Olympus Has Fallen (2013)
Never underestimate Hollywood's ability to get a van load of good to great actors to sign on to action movies with the most ridiculous notions. This movie is just the newest example of this phenomenon, in case you forgot that top-tier actors (Morgan Freeman, for one) are not above making turds like Olympus Has Fallen.
The proper start of the movie is when an AC-130 gunship flies over DC, fends off multiple F-22s (multiple F-22s, I said) and circles around the capital's landmarks, indiscriminately laying down bullets the size of Red Bull cans. Meanwhile, the Secret Service just let a North Korean terrorist into the White House with the belief that he was a native South Korean and a member of a diplomat's security detail. The Secret Service and 60 Minutes must have the same background check team.
In addition to the terrorist inside the White House already, 30-50 North Korean terrorists have sidled up to the perimeter of the White House. On cue, one of them blows himself up and the fence leading onto the White House lawn. The terrorists swoop in and within fifteen minutes the president is hostage and, as far as I could tell, every Secret Service agent is dead, except for Gerard Butler, who plays a former agent turned US Treasury security, turned unofficial Secret Service agent when he starts running up on North Korean terrorists and putting bullets in the back of their heads.
Okay, there is no point in explaining the plot minutiae of such a movie because you already know lots of people are going to die and the film will end with an American triumph. Spoiler alert: it does. But what are all these good actors doing to waste an hour or two of your lives? Well, Morgan Freeman becomes acting president while the prez, played by Aaron Eckhart is far below the White House in a bunker. Angela Bassett, Secret Service Director, is sitting around a table with Freeman and Robert Forster, who plays a four-star general. Melissa Leo, a recent Oscar nominee for The Fighter, is in the bunker with the prez. In one particular scene, which encapsulates the over-the-top cheesiness that just oozes from action flicks like this one, Leo is dragged down a hallway to be executed, presumably, and she starts screaming the Pledge of Allegiance, channeling her inner Oscar nominee and failing, miserably.
A little less improbable than a gang of terrorists armed with semi-autos taking over the White House in 15 minutes, is that Gerard Butler single-handedly kills the entire North Korean crew, saves the president's son midway through, falls through two floors of the White House, shrugs it off, and saves the president. Also, a little less probable than a gang of terrorists armed with semi-autos taking over the White House in 15 minutes, is that there is a computer system in the White House bunker that enables the administrator (the president) to blow up every nuclear missile under US command with the click of a button. Luckily, Butler arrives at the computer terminal with 30 seconds before the US becomes a giant mass of radioactive goo. He gets the deactivation code from Freeman and supporting conference table cast and enters it with three seconds to spare.
If you are truly invested in Olympus Has Fallen at this point, you might let out a sigh of relief. If you see right through it, you are probably double-checking the length of the movie to see just how many minutes of your life you cannot get back.
Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Tuesday, November 12, 2013
Tuesday, October 15, 2013
Movie - The Great Gatsby
The Great Gatsby
Having read some reviews of this movie I was prepared for the chaotic blend of reality, CGI, and a spectrum of bright colors. One review referred to all of this as an orgy of color. That's about right. I thought it was a bit visually disruptive, but I got used to it/didn't let it bother me and as the very long movie (2hr 23min) progresses, these weird scenes become less intrusive.
I have a lot of thoughts about Gatsby, the book. This movie made me think about why I was not a fan of the book when I read it the first time (8th grade, maybe?) and a little more of a fan when I read it the second time (2009, maybe?) and how I might truly enjoy it if I were to read it a third time.
As an English major, I feel guilty for not falling head over heels for classics like The Great Gatsby and The Catcher in the Rye. Of the former, I think its message was wasted on me in 8th grade. Of the latter, I've read it 2-3 times and it has never done anything for me.
Gatsby, the movie, was good enough to evoke a strong desire in me to read the book for a third time. I thought the portrayals of Gatsby, Nick Carraway, and Tom and Daisy Buchanan were exceptional. I thought the acting was mesmerizing and the movie did not seem at all to drag on, but to speed up and move toward the inevitable crash and unraveling of an ideal future. The use of Fitzgerald's words floating on the screen from time to time as Carraway reads them was a powerful touch too.
I know this movie has a 47% score on Rotten Tomatoes, making it green and rotten, but occasionally I don't see eye to eye with the consensus on that site. Dicaprio's portrayal of Gatsby is spot on. The guy still glows with this youthful exuberance and it's exactly what I expect Gatsby to look like, increasing the mystery of his wealth, the house, and the parties.
I enjoy it when a movie makes me want to reread a book. If you're on the fence about this one, I think it's worth it.
Friday, October 04, 2013
Mind Blown
This movie trailer for The Wolf of Wall Street is better than a lot of full-length movies out there.
Martin Scorsese.
Leonardo Dicaprio.
Matthew McConaughey.
This is how you make a damn movie trailer.
Martin Scorsese.
Leonardo Dicaprio.
Matthew McConaughey.
This is how you make a damn movie trailer.
Thursday, September 26, 2013
Quasi Movie Review - Oblivion
Oblivion
After reading Going Clear: Scientology, Hollywood, and the Prison of Disbelief, I'll probably never look at Tom Cruise the same way again. So, it was weird that while I watched Tom Cruise traverse the post-apocalyptic Earth searching for downed drones and scattered aliens, I kept thinking of moments from his real life as a Scientologist, like when the church held tryouts for a "special mission." The mission, you ask? To be Cruise's next girlfriend. So, I kept a close eye on Oblivion wondering if its story or message had some hints of Scientology theology. I think it does, but revealing that would spoil the movie, which pleasantly surprised me. These days, I'm pleasantly surprised by any good movie, which stars Tom Cruise.
Now, does my endorsement of this movie as good, but not outstanding, mean I have endorsed any or all beliefs of the Church of Scientology? Absolutely not. But you can still think of this as a double endorsement. That of Oblivion and another of Lawrence Wright's amazing book, Going Clear. Truly, the book is astounding in its depth and research and that Wright hasn't been sued into Oblivion. Pun intended.
Monday, September 23, 2013
Vote For My Photos
I'm promoting myself in this post. I entered my photos in a contest. You can vote for them this week and I'd really appreciate it if you did that. It's easy to do too!
Below the big ad, click the "Gallery" tab.
Three fields should appear/be visible. In the username field, which is located to the right next to the red "FILTER" button, type "@bperica".
Click "FILTER."
All my photos will appear. There are ten of them.
Click "FILTER."
All my photos will appear. There are ten of them.
Then click on the star in the middle, bottom of each picture. If I win, I promise I'll bring you back a souvenir or send you a postcard.
Thanks.
Tuesday, September 10, 2013
Must Watch
Maybe in the last week or two you saw the video of the girl who is "twerking" and falls over and catches on fire. TV stations (local and nationwide) shared the video as a viral YouTube clip and news anchors said there were implications for twerking, meaning that this video showed it was a dangerous form of dance. Well, Jimmy Kimmel featured the now famous dancer on his show last night. Watch.
Friday, August 16, 2013
Mastermind? What a joke.
I used to spend my college summers listening to 93.3 and painting houses with a guy I called Dirty Dean. Now I never paint houses and I rarely listen to 93.3, but I tuned in during a short drive today and I heard a song by Lazyboy called Underwear Goes Inside the Pants. I had never heard it, but I identified with a lot of the spoken lyrics in the song even though I don't smoke marijuana, I am not obese, and I don't go to strip clubs. The spoken lyrics are apparently from a comedian, Greg Giraldo, who is piercingly honest in his critique of American culture. I especially enjoyed his witty remarks on marijuana, the absurd labeling of a terrorist as a "mastermind", and the obesity epidemic as a foolishly named consequence of the spoiled American lifestyle. I found the video on YouTube. It's NSFW (that's not-safe-for-work for the uninitiated).
Full song and video below...
Full song and video below...
Tuesday, August 13, 2013
Pursue Happiness, But Kindness Most of All
The UN Secretary General Ban Ki-moon spoke at my commencement ceremony. It was fun to see such a high profile figure, who is intensely involved in global affairs, give a talk to the many graduates of the international studies program I was in, but I would have much preferred to hear a different address, one from George Saunders. He gave it at Syracuse this year. It is a remarkable take on the typical staid commencement address. Here is an excerpt, but you can read the rest at the link below:
Do all the other things, the ambitious things – travel, get rich, get famous, innovate, lead, fall in love, make and lose fortunes, swim naked in wild jungle rivers (after first having it tested for monkey poop) – but as you do, to the extent that you can, err in the direction of kindness. Do those things that incline you toward the big questions, and avoid the things that would reduce you and make you trivial. That luminous part of you that exists beyond personality – your soul, if you will – is as bright and shining as any that has ever been. Bright as Shakespeare’s, bright as Gandhi’s, bright as Mother Teresa’s. Clear away everything that keeps you separate from this secret luminous place. Believe it exists, come to know it better, nurture it, share its fruits tirelessly.The rest of the speech. Hat tip to my mom, who sent this my way today.
Thursday, July 25, 2013
Movie Review - Game Change
Regardless of one’s political orientation, I think it wise
to cautiously approach movies that explicitly focus on a political figure. To treat
with a grain of salt the things you hear and see in these movies, even if they
are supposedly based on actual events, is a good start. There, that was my
preface for the review of Game Change
(2012) based on the nonfiction book of the same name written by Heilemann and
Halperin.
Game Change was
produced by and aired on HBO. Although the book spends more time on the other
players in the 2008 campaign, the movie primarily focuses on the decision by
the McCain campaign to select Sarah Palin as McCain’s running mate.
What struck me first, considering that Hollywood is solidly
on the left of the political spectrum, is that the movie gives McCain and those
in his inner circle a very fair shake considering the recklessness of their
decision. McCain is portrayed as a very amicable man, one who early on
recognizes that Palin wasn’t the best choice and a man who does his best to
make her feel comfortable in the national media spotlight and on the campaign
trail. From what I read in 2008 and since then, this portrayal of McCain and
his team seems accurate. There were clearly some people who were skeptical of
the Palin pick for several reasons. One, she was essentially a small-town
politician, drastically unprepared for the demands of a national campaign. Two,
the typical vetting process for a VP pick is 4-8 weeks. In order to pick Palin,
she had to be vetted in 4-5 days, increasing the chances that after the
selection something harmful about Palin would be unearthed and irreparably
damage McCain’s chances. And three, when compared to other VP choices (Pawlenty
and Lieberman) Palin did not have the national recognition that could instantly
garner new support and subsequent donations.
When Palin was brought on board things soured very quickly.
(Also accurate to what I have read.) The movie portrayed this very well,
showing concern on the faces of aides one moment and then showing them
high-fiving each other in the aftermath of Palin’s RNC speech and her debate
against Joe Biden. Despite the fact that Palin memorized her debate answers,
line by line, McCain’s campaign rejoiced because the debate was not the
disaster of epic proportions that they fully and rightly expected. However,
other than these two highlights, Palin proved to be power-hungry, ignorant,
narcissistic, and amazingly childish at every opportunity. I had read that at
one point Palin listed Africa as a country. This particular hiccup wasn’t in
the movie, but other infamous ones were, like her inability to distinguish the
reasons behind the Iraq War and the War in Afghanistan or her foreign policy
advisors having to explain to her who the Axis powers were in WWII. Needless to
say, the McCain staff quickly realized the gravity of the situation and either
gave up completely or pushed on, leading to the ridiculous step taken to
prevent a disaster in the VP debate, have Palin memorize 25 responses.
What I didn’t expect to feel during the movie was sorry for
Palin, but I did. She was so obviously out of her league, despite her amazing
acting ability and last minute heroics on a few occasions. At one point, Steve
Schmidt, McCain’s top advisor (played by Woody Harrelson) turns to Palin and
says, “You seem completely un-phased by all of this.” Palin (played flawlessly
by Julianne Moore) turns to Schmidt, pauses, and says, “It’s God’s plan.” I do
not know the accuracy of this specific conversation, but it perfectly sums up
Palin’s attitude, as if she deserved the nomination, as if she was expecting
it. It is deeply disturbing. So, on one hand, I feel sorry for Palin that she
was way out of her element, but on the other hand, she did this to herself by
embracing radical delusions of grandeur.
The movie very accurately portrays Palin as the element
behind the radicalization of McCain’s campaign and of his supporters. It was
Palin’s idea to bring up William Ayers and casually suggest that Obama liked to
pal around with terrorists. McCain, having went through one of the low-points
in American politics during the 2000 Republican primary contest against Bush,
in which McCain was accused of fathering a black child out of wedlock when in
actuality the McCains adopted their daughter from Bangladesh, strongly resisted
dirty attacks from the campaign on Obama’s connection with Ayers and Rev.
Wright. Eventually, McCain conceded, letting Palin loose on Ayers and from that
point on in the campaign we really did see the nutters come out of the
woodwork. They were drawn to Palin because she showed them that someone with
her viewpoint could once again make it in America. She made the far, far right
feel like they had a chance.
The video below is from a McCain rally. During this rally,
McCain had to confront some of these nutters who were clearly energized by
Palin’s ridiculous accusations and racist undertones. It was certainly a low
point in the 2008 campaign and McCain had to address childish statements from
adults. It was embarrassing for his campaign at the time, but he handled the
situation gracefully.
Although Palin has largely disappeared from daily headlines,
I think the radicalization of the right is still partially fueled by her brief
time in the national spotlight. I think Game
Change subtly suggests that Palin is one of a few select people responsible
for this. I will get a bit repetitive here, but I did think that the movie was
very fair to McCain and his campaign. Choosing Palin was a huge unforced error
of the 2008 campaign, one that scared me and angered me, but now, in hindsight,
one that I can sit back and laugh about.
Monday, July 15, 2013
Review: Killing Them Softly
Killing Them Softly. (Starring Brad Pitt, James Gandolfini, Ray Liotta, and other actors you might expect to be typecast in a mob movie.)
I had heard nothing about this movie, but its cast and topic (I'm a sucker for mob/organized crime movies) were intriguing enough that I gave it a shot. The movie begins with the audio of Obama speaking at the 2004 DNC, I believe, where he first used the not red states, not blue states, but United States of America line. The scene, however, is that of two amateur criminals trying to win the job of knocking off a poker game. They do both successfully.
It is 2008 and other audio from Bush and Obama is played throughout the movie. One Bush speech is about the severity of the economic recession. Another speech is an apology of sorts about the necessary economic bailout. All of the clips work to establish the meme of the time, that people are desperate, poor, and willing to do anything for some cash. The unity and freedom that both Bush and Obama speak about are contrasted with the harsh reality on the ground of these seedy neighborhoods, where every man is on his own, where no spirit of community bonds people together, and where money and loyalty is the only currency.
Brad Pitt's character, Jackie Cogan, is called in to do clean up (translation: kill anyone suspected of being responsible for the poker game disruption). He uses his usual crew and brings in a hit man, played by James Gandolfini. Things go pretty smoothly for Cogan until the last scene of the movie, when he is stiffed by the man responsible for paying him. The two men are in a bar and Obama is on the TV. What Obama says sparks a discussion and then a closing speech from Cogan, the kind of dialogue that only seems natural in a mob movie, and when Killing Them Softly is at its most thought-provoking:
Rated R for f-bombs dropped in nearly every sentence, head shots, drug use, and a typical above-the-law attitude.
I had heard nothing about this movie, but its cast and topic (I'm a sucker for mob/organized crime movies) were intriguing enough that I gave it a shot. The movie begins with the audio of Obama speaking at the 2004 DNC, I believe, where he first used the not red states, not blue states, but United States of America line. The scene, however, is that of two amateur criminals trying to win the job of knocking off a poker game. They do both successfully.
It is 2008 and other audio from Bush and Obama is played throughout the movie. One Bush speech is about the severity of the economic recession. Another speech is an apology of sorts about the necessary economic bailout. All of the clips work to establish the meme of the time, that people are desperate, poor, and willing to do anything for some cash. The unity and freedom that both Bush and Obama speak about are contrasted with the harsh reality on the ground of these seedy neighborhoods, where every man is on his own, where no spirit of community bonds people together, and where money and loyalty is the only currency.
Brad Pitt's character, Jackie Cogan, is called in to do clean up (translation: kill anyone suspected of being responsible for the poker game disruption). He uses his usual crew and brings in a hit man, played by James Gandolfini. Things go pretty smoothly for Cogan until the last scene of the movie, when he is stiffed by the man responsible for paying him. The two men are in a bar and Obama is on the TV. What Obama says sparks a discussion and then a closing speech from Cogan, the kind of dialogue that only seems natural in a mob movie, and when Killing Them Softly is at its most thought-provoking:
Obama (on TV): ...To reclaim the American dream and reaffirm that fundamental truth, that, out of many, we are one...
Driver (speaking to Cogan): You hear that line? Line's for you.
Cogan: Don't make me laugh. One people. It's a myth created by Thomas Jefferson.
Driver: Oh, so now you're going to have a go at Jefferson, huh?
Cogan: My friend, Thomas Jefferson is an American saint because he wrote the words 'All men are created equal,' words he clearly didn't believe since he allowed his own children to live in slavery. He's a rich white snob who's sick of paying taxes to the Brits. So, yeah, he writes some lovely words and aroused the rabble and they went and died for those words while he sat back and drank his wine and fucked his slave girl. This guy wants to tell me we're living in a community? Don't make me laugh. I'm living in America, and in America you're on your own. America's not a country. It's just a business. Now fucking pay me.Bottom Line: Besides this last scene and a couple others, Killing Them Softly is not worth the investment. I have a love for mob movies, but I also have a high tolerance for them and on a few occasions I almost turned this one off. There's certainly better out there, but as far as a closing speech goes, Cogan's was one of the most interesting I've heard/seen in a mob movie.
Rated R for f-bombs dropped in nearly every sentence, head shots, drug use, and a typical above-the-law attitude.
Monday, July 08, 2013
Film - Chasing Ice
What scares me the most about global warming is the thought that
we have reached the point of no return. The Greenland ice sheet is going to
melt and sea level will rise 2-3 feet over the next 50 or 100 years. I also
worry that there are not enough viable alternatives to reduce our individual
carbon footprint. The powerful film Chasing
Ice, which documents the National Geographic photographer James Balog’s
Extreme Ice Survey (EIS), only magnified these thoughts.
For EIS to succeed, Balog needed to place dozens of cameras
in strategic locations so that they could monitor ice levels at critical
glacial landmarks throughout the world. Every six months or so he would return
with his team and examine the photographs, taken at preset intervals, to study
the changes. The film documents Balog’s return to these locations and, upon his
first trip back after six months, the camera catches a heartbreaking moment
when Balog discovers that the computer used to time the pictures was not working
correctly with the cameras. That held true for every camera the team set up. Nat
Geo and Balog went back to the drawing board and redesigned the chips used to
time the shots. The updated cameras were put back in place and the wait started
again.
Of course there would not be a Chasing Ice movie if the cameras did not record something
remarkable and scary. The change in ice level in six months is extremely
worrisome. But these cameras did not just record six months of change. They
have now been in place for years and are still recording the retreat of some of
the biggest and most important glaciers in the world.
The film is at its most powerful when these images are
displayed across the screen, but there are appropriate interludes filled with
staggering facts and brief clips from global warming skeptics, almost all of
which were taken from Fox News because they are the prominent climate change
deniers. Thankfully, the film does not spend too much time addressing the
deniers. It uses Balog’s images to do the talking. Although one of the most
poignant scenes in the movie is when Balog is talking about the danger climate
change presents to the human race. “You go out over the horizon,” he says, “and
sometimes you don’t come back.” At this he gets choked up, pauses, and looks
off into the distance. At this point in the documentary, if you are not
concerned about returning from the horizon, Chasing
Ice has not done its job and no other movie will.
Friday, March 15, 2013
Unbelievable Pictures From Iran
The Big Picture does it again. Check out these images of Iran. Read the captions too. Eye-opening.
Friday, March 08, 2013
No. Freaking. Way.
Harrison Ford, Mark Hamill, and Carrie Fisher have key roles in Star Wars - Episode VII. Where do I buy advance tickets?
Thursday, January 31, 2013
Quote of the Day
"When friends speak overmuch of times gone by, often it's because they sense their present time is turning them from friends to strangers. Long before the moment came to say goodbye, I think, we said goodbye in other words and ways and silences. Then when the moment came for it at last, we didn't say it as it should be said by friends. So now at last, dear Mouse, with many, many years between: goodbye."
- From January 31st in Listening to Your Life by Frederick Buechner.
- From January 31st in Listening to Your Life by Frederick Buechner.
Thursday, December 20, 2012
Pictures of the Year
Over at the Big Picture, they are starting their annual posts with their selected pictures of the year. I encourage you to take a look. These pictures cover a wide range of international events, from celebrations to disasters. I value their international perspective at this photo blog.
Part I
Part II
They usually do three parts, but only two are up at this point.
There is also Time's selection of the most surprising photos of the year. These are amazing as well, although there are some repeats from the Big Picture's posts. Also, unlike the Big Picture, Time doesn't warn you when you are about to see a graphic picture of (just one example here) a horse head and hoofs on the ground by some kids because the horse was just slaughtered for food.
Time's gallery.
Part I
Part II
They usually do three parts, but only two are up at this point.
There is also Time's selection of the most surprising photos of the year. These are amazing as well, although there are some repeats from the Big Picture's posts. Also, unlike the Big Picture, Time doesn't warn you when you are about to see a graphic picture of (just one example here) a horse head and hoofs on the ground by some kids because the horse was just slaughtered for food.
Time's gallery.
Thursday, November 08, 2012
Fighting Resistance
A great friend and amazing photographer, family man, and God-lover, Jarrod Renaud, was interviewed by The Photographic Journal. Read his story. It's inspiring.
The interview, click here.
The interview, click here.
Friday, June 22, 2012
Streep v. Davis
After watching The Help I felt like Viola Davis was snubbed at the Oscars when Meryl Streep won for her portrayal of Margaret Thatcher in The Iron Lady. For me, Davis was captivating and won me over immediately with the strength of her performance as a Mississippi maid (Aibileen) in the 1960s. Davis perfectly evoked the stoicism necessary of generations of black women and men to have in order to get through those especially horrible times for our country. You rooted for her all the way and, in the end, when Aibileen's huge risk paid off, it was easy to celebrate. Going into it, I was worried The Help was going to be a sappy chick flick, but it was not. It was honest, funny, and Davis, among others, was captivating and awe-inspiring. She deserved the Oscar. There wasn't a better performance. There couldn't have been.
Well, that was before I watched The Iron Lady a few nights ago. From the first scene Streep appeared in, portraying an old, frail Thatcher suffering from dementia, it was clear I was going to see something very special. The ease with which Streep portrayed Thatcher, from the voice to her mannerisms, belied the staggering amount of work that Streep must have taken on to trick the viewer into thinking they were watching a real-life documentary on the Iron Lady. I didn't even find it necessary to compare Streep's Thatcher to the real thing. Streep just was Thatcher in all those huge moments of her life, when she declared to Denis Thatcher, her husband (played by Jim Broadbent), that she would be running for leader of the party, or when she led during the Falklands War, or when she took her last stroll out the front door of 10 Downing Street. In The Help, there was a strong supporting cast and the story itself had a much more complete arc to it than The Iron Lady, which was carried aloft by Streep. I am not sure that The Iron Lady would have been a movie if they hadn't signed Streep, but I do know that it wouldn't have been the same movie without her. Streep, remarkably and without a doubt, deserved the Oscar this year.
Well, that was before I watched The Iron Lady a few nights ago. From the first scene Streep appeared in, portraying an old, frail Thatcher suffering from dementia, it was clear I was going to see something very special. The ease with which Streep portrayed Thatcher, from the voice to her mannerisms, belied the staggering amount of work that Streep must have taken on to trick the viewer into thinking they were watching a real-life documentary on the Iron Lady. I didn't even find it necessary to compare Streep's Thatcher to the real thing. Streep just was Thatcher in all those huge moments of her life, when she declared to Denis Thatcher, her husband (played by Jim Broadbent), that she would be running for leader of the party, or when she led during the Falklands War, or when she took her last stroll out the front door of 10 Downing Street. In The Help, there was a strong supporting cast and the story itself had a much more complete arc to it than The Iron Lady, which was carried aloft by Streep. I am not sure that The Iron Lady would have been a movie if they hadn't signed Streep, but I do know that it wouldn't have been the same movie without her. Streep, remarkably and without a doubt, deserved the Oscar this year.
Friday, May 25, 2012
TPM - David Carr Interview
David Carr, journalist at the New York Times, was interviewed by TPM this week. I think Carr's take on journalism is a refreshing voice in the cacophony of talking heads on TV and the bad habit of news organizations to merely link to and summarize articles written by some other news organization. I'm looking at you, HuffPo.
Good interview. Worth the read. Click it.
Good interview. Worth the read. Click it.
Tuesday, May 22, 2012
Bond, James Bond
You can tell it is the last two weeks of the quarter and I have three papers looming over me. My words are going elsewhere and I have quite a string of video posts going. Here is another one, the teaser trailer for the new James Bond movie, Skyfall.
Tuesday, May 15, 2012
Behold
Surfing at Teahupoo, from Chris Bryan films. Amazing! There's a mighty God behind those waves.
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