, but this has truly saddened me and hurt my heart. Last night I was actually in a really good mood, watching a funny DVD, and enjoying the last few hours of my weekend. Then I absently checked my Facebook feed and was hit with the awful news. I thought it wasn't real at first, but it was: an icon was gone, and the life and career of my favorite horror director was no more.





It was a shock to say the least, because Wes Craven has always been an important part of my horror life. I came to horror a bit later in life than other fans - though I had always watched them as a child - and Scream was an important part of that. Then I saw more of Wes's films and realized just how much I loved not only the things this man has created but the man himself. I didn't talk about him enough when he was around, and I won't make that mistake now.

Wes was a kind, soft-spoken soul with a wonderful sense of humor and an aura of sweetness that you couldn't help but be attracted to. It was hard for me to equate the gentle man I saw behind the scenes with the dark things that came out of his mind on film. But at the same time, that's what I always loved about him. He wasn't afraid to bring real horror to film, and be gritty and raw about it. He also wasn't afraid to have fun with the genre and with himself, and he constantly did new and different things. Even then, you could tell when you were watching a Wes Craven film, as he had a distinct style and voice that I always enjoyed. He was beyond smart, analytical and creative, and his films were about so much more than what was on the surface.





Perhaps it seems weird to people outside the community that we are so affected by this, crying over somebody that we never met. As soon as I got home today, I put on my favorite Wes film, Wes Craven's New Nightmare, and as soon as Wes himself showed up on screen, the tears started coming. Reading all the messages that people have left on various platforms proves just how much he touched the lives of fans with his work and what an influence he has had on so many people around the world. We all experienced his career separately, but at the same time together, having the same feelings and gaining the same reverence each time we enjoyed another one of his films.

Thank you, Wes, for being the man that you were, and for bringing all those amazing characters, stories, and worlds to life. We will never forget you and we will never let your legacy die.

Thanks for the nightmares.

Can A Writer Write Too Much?



What do readers want?  More books. What does Stephen King give us?  More books.  But not nearly fast enough, some of you would scream.

Here's a great essay by King Can A Novelist be Too Productive? that appeared as a NY Times opinion.

King not only looks at the volume of material some authors produce, but the gaps.  (I expected him to mention Harper Lee.)

A couple short notes:

Interesting, King discusses the relevance of  John D. MacDonald, a writer who praised King in his introduction to Night Shift. I'll never forget this idea: MacDonald suggested that King is a good writer because he's written piles of junk. (My summary.) But staying faithful to the craft made King a strong writer.

King mentions that he wrote Running Man in a week. And that he once published four novels in a year. Not a bad pace!


I love this:
As a young man, my head was like a crowded movie theater where someone has just yelled “Fire!” and everyone scrambles for the exits at once. I had a thousand ideas but only 10 fingers and one typewriter. There were days — I’m not kidding about this, or exaggerating — when I thought all the clamoring voices in my mind would drive me insane.

Seasons:

What's nice about a writer like King -- a writer who produces a lot -- is that I can look back at seasons in my life and remember what King book I was reading. I am particularly fond of Needful Things, Gerald's Game, Dolores Claiborne and The Wastelands because they came out around my senior year of High School and freshman year of college. This was the first time I found myself waiting for King to write another novel.

Before that, earlier in High School, I was just blown away by all the stuff he'd already written. It, The Stand and all those early novels just had to be read. But once I made it to my senior year, I'd read most of the "old" stuff. There were a few false starts -- Tommyknockers and Salems' Lot. I don't know why I couldn't do Salems' back then, but it was tough.

The Stand Will Be An 8 Part Mini-Series



YES! yes yes yes!
Sorry, I'll try not to be excited.
YES!

Jeff Sneider at thewrap.com posted news that The Stand "will take a revolutionary detour to the small screen."  Wait, whats happening?  Warner brothers and CBS are in talks with Showtime to turn the novel into an eight-part miniseries.  But that's not all; it comes to a big massive end with a big screen "big-budget" feature film.

Of course, the miniseries format allows for a bigger story; one more true to the novel.  By going with showtime instead of network TV, the story is more leeway to be a true horror pic than the previous miniseries offering.

Here's the facts as reported by thewrap.com:
Josh Boone will write and direct the miniseries.
The miniseries should start shooting early next year "as one cohesive production."
"Boone is expected to set his sights on several A-listers."
WB will handle the theatrical distribution of the movie.  (Which explains why showtime is involved.)

What was great about the 94 version of The Stand: Gary Sinise, and Rob Lowe.
What was not so great: It was very 90's.  Molly Ringwald.  Television.

Link: AVCLUB review of Finders Keepers

I enjoyed the review of Finders Keepers at avclub.com.

we learn:

  • Finders keepers isn't really Hodges book.
  • "Finders Keepers is a direct sequel to King’s 2014 novel Mr. Mercedes, though it takes a while for the connections to appear."
And now I'm off to read the book.

Shawshank Was Almost Real



Check out Michael Miller's article at the Washington Post titled, "‘Shawshank’ prison escape ends 56 years later with cinematic stakeout." 

In 1957 Frank Freshwaters was a 20-year-old Ohio bad boy.  On a July night, he hit and killed a pedestrian while speeding.  He was given 20 years, but the sentence was suspended.  However, he got back behind the wheel of a car, and so he went back to prison in 1959.  He landed in the Ohio State Reformatory.  

Now, track with this: The Prison closed and became the set for the 1994 Stephen King classic, "The Shawshank Redemption."  

Freshwaters secured a transfer to a nearby “honor camp,” and disappeared in 1959.  (See the link for the rest of the story.)

Just How Much Blood Do You Need To Fill An Elevator?



filmschool rejects asks an important question: Just how much blood would it take to fill an elevator at the overlook ?  See, I'm glad someone is thinking about the important things in life.   Kevin Carr explains his love for The Shining before explaining that he has been diving into the "thought provoking" Room 237.  Now, maybe that's just a kind nod, because when I watched Room 237 I came away thinking I've been in the room with the UFO believers a little too long.

Discussing the scene where the elevator doors open to a outpouring of blood. Of course, Kevin Carr asks what all of us asked when we saw that -- How much blood would it actually take to fill the elevator lobby?  Yeah, that's what I thought!  Carr writes, "The Answer: About 3,000 gallons… and possibly much more."  WAIT!  More?  So that's not the answer.

Carr explains how the scene was filmed:
The actual shooting of the blood elevator scene was, of course, an effects shot. Achieved decades before CGI blood would even be an option, the sequence was shot on a soundstage in miniature. Kubrick wanted to literally have 200 to 300 gallons of Kensington Gore fake blood available for the shot, and it reportedly took days to reset. 
Visual effects expert David Ridlen generated a computer model of the blood elevator sequence using RealFlow 4 and LightWave 9.6. What resulted was a strikingly accurate recreation of the original practical effect from The Shining. In the process, Ridlen’s work debunked the theory that there is a body or some other object hidden in the blood. (Ridlen tells me, “I am absolutely 200% sure there is no such thing.”) 
Ridlen used a 1/2-scale set because he felt Kubrick would have wanted his shoot to look as close to reality as possible, though there is evidence that the set itself might have been 1/3rd-scale. Regardless, in Ridlen’s recreation, he used 366 gallons of digital blood. Doubling the size of Ridlen’s elevator set would mean the volume of blood needed to fill it increases by a factor of eight. This results in 2,928 gallons of blood. So there’s your shopping list. 
However, while a set was used to shoot the scene in The Shining, within the film itself, the elevator hallway is opened to the rest of the hotel. Within the actual scene, you can see chairs floating and the blood pooling rather than draining away. So… 
One of the hallmarks of Kubrick’s film is that the Overlook Hotel is constructed with impossible geography. Maps are available online which attempt to lay out where the different rooms are. However, many of the rooms, hallways, and corridors seen in the film cannot fit together in normal space. 
Of course, the concept of impossible geography in film and television is nothing new, especially for anyone trying to figure out the layout of the house or apartment in The Golden Girls, Roseanne or any other popular sit-com. However, Kubrick deliberately used impossible geography in The Shining to disorient the viewer (and, at times, the cast and crew).
And then Carr asks the great big question I was actually wondering; Where did it all come from?

Check out the answers at: filmschool rejects

What Happened To Jim Carrey In Room 237?



I was watching Dumb and Dumber last night with my daughters.  It's sad when you reach the age when things that were hilarious in your 20's are now just -- stupid.  What did catch my eye was The Stanley Hotel.

James Parker at The Atlantic wrote:
 Jim Carrey requested 217 during the filming of Dumb and Dumber, but checked out—so the story goes—after only three hours. “That’s a shady one,” says the hotel’s tour guide Kevin Lofy. “What happened to him in that room, we don’t know. He’s never spoken of it.” A fantastic, if apocryphal, image: Carrey the rubbery actor-medium, the channeler of presences, windmilling out of the Stanley in a post-ghost panic.
Advocate "In Focus" editor, Lindsay Maynard, reports a similiar details about Carrey's stay at the Overlook -- I mean Stanley Hotel.  Maynard took the hotel tour and wrote a very nice article in which he wholeheartedly embraces the spooky elements of the old place.  In fact, she says the hotel is deemed one of the "most haunted."  HERE is the article, titled "Tour Estes Park's most haunted hotel."



Maynard also includes the tid-bit about Jim Carrey's stay in room 217, and also reports he did not stay the entire night.  Seems a few hours after checking in, he left the room and "never returned."  Why?  He's never said a word about it.  Could it be that the woman in the tub bothered him?  She was so very pretty!  Or perhaps the two dead girls made it hard to settle down.


Some interesting facts gleaned from the article:
  • Ghost Hunters has visited the hotel nine times!
  • Travel Chanel's "Ghost Adventures" has also paid their respects.
  • In June 1911, during a power outage, a chambermaid named Mrs. Wilson entered room 217 to light a candle.  A gas leak caused the room to explode!  What's amazing is that she lived, and was given a job at the hotel for life.  Maynard says that she is known to appear from time to time and even put away clothes for guests.  Nice ghosty.
  • On the fourth floor, there is sometimes the sound of unseen children playing.


Stephen King Video Games


Doesn't it seem like there should be more games based on Stephen King books?  I'm still waiting for someone to give me an edition of THE  STAND Civ 5.  Really, no one has wanted to drive Christine?  Think about it -- it would be a lot more fun than Pole Position.  Actually, a lot of things were better than that game.

Here is a list of video games based on King's work.  I am not including Discordia.  If you know of others, tell me in the comments section (or email me).

1985: THE MIST:

Was a text adventure game.  Remember Zork?


1989: THE RUNNINGMAN

The Running man was released as a Commodore 64 game.  It also inspired a game called "Smash TV."




1992: THE DARK HALF:




www.giantbomb.com gives us this review of The Dark Half video game:
The Dark Half is a point and click story based adventure game based on the Stephen King novel of the same name. It was released in 1992 by Capstone and even though many consider it to be a terrible game, it is highly sought after and considered a cult hit.
The Dark Half was developed by Symtus and published in 1992 by Capstone. It is a ScummVM-esque point and click adventure game that is based on the Stephen King novel of the same name. Although the mechanics of the game are very similar to many adventure games released around the same time from LucasArts, it is possible to die / be arrested in the game, bringing your adventure to an eary finish. 
The game itself is a poor reflection of the novel and is riddled with plot holes and inconsistencies. Even with these inherent flaws, The Dark Half remains a cult classic, a title that is still highly sought after even this long after it's debut. The ease of getting a "Game Over" screen is such that it's vital to save often and in different files, which is a turn off for many gamers with games such as Monkey Island setting the benchmark of a "deathless" game.



1994: The Lawnmowerman 

This was a Sega Genesis game. I never got to play it because we were Atari people.  Then Commodore.  



For more, check out David Finniss article at voices.yahoo.com.
Finnis' article covers all of the above games,and also a wallpaper program called F13: "The only thing that I was able to find on my own was a program called F13. It wasn't so much a game as a program that gave you wallpapers for your desktop. There were some mini-games as well as an electronic copy of Everything's Eventual. It received a mixed review at best."

10 King Novels That Should Be Video Games:

I liked this article by Clayton Ofbricks: 10 Stephen King Novels That Should Be Video Games.  He gives a nice outline of how each game would be played out.
1) The Shawshank Redemption: 3rd Person Stealth Action 
2) The Stand: Post Turn Based Strategy 
3) The Green Mile: Construction and Management Simulation 
4) Misery: Tower Defense 
5) The Dark Tower: Action RPG 
6) Christine: Extreme Driving Sim 
7) Rose Red: Survival Horror 
8) Pet Sematary: FPS 
9) Salem’s Lot: Sandbox 
10) Cujo: Trivia
Or. . . you could just play The Sims 3 Supernatural!  Or, Naughty Bear.

Stephen King's Bad Guys Are Terribly Real



Have  you noticed how unnerving some of King's killers are?  It's because they seem all too real.  That's because, I think, King often bases them on real people.  There was a real Annie Wilkes and a real Mr. Mercedes.

salon.com posted an interesting article  titled, "“Mr. Mercedes”: How Stephen King’s killers mirror real-life murderers."

Mike Berry notes that the timing for Mr. Mercedes could not be less propitious, and reminds us in a side note that Black House arrived in stores September 11, 2001.  I didn't know that.
The novel’s publication date comes a little more than a week after Elliot Rodger stabbed three people to death in his apartment near UC Santa Barbara, killed three others in drive-by shootings, ran down pedestrians in his BMW and then fatally shot himself with his own gun. In the wake of the Isla Vista tragedy, this straight-ahead thriller now makes for uncomfortable reading, in a way Mr. King undoubtedly did not intend.
Of course, King gives  us two types of  bad guys.   There's  the Randall Flagg naughty boy;  he's the devil  and he'll do as he likes.  And then there is the more creepy real life murders

The scary thing about Mr. Mercedes is that he could be -- anyone.  Thus Mike Berry notes Hartfield starts off as one of King's "least interesting villains."  He reminds me of Norman Bates; only, Psycho was scarier.  Norman was scarier.  It might be the difference in media (print verses movie, Hitch verses  King.)  But what both characters emphasize is that we never really know what's going on inside someone elses head.  And that's scary.

What Berry keenly  notes is that Hartfield didn't "snap." And most killers really don't.  They plan, plot  and  think over their crimes.  They relish messing with the police and reliving their crimes.

Here are some easily overlooked villains in the Stephen King canon: 

1. Jo St. George.  A child molester, wife beater and thief, it seems ole Joe doesn't get his due in the Stephen King universe.  His wife, Dolores finished  him off in what can only be described as a brilliant execution.  I loved it!  In fact, I think Dolores Claiborne might be one of those overlooked gems that Stephen King has churned out.  And though the focus of the novel is on Dolores, Jo is one mean  dude and the reader sympathizes with Dolores' vigilante style  of justice.

Let me tell you, as creepy as Mr. Mercede's is -- and as sick as his relationship with his mommy is -- he doesn't molest little kids.  Driving cars into crowds is very, very bad.  But there is something that so deeply crosses the line with child  molestation that it stands on its own in terms of wickedness.  Allow me to go a bit preacher on this one.  Jesus said it would be better to have a millstone hung around your neck and thrown into the ocean  than to have to stand before him on Judgment day and have to answer to harming a child.  In other words, God has a special  place in hell -- literally -- for that kind of wickedness.

2. In 11.22.63, King gave us a real life killer, Lee Harvey Oswald.  By mixing fictional characters with historical, King offered a strange blend of realism. Oswald wasn't a passing character in the book, but someone we followed at some length, getting to know and to some degree understand. Yeah, he was creepy.

3. Charlie Decker, a high school student in the Bachman novel, Rage, holds his classroom hostage  and has a long talk-session with them.  The novel is tense as the reader is left wondering if these students are going to make it out alive.  And, the book  is scarier now than when it was written, since it's actually been connected directly to several  schools shootings.

That ever helpful source, Wikipedia,  gives these examples of real life school  shootings that were in some way connected to or supposedly inspired by rage:
  • Jeffrey Lyne Cox, a senior at San Gabriel High School in San Gabriel, California, took a semi-automatic rifle to school on April 26, 1988 and held a humanities class of about 60 students hostage for over 30 minutes. Cox held the gun to one student when the teacher doubted he would cause harm and stated that he would prove it to her. At that time three students escaped out a rear door and were fired upon. Cox was later tackled and disarmed by another student. A friend of Cox told the press that Cox had been inspired by the Kuwait Airways Flight 422 hijacking and by the novel Rage, which Cox had read over and over again and with which he strongly identified.
  • Dustin L. Pierce, a senior at Jackson County High School in McKee, Kentucky, armed himself with a shotgun and two handguns and took a history classroom hostage in a nine-hour standoff with police on September 18, 1989 that ended without injury. Police found a copy of Rage among the possessions in Pierce's bedroom, leading to speculation that he had been inspired to carry out the plot of the novel.
  • Barry Loukaitis, a student at Frontier Middle School in Moses Lake, Washington, walked from his house to the school on February 2, 1996, and entered his algebra classroom during fifth period. He opened fire at students, killing two and wounding another. He then fatally shot his algebra teacher, Leona Caires, in the chest. As his classmates began to panic, Loukaitis reportedly said, "This sure beats algebra, doesn't it?" — a line erroneously believed to be taken from Rage. (No such line appears in King’s story. The closest is when Charlie Decker quips, "This sure beats panty raids.") Hearing the gunshots, gym coach Jon Lane entered the classroom. Loukaitis was holding his classmates hostage and planned to use one hostage so he could safely exit the school. Lane volunteered as the hostage, and Loukaitis was keeping Lane at gunpoint with his rifle. Lane then grabbed the weapon from Loukaitis and wrestled him to the ground, then assisted the evacuation of students.
  • In December 1997 Michael Carneal shot eight fellow students at a prayer meeting in West Paducah, Kentucky. He had a copy of the book within the Richard Bachman omnibus in his locker. This was the incident that moved King to allow the book to go out of print.
SOURCE: wikipedia.org/wiki/Rage
Berry raises the concern  that Rage  can be misunderstood as celebrating the violence it actually condemns.  Comparing Rage to Mercedes, Berry writes,
[Rage] was written by a young author not fully in control of the tools of his craft. “Mr. Mercedes” is the product of an old hand, an accomplished writer of popular fiction who generally knows what he’s doing. There’s really no need to fret that the book might inspire further mayhem.
4. The Needful Thing's cast.  Leeland Gaunt is supposed to be the devil himself.  He's one bad  dude.  But he's not the scary part of Needful Things.  The town-folk are!  Willing to cut each other up in the street, slay dogs and burn their town right  to the ground, the last novel of Castle Rock was a dozy!  It is long, but it's also under-appreciated.  King really shows how the devil  works, getting us to take one small step into sin and finding that soon we are willing to do things we never thought was in our own character.

Berry misses his opportunity to really dig deeper into Hartfield's psychology.  It does seem to be what the article promised.  Instead, Berry gives us as much a review of the book itself as a deeper look at Brady Hartfield.  He declares that the novel ranks in the "middle" of King's work in terms of quality.  And where  would that be?
nowhere near the pinnacle of “The Shining” but well away from the abyss of, say, “Dreamcatcher.” 
Humm.  I liked The Shining a lot.  But I'm not sure it was the "pinnacle."  It's brilliant, absolutely brilliant, and yes -- Mr. Mercede's isn't The Shining.  But it's not King's absolute  best.  Disagree with me?  It might be a while since you've actually read the book.  The  novel is very closed  in, which is both creepy and at point tedious.  I like sprawling novels like The Stand, and, believe it or not, Doctor Sleep.

And as for  Dreamcatcher, which Berry put at the bottom of the pile; I enjoyed it!  Well, for a while.  It's both crazy and engaging.  Stick with the book, not the movie on this one.  Is it a masterpiece?  No.  But it's fun.

Play THE MIST Video Game




Well, come on in . . . TO THE MIST!  Check out archive.org/Stephen_Kings_The_Mist_1985, which is a text based game (remember Zork?)

This is also a time warp back to the sweet year of 1985.  That doesn't seem so long ago -- does it?  I am a huge fan of internet archive, which not only has some old games, television shows and movies, but lots of vintage radio shows.

Anyway -- jump on in to the Mist. . .



The game notes are from my friend Chris Calderon.

Some differences between the game and novella:

As in both book and film, the player is given the part of David Drayton, however, Norton is nowhere to be seen, and Billy has apparently been left "in the care of Mr. Eagleton", "somewhere safe".  The Eagleton character doesn't appear in either book or film.

Mrs. Carmody and Mrs. Reppler are present, however unlike the book or film, the other shopper immediately form a cult around her the instant the mist strikes, we're talking like no more than a second after.  You apparently can't either restrain or take out Mrs. Carmody like in the book.  All the happens is time is wasted and after a certain number of turns, the crowd feeds you to the mist.  Would you like to try again?

Mr. McVey the butcher is nowhere to be found.

The encounter with Norm the Bag Boy goes very differently.

Ollie is there, however he pretty unhelpful, and far from the picture of calm confidence in both of the other incarnations.  This version just sits and panics.

Surprisingly, the game does bear a similarity to the movie in that both offer an explanation for the Mist.  In the film, this info is alluded to by a doomed Army MP.  In the game, a notebook belonging to an Arrowhead Project employee is discovered lying in a dumpster, however never encounters this character in person.

Now for the real scary part, THE GAME FORCES YOU TO GO OUT INTO THE MIST!

Players are going to need to read Gaming after 40's article about the text adventure.  It presents a lot of essential info for playing the game, and is the closest to a manual players are likely to get.  A link for Gaming after 40 can be found here:

Ending The Mist Goes On



In an article titled, "The Mist, Love It Or Hate It," Lilja's Library posted a link to aintitcool news.  The article at aintitcool was a passionate defense of the ending of Frank Darabont's The Mist.  I loved it!  Totally disagree -- but enjoyed every bit of Quint's impassioned defense of dark endings.

The aintitcool article argues that not only are dark endings cool, but they are important for all movies because they add a layer of uncertainty to every movie watching experience.

Quint boils the issue of the Mist and the ending to this:
"So why does The Mist get singled out for its ending? I think people are a hundred times more comfortable with the idea of a big bad monster killing a person than the good guy having to pull the trigger."
I think he's right.  Really right.  And then he swings a home run,
"It would have been awful if a tentacle had come out of the gray clouds surrounding that car and yanked little Nathan Gamble out the window, sucking him into the mist for good, but people would have forgiven that. What many folks can't forgive is that Tom Jane's David Drayton is the one to kill his son."
Is this a nerd debate?  I suspected if you asked most people, they'd say, NO!  This is serious stuff.  But in truth -- it's a minor argument over a few seconds of film.  In big the scheme of things, doe sit really matter?  YES!  . . . oh, wait, my wife tells me she's never worried once about the end of The Mist.  Event though she saw it.  Not once since did she give a lot of thought to it.  Sigh.  Maybe it is a nerd debate; but it's an interesting one.

It's About Character

But let me be clear why it doesn't work for me.  It's that we are asked at the end of the movie to believe something about Drayton's character never presented to us in the rest of the film.  Let's just say, the guy at the end of the film isn't a guy I'd feel comfortable falling asleep in his car.  Throughout the film, Drayton is shown as stoic, strong, logical and ready to fight.  But when actually confronted by the monsters -- he doesn't fight, he kills his kid.  Grown men -- good guys -- don't kill little kids.  That's a pretty straight forward statement -- and it's true.  I'm not comfortable with a movie ending that tries to make the murder of a child A-OK; even cool.  I wonder if people who think this is a great ending have kids.  Of course, father's do kill their children.  And we as a society have agreed we're not cool with that.

Can you think of another scenario where it's okay for a father to kill his child?  Maybe a rapist breaks into the house, is about to rape his daughter -- so he shoots his daughter to save her from the rapist.  Doesn't work, does it?  Why?  Because you think, "why doesn't he just shoot the bad guy?"  Which make us wonder, why doesn't Drayton have any fight in him?  Why did he leave with no real plan to take on the enemy?  Wait -- But what if there's a lot of rapist after the father's girl, and he only has one bullet?  Would it be okay then to say, "You don't get my daughter!" and shoot her?  No.

Of course, The Mist offers a level of despair somewhere beyond the situations I suggested.  Because things look utterly hopeless to Drayton.  Drayton's decision at the end of the movie is a response to his own fear and hopelessness.  But he went out into the mist ready to fight and survive.  So all of his survival instincts wash away in an instant?

I'll just say that for me, the ending doesn't work because it's not the character we were presented with throughout the movie.

What I Like

My disagreement with Quint doesn't mean I didn't take his point.  In fact, I do have a new respect for the ending of The Mist; I see it through new eyes.  I don't agree, but I appreciate the perspective.  And I agree, dark endings are important.  I just want them to be -- logical.

In fact, I'm embarrassed (but not overly read faced!) to admit that Quint spots something I totally missed.  Remember Melissa McBride, who ran into the Mist to get home to her kids?  Quint writes:

Then there's the reveal that they were moments away from being saved. I'd say most who don't like the ending think it's because of this timing, but I'm not so sure. Their salvation was only moments away, but the real knife twist is when we see Melissa McBride and her family being transported past a completely broken Drayton.
What?  Of course everyone else saw it and got it -- but my entire focus was on what just happened, not on what was happening on screen.  No matter how many times I've seen that ending, I missed it!  Quint explains why that particular detail is so unnerving:

You see, he played it safe from the beginning. He did everything logically, thought through his options, and still this awful -- happened to him, yet she was reckless and ran into the mist to get home to her kids, danger be damned. She made it, her family made it, but calm, cool and collected David Drayton did not.
That's a great insight.  Of course, I didn't have that reaction, because I didn't  pick up on the fact that the lady at the end is the same lady who ran into the mist.  I was still thinking about Drayton's handy work with his gun.

Check out the article at aintitcool -- I liked it a lot.aintitcool.com