Exposition Art Blog: painter and graphic
Showing posts with label painter and graphic. Show all posts
Showing posts with label painter and graphic. Show all posts

Art for Sale Joey Shebester


  Joey Shebester

  Seabrook, Texas USA

www.curiousobservation.com 

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Drawing It Into Existence
16"x20"
OIl and Acrylic on Canvas board
$350

Consequence of Dark Magic
16"x20"
Oil on Canvas
$500

Overwhelming Sight
18"x24"
Oil and Acrylic on Canvas
$500

Vision Quest
24"x36"
Oil on Canvas
$3,500

Migraine Madness #4
16"x20"
Oil on Canvas
$450

Trapped (Prelude to Migraine Madness)
4.5"x6.5"
Graphite
$400

Self In Smoke
5.5"x9.5"
Graphite
$300

Migraine Madness #6
10"x20"
Oil on Canvas
$450

Migraine Madness #1
24"x36"
Oil on Canvas
$1,200

Migraine Madness #2
10"x20"
Oil on Canvas
$2,100

Yachting
10"x20"
Oil on Canvas
$750

Eve
12"x24"
Oil on Canvas
$500

Migraine Madness #5
10"x20"
Oil on Canvas
$450


http://milenaolesinska.blogspot.com/p/art-for-sale.html

Australian art Norman Lindsay

Norman Alfred William Lindsay (22 February 1879 – 21 November 1969) was an Australian artist, etcher, sculptor, writer, editorial cartoonist, scale modeler, and an accomplished amateur boxer.He was born in Creswick, Victoria.
Lindsay was the son of Anglo-Irish surgeon Robert Charles William Alexander Lindsay (1843–1915) and Jane Elizabeth Lindsay (1848–1932), daughter of Rev. Thomas Williams, Wesleyen missionary. from Creswick. The fifth of ten children, he was the brother of Percy Lindsay (1870–1952), Lionel Lindsay (1874–1961), Ruby Lindsay (1885–1919), and Daryl Lindsay (1889–1976).Lindsay married Catherine (Kate) Agatha Parkinson, in Melbourne on 23 May 1900. Their son Jack was born in Melbourne on 20 October 1900, followed by Raymond in 1903 and Philip in 1906. They divorced in 1918. He later married Rose Soady who was also his business manager, a most recognizable model, and the printer for most of his etchings. They had a daughter, Jane Lindsay, born in 1920. Philip died in 1958 and Raymond in 1960. In the Lindsay tradition, Jack became a prolific publisher, writer, translator and activist. Philip also became a writer of historical novels, and worked for the film industry.
Lindsay is buried in Springwood Cemetery in Springwood, close to Faulconbridge where he lived.







 Lindsay is widely regarded as one of Australia's greatest artists, producing a vast body of work in different media, including pen drawing, etching, watercolour, oil and sculptures in concrete and bronze.
A large body of his work is housed in his former home at Faulconbridge, New South Wales, now the Norman Lindsay Gallery and Museum, and many works reside in private and corporate collections. His art continues to climb in value today. In 2002, a record price was attained for his oil painting Spring's Innocence, which sold to the National Gallery of Victoria for A$333,900.His frank and sumptuous nudes were highly controversial. In 1940, Soady took sixteen crates of paintings, drawings and etchings to the U.S. to protect them from the war. Unfortunately, they were discovered when the train they were on caught fire and were impounded and subsequently burned as pornography by American officials. Soady's older brother Lionel remembers Lindsay's reaction: "Don't worry, I'll do more







 Lindsay's creative output was vast, his energy enormous. Several eyewitness accounts tell of his working practices in the 1920s. He would wake early and produce a watercolour before breakfast, then by mid-morning he would be in his etching studio where he would work until late afternoon. He would work on a concrete sculpture in the garden during the afternoon and in the evening write a new chapter for whatever novel he was working on at the time.
As a break, he would work on a model ship some days. He was highly inventive, melting down the lead casings of oil paint tubes to use for the figures on his model ships, made a large easel using a door, carved and decorated furniture, designed and built chairs, created garden planters, Roman columns and built his own additions to the Faulconbridge property.
In 1938, Lindsay published Age of Consent, which described the experience of a middle-aged painter on a trip to a rural area, who meets an adolescent girl who serves as his model, and then lover. The book, published in Britain, was banned in Australia until 1962.Wikipedia




Daria Kotyukh

Daria Kotyukh’s style is both graphical and spare. She aspires to perfection in the composition and the transformation of her drawings by employing the strict minimum of means to reveal the depth of the sand-stories on one hand and, on the other, convey all the beauty of the Sand as a material.
Graduated from the Saint Petersburg N. Roerich Art School as well as the Stieglitz Art and Industry Academy, she is the Winner of The Touch Sand-Art Festival-2013 in Ukraine (Grand-Prix for best Live Performance and 1st prize for graphic drawing on Sand) and Sand-Malerei Festival – 2015, Daria Kotyukh, 29 years old, is today acknowledged as one of Europe’s greatest Sand-Artists.


 





Franciszek Starowieyski

Franciszek Andrzej Bobola Biberstein-Starowieyski (July 8, 1930, in Bratkówka, Poland – February 23, 2009) was a Polish artist. From 1949 to 1955 he studied at the Academy of Fine Arts in Kraków and Warsaw. He specialized in poster, drawing, painting, stage designing, and book illustration. He was a member of Alliance Graphique International (AGI). Throughout his career his style deviated from the socialist realism that was prevalent during the start of his career and the popular, brightly colored Cyrk posters; however he did create one Cyrk poster Homage to Picasso in 1966.
He was the first Polish artist to have a one-man show at the Museum of Modern Art (MoMA) in New York, in 1986.Wikipedia






 "Endowed with a baroque imagination, Starowieyski is highly adept at combining sensuous forms with intellectual messages, producing unexpected effects and shocking surrealist visions. His art is exquisitely ornamental and uses a plethora of unique metaphors and an individual system of signs originating from his beloved baroque esthetics. His paintings reveal a fascination with the sensuous, Rubensian female bodies and convey a reflection on passing and death. Saturated with grotesque and humour, his art combines the real world with creations of his rampant imagination and makes ostentatious references to the 17th century masters.







 Starowieyski, who is a master of drawing, says of himself,
    "Ever since I remember, drawing has been my language. It best expresses my thoughts".
The calligraphically precise lines of his drawings are impressive. He uses them to buil extraordinary, surrealist visions which combine dissimilar, unrelated motifs to achieve grotesque and metaphorical meanings. His predilection for calligraphy, penchant for fantasy, preference for the macabre and pursuit of the anatomy as well as his chiaroscuro, modeling and dynamic compositions are all rooted in the 17th century. His works often include German-like commentaries styled to look like the 17th century calligraphy, as well as titles executed in ornamental lettering. Since 1970 he has been back-dating his works by three hundred years, maintaining that this reflects the state of his soul and mind, a spirit of a 17th century ancestor having incarnated himself in him. He said in an interview that he has the impression of living "in those times, and the rest - things that took place later, up to what we take to be today - is just a matter of imagination".
He likes to shock with his art and his behaviour, Salvadore Dali undoubtedly being his role model. He once said, "The viewer expects the artist to scandalize, insult and shock him". His popularity started as early as the 1960s with a series of theatre and film posters. Indeed, owing to him the poster acquired the status of a stand-alone art." (Autor: Ewa Gorzałek, Centre for Contemporary Art at Ujazdowski Castle, May 2006; updated: February 2009 culture.pl )










Janez Bernik

Janez Bernik (6 September 1933 – 15 July 2016) was a multiple-time awarded and internationally acclaimed Slovenian painter and academic.
Bernik was born in the village of Gunclje, now part of Ljubljana. After finishing the Crafts School in Ljubljana, from 1951 until 1955, Bernik attended the Academy of Fine Arts in Ljubljana, where he was a pupil of Maksim Sedej. From 1956 to 1958, he continued his studies with the professors of graphic design Božidar Jakac and Riko Debenjak, and on a number of study travels (Italy, France...). From 1958 to 1969, he worked as a freelance artist, and in 1970 started teaching as a professor of drawing and painting at the Academy of Fine Arts in Ljubljana. From 1979 to 1996, when he retired, he was a full professor and the head of the Painting Department of the Academy. He was member of the Group 69 and participated at all its exhibitions. In 1989, he was named an associate member of the Slovenian Academy of Sciences and Arts, and in 1993 became its full member. He was an external corresponding member of Accademia di san Luca in Rome, and from 1996, a regular member of the European Academy of Sciences and Arts. He died in Prebold.






 Bernik was a versatile artist, who reached excellent results in painting, sculpture, graphic design, illustration, tapestry, book design, and poetry. His graphic prints are kept in numerous worldwide-known galleries and collections. He had over 60 independent exhibitions, including at the main galleries of the former Yugoslavia, Klagenfurt, Milan, Rome, Paris, Berlin, New York... Several times, he also participated at the Venice Biennale, as well as at a number of group exhibitions at home and abroad. He published four independent graphic folders. His poems were published in two collections; the first one in the monograph Lines ("Črte"), and the second one, Triptych ("Triptih"), in the catalogue 1985 Exhibition ("Razstava 1985") and the New Magazine ("Nova revija").






Of the domestic awards, of particular importance are the Prešeren Fund Award for painting and graphic design (1963), Jakopič Award for painting (1971), and Prešeren Award (1981), whereas as to international awards, he received a number of honorary awards and golden medals for painting and graphic design. His works are kept by Slovenian galleries (Ljubljana, Maribor, Ajdovščina, and Idrija) and by galleries and museums in most of larger European cities (London, Vienna, Prague, Zagreb, Warsaw, Paris, Rome, Amsterdam). Many of his works are also kept in the Northern and Southern Americas (San Francisco, Washington, New York, Buenos Aires, Rio de Janeiro), and even Japan (Tokio).Wikipedia