Showing posts with label rosemann. Show all posts
Showing posts with label rosemann. Show all posts

Thursday, October 21, 2010

X-FACTOR #142-#143, February-March 1998

Give Me Shelter

Credits: Bill Rosemann (writer), Leo Fernandez (penciler), Dan Green (inker), Comicraft (letters), Ian Laughlin (colors)

Summary: Wild Child locates Val Cooper, who is spending Christmas with her ex-husband Edmond Atkinson. Val reveals to Edmond her first meeting with Wild Child as a young bureaucrat. She was assigned to look over Wild Child, not knowing her superiors were actually agents of the Secret Empire, a group looking to develop remorseless killers. Sabretooth abruptly enters, revealing that Val covered up for the Secret Empire in order to protect her career. After government agents chase Wild Child and Sabretooth away, Val reads the note Wild Child left her. He forgives her for not revealing the conspiracy, because he knows she’s used her government career to help mutants. Wild Child escapes into the night, as his feral mutation continues.

Continuity Notes: According to Val, Wild Child left Alpha Flight after the mutant Wyre went on a killing spree at Department H. I know Wyre was a character created towards the end of Alpha Flight’s run, but I don’t know if this event ever occurred on-panel.

Review: This is a fill-in issue, which apparently exists to explain away some of the mysteries that surrounded Wild Child joining the team, and to write him out of the book. Rosemann doesn’t have Mackie’s tin ear for dialogue, and the demands of a one-issue story require him to actually resolve the ideas he introduces, so we actually get a tolerable issue of X-Factor. I don’t like the idea that Val has been involved in a government cover-up (to the point that she witnessed a drugged out Wild Child killing a homeless person), but Rosemann does try his best to humanize Val and keep her motives sympathetic. How exactly Sabretooth knows this information isn’t clear, but I guess we’re supposed to assume he knows about these kinds of things due to his long life and various connections to numerous characters in the Marvel Universe. The art comes from Leo Fernandez, who decides to avoid following Matsuda and Rouleau’s example and instead draws the issue in an Andy Kubert style. It’s a little lifeless in places, but for the most part he’s able to tell the story, and I like his interpretation of Sabretooth.


The Fall of the Brotherhood

Credits: Howard Mackie (writer), Duncan Rouleau (penciler), Art Thibert (inker), Comicraft’s Kaff Schoil (letters), Glynis Oliver (colors)

Summary: Fixx, Archer, and Greystone assume the bodies of three bus crash victims. Following orders from their mysterious leader, they arrange to meet with Mystique. When she agrees to hear them out, they claim they have to stop Havok. Meanwhile, Shard is heading for the city when she senses the arrival of the XUE officers, as Havok and an injured Ever protect citizens from Dark Beast’s experiments. Havok tells Aurora to leave the Brotherhood’s hideout, before he finally confronts Dark Beast. Suddenly, Mystique enters with the XUE officers, as Shard arrives to protect Havok.

Continuity Notes: Mystique is willing to hear the XUE officers out when they deliver a message from their leader, telling her that this is the time Destiny foretold. Dark Beast claims that Fatale was “created by me, over and over again,” indicating she’s another one of his genetic experiments. The XUE characters are able to resume their true forms, even after possessing bodies in the present.

We Get Letters: Editorial response from a fan disgruntled by Wizard’s announcement that X-Factor will now focus on individual characters, rather than a team: “You can’t believe everything you read…after all, Wizard said X-Factor was going to be cancelled, and look at us now!”

Review: It seems as if X-Factor is starting to resolve its numerous dangling storylines, even though no one at Marvel seems to know they’re getting cancelled yet. Havok is fully in his “I was just fakin’!” phase, retroactively declaring that he was still under Dark Beast’s influence when he nearly killed Polaris months earlier. Never mind all of those narrative captions and inner monologues that proclaimed that we’re finally seeing the real Havok, of course. While I’m glad the grievous mistake of turning Havok evil has been rectified, we still have a lot of nonsense with Shard, Mystique, and the XUE. I have no idea what the point of the XUE is even supposed to be, but they’re apparently the new stars of the series. After damaging established characters like Havok, Polaris, Mystique, and Sabretooth for years, why not invent totally new characters to portray illogically and inconsistently? They want Havok “taken down” for mysterious reasons, they need Mystique to do it for mysterious reasons, and their leader in the future has to stay in the dark for mysterious reasons. Par for the course for this book. I’m sure they’ll be shown the same care as the mysteries surrounding the Hound Program, Bowser, Graydon Creed’s killer, and Trevor Chase.

Thursday, October 14, 2010

X-MEN UNLIMITED #18 - April 1998

Once an X-Man…

Credits: Tom DeFalco (writer), Marcello Frusin (penciler), Jose Marzan, Jr. (inker), Comicraft’s Emerson Miranda (letters), Shannon Blanchard (colors)

Summary: In San Francisco, Gambit robs from criminals while searching for Mr. Sinister. Overwhelmed with guilt over his involvement in the Morlock Massacre, Gambit is haunted by visions of the X-Men. When Gambit’s contact, Oscar, gives him the option of finding Mr. Sinister or ending Hydro-Man’s killing spree, Gambit decides to be a hero and stop Hydro-Man. After defeating Hydro-Man, Gambit discovers Sinister has killed Oscar. Eventually, Gambit realizes he’s hallucinating, as a dog sled arrives to rescue him in the Antarctic.

Continuity Notes: This takes place during Gambit’s missing months after the X-Men left him for dead in the Antarctic (and, retroactively, we of course learn that they never intended to leave him for dead). I don’t know if the man leading the dog sled was ever identified, as we’re later told the Green Mist Lady, and then New Son, saved Gambit in the Antarctic.

Review: X-Men Unlimited has a new editor, Frank Pittarese, with this issue, which might explain why we’re not getting more of the Howard Mackie/Terry Kavanagh tag-team. Tom DeFalco didn’t do a lot of work on the X-titles, but he did show up more than you might expect in the ‘90s. DeFalco has said in interviews that he was given What If…? (which then led to Spider-Girl) as an assignment because Marvel contractually had to offer him writing jobs during these years. I’m going to go out on a limb and guess that this was an open job that was also offered to him, since the book never kept a regular writer and any of the issues not written by Howard Mackie or Terry Kavanagh just seemed like random assignments.

DeFalco actually drops his typical Silver Age, borderline-cornball, scripting for the story. He instead adopts a 1970s, “Your name is Iron Fist…” second-person narrative style, which does help to set the story’s mood. Gambit’s overcome with guilt after his role in the Morlock Massacre has been exposed, but he’s determined to prove to himself that he truly is a hero. In the end, this just turns out to be a self-indulgent fantasy, but as the narration says, “It may be a lie…but you cling to it nonetheless.” This is one of the better examples of how to write what is essentially filler; the character is in the same place he was when the story started, but he’s undergone an emotional arc and learned something about himself. Plus, we get an appearance from a villain from outside of the X-canon. I know Tom DeFalco has advocated for this in interviews, so I’m glad he was able to work Hydro-Man in, even as a hallucination.

Guiding Light

Credits: Bill Rosemann (writer), Marty Egeland (penciler), Howard M. Shum (inker), Comicraft’s Emerson Miranda (letters)

Summary: A group of city workers comes near the area of the sewers where Callisto is recuperating. Marrow singles out the supervisor, shows him Angel’s bloodstains on the wall, and demands he stay away from their sacred place. He soon orders his men to leave the tunnels.

Continuity Notes: A footnote places this story prior to X-Men #72.

Review: I forgot “Your Man @ Marvel” had written a few comics during these days. This is a very brief story that plays off Marrow’s original motivation for joining the X-Men -- Callisto wanted her to find a “better way.” Rather than killing the men, she just scares them off, and then goes back to nursing Callisto. Nothing particularly memorable here, except for artist Marty Egeland’s decision to transform the leaves that covered Callisto’s wounded chest in her previous appearance into a skimpy leaf bra that barely covers her nipples. Classy.

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