Exposition Art Blog: Informal art
Showing posts with label Informal art. Show all posts
Showing posts with label Informal art. Show all posts

Jean Fautrier - Art Informel

 

 Jean Fautrier (1898 –1964) was a French painter, illustrator, printmaker, and sculptor. He was one of the most important practitioners of Tachisme.Jean Fautrier was born in Paris in 1898. He was given his unwed mother's surname and raised by his grandmother until she and his father both died in 1908. He then moved to London to be with his mother. There, in 1912, he began to study at the Royal Academy of Arts. Unsatisfied by instruction he thought too rigid, he left to study briefly at the Slade School, which was reputed to be more avant-garde. He was disappointed again and decided to go it alone, devoting himself to painting. The works he saw in the Tate Gallery made a far greater impression on him; he especially admired the paintings of J. M. W. Turner. He was called up for the French Army in 1917, but was discharged in 1921 due to his poor health. He first exhibited his paintings at the Salon d'Automne in 1922 and at the Fabre Gallery in 1923. It was at the Galerie Fabre that he met art dealer Jeanne Castel, his first collector and friend. In 1923 he began producing etchings and engravings. His first solo exhibition was at the Galerie Visconti in Paris, in 1924.
In 1927, he painted a series of pictures (still lifes, nudes, landscapes) in which black dominates. In 1928 he met André Malraux through Castel. Malraux asked Fautrier to illustrate a text of his choice, but copyright issues kept him from using his first choice, Arthur Rimbaud’s ‘’Les Illuminations’’, and he settled instead with Dante’s Inferno. He produced 34 lithographs, but the publication, proposed by Gallimard, was deemed impossible and the project was abandoned in 1930. Until 1933 he divided his efforts between sculpture and painting. Short on funds, he spent the years 1934–1936 living in the resort of Tignes, where he made his living as a ski instructor and started a jazz club.
In 1939, just as World War II was beginning, Fautrier left the mountains, moving to Marseille, Aix-en-Provence, and Bordeaux before finally returning to Paris in 1940 and starting to paint once again. In Paris he met several poets and writers for whom he created illustrations. In January 1943, he was arrested by the German Gestapo. After brief imprisonment, he fled Paris and found refuge in Châtenay-Malabry, where he began work on the project of the Otages (or "Hostages"). These paintings were a response to the torture and execution of French citizens by the Nazis outside his residence, and were exhibited in 1945 with the Drouin gallery. In the years that followed, Fautrier worked on the illustrations of several works, among them L'Alleluiah by Georges Bataille, and made a series of paintings devoted to small familiar objects.
His late work is abstract, generally small in scale, often combining mixed media on paper. In 1960 he won the international grand prize at the Venice Biennale as well as another major award at the Tokyo Biennale the following year. He died in Châtenay-Malabry in 1964, the same year in which he had made donations to the Musée de l’Ile-de-France in Sceaux and Musée d’Art Moderne de la Ville de Paris. A retrospective of his work opened there later that year. and was organized by the Gianadda Foundation at Martigny in January–March 2005.Wikipedia

 













 


Emilio Scanavino - Italian Abstract Art

Emilio Scanavino (Genoa, 28 February 1922 – Milan, 28 November 1986) was an Italian painter and sculptor. Scanavino was born in Genoa. In 1938 he enrolled to the Art School Nicolò Barabino where he met Mario Calonghi, who was teaching at the school and was due to be a great influence on Scanavino’s artistic formation. In 1942 he had his first exhibition at the Salone Romano of Genoa. In the same year he enrolled at the Faculty of Architecture at the Milan University. In 1946 he married Giorgina Graglia.In 1947 Scanavino moved to Paris where he met poets and artists such as Edouard Jaguer, Wols and Camille Bryen. This experience proved to be inspirational. He was especially interested in Cubism, which he rendered into a personal interpretation when he exhibited at the Gallery Isola in Genoa in 1948. In 1950 Scanavino and Rocco Borrella joined "I sette del Numero", an artistic group revolving around the Numero Gallery in Florence. In the same year he was invited to the 27th edition of the Venice Biennale and in 1951 he had a two-person exhibition with the sculptor Sarah Jackson at the Apollinaire Gallery in London.
After an initial interest in figurative art, Scanavino's paintings took Post-Cubist nuances. His forms became increasingly stylized, until being completely obliterated in the works from the early 1950s. In 1954 his characteristic sign, “stylized knot”, started to appear. That is the , eventually marking his whole production. In the late 1970s years paintings, the “knot” became perfectly defined and recognizable, although his work became darker, sometimes even threatening due to the conspicuous presence of red stains resembling blood. Although Scanavino is difficult to place inside a specific artistic movement, he can be considered an informal abstractist, close to the Abstract Expressionism and Hans Hartung and Georges Mathieu's art.Wikipedia















Jose Balmes - Art Informel

José Balmes Parramón (20 January 1927 – 28 August 2016 ) was a Spanish-born painter based in Chile. He received Chile's National Prize for Plastic Arts in 1999.
José Balmes was born in 1927 in the town of Montesquiu in Catalonia, where he spent his childhood until the Spanish Civil War broke out in 1936. Three years later, after the Nationalist victory, Balmes with his family was forced to leave Spain due to the militancy of his father, Damià Balmes, who was mayor of the town for the Republican Left of Catalonia.
Along with Gracia Barrios and other artists, he would form the informalist group Signo, with whom he would present works in Barcelona, Madrid, and Paris.
Of known communist militancy, and having been for several periods a member of the Communist Party's Central Committee,[3] a large part of Balmes' career was linked to political life, actively supporting the Popular Unity government led by Salvador Allende, and having to leave for exile in France after the 1973 coup d'état.There he continued developing his artistic career as a professor at Pantheon-Sorbonne University.In 1986, Balmes returned to Chile, after which he received multiple awards, such as the 1999 National Prize for Plastic Arts and the 2002 Altazor.
In 2012 the Chilean filmmaker Pablo Trujillo Novoa shot a documentary about the life of the artist entitled Balmes: El doble exilio de la pintura (Balmes: Painting's Double Exile).Wikipedia
















Iaroslav Serpan - Czech abstract painter

Iaroslav Serpan was born in Prague in 1922. He was a member of the of the Surrealist group with whom he exhibited at the show Le Surréalisme at the Maeght Gallery in Paris. He left the group in 1951, developing his own pictorial style attached to the Art Informel and Lyrical Abstraction. Later, he experimented with collage, sculpture and wall ceramic. Serpan died in 1976.