"Jason Rhoades (1965 – 2006) is known for monumental, room-filling installations. These idiosyncratic sculptures incorporate a wide range of objects including products of mass culture combined with hand-made items and biographical references. Drawing on the history of assemblage, Rhoades imbues his materials with powerful formal, narrative and allegorical links, encouraging viewers to connect and interpret the associative chains. Rhoades often drew inspiration from the city of Los Angeles where he lived and worked as well as The Great American West, informed by his rural upbringing in Northern California. His work has been exhibited internationally since the early 1990s.Engaged with concepts such as labor, capital, materiality, modernism, performance and process, Rhoades’s work often derives from the specific conditions in which the work is created and explores structures that are not readily visible or apparent. His practice, emblazoned by the artist’s bold sense of freedom, wryly subverts the expectation of artists and artworks by breaking with aesthetic conventions and pushing against the boundaries of the art world. Rhoades fundamentally understood art to be “a pursuit of something” and notably viewed his body of work as one piece, a singular ongoing project."(hauserwirth.com)
Painting is like silent poem, said Simonides, poet from ancient Greece.Paintings are icons, doors to the Platonian world above the heavens. Paintings on my blog are just those icons, which lead a viewer into the magic world of harmony and beauty. Artists who present their achievements on my blog have a very different cultural and national background, they represent variety of artistic traditions and schools
Showing posts with label Jason Rhoades. Show all posts
Showing posts with label Jason Rhoades. Show all posts
Installation art Jason Rhoades
"Jason Rhoades (1965-2006) is known for his highly original, large-scale sculptural installations, which incorporate miscellaneous materials inspired by Los Angeles car culture and his rural upbringing in Northern California, amongst other sources. Until his untimely death in 2006 at age 41, he carried out a continuous assault on aesthetic conventions and the rules governing the art world, wryly subverting those conditions by integrating them within his practice. He conceived his works as part on an ongoing project to which objects were continuously added—dream catchers and oriental carpets, neon signs, power cords, building materials, and his own newly fabricated products were assembled and re-assembled in different configurations and also enlisted as part of performances and happenings within the installations. Underpinned by a unique combination of strong conceptual vigor and humor, his practice redefined and expanded the space in which artworks are both made and exhibited. Believing in ultimate freedom for artists, Rhoades circumvented notions of taste and political correctness in a candid pursuit of the creative impulse itself.
Rhoades was born in Newcastle, California in 1965. He received his M.F.A. from the University of California, Los Angeles in 1993. Later that year, Rhoades joined David Zwirner—becoming part of the gallery's original roster of artists—and had his first New York solo show.
Rhoades was born in Newcastle, California in 1965. He received his M.F.A. from the University of California, Los Angeles in 1993. Later that year, Rhoades joined David Zwirner—becoming part of the gallery's original roster of artists—and had his first New York solo show.
In 2014, David Zwirner presented Jason Rhoades: PeaRoeFoam at the gallery in New York. The comprehensive exhibition was specially dedicated to Rhoades's body of work using PeaRoeFoam, the artist's self-made recipe for a "brand new product and revolutionary new material" created from whole green peas, fish-bait style salmon eggs, and white virgin-beaded foam. It marked the gallery's first exhibition showcasing Rhoades since its critically acclaimed installation of Black Pussy in 2007. An accompanying publication by David Zwirner Books features new scholarship by Julien Bismuth, an interview with Linda Norden, and selected interviews from the Jason Rhoades Oral History project devised by Lucas Zwirner, who interviewed over fifty artists, curators, and others who intimately knew the artist.
Rhoades's work has been exhibited internationally since the 1990s. His first solo presentation at a European institution was held at Kunsthalle Basel in 1996. Other international venues which have organized solo shows include Van Abbemuseum, Eindhoven, The Netherlands; Kunsthalle Nürnberg, Nuremberg, Germany (both 1998); Deichtorhallen Hamburg, Germany (1999); Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), Vienna (2002); Le Magasin - Centre National d'Art Contemporain de Grenoble, France (2005); and Centro de Arte Contemporáneo de Málaga, Spain (2006).
Rhoades's work has been exhibited internationally since the 1990s. His first solo presentation at a European institution was held at Kunsthalle Basel in 1996. Other international venues which have organized solo shows include Van Abbemuseum, Eindhoven, The Netherlands; Kunsthalle Nürnberg, Nuremberg, Germany (both 1998); Deichtorhallen Hamburg, Germany (1999); Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), Vienna (2002); Le Magasin - Centre National d'Art Contemporain de Grenoble, France (2005); and Centro de Arte Contemporáneo de Málaga, Spain (2006).
In the Fall 2017, The Brant Foundation Art Study Center will present a solo exhibition featuring Rhoades’s works from The Brant Collection as well as significant projects from the artist's career, including My Brother/Brancuzi (1995); The Grand Machine / THEAREOLA (2002); and Untitled (from the body of work: My Madinah: In pursuit of my ermitage…) (2004).
In 2013, Jason Rhoades, Four Roads marked the first American museum exhibition of the artist's work, organized by the Institute of Contemporary Art, University of Pennsylvania, Philadelphia. In 2014, the exhibition traveled internationally to the Kunsthalle Bremen, Germany, followed by the BALTIC Centre for Contemporary Art, Gateshead, England in 2015.
Work by the artist has been prominently featured in group exhibitions worldwide, most recently in 2013 as part of NYC 1993: Experimental Jet Set, Trash and No Star at the New Museum, New York. Other group shows include the Whitney Biennial (1995, 1997, and 2008) and the Venice Biennale (1997, 1999, and 2007).
Museum collections which hold works by the artist include the Centre Georges Pompidou, Paris; Hamburger Bahnhof - Museum für Gegenwart, Berlin; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Tate Gallery, London; and the Whitney Museum of American Art, New York."(davidzwirner.com)
In 2013, Jason Rhoades, Four Roads marked the first American museum exhibition of the artist's work, organized by the Institute of Contemporary Art, University of Pennsylvania, Philadelphia. In 2014, the exhibition traveled internationally to the Kunsthalle Bremen, Germany, followed by the BALTIC Centre for Contemporary Art, Gateshead, England in 2015.
Work by the artist has been prominently featured in group exhibitions worldwide, most recently in 2013 as part of NYC 1993: Experimental Jet Set, Trash and No Star at the New Museum, New York. Other group shows include the Whitney Biennial (1995, 1997, and 2008) and the Venice Biennale (1997, 1999, and 2007).
Museum collections which hold works by the artist include the Centre Georges Pompidou, Paris; Hamburger Bahnhof - Museum für Gegenwart, Berlin; Los Angeles County Museum of Art; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; Tate Gallery, London; and the Whitney Museum of American Art, New York."(davidzwirner.com)
Art Installation Jason Rhoades
Jason Rhoades (July 9, 1965 – August 1, 2006) was an installation artist who enjoyed critical acclaim, if not widespread public recognition, at the time of his death, and who was eulogized by some critics as one of the most significant artists of his generation. Better known in Europe, where he exhibited regularly for the last twelve years of his life, Rhoades was recently celebrated for his combination dinner party/exhibitions that feature violet neon signs with African, Caribbean, Creole and hip-hop slang for the female genitalia. His work remains part of the permanent collection in the Rubell Family Collection in Miami, where he was a part of exhibit "Beg Borrow and Steal" at the time of his death.
Rhoades received his MFA from UCLA in 1993 after studying at the California College of the Arts in Oakland, the San Francisco Art Institute and the Skowhegan School of Painting and Sculpture. During the time of his studies at the San Francisco Art Institute he was one of the founders of a movement called "Funk o' Metric", also known as FOM or FOAM. The members of this group included Peter Warren, Bill Beccio, Laurie Steelink, Sebastian Clough, and Marshall Weber, among others.Rhoades was the son of Jack and Jackie Rhoades and had two brothers, Greg and Matt. He was married to Australian-born artist Rachel Khedoori and had a three-year-old daughter named Rubi. Rhoades' sister-in-law (and his wife's identical twin sister) is the painter Toba Khedoori.
Rhoades was taken from his home to Cedars-Sinai Medical Center early on the morning of August 1, 2006, where he was pronounced dead. The cause of death was thought to be heart failure. According to the Los Angeles County coroner's office Jason Rhoades' death was caused by accidental drug intoxication and heart disease.Wikipedia
Rhoades was taken from his home to Cedars-Sinai Medical Center early on the morning of August 1, 2006, where he was pronounced dead. The cause of death was thought to be heart failure. According to the Los Angeles County coroner's office Jason Rhoades' death was caused by accidental drug intoxication and heart disease.Wikipedia
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