Showing posts with label Obama. Show all posts
Showing posts with label Obama. Show all posts

Preparing to be Pelted with Propaganda

As part of his secret plot to destroy America (reportedly titled “The Glorious March to a Shiny Socialist Future”), President Obama and his White House henchmen have launched a scheme to indoctrinate American school kids.

On September 8th, innocent children across our Great & Exceptional Nation (the greatest in the universe and in all history, past and future, without exception) will be strapped into their teeny school chairs and forced to witness Obama deliver a propaganda-laden screed liberally laced with poison and ichor--the Poison of Subversion and the Ichor of Treason.

Foolhardy daredevils can watch his stream of mistruths as they pour out of interweb tubes straight from the White House's Mind Control Center. No doubt, the self-styled President's message will be beamed into our brains by infrared laser beams from secret satellites, or distilled into liquid form and injected into our water supplies. I'm taking no chances:

Sure, the White House says the Kenyan-born usurper is "simply" going to "encourage" children by delivering a "positive" message in "support" of "education." But do you know who else told schoolchildren to work hard, stay in school and take responsibility for themselves? HITLER!

(Probably. I’m not sure. Maybe it was Stalin).*

Like Glenn Beck on Fox News, I fear that it may be too late to stop this juggernaut of treachery... this farrago of insidious lies.

It may too late to get my America back. You know, the America with tall glasses of milk and warm cookies after school. The America where housewives wear lace-trimmed aprons while mixing Manhattans, and fathers tuck briar pipes into the pockets of their cardigans. The America with a new Chevrolet in the driveway and segregated swimming pools.

Since it may be too late, I write this post for posterity and dedicate the following poem to future generations. My prayer is that as they huddle together in caves and wander aimlessly amidst the smoldering ruins of western civilization, they will read it and learn, just as our forebears were enlightened by the poem by Martin Niemöller which inspired me. (And that also happens to be about Nazis).

First they came and told us to work hard,
and I didn’t speak up,
because that’s not the way I roll.

Also, is this going to be on the test?

Then they came and told us to stay in school,
and I’m all like, "Uh, dude?
How’s that different from the first thing?"
I’m just sayin’. Jeez.

Then they told us to take responsibility,
and I’m like, "Don’t go getting’ all up in my grill...
bitch.
"
Yeah, that's right, I said it.

Then they like came for me,
and I’m all like:
"Whatever."

If you enjoy reading about truly deranged conspiracy theories, here's a story from Salon regarding another reason the President may want to talk to schoolchildren on September 8th.

* Correction: It was Mr. T who told kids to stay in school. Also: "Don't do drugs."

While we're at it, do we really want schoolchildren to learn how to spell? Here's the incompairabel doushebag, Glen Beck, spelling "oligarhy." For keyboard-playing cat lovers, the clip ends with a mind-cleansing musical number. [Editor's note: The foregoing sentence should have read, "For people who love keyboard playing cats ...", I think.]




For those readers who can't get enough of Mr. Beck, here's a fun little remix:


Mighty Toy Mamet Covers the Beer Summit

This morning's paper reported on yesterday's so-called "Beer Summit," at which President Obama tried to lay some healing hands on Professor Henry Louis Gates, Jr. and Officer James Crowley. Vice President Joe Biden joined the festivities.

The article concluded with this line: "The four men munched peanuts and pretzels out of small silver bowls." That was a prompt I couldn't possibly resist.

Warning: Contains Adult Language. All characters and dialogue are fictional.

A BEER IN THE ROSE GARDEN
-A One Act Play-
by Mighty Toy Mamet


SCENE:

A picnic table in a verdant garden. In the background we see a white, colonnaded mansion. The table is set with small silver bowls filled with pretzels and peanuts. An ornate silver punch bowl with ice is on a side table. We see the necks of beer bottles sticking out of the ice. Four men are seated at the table drinking beer from glass mugs. They are casually dressed, as if preparing for a round of golf. A man in a white jacket stands at attention next to the punch bowl.

BARRY:

Hank...Hank...Hank. Okay. Hank. Look.

[taking a long pull on his beer, holding his hand up to halt the conversation]

Give Jim a chance to speak his mind, Hank. He’s a good man. We know what he is. He's fine. All I'm saying, Hank, is it looks like he made a mistake ... wait, wait, wait… that’s all I’m saying is give him another chance to explain here.

I don't want to tell you your job. I’m no professor, and I don’t want to pretend like I know what happened that night.

HANK:

That’s bullshit.

BARRY:

All that I'm saying is this. Things get set. I know. You know they do, you get a certain mindset... A guy gets a reputation. We know how this...all I'm saying, let’s get this thing beyond us and move on from here.

HANK:

Look, Barry. You may think this is going to blow over. Blow over and, what, be forgotten? Maybe you’ve forgotten what it’s like to be ...[pause] Shit. Never mind ...

BARRY:

... No. Hank. C’mon. What are you saying? Are you saying I don’t know what it’s like to be ... What? I mean, what are you saying here? Are you ...

HANK:

... No, no, no, no ...

BARRY:

... back up a second here. Because I’m where I am now, that means I ... what? I don’t remember where I was before? That’s just bullshit, Hank.

JIM:

Hey. Listen. I appreciate the beer, but I told the kids we’d see the space museum before we go home. Hard Rock Café too.

JOE:

Listen you little cocksucker. Excuse me, but Jesus H. Christ. Do you know who you’re talking to?

JIM:

What the fuck?

JOE:

Wait just a god-damned minute. I mean, look, Barry’s trying to say something. He’s saying something important, and if you don’t shut your piehole… I mean, I’m literally going to crawl in your face and ...

BARRY:

... Joe, Joe, Joe.

JIM:

Is this how this is going to happen? Is that why I’m here? What? So you can give me ... All of you can just ...

HANK:

... See. There. That’s what I’m talking about. Right. There. He’s doing it...

BARRY:

What do you think Tyrone?

TYRONE:

Excuse me, sir. What do I think about what?

BARRY:

You know, about the thing that happened. What do you …

TYRONE:

I try not to think about it much, sir.

JOE:

Look, I think Tyrone ought to sit down with us here. It doesn’t look right for him to be serving. Not today ...

HANK:

It doesn’t LOOK right? Is that what this is about? Looking right?

BARRY:

Well, no. Not exactly. No ...

JIM:

[Standing, fists clenched]

Look, this is bullshit. I don’t care who’s watching…

BARRY:

... no ... wait ...

JIM:

... or what kind of way it looks ...

HANK:

... I only ...

JOE:

... What the ...

HANK:

... wanted somebody to say he’s sorry and move ...

BARRY:

... okay, let’s calm down. Just chill out and enjoy the beer fellas ...

TYRONE:

[opening more beer and filling their glasses]

It’s cold. That’s what I think. It’s cold and tastes good.

BARRY:

How about those Sox? Let’s just talk about the Red Sox? Would that be okay with you? If we talk about baseball a little.

JOE:

Shit on a cracker, Barry. Look, I’m telling you it WAS a stupid thing for him to do. It was done stupidly. Why can’t we just say that. Stupid.

BARRY:

... no, no ... wait now. Joe.

JIM:

... Bullshit. It’s me. That’s who you’re talking about. And my family. My family waiting for me. Shit.

[pause, wiping his brow]

Due respect, I thought Boston was hot in July. Give me another one of those fucking beers. I don’t care which kind. Red Stripe, Blue Moon. I’d even drink some of that yellow Chinese beer. What’s it called? Ching Chong? Good with chow mein though.

[During the following, Barry is intently watching a fly buzzing around the table]

HANK:

Look. I mean, speaking of China. China, that’s the whole problem. I was tired after, what? 20 hours on a plane. You would too. You ever flown from China? No. No, I wouldn’t expect you would have been to China. Not lately.

JIM:

Lately. Kiss my ass lately. Like I don’t ever go nowhere. I don’t go nowhere ‘cause I’m just a cracker cop from Southie. Is that it, professor?

HANK:

I’m not saying ...

JIM:

Yeah? Seems to me you always got something to say. Shit, you get paid to talk and write and that shit. Write books and talk on television.

HANK:

It’s not ...

JIM:

What’s that? You call that work? Bullshit! You're burning my ass with that bullshit.

JOE:

Look. This is what you need to know. When I was growing up in Scranton, we all lived on different ...

JIM:

All due respect sir, you can shove Scranton up your pansy ass.

[Joe stands up and takes a step toward Jim. Barry suddenly smashes the fly on the table, startling everyone but Tyrone. He picks the fly up and drops it in Joe’s beer mug]

BARRY:

Now look. You two can either sit the fuck down and shut your fuckin’ mouths, or I can call an agent over to bust you down so motherfuckin’ fast you’ll be crying like pussies.

[They sit]

You think I like this? You think I like sitting here drinking beer with you fuckbags? There are people looking this way. Some of them can hurt you very badly.

JOE:

Let ‘em look. Like my old mother used to say ..

[Barry grabs Joe by his collar]

BARRY:

You think. What? You think I don’t have anything better to do? Nothing better than drinking this pisswater beer? Is that it? What you think?

[He holds Joe down and forces him to drink the beer with the fly in it. The others at the table drink their beers, avoiding eye contact. Tyrone chuckles quietly]

You see that bowl there? That bowl with the beer and ice?

You know who made that bowl? Paul Fuckin’ Revere made that bowl. You know who that is?

JIM:

Please tell me you’re not askin’ me who is Paul Revere. Where do you think I’m from? Revere? Like I don’t know he’s like the guy on the horse with the declaration of independence. From Boston.

BARRY:

So, you know then. You know that I’m a guy who has a friggin’ punch bowl made by Paul Revere? What does that make you think?

JIM:

Well, I guess ... I dunno. What?

BARRY:

That’s right. That’s what it means to be the guy who brought the beer in a motherfuckin’ museum piece. It means you’re listening to me now.

And, here’s what we’re going to do. You listening, Joe? Hank? Jimmy cracker boy?

[They nod]

What we’re going to do is this. What we’re going to do is make happy. You know how to make happy? You know how to make nice? Let’s just call it our happy ending. Tyrone, what’s the word Carter called it?

TYRONE:

Détente?

BARRY:

That’s right ...

TYRONE:

Rapprochement?

BARRY:

That too. We’re going to ...

TYRONE:

Agree that this was a candid but friendly discussion between honorable men?

BARRY:

Yeah. That’s it. Thank you, Tyrone.

Then Jimbo here is going to have his picture taken with my lovely wife. And then some TV reporter is going to kiss his ass to get an interview tomorrow morning. Right? A big hero and martyr. Another Captain Sulley. Until some grizzly bear is caught on video with his head stuck in what? Stuck in a friggin’ can and the cable news guys decide to run that instead of this story. And then ...

JIM:

I was thinking that, also ... I mean, maybe ...

BARRY:

... and then he’ll get a six figure deal book deal for his memoirs. Right? Don’t think about seven figures, cracker. Don’t start thinking you’re worth that.

JIM:

But. But. The helicopter ride?

BARRY:

... and then what? Then, he’s going to shut the fuck up until he’s an old man. That’s what he’s going to do. And when he’s an old, old man with withered nuts, you know what he’s going to do? I’ll tell you what. That’s when he’ll tell his grandkids all about it. He’ll be drooling in a cup, and he’ll be telling ‘em what a big deal he used to be. That’s what he’ll be saying. But you know what? You want to know what? Nobody ... I mean nobody is going to give a rat’s ass about any of that. They’ll be thinking about how bad he smells. He’ll tell them what a big man he was and they won’t be listening. They’ll be looking at the door.

Are we good here, boys? Everybody?

[Jim nods]

HANK:

Now. What? What am I getting? I’m getting jack, I think. A beer? That’s it? That's all I'm getting out of this? I’m the one. I’m the one who’s had his dignity, what? Taken. Stripped away? I guess that’s always the deal, isn’t it? I walk out of here and make the apologies. “I regret the misunderstanding.” Is that how it goes? I say, “I welcome this learning ... this ... what? This teaching moment?” Is that my cross to bear?

BARRY:

Yeah. No. No. Wait a minute Hank. What do you want, Hank? You want Jesse and Al to have a beer with you too? You got me doing this. Do I want to be doing this?

JOE:

You know what I think we ought to ...

BARRY:

You think we care what you think?

JOE:

I just ...

BARRY:

This is what you’re just going to do, Joe. You are not going to say anything about this thing we’re doing. You are not going to. No. It’s like you weren’t even here. Right? Right? Drink your beer and shut the fuck up.

HANK:

Hey ... that thing. What?

JIM:

Can I go now? Leave, I mean? Maybe take a beer with me? For my wife. She’s waiting. She's somewhere, waiting for me.

BARRY:

Get out of here. We’re done. Don’t forget to smile for the fuckin’ cameras on your way out.

- END OF PLAY-

100 Years of Blogging Dangerously

Gather ‘round me youngsters, and I’ll tell you a wee tale from old timey-time. You might even call it a legend, ‘cause it’s the story 'bout how your great-great-grandpappy became the blogger known ‘round these parts at that Mighty Toy Cannon.

Before I git started, one of you tykes might just top up my glass there. Don’t be stingy now. Fill it up to the top and plop another one of those olives in there. Oh yes indeedy! That’s what I call tasty. Okay, simmer down now and pay attention.

It was the long, hot summer of 2008 as I remember it. I wasn’t doin’ nothing what amounted to anything. I was just a lost soul sitting outside of the social network peering in through the window like a hungry dog lookin’ at a pork chop. Everybody those days was startin’ to blog and facebook and twitter and twatter, and all kinds of crazy things they was doing. I could hardly keep up with it all. It was just one big mess of intercommunicating that would raise hackles on the head of a hoarhound in heat. You see, we was all learnin’ to get along without having to look each other in the face.

One day that fellow you know as Uncle Jeffy sent me what we used to call an e-mail message. The “e” stood for “electrozimbonic,” and it was the way we used to talk to each other. That was the time right before holographic iBrain implants made communicating as simple as sayin’ “Howdy do?” to your neighbor. Nowadays y’all are used to communicatin’ using jes’ your brain waves. Back then we had to flap our lips or use our fingers to make words.

Well, I remember that July day when Uncle Jeffy (we called him Culture Jock) sent a message to a mess of us that read, “Hey. I need some help making this here Culture Shock blog more interesting and entertaining.” There was another word he used--it’ll come to me in jes’ a second-- provocatitious? I’m not sure if that’s right, but it’ll have to do for now.

Ol’ Culture Jock asked, “Would you be willin’ to lend a hand?” He said it would be like an old-timey barn-raising. The way he told it, we’d all pitch in and drink lemonade and eat biscuits when we was done. Everybody else … I forget their names now … jumped in right away, but I was naturally skeptical. You might have even called me dubious.

Well, I said to Culture Jock right off, “What the heck would I have to say ‘bout anything?”

Right back at me, he said, “Go on! You say interesting things all the time! Everybody says so, they do.”

Then I said to him, “What if I want to stay 'nonymous ‘cause I don’t want nobody finding me out and learning my secrets?” I didn’t really have secrets, but we had this thing called “privacy” that we used to let our heads worry ‘bout back then.

Just like that, he answered, “Heck. You could just make up some crazy old name and nobody would ever know the difference.”

So I threw one last thing at him: “What if I get in one of my moods for weeks at a time and jes’ stop writin' anything?”

You see, that was a time when this old fellow you're listenin' to had important work to do. There was grants that had to be written and arts that needed to be administrated. That was before the Council of Overlords passed the Oxygen Tax on Breathing, givin’ us a dedicated funding source for all the artistic and cultural stuff you now enjoy for free. Nowadays, if you’re born a Creative, you get all kinds of special mollycoddling, and you live the life of Goldman Sachs, looking down on regular people from atop your highrise units over at the South Waterfront Protective Compound. Back then, we was underappreciated and never got squat from nobody.

These days, things are good as pudding for artists, that’s for sure. I still regret that we couldn’t stop the robots from replacing human actors though. That was the one battle in the Great Culture War we lost. I gotta admit, after that happened, theater got more … what’s the word? … consistent. But we still have the ballet!

Anyways … where’d that martini shaker git to? Pass it over here quick, ‘cause I’m starting to feel parched with all this story-tellin’. Ahh, now that’s what I call a pleasing refreshment!

As I was saying, it took a bit of jawing, but Culture Jock finally convinced me to give it a go. “Don’t worry about writing posts on any kind of reg’lar schedule,” he said, “Nobody ever keeps up with blogging! Shoot, most bloggers give up once they realize nobody out there gives a hoot what they got to say.”

I guess that must have convinced me 'cause the next thing you know, I done posted something! My very first blog post. Jes’ like that, I was on the Internet Highway plying my trade as a gol’darned blogger by the handle of Mighty Toy Cannon.

By the end of that very first year of blogging, I had published 168 posts on Culture Shock, not to mention another 42 on a darn site of my very own, Mighty Toy Cannon (which I named after myself on account of it was all mine). I was as hot as a meth house on fire with a basement filled with kerosene! I could scarcely believe how much time I was wasting writin’ up some of that crazy stuff most every night. Lookin’ for the pictures to go with every post was half the fun! Lord knows, I was pleased to use that word “published” all the time, ‘cause it sounded so awfully important and all.

Those were good times back then. We was all posting things left and right and willy-nilly. Sometimes we got all serious and grim about topics, especially when some politician was actin’ bat-shit crazy. Some called us high-and-mighty and smug, on account of us tellin’ folks how things ought to be. You woulda thought we were in charge of the world! And you know what? We shoulda been, dammit!

Other times, we was jes’ a bunch of cut-ups, jokin’ around, trying to make people laugh and forget their troubles. We was bustin' people up like they was chifferobes! Lord knows, them was troubled times back then. People wanted a good laugh and we gave them what they needed!

I know, I know. Truth be told, we didn’t have a clue in heaven what our Followers wanted or liked. Most times they just read things and kept real quiet, like hidin' in the woods from a grizzly bear when your hands is full of fish heads dipped in honey. When that happens, you try not to jerk fast so as not to be noticed any more than you already are. But we knew they were there.

We always figured our brilliant writing had them readers cowed. That’s right, I said it, they was cowed by our extraordinary show of intellect. Every darn one of them readers wanted to comment, you know they did. But did they? No! They was scared to say nothin’ on account of we set the bar so goddamned high! I know it’s a grievous sin to be prideful, and I expect I’m gonna burn in hellfire and all, but it’s gotta be said before everyone forgets what it was like back then!

No, I’m not cryin’ sonny boy; I just got a piece of dust up in my eyeball. Which one is you anyway? Little Baby Cannon the Third? That’s sweet. Now why don’t you just get me a little more ice while you’re up and about. Might as well pass that bottle over too. That’s a good boy.

Now where was I? Oh, sure there was some posts I’d just as soon forget. Some of them still sneak up and haunt me now and again, makin’ me wonder what the heck I was thinking. But, other posts still make me kind of prideful to this very day, I have to admit in all modesty.

Pretty soon, me and my Culture Shock pals were startin’ to draw a little attention to ourselves. People were even admittin’ in public that they were Followers. Every now and then, other respectable folks would notice and comment about the crazy things we wrote.

You want to know who? Well, for example, people like those brainy guys at Art Scatter. They said a thing or two now and then.
You don’t know who I’m talking about? Well they were those fellows what won the Pulitzer Prize for Excellence in Cultural Blogging ‘round about 2022, the year Culture Shock was disqualified due to the Incident.
Yeah, that’s right-- they're the folks whose heads are on display down at the old Memorial Coliseum Museum and Fun Time Center. Why that Barry Johnson fellow was the last journalist left at the Oregonian when it was finally sold to the owner of the Pyongyang Gazette. Barry once wrote that one of my book reviews was the “best book review of the year” back in '09. Now I’ll grant you he wrote that after the year was but a week or two old, but it sure was a nice thing to say and he didn't have to go doing that.

Now quit all that wiggling or you’re gonna knock over my beverage and there’ll be hell to pay! I’ll be done soon enough and you can go back to gathering up sticks and twigs.

Pretty soon, more people knew me as Mighty Toy Cannon than by the name my folks bestowed on me at my birth. They was callin’ me things like “MTC” and “Toy Cannon.” Sometimes they’d mash it all up together as “mightytoycannon” and sometimes I'd called myself “MTCannon.” I’d be walking down the street and people would shout, “Yo! It’s the Cannon!” and give me the thumbs-up (when people still had thumbs), and they’d say, “I liked that post you posted!” I’d tip my hat and go on my way, holding my chin up a little bit prouder.

Well I tell you, that first year of blogging was something else. Some credit my series of "Election Countdown" music video posts in October of that year for having put Barack Obama over the top in that final election. Others say we were doling out hope at a time when hope and a million shares of General Motors wasn't enough to buy you a shot of Stumptown coffee.
I still have a hard time believing how quickly that first anniversary came around. You know what’s ironic? The traditional gift for a first anniversary used to be paper! You kids don’t even know what paper is, do you? That goes to show you something.

Shoot, at times that year seems to have flown by just about as fast as it took for Major League Soccer to fail in Portland! Other times, I remember it going as slow as being stuck in a hovercar on the 48-lane Nike River Crossing and Cyclocross Bridge to Vancouver before the Great Reckoning severed our relationship with our northerly neighbors.

You want to know what happened after that first year of blogging at Culture Shock?
Well, we’ll just have to save that for another time. I’m startin’ to think this glass isn’t going to fill itself. Skedaddle you little muskrats! Give this old man some time to think his thoughts by hisself.

Arts Support: It's not about "rotating pastel lights"

Chris Jones, chief theater critic for the Chicago Tribune, posted a passionate and well-argued commentary yesterday. In the midst of the debate over the very oddly worded Coburn Amendment (the Willamette Week referred to Senator Tom Coburn as "batshit crazy" in their op-ed piece on the issue http://www.wweek.com/wwire/?p=21230#comments_add), Jones argues that the arts community needs to make a better case for Federal support. Here's an excerpt, with a link to the full piece at the end.

"In the recent debate over the Barack Obama administration's economic recovery bill, proposals to spend government money on the arts have become poster children for pork. It is time for the American arts community to confront its stunning political ineptitude. It has arrived at a place where there seems to be no one to make its case; no one, at least, free from the taint of self-interest. After all, the argument that the labor-intensive arts are not job-creation engines is patently absurd; they just fuel different kinds of struggling workers, workers unaccustomed to bonuses. Their role in generating billions of dollars in ancillary economic activity for stores, restaurants and the travel business has been proven in bucketloads of surveys and analyses. In less than 75 years, the arts have gone from the single largest priority in a government stimulus package to a toxic joke, with a popular special amendment keeping them out. It is a stunning turnaround. How did it happen? Artists must shoulder some blame. Too little attention has been paid to making the long-term political case that culture is important and accessible to ordinary people and thus worthy of financial support. The arts have thrown up precious few, articulate, clout-heavy American leaders of their own. That needs to change."

http://leisureblogs.chicagotribune.com/the_theater_loop/2009/02/in-economic-stimulus-package-arts-deserve-place-in-line.html

On the brink, on the brim, on the cusp ...

The words in the title are from the last lines of Elizabeth Alexander's inaugural poem, Praise Song For the Day.

What if the mightiest word is love, love beyond marital, filial, national. Love that casts a widening pool of light. Love with no need to preempt grievance.

In today's sharp sparkle, this winter air, anything can be made, any sentence begun.

On the brink, on the brim, on the cusp -- praise song for walking forward in that light.


This morning we splurged on coffee and scones to accompany the inaugural events. We tucked the Oregonian out of sight for the moment. (We'll get back to Sam another day; this is not a day for feeling disappointed in our leaders). Tonight we opened a celebratory bottle of champagne to toast the President and First Lady (imagine that!) dancing at one of the many balls capping this historic day.

I should be writing something benedictory, solemn and congratulatory. Instead, I'll just share a few of my random observations from the day.

(1) Dick Cheney arrived in a wheelchair, reportedly because he hurt his back moving boxes. Carrying files from his office to the incinerator perhaps? I hate to kick the man in pain (though he's accustomed to inflicting pain), but can't help but point out his resemblance to old man Potter from It's a Wonderful Life.



(2) During NBC's coverage, anchor Pete Williams* provided viewers with interesting insights into President Obama's personal aide, Reggie Love (top photo). Unfortunately, this was while the camera was showing footage of Michelle Obama's brother Craig Robinson (bottom photo) at the inauguration. When Mr. Williams eventually realized his error, he tried to cover by saying that his "good friend" Reggie was on his mind because they had been chatting earlier that morning. Oops. * CORRECTION: This morning, my wife pointed out that it was BRIAN Williams who made the mistake ...you know, all those white newscasters look the same to me.




(3) Barack Obama flubbed his lines while taking the oath. Wait ... I mean Chief Justice Roberts screwed them up. The President (for he was already in that role as soon it was noon) handled it with equanimity and followed along with a smile. According to the Constitution, the oath reads: "I do solemnly swear that I will faithfully execute the office of president of the United States and will to the best of my ability, preserve, protect and defend the Constitution of the United States." Roberts put "faithfully" in the wrong place. Do you suppose some nutbag right-wingers are going to try making a case that Obama isn't really President because he didn't give the proper oath? UPDATE: My observant wife has informed me that this argument has indeed started to spread. UPDATE 2: A colleague informed me that President Obama redid the oath today just to make sure he was swearing properly.

(4) After the oath of office, the camera zoomed in on Joe Biden taking a picture with a little digital camera. I wanted to shout "Joe, you're the frigging Vice President now!" But then I realized he was using Malia Obama's camera, taking the picture for her because she was stuck in the second row. How sweet is that? I'll bet they call him "Uncle Joe."

(5) The Queen of Soul! With her rendition of "America the Beautiful," Aretha Franklin proved that she's more than a fabulous voice -- she is a truly great stylist and interpreter.



(6) Tonight, at one of the inaugural balls, Joe Biden quoted an excerpt from Doubletake, a section of Seamus Heaney's poem The Cure at Troy. I looked it up and decided to post the whole section (Biden quoted the third stanza):

Human beings suffer,
they torture one another,
they get hurt and get hard.
No poem or play or song
can fully right a wrong
inflicted and endured.

The innocent in gaols
beat on their bars together.
A hunger-striker's father
stands in the graveyard dumb.
The police widow in veils
faints at the funeral home.

History says, Don't hope
on this side of the grave.
But then, once in a lifetime
the longed for tidal wave
of justice can rise up,
and hope and history rhyme.
So hope for a great sea-change
on the far side of revenge.

Believe that a further shore
is reachable from here.
Believe in miracles
and cures and healing wells.

Call the miracle self-healing:
The utter self-revealing
double-take of feeling.
if there's fire on the mountain
or lightning and storm
and a god speaks from the sky.

That means someone is hearing
the outcry and the birth-cry
of new life at its term.

(7) Elizabeth Alexander's inaugural poem was simple, direct and perfect for the occasion. I thought she read it beautifully, with a careful, deliberate pacing and without Angelou-ish inflections to distract from the words.



(8) Reverend Joseph Lowery's benediction was another beautiful work of poetry, starting with "God of our weary years, God of our silent tears," and ending with

"...help us work for that day when black will not be asked to give back, when brown can stick around, when yellow will be mellow, when the red man can get ahead, man, and when white will embrace what is right."

Predictably, cries of outrage are already being heard about how the last phrase inappropriately injected racism into the proceedings. Some will try to do to Reverend Lowery what they did to Reverend Wright. Let's ignore them this time.

That's all. I'm proud to be an American today.

Obama, The Musical

As further transition from politics to culture -- although it's not quite Portland-centric yet -- I give you Obama, The Musical. (I'm not talking about the annoying little You Tube animated short but rather the genuine musical celebration that has emerged from Nairobi, Kenya.)

The hour-long play with a cast of 30 young people has just completed its weeklong run in Nairobi and has subsequently received invitations to perform in the UK and in South Africa. As reported by the BBC, the musical tells the story of Mr. Obama's life and stresses the virtues of hard work, selflessness, democracy and public service. "Using a blend of dance, narration and music, Obama the Musical heavily borrows from world cultures, including traditional and contemporary African styles, salsa and country music," Anthony Njagi wrote in Kenya's The Nation newspaper.

And since we have been talking about Obama and music for quite some time here at Culture Shock, I thought our readers might enjoy a brief report from The Daily Telegraph, which talks about some of the songs that have been written specifically for this man at this moment.
Contemporary soul star John Legend serenaded Obama's triumphant nomination at the Democratic National Convention in August, with the suitably vague and aspirational ‘If You're Out There', the lyric mirroring campaign slogans with lines like ‘We've been looking for the world to change' and ‘Tomorrow's starting now'. Rappers including Nas (‘Black President') and Joel Ortiz (‘Letter to Obama') have lent their support, not all of it entirely welcome. Controversial rapper Ludacrise earned a rebuke from the Democratic campaign for his "outrageously offensive" ‘Obama Is Here', which described President Bush as ‘mentally handicapped' and suggested the only official chair Senator John McCain belonged in was a wheelchair. And there have been a host of less celebrated contributions from folk artists, Jamacian reggae singers, rappers, a US latino fusion entitled ‘Cumbia de Obama', and a hispanic reggaeton groove which bafflingly rhymes the candidates name with 'llama', although my Spanish isn't good enough to work out what the connection is between the President elect and a South American mountain camel.


Obama in the Window

My wife (I’ll call her “The Dog Walkerer”) makes daily rounds of many Portland neighborhoods in the course of her work. Lately, she has been noticing many homes sporting portraits of Barack Obama in the front window (or, in one case, the back window of a camper). Many, if not most, appear to be home-fashioned -- that is to say, not cranked out and distributed by campaign headquarters. Has anyone else noticed the same? When was the last time we had a politician that inspired people to do this? Have you spotted any homes with John McCain’s portrait in the window (let alone a lawn sign)? Has anyone else commented on this phenomenon?

To me, it conjures the image of a good Irish Catholic home proudly hanging parallel portraits of JFK and the Pope over the kitchen table. Sure, Republicans could easily denigrate this trend as just another example of mindless adoration of Obama, viewing him as a walk-on-water messiah. They might argue that it proves that his popularity is just another bout of celebrity worship. I think there’s a lot more to it.

Recent McCain commercials juxtapose Obama with Britney Spears and Paris Hilton, as if his supporters are enraptured only because he’s “so awesome.” The truth is that people obsess about Britney and Paris mostly because they’re walking, talking train wrecks who frequently forget to don undergarments. We fixate on some celebrities the same way we slow down when passing a bloody car crash. But some people become stars for better reasons: we admire their accomplishments; they inspire us; they give us hope …

McCain’s ads miss the distinction while also communicating a clear message to the millions of people who support Obama: "You’re stupid!" Maybe that’s a smart ploy in political marketing. I hope not.