So
often when writing a novel set in the Regency, a writer has to rely on
references that come second, third, or even fourth-hand. We read diaries and
letters that are often edited by children and grandchildren—meaning the
children mention the scandal and decry it, but the grandchildren simply want to
moralize or white-wash events. We scan biographies--some brilliant and some
shabby beyond belief. And we read books written about the Regency. But
sometimes a novelist needs more.
When
writing about characters that live in the Regency, I’ve often needed to get
into those character's heads. We need to see how they lived. We need first-hand
experience. I've been known to read by candlelight—truly an eye-straining
experience—brandish a sword, which came into handy in several novels, and even
try a pen and ink to see what it's really like.
One
book that offers a first-hand experience into the Regency is Cary's New Itinerary.
At
the end of the eighteenth century, John Cary was commissioned by the
Postmaster-General to survey all the principal roads in England. He did this by
walking these roads, pushing a wheel connected to a counter, which kept a tally
of the number of rotations and then produced an accurate mileage.
Between
1787 and 1831, Cary put his knowledge to use and published, among other books,
the New English Atlas, The Travellers'
Companion, the Universal Atlas of
1808, and Cary's New Itinerary.
The maps and surveys have some of the most accurate and valuable data about the
structure of the Regency world. They also provide an insight into how people
traveled in the Regency. It was a terrific book that helped with my novella Border Bride, which had an elopement to
Scotland, and several other stories ended up with travelers, and I needed the
details to bring life into the books.
Published
in 1815, the fifth edition of Cary's which I own goes on to explain that it is,
"an Accurate Delineation of the Great Roads, both direct and cross
throughout, England and Whales, with many of the Principal Roads in Scotland,
from an actual admeasurement by John Cary, made by command of his Majesty's
Postmaster General."
There's
more detail provided at the front of the book in an ‘advertisement’ that's really
more of a preface.
The
information alone on roads and distances, with fold-out maps provided, has
helped me sort out the practical problems that face any Regency writer—such as,
how far is it really between London and Bath? And what roads might one take? However,
Cary's offers much more.
Cary's
divides into neat, organized sections. The man was obviously methodical. The
first section lists the direct roads to London—as in all roads lead to this metropolis.
The next section gives a list of principal places—i.e., larger towns, that
occur along the cross-roads. A cross-road is a road that crosses one of the
direct roads into London. At this point, you begin to see how London-centric
this world really was. As someone living outside of London, it would be your
goal to get to a major town, and then you could get to London. Cary, living in
London, wrote his book for outward-bound Londoners, and that is how the book is
organized.
The
next section is as important to a Regency writer as it would have been to
someone traveling in the Regency—it is a list of coach and mail departures. This
includes the name of the London inn from which the coaches departed, the towns
each coach passed through, the mileage, the departure time, and the arrival
time. It's an utter godsend if you have to get your heroine to Bath at a
certain hour on the coach. I can also picture Regency Londoners pouring over
this information, planning short trips to the seaside, or to watering towns.
The
next section lists all direct roads, as measured from key departure points in
London, but this is not just a dry list of mileage. Descriptive notes are
tucked into various columns to describe houses of note and distinctive sights. For
example, if you're going to Wells from London, then, "Between Bugley and
Whitbourn, at about 2 m(iles) on l(eft) Longleat, Marquis of Bath; the house is
a Picture of Grandure, and the Park and Pleasure Grounds are very
beautiful." This was an era in which slower travel meant taking the time
to look at surroundings.
Another
section provides a similar treatment for cross-roads, and not to be overlooked,
Packet Boat sailing days are listed for England's various sea ports, just in
case an intrepid traveler whishes to travel abroad.
Finally,
Cary's provides an index to Country Seats, or as Cary's notes, "In this
Index the Name of every resident Possessor of a Seat is given, as well as the
Name of the Seat itself, wherever it has a distinctive Appellation." This
is actually a list from the 1811 returns to Parliament, as noted in the book. In
the Regency, this actually would have been a much used feature, for it would
allow a traveler to look up and visit various great houses and country seats.
It was a time, after all, when visitors expected the great houses to always be
open for show, and to be gracious in their hospitality.