Showing posts with label cold. Show all posts
Showing posts with label cold. Show all posts

A Christmas Carol Adaptation (Stave 2)


On this Christmas day, I give you one more of the recently discovered playlets of Barnaby McScrivener. (If you are new to this blog, you may learn more about Mr. McScrivener and read the first of his Christmas carol adaptations here). Appended to the original script was a letter from one of Berlin’s leading theatrical producers, Mannheim Von Sturmroller, who wrote: “I regret that while your playlet is immensely entertaining, it cannot possibly be produced in its present form. Have you considered an adaptation of Stille Nacht! Heil'ge Nacht!? I am confident it would be quite the success in Bohemia next season.”

JINGLING ON THE HEATH

Personae Dramatis:

Percival P. Peckingwood III: A fancy man of means, dressed in the latest London fashion.

Miss Fanny Eloise Toppenham-Bacon Bright: A handsome young lady of middling birth.

Others as available.

The scene opens in the ballroom of a fine manor house, aglow with festive candles and a finely decorated holiday tree (at least 20 feet high). Two score of actors of diverse ages and amplitude are seen dancing and gamboling merrily, while a chamber orchestra plays a jaunty tune of the day. Another lively group plays a game of “Pope in the Pulpit,” while a gaggle of young children cavorts through a rousing round of “That’s My Frigate!” A particolored Greyhound (an Irish Wolfhound or Moldavian Lurcher are acceptable substitutes) adorned with deer antlers crosses the stage, to the amusement of the party-goers. In the corner of the ballroom, a dwarf from the Isle of Borneo demonstrates the mystic art of Tam-Tam. The aroma of figgy pudding wafts over the audience.

The scene having been set, the entire set rotates slowly on an immense turntable until we find ourselves, miraculously, on the exterior of the country estate. The party continues, now seen only in glimpses behind fogged windows. We hear muted sounds of merriment. Snow begins to fall, gradually becoming heavier as the action proceeds throughout the play (ultimately reaching a depth of no less than two hands). A dozen carolers enter, singing joyously. The front door is opened by a footman wearing a Welsh wig who invites the carolers to join the party. They enter, accompanied by great cheers and huzzahs. After the carolers have entered, our two protagonists emerge, dressed in Victorian finery, bundled against the bitter cold. The play begins.

Percival:
[pointing off stage]
It’s just over there, waiting for us. Let us not tarry. If you are quite ready, milady, we shall climb aboard and begin the merriment.

Fanny:
[joyously clapping her hands]
Oh, what delightful fun! I’ve never done this before.

Percival:
It certainly will be jolly. Methinks you’ll be laughing all the way.

Fanny:
[Suddenly concerned]
Oh my! Where in heaven is the other horse?

Percival:
[Confused]
Whatsoever do you mean?

Fanny:
I see only one horse. Don’t sleighs usually require two horses?

Percival:
No. I don’t believe so. I’ve always used just one.

Fanny:
[Gesturing broadly in the direction of unseen fields]
Pray tell, what about the fields?

Percival:
Yes, the fields. Now, what about them?

Fanny:
We will be traipsing across fields, is that not so?

Percival:
[A little annoyed]
Well, of course there will be fields to cross. That’s really the entire point.

Fanny:
But will we not need two horses to pull us across these fields? What I mean is, to pull us at a reasonable pace. A dashing pace? It seems to me that one horse will be fine for favorable conditions, but crossing fields?

Percival:
Ho, ho! Now I understand! I am such a silly ass. I see that you wish to move at a brisk pace. Yes, of course. A dashing pace it shall be!

Fanny:
Dear sir, there is no need for you to apologize. It is I who was being obtuse!

Percival:
You are far too gracious. Let me explain: You see, this sleigh is especially designed for just one horse.

Fanny:
Yes, I do see that now.

Percival:
You will also note that this horse is both lean and lank. These are adequate attributes for a speedy jaunt through the snow.

Fanny:
[looks closer]
Oh my! What about its tail?

Percival:
Tail?

Fanny:
He doesn’t seem to have one.

Percival:
Not a long one, no.

Fanny:
That seems dreadfully odd.

Percival:
It’s a question of fashion, my dear. His tail has been bobbed, you see. Moreover, I’ve bestowed bells upon it. Such is the rage in London. I find the style raises my spirits quite high. I expect you will find the same.

Fanny:
I am ever so sorry to doubt you, sweet Percival. It’s just…

Percival:
Yes, dear?

Fanny:
It’s just … oh dear … I fear the poor beast will …

Percival:
Will what?

Fanny:
Well, that misfortune will be his lot. What with the bobbed tail and the silly bells.

Percival;
My dear Miss Bright, what possible harm could befall us?

Fanny:
My greatest fear is that we will become entrapped in a bank of snow. I shudder to imagine an even more dismal outcome!

Percival:
And what might that be?

Fanny:
That our conveyance will be upsot, and we shall be tos’t upon the icy drifts. Moreover, that I shall never wed a proper gentleman.

Percival:
Oh, you supercilious little scamp! T’is not the season for such imagined concerns. Let’s be away. The faster we journey, the quicker we will again be snug and cozy near the welcoming hearth. I have been led to understand that we will be partaking in a wee bit of wassailing upon our return.

Fanny:
[Sighing, resigned]
Away then.
Across the fields.
I shall endeavor to laugh the entire way.

Percival:
That’s my girl.

END OF PLAY

A Christmas Carol Adaptation

Alas, no theater company in Portland has mounted a production of the Charles Dickens holiday chestnut, A Christmas Carol, this year. Nor is any company producing an evening of playlets written by Mr. Dickens' contemporary, Barnaby McScrivener (pictured at right). Indeed, no theater company has ever produced a play by Mr. McScrivener, despite his having been at the cutting-edge of his generation's carol-based stage adaptation movement.

Recently, I was delighted to discover a rich trove (is there any other kind of trove?) of Mr. McScrivener's wee theatrical gems tucked away in a moldering trunk for over a century. These dramatic arts niblets tell simple stories--nay, morality tales--drawn from popular holiday carols.

So, without further ado, I invite you to gather the family by a crackling fire, fill your nog mugs, and enjoy one of Mr. McScrivener's Christmas Carol playlets. Better yet, host a staged reading for all your friends. (Please silence your cell phones now.)

Christmastime: It’s Coming

Personae Dramatis:
Abelard McChuffery II: A portly fellow with muttonchops.
Milton Harcourt Fishpicket, Esq: A thin, reedy, elderly man with common features.

Note to Directors: Do not rush the conversation. Pauses should carry as much dramatic freight as the very words themselves.

Setting:
A country road. Snowdrifts. We hear the whistling of the wind and the occasional honking of geese. It is evening and bitter cold. The drear light should fade gradually through the course of the play.

The lights rise on two men wearing ratty overcoats, heavy work boots, and fur hats. They are cold. One of them, Milton, is staring off stage. He leans forward, squinting toward a distant spot.

MILTON:
Do you see that?

ABELARD:
What?

MILTON:
The geese.
Over there.
Look at them.

ABELARD:
Yeah.
Canadian Geese.
What about them?

MILTON:
Canada Geese.

ABELARD:
What?

MILTON:
They’re Canada Geese, not Canadian.

ABELARD:
No kidding?
That doesn’t sound right.

MILTON:
It is.
You can look it up.
Canada Geese.

ABELARD:
I will.
What about them?

MILTON:
Fat.
Can’t you see that?
[looks again, and points]
You can see that, can’t you?

ABELARD:
What are you talking about?

MILTON:
[pointing insistently]
The geese… over there.

ABELARD:
I hadn’t noticed.
What about them?

MILTON:
They’re getting’ fat.
[He looks more closely]
Fatter.
Yeah, they’re fatter than they used to be.

ABELARD:
You’re right.
They are getting fat.
Fatter.

MILTON:
You’ve seen them before?

ABELARD:
Sure I have.
But never that fat.
They really are quite fat ... for geese.
You know what that means don't you?

MILTON:
No. What?

ABELARD:
Christmastime is coming.

MILTON:
What’s that got to do with it?

ABELARD:
You said the geese are getting fat. And they are. That’s what.

MILTON:
Yeah?

ABELARD:
They get ...
They get fatter.
Geese do.

MILTON:
Geese? When?

ABELARD:
You know, when Christmas is coming.
When it’s Christmastime.
When Christmastime is...well...when it’s coming.

MILTON:
That makes no sense.
You’d think they would be getting thinner.
All that flying.
Migrating.
All that migrating.
[turning to Abelard]
Hey, how did you know about the fat thing?

ABELARD:
[shrugs]
I don’t know.
It’s just something I heard.
Something I heard about geese.

MILTON:
I guess.
I just think it’s weird.
I don’t like it.
I don't like it at all.

ABELARD:
I get that.
Nobody likes fat Canadian geese.

MILTON:
Canada Geese.

ABELARD:
You sure?

[Milton shrugs. They stand in silence for a full minute, getting colder--stamping feet, rubbing their arms and hands, etc. The sound of honking geese recedes in the distance while they continue to look offstage]

ABELARD:
Say, Milton, have you got a penny?

MILTON:
What?

ABELARD:
A penny.

MILTON:
I thought you said something else.

ABELARD:
No. I said "penny."
Do you have one?
[he gets no response]
Milton?

MILTON:
[annoyed]
Why? Why do you want…
What was it again?
A penny?

ABELARD:
I’ve always wanted one.
More would be nice, but one is what I need.
Have you got one?

MILTON:
[He starts to check his pockets]
I might. Just a second.
[He searches quite a while]

ABELARD:
No hurry.

[Milton keeps searching, pulling diverse items from his pockets. A parasol, a live dove, and an anvil should be among the items retrieved. Eventually Milton collects a handful of coins, which he examines carefully.]

MILTON:
Sorry, I don’t have one after all.
[He puts the coins back in his pockets]
Will anything else do?
[He pulls a banana from his coat pocket and shows it to Abelard]
Fresh fruit?

ABELARD:
[Thinks about it]
A ha’penny?

MILTON:
What’s that?

ABELARD:
I think it’s half a penny.

MILTON:
There’s no such thing.

ABELARD:
Just look.
Humor me.

[Milton searches his pockets until he has a handful of coins again. He sorts through them one-by-one]

MILTON:
Quarter…quarter…nickel…dime…peso…another quarter…Canada dime…
[surprised]
Hey, what ho?

[Milton holds up a small coin, then searches frantically through his pockets until he finds a jeweler’s loupe, which he uses to examine the coin.]

I’ll be damned!
It says half penny.
I thought it would be like…you know…
like cut in half or something.
But it's not.
Do you still want it?

ABELARD:
It’ll do.
If you don’t have a whole penny, that is.

MILTON:
Okay then. It's yours.

ABELARD:
[removes his hat and holds it open, shaking it at Milton].
Put it in the hat.

MILTON:
What?

ABELARD:
I think you’re supposed to put the ha’penny in the hat.

MILTON:
In that hat?
Okay, old man.

[He tosses the coin in the hat. We hear it striking several coins already in the hat.]

ABELARD:
God bless you.

MILTON:
Is that all?

ABELARD:
I think so.
It’s getting dark.

MILTON:
You're right.
It is getting dark.
Hey, Abelard?

ABLELARD:
What, Milton?

MILTON:
I lied.

ABELARD:
About what?

MILTON:
The penny.
I lied about the penny.
I had one.

ABELARD:
I know.

MILTON:
You knew?

ABELARD:
I knew.

MILTON:
Do you mind saying it again anyway?

ABELARD:
What?

MILTON:
That thing you said.

ABELARD:
God bless you?

MILTON:
That's it.
You too.
God bless you.
[He looks out into the field again]
Canada Geese?
[shakes his head, chuckling]
No kidding.

[Fade to dark]

END OF PLAY

NEXT UP: The Jingle Caper

Bourbon Jockey: The Documentary Proof

Last week, I participated in a form of collaborative creative engagement that contributed to building cultural community. In lay terms: I played music with a band in a bar for beer.

My fellow music-makers and I (a.k.a. Bourbon Jockey) appeared at Roots Organic Brewing Company in Southeast Portland. We were the evening headliners, as evidenced by our name written prominently on the chalkboard by the door.

We had fun. We helped the establishment move some beer. The people who left when we started to play were planning to leave anyway, and good riddance to them. We kept the volume to a level that allowed amiable conversation by those who were willing to shout at each other. Friends, family and strangers mixed. No fights broke out.

In addition to myself (intrepid front man), Matthew Jones (on upright bass) and Alan Cole (on other guitar), we were accompanied by a young fellow we call “Conga Dave” on account of not knowing his full name. When we last played at Roots, Alan left the stage in the middle of a tune, announcing “I’m going to see if they have a conga drum somewhere.” He rooted around a storage closet and retrieved said drum, then called one of his Lewis & Clark students up on stage to join us. With that simple act, Bourbon Jockey acquired a drummer. We invited Conga Dave to play along last week, though we neglected to confirm whether the closet at Roots still contained a conga drum. It didn’t, so Dave improvised with a few buckets, a shaker and a tambourine played with his foot. In the parlance of musicologists, he employed idiophones rather than a membranophone, but we don't need to get technical about it.

I pulled some video from the bar's security cameras for the benefit and edification of fans who were too stove up to make it out on Thursday night.

1) This first one is a Tom Waits song from whence we derived our name: “Jockey Full of Bourbon.” Sorry about my massive cabeza filling the frame.



2) This next one captures the Bourbon Jockey spirit. While we were playing, we noticed a lone fellow in the corner playing along on a concertina. He was also dressed as a pirate. We coaxed him out front to join us in an impromptu rendition of the Hank Williams classic, “Jambalaya.”



3) A little blues and testifying, with our version of the T-Bone Walker tune, "Stormy Monday" in which I blow on a harmonica and yell.



4) You're still here? Well then here's our take on "Route 66."



If you're hankering for more (and who wouldn't be?) you can find a few more videos on YouTube. Search for "Bourbon Jockey Roots Brewing" to find them. Or not.

We'll be back sometime in June, so put a hold on your entire calendar for the month. I'll keep you posted.

A Winter’s Ride


I rode my bike to work this morning. I usually do. But today is different—there is a bright blue sky; crisp, clear air and it is 18 degrees outside. I thought I was prepared: lots of layers, extra socks, a thick scarf, and my super-warmest gloves. And I felt pretty good…for the first seven minutes. Then the cold began to creep in and my body responded: numb fingertips; tingly toes; aching cheeks; short, sharp breaths. “Keep moving, keep moving….”

Often, when the weather turns there is a comradeship, a solidarity among the bikers and pedestrians who brave the elements. Not today. A deep silence filled the spaces between car engines and squeaky brakes. No smiles. We each suffered our own personal endurance test (especially the guy with the drooping pants and exposed butt crack).

But I made it and am now cozying up to the space heater beneath my desk. I’m feeling lucky to be one of the warm ones; someone with a destination—a home, an office, a warm place in which to regroup. I’ll ride home tonight, and again tomorrow. Because these little moments of discomfort serve to remind me how comfortable I really am.