Showing posts with label Nigeria. Show all posts
Showing posts with label Nigeria. Show all posts

Saturday, April 30, 2011

Nigéria - Musiques du plateau - Rec. 1972 by Benoît Quersin





Nigéria - Musiques du plateau
Angas, Birom, Jarawa, Burom, Yergam, Pyem
Recorded in 1972 by Benoît Quersin
Institute of African Studies 
Ocora - OCR-82 - 1974?







Side A

1 Deng-deng
 - chanson avec accompagnement de harp molo 3'14
2 Solo de xylophone kundung 3'02
3 Bwana
 - chanson avec accompagnement de harp molo 2'00
4 Chanson de Angas
 - chanson avec accompagnement de chitare molo 3'35
5 Chanson de Pyem
 - chanson avec accompagnement de chitare molo 6'05
6 Ensemble de flûtes sharawa, et tambours du village 4'20


Side B

1 Ensemble de sifflets izur nfiko 2'30
2 Musique Komtin - chœur et idiophones 4'53
3 Orchestre de molo de Maisage Zindam Ndam 5'25
4 Orchestre de molo de Zhimak Tyem 2'44
5 Danse Wasam Burum avec tambours 3'08
6 Danse et chants Kida manoma 2'45
7 Vièles monochordes goge 1'50



I posted some Nigerian recordings recently released on the lable Bärenreiter and here is another Nigerian but on the no less prestigious lable Ocora. There are some very good tracks here that I hope you will enjoy!

Here is a quote from the sleeve:

The Jos Plateau, where the recordings on this record were made, rises to an average height of twelve hundred metres in the centre of Nigeria. It makes up the northern extreme of Benue-PlateauState. one of the twelve states of the Federal Republic of Nigeria. politically reorganized since 1967. Without doubt the countryside includes some of the most beautiful in western Africa, and the climate of these highlands gives it a Mediterranean appeal. But what the plateau is particularily known for is the discovery of rich veins of tin just below the surface. the exploitation of which brought to light surprising archeological remains. These reveal the existence of a very old civilization (800 BC to 200 AD) where an iron industry was wide-spread and where art had reached a high level : the "Nok Culture''.

If this civilization fortold the states which were to appear in the neighbouring districts from after the eleventh century. their creators are not the ancestors of the present day plateau populations : these forty or so tribes and sub-tribes of various origins, each possessing its own language and traditions, are as yet largely unknown. With a very independant character. there were for a long time a worry to the British Administration which had wanted, since 1904, to control these "Plateau pagans ", as they were called by the Hausa Moslems.

"Living in their own villages and prefering their own company, they are still largely spectators of the approach of civilisation", remarked a high official in 1933. This is of course no longer true today; but the plateau tribes were amongst the last in Nigeria to accept the change.

Six tribes are represented on this record. If we look at the different traditions, the Pyem originated from a country to the north. Gobir, and were amongst the first wave of immigrants. The Angas remembered having lived in Kanem, and then Bornu before the arrival of the Kanuri pushed them out, towards the 13th or 14th century; from this large tribe several other plateau groups were derived, including the Tal, which in turn gave rise to the Yergam or Talok (signifying "comes from Tal "). The Burum, present neighbours of the Yergam. say they originated from the Jukun, of which they would have been a branch or vassal tribe. During the 16th and 17th centuries, Angas, Burum and Yergam were a part of the Jukun Empire - also called Kororofa - which experienced at the time an extraordinary development with the conquest of the territories east and south of the Plateau, as well as the Kano and Zaria Hausa Kingdoms to the north-west.

This expansion would also have lead the Birom, who lived in the forests to the south, to move to the plateau. The Kororofa State dissolved in the 18th century in circumstances which remain mysterious, and the political and cultural centre moved towards the north: the jihad (holy war) of the great leader Fulani Usman dan Fodio started in 1804 in fact, and in it his followers subdued in some six years all the Hausa States and Jukun dependent outlying Plateau tribes. The interior tribes resisted the invaders. However, the Fulani made little effort to convert or assimilate the “pagans”, being satisfied to collect tributes. Only the Burum are largely islamic. but their case is different. They gave themselves from the beginning of the 18th century a dynasty of Kano origin.

Finally. the few Jarawa groups established not far from Jos, came from the Bauchi Emirat where the large part of the tribe are still found.

Despite their diversity, the Plateau tribes share the same type of existence : an essentially agricultural economy with a few handicrafts (pottery basket-making, weaving, forging). The dwellings are round huts with conical roofs, grouped in circles. Several compounds make a village.

Most of these societies have not developed a centralized political organisation. independant groups rarelv passing one or several villages (Birom), or a section of a tribe (Yergam, Angas). The Pyem had however a ‘supreme chief' with politico-religious functions.

Ancestor cults. with nature spirits, and agricultural fertility rites play an important role (cf. tracks A-2, A-3, and B-1).

The languages belong to the Benoue-Congo branch of the Niger-Congo group, except for the Pyem, which is an Afro-asiatic language.



Kundung xylophone


Molo harpe


Ikpang ichir


Akishak calabash rattles


Raft zither


Harpe and castanets


Wasam burum dance


Goge onestring fiddle


Sistre





Music ▼ +

Saturday, April 23, 2011

Nigeria III - Igbo Music - Recorded by David W. Ames







Nigeria III - Igbo Music
Recorded by David W. Ames
Bärenreiter • Musicaphon - BM 30 L 2311 - P.1965



Side A

No. 1 Ikorodo Music 3'18
No. 2 Ikorodo Music 2'42
No. 3 Ikorodo Music 5'21
No. 4 Ikorodo Music 3'46
No. 5 Boasting Song 0'36
No. 6 Ekwe Masquerade Music 4'50
No. 7 Okobonyi Funerla Music 3'27

A-side total time 24'00

Side B

No. 8 Egara Music 2'20
No. 9 Raft Zither Music 6'14
No. 10 Wrestling Music 2'33
No. 11 Igede Eze Music 2'19
No. 12 Grinding Song 2'26
No. 13 Ogwume Music 5'00
No. 14 Moonlight Play Song 2'32


B-side total time 23'24



I am very happy to post this record as I know there are a few of you that has waited for it to arrive here. Well the wait is over and both the music and the documentation is great. I hope you will enjoy it! 

Now shall we move on to Sudan maybe? There are still many yet to be posted from this series! I am happy that finally all the editing comes to fruition. The Bärenreiters and the Ocoras are my biggest undertaking yet it seems, and soon enough I will also start posting more also from the first series of the Bärenreiters. I have been walking around the Tibet, India and Japan series like a cat around hot porridge. But do not despair! Soon it seems the temperature shall be right!  Those of you that have patiently waited especially for the India LPs. Well, I assure you, they will come! Both the grey ones and the green ones. They are ripped and ready but still needs a little cosmetic editing!




An ozo title holder

Keeper of the Ekwe shrine dancing

Arrival of the senior Ekwe masquerade

An Ikorodo masquerader

Arrival of the junior Ekwe masquerade

The Ikorodo association orchestra of Agulize village 1963

The Ikorodo association orchestra of Agulize village 1975

Four side-blown calabash horns used in Ikorodo orchestras

An Ikorodo masquerade dancer

Instruments used in the Ikorodo orchestra

Long open cylindrical drum used in Ikorodo orchestras

Dancing to Ikorodo music

Dancing to Ikorodo music

Age set chanting a boasting song

Arrival of the senior Ekwe masquerade with its drummer


Side-blown elephant tusk horn blown by Ezema Nwodo Eze

The Ekwe association band heralding the arrival of its masquerade

The junior Ekwe masquerade
with a member blowing elephant tusk horn

An end-blown notch flute

Blowing an end-blown notch flute for Okobonyi music

An Okobonyi ensemble performing at a second burial ceremony

Firing Dane guns while Okobonyi music is being performed

A raft zither

Johnson Ezenwoka playing a raft zither

An ensemble performing raft zither music at a second burial ceremony

Raft zither player with an Egara singer

Ensemble performing wrestling music.

Igede eze music performed by the people of Omo Ekwa village.

An Ogwume

Playing the Ogwume






Music ▼ +

Wednesday, April 20, 2011

Bärenreiter Musicaphon - Discography # 3 - An Anthology of African Music

An Anthology of African Music
Bärenreiter • Musicaphon


BM 30 L 2301 The Music Of The Dan
BM 30 L 2302 Music From Rwanda
BM 30 L 2303 The Music Of The Ba-Benzele Pygmies P.1965
BM 30 L 2304 Music Of The Ethiopian Coptic Church I
BM 30 L 2305 Music Of The Cushitic peoples of South-West Ethiopia
BM 30 L 2306 Nigeria I: Hausa Music
BM 30 L 2307 Nigeria II: Hausa Music II
BM 30 L 2308 Cote d'Ivoire:
- The Music Of The Senufo
BM 30 L 2309 Chad: Music Of Kanem
BM 30 L 2310 Central African Republic:
- Ngbaka, Mpyemo, Kaka Nzakara
BM 30 L 2311 Nigeria III: Igbo Music
BM 30 SL 2312 Sudan: Music of the Blue Nile Province
- The Gumuz Tribe
BM 30 SL 2313 Sudan: Music of the Blue Nile Province
- The Ingessana and Berta Tribes
BM 30 SL 2314 Ethiopia: Three Chordophone Traditions


We are making some progress on the Bärenreiters and I am happy to announce the gradual approach of another of the great anthologies that Bärenreiter published namely this one listed above. Again you are most welcome to help out with publishing dates and we already got some good help on the South East Asian Anthology. Of the ones listed above I have now have all of them except one, in various stages of completion as far as editing goes. The one I still miss is the "BM 30 L 2310 Central African Republic" and maybe someone out of the steadily increasing number of potential Luobaniyans can supply us with a copy or a rip. I will start posting them in my own particular order that is neither chronological nor by preference but by what I call "sudden enlightenment". You'll see, maybe!


So...
Wanted! Recherché! Werde gesucht! 

"BM 30 L 2310 Central African Republic" 



Saturday, November 27, 2010

VA - Music of Dawn and Day - (The Idege of Nigeria.)






VA - Music of Dawn and Day - (The Idege of Nigeria.)
Love Records - LXLP 513-514 - P.1975



Field recordings from 1965, 1971-72 with extensive
notes, explanations and translations of lyrics by
Björn Ranung on the Finnish label Love Records.

The musicians


Hunters

Ringdance


Side A

01 Onyantu
02 a Ikpa
02 b Ikpa
02 c Ikpa
03 Ijege
04 a Abraga
04 b AbragaBold
04 c Abraga

Sanza player


Side B

05 a Abakpa
05 b,c Abakpa
06 a Aitah
06 b Aitah
07 Ijo (Imeri)





Side C

08 Iboma
09 a,b Akatangka
09 c Akatangka
10 a Etuh
10 b Etuh




Side D

10 c Etuh
10 d Etuh
11 a,b Iged'Agba
11 c Iged'Agba







The recordings presented on these 2 LP's were made during two periods of stay in Idege in Nigeria, the first from September to December in 1965 and the second from August 1971 to March 1972. Recorded with a Nagra III and a dynamic microphone MD 21. The Igede live on the southern edge of the Benue Plateu mainly within the Oturkpo division.



The notes accompanying this release are a most valuable resource for the understanding of what social context and for what purpose this music was played and made and they make good reading while listening to the album. It is evident that a lot of research has gone into the analysiz of texts and rituals and there is much to be understood about the cosmology and traditions of the Idege by perusal of the accompanying notes.