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the NAKBA ... الـنـكـبــَـة حـق يـآبــى الـنـسـيــَـان

Showing posts with label Saïd Chraïbi. Show all posts
Showing posts with label Saïd Chraïbi. Show all posts

Saturday, 31 March 2012

Suites Marocaines مـجـمـوعـة قــطــع مــوسـيـقـيـة ♪ Ray Lema/Tyour Gnaoua, Naziha Meftah, Françoise Atlan, Said Chraibi, Ahmed Essyad Et Alif


Album :
Suites Marocaines مـجـمـوعـة قــطــع مــوسـيـقـيـة
Concerts au Couvent des Cordeliers
حـفـلات مـوسـيـقـيـة في ديـر الـرهـبـان كـوردولـيـي

Index :
Booklet الــكــتــيـــب Livret

Genre : World, Andalusi, Classical

Language : Arabic - Judeo - French - English - Instrumental

Country : Morocco

Melodies & Artists :
[.01.] Jilala •» Ray Lema & Tyour Gnaoua • [.02.] Zeyiel Meyiel •» Ray Lema & Tyour Gnaoua • [.03.] Bouchra Lana •» Naziah Meftah • [.04.] Morena/Ya Malih •» Françoise Atlan • [.05.] Ki Eshmera Shabbat •» Françoise Atlan • [.06.] Ya Men Lam •» Said Chraibi • [.07.] Semai Kurd •» Said Chraibi • [.08.] Aurelia •» Ahmed Essyad • [.09.] Salam •» Alif • [.10.] Bel Axe •» Alif
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‹ N/L : 816 ›

Saturday, 3 December 2011

Holm bi Fès حــلــم بــفــاس Rêves de Fès ♪ Saïd Chraïbi ســعـيــد الــشــرايــبــي


Album :
Holm bi Fès حــلــم بــفــاس
Rêves de Fès

Artist :
Saïd Chraïbi ســعـيــد الــشــرايــبــي
•» Saïd Chraïbi : °ûd •» Aziz el Achhab : arrangements & violon •» Mohamed el Ghazi : Direction d’orchestre et solos violon & alto •» Ahmed Cherkani : violon solo, Nabil Eddahâr, Mohamed Lamkhantar, Niwe & Abdel’ilah Miry : violons •» Mustafa el Amri : alto •» Abdelghani Khotba & Aziz Alami : percussions

Index :
Booklet الــكــتــيـــب Livret
http://www.saidchraibi.com/

Language : Instrumental

Country : Morocco

Melodies :
[.01.] Souks de Fès (mode Raml el Maya, rythme goubahi 5/4) • [.02.] Taksim (Improvisation) dans le maquam mohayar • [.03.] Mystique : Pièce en rythme 14/8, maquam mohayar, inspirée par les chants soufis des Zaouias • [.04.] Holm bi Fès (Rêves de Fès) : «t’baa hijaz kabir» en rythme 4/4 • [.05.] Taksim dans le maquam hijaz • [.06.] Variations sur «Holm bi Fès» • [.07.] “Abouabs Fès» (Portes de Fès) : «T’baa hijaz kabir» Insiraf B’tayhi en 8/4 • [.08.] Semaï Attâ’yr • [.09.] Caprices de Fès : «T’baa gharibat al hoceine» au rythme Derj 4/4 • [.10.] Taksim dans le maquam mahour
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‹ N/L : 651 ›

Saturday, 13 August 2011

Alfonso X el Sabio: Cantigas de Santa Maria ♪ Joel Cohen And Abdelkrim Rais Andalusian Orchestra of Fès


Album :
Alfonso X el Sabio: Cantigas de Santa Maria
ألـفـونــســو الــعــاشــر: قــصــائــد ســانــتــا مــاريــا

Artists :
Joel Cohen And Abdelkrim Rais Andalusian Orchestra of Fès
جـويــل كــوهـيــن و أوركـســترا عــبــدالــكــريــم الــرايـــس للـطــرب الانــدلـســي بـفــاس
••» Camerata Mediterranea, Joel Cohen, dir : •»Françoise Atlan (voice) •» Hayet Ayad (voice) •» Anne Azéma (voice) •» Equidad Bares (voice), Joel Cohen (lute, voice) •» Shira Kammen (harp , vielle)
••» Abdelkrim Rais Andalusian Orchestra of Fès, Mohammed Briouel, dir : •» Aziz Alami (taar, voice) •» Abdessalam Amri (darbouka, voice) •» Mustapha Amri (viola, voice) •» Mohammed Briouel (violin, viola, voice) •» Salah Charki (canun) •» Saïd Chraibi (tenor, voice) •» Rachid Lebbar (ud, voice)

Index :
http://www.medmusique.org/
http://www.bostoncamerata.org/
http://www.hayet-ayad.com/
http://en.wikipedia.org/wiki/Joel_Cohen_(musician)
http://en.wikipedia.org/wiki/Françoise_Atlan
http://en.wikipedia.org/wiki/Alfonso_X_of_Castile
http://anneazema.com/
http://www.saidchraibi.com/
http://www.medmusique.org/
Booklet الــكــتــيــّــب Livret

Note :
High among the many achievements of the Spanish King Alfonso X, called "El Sabio" -- the Wise (1221-1284) is the superb collection of more than 400 sacred songs to the Virgin Mary, the celebrated Cantigas de Santa Maria. King Alfonso's Cantigas are the most important examples of vernacular song from the Spanish Middle Ages; more than that, they are a summit of medieval Christian spirituality. They are preserved in several large and elaborate manuscripts prepared at the royal court; and while it is doubtful that the King composed all of the songs personally, it is clear that he was closely involved, emotionally and materially, in their compilation
While we can never be sure exactly how the musicians at King Alfonso's court might have interpreted these songs, we have everything to gain in our hypothetical reconstructions by calling on musical traditions currently outside, but once closely related to, European musical practice. Accordingly, we have asked an outstanding ensemble of current Moroccan masters to supply accompaniments to the vocal lines set out in the manuscript pages, using the instruments they currently employ in their own repertoire. These instruments are, in many cases (lute, canun, percussion) virtually the same as those shown in the medieval manuscript, or, in the case of the Moroccan violin and alto, closely related thereto... Furthermore, the possible relationship between Arabic musical art and the music of medieval Spain goes far beyond the question of instrumental morphology. The classical Arabic music of North Africa is called "Andalusian music," and its contemporary practitioners are conscious of perpetuating a system of musical thought and practice which is traced back to the Muslim courts of medieval Spain. Four hundred years after the "reunification" of Spain under a Christian Kingdom, the once- closely-related traditions of Christian and Muslim Spain have, inevitably, grown apart. But what is astonishing to the "occidental" student of Arabic classical music is how much the current tradition contains that is self-evidently very ancient. The modes of Andalusian music as currently practiced in Morocco are very similar to those employed in the European Middle Ages. The exotic microtones associated with "oriental" music in the Western imagination, are absent from this classically-codified musical sysyem. The scales are composed, like Gregorian chant, of tones and semitones arranged in different patterns according to the mode. Thus, the practitioner of Arabo-andalusian repertoire can assimilate the medodies of the Cantigas to his own instrument or voice with little disruption, and even with delectation. And, as we happily discovered during the weeks of preparatory collaboration, many melodic elements found in the Cantigas are still employed in Arabo- andalusian music. The Arabo-andalusian pieces that serve as preludes and postludes to the Cantigas on this recording were chosen for their intrinsic beauty first of all, but also for their musical kinship with certain Cantigas melodies. The musical modes of these Arabic pieces are the same as those of the Cantigas that preced or follow, and while they at no point replicate the medieval "European" melodies note-for-note, you will hear any number of musical motifs and patterns in the Arabic pieces that can be perceived as variants, or first cousins, to motifs in the Cantigas tunes

Language : Spanish - Instrumental

Country : Morocco - USA - Algeria - France (Christians, Jews and Muslims)

Melodies :
[.01.] Nawba Ramal al-Maya..Bughya (overture) / instrumental...Alfonso el sabio (attr.): Cantigas de Santa Maria • [.02.] Cantiga 100: Santa Maria strela do dia • [.03.] Cantiga 406: Benvennas mayo • [.04.] Cantiga 370: Loemos muit'a virgen • [.05.] Cantiga 90: Solas fusti senlleiira • [.06.] Cantiga 52: Mui gran dereit / instrumental • [.07.] Nawba Gharibat al-Husayn..Tushiyas (prelude) instrumental...Alfonso el sabio (attr.): Cantigas de Santa Maria • [.08.] Cantiga 230: Todo me deve dar loor • [.09.] Cantiga 130: Quen entender quiser • [.10.] Cantiga 56: Gran dereit • [.11.] Nawba Iraq al-Ajam..Mizan Darj - Sana "Kouli Lmalihti" / instrumental...Alfonso el sabio (attr.): Cantigas de Santa Maria • [.12.] Cantiga 320: Santa Maria leva • [.13.] Cantiga 200: Santa Maria Loei • [.14.] Cantiga 417: Nobre don e muy precado • [.15.] Nawba Gharibat al-Husayn..Mizan Bacit - Sana "Kad nilto hibbi" / instrumental...Alfonso el sabio (attr.): Cantigas de Santa Maria • [.16.] Cantiga 140: A Santa Maria dadas • [.17.] Nawba Rasd al-dhil..Mizan Koddam - Sana "Allah hoo Yalamo"...Alfonso el sabio (attr.): Cantigas de Santa Maria • [.18.] Cantiga 250: Por nos virgen madre
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Monday, 6 June 2011

El Sultán de las Cuerdas أوثــــار الــســـلــطــان ♪ 12 Festival Internacional de Laúd Árabe de Tetuán

Album :
El Sultán de las Cuerdas
12 Festival Internacional de Laúd Árabe de Tetuán
أوثــــار الــســـلــطــان
الــمــهــرجــان الــدولــي الــتــاني عــشــر للــعود بــتــطــوان
The Sultan Of Strings
The 12th international festival of de luth in Tetouan


Index :
http://www.festivaldeluth.com/

Language : Instrumental - French

Country : Morocco - Palestine - Lebanon - Iraq - Egypt - Turkey - Iran - UK - Armenia

Melodies & Artists :
Disc 01
[.01.] Said Chraibi 1 ‹› Said Chraibi • [.02.] Said Chraibi 4 ‹› Said Chraibi • [.03.] Said Chraibi 5 ‹› Said Chraibi • [.04.] Abdelouahab Doukkali 1 ‹› Abdelouahab Doukkali • [.05.] Karloma. Ahmmad al-Khatib 6 ‹› Ahmmad al-Khatib • [.06.] Karloma. Ahmmad al-Khatib 7 ‹› Ahmmad al-Khatib • [.07.] Karloma. Ahmmad al-Khatib 8 ‹› Ahmmad al-Khatib • [.08.] Charbel Rouhana 1 ‹› Abdel Fattah Saadi • [.09.] Charbel Rouhana 1 ‹› Abdel Fattah Saadi • [.10.] Charbel Rouhana 5 ‹› Abdel Fattah Saadi
Disc 02
[.01.] Mehmet Bitmez 1 ‹› Mehmet Bitmez • [.02.] Mehmet Bitmez 7 ‹› Mehmet Bitmez • [.03.] Mehmet Bitmez 8 ‹› Mehmet Bitmez • [.04.] Ghassan Al Youssef 1 ‹› Dina Abdel Hamid • [.05.] Ghassan Al Youssef 8 ‹› Dina Abdel Hamid • [.06.] Jaouahir Annagahm 6 ‹› Jaouahir Annagahm • [.07.] Jaouahir Annagahm 7 ‹› Jaouahir Annagahm • [.08.] Jaouahir Annagahm 9 ‹› Jaouahir Annagahm • [.09.] L' Oiseau De Feu. Kurdjian/Tabar/Chemirani 1 ‹› Bijane Chemirani • [.10.] L'Oiseau de Feu. Kurjian/Tabar/Chemirani 6 ‹› Bijane Chenirani • [.11.] Hicham Tetouani 3 ‹› Hicham Tetouani
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Los Hijos De Ziryab أبـــنــَـاء زريــَـــاب ♪ Festival Internacional De Laúd de Tetuán الــمــهــرجـــان الــدولـــي للـــعــود فــي تــطــوان

Album :
Los Hijos De Ziryab أبـــنــَـاء زريــَـــاب
Zyriab's Children
Festival Internacional De Laúd de Tetuán - 10 ª Edición
الــمــهــرجـــان الــدولـــي للـــعــود فــي تــطــوان - الــدورة 10
International Oud Festival in Tetouan - 10th Edition
Artists :
Driss El Maloumi, Mostapha Amelky, Noudreddine Ozzhar, Said Chiraibi, Abdellilah El Bahrmi, Morad Sakly, Omar Bashir Ensemble, Driss Nigra, Abu Ali El Mehdi, Carlos Cuanda, Ahmed Guendouz, Manuel Paz, Jésus Prieto and/y Carmen Cuelo
•» Driss El Maloumi ('ud) •» Mostapha Amelky ('ud, trio) •» Noudreddine Ozzhar ('ud, trio) •» Said Chiraibi ('ud) •» Abdellilah El Bahrmi ('ud, trio) •» Morad Sakly ('ud) •» Omar Bashir Ensemble •» Driss Nigra ('ud, duo) •» Abu Ali El Mehdi (percussion) •» Carlos Cuanda (guitar) •» Ahmed Guendouz (guitar) » Manuel Paz (guitar) •» Jésus Prieto (guitar) •» Carmen Cuelo (guitar)
Index :
Language : Instrumental
Country : Morocco - Spain - Iraq (Christians, Jews and Muslims)
Melodies :
Disc 01
[.01.] Sakli 1 • [.02.] Sakli 2 • [.03.] Sakli 3 • [.04.] Omar Bashir Ensemble 1 • [.05.] Omar Bashir Ensemble 2 • [.06.] Omar Bashir Ensemble 3
Disc 02
[.07.] Chraibi 1 • [.08.] Chraibi 2 • [.09.] Chraibi 3 • [.10.] Entrequatre con Maloumi 1 • [.11.] Entrequatre con Maloumi 2 • [.12.] Entrequatre con Maloumi 3 • [.13.] Nigra/Guendouz 1 • [.14.] Nigra/Guendouz 2 • [.15.] Nigra/Guendouz 3 • [.16.] Ozzahr/Barhmi/Amelky 1 • [.17.] Ozzahr/Barhmi/Amelky 2 • [.18.] Ozzahr/Barhmi/Amelky 3
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Sunday, 2 May 2010

Anthologie "Al-Âla" . Vol.11 . Nûbâ Ramal Al-Mâya ♪ Orchestre du Conservatoire de Tétouan, Direction: Mohammed Larbi Temsamani


Album :
Anthologie "Al-Âla" . Vol.11
Musique Andaluci-Marocaine
Nûbâ Ramal Al-Mâya
أنــتــلــوجــيــة الآلـــة . الـجــزء.11 ء
الــمــوسـيــقــى الانــدلــســـيــة الــمـغــربــيــة
نــــــوبــَــة رمــل الــمــَـايـــة
Anthology "Al-Âla" . Vol.11
Moroccan Andalusi Music
Nûbâ Ramal Al-Mâya

Artists :
Orchestre du Conservatoire de Tétouan, Direction: Mohammed Larbi Temsamani
فــرقــة الــمــعــهــد الــمــوســيــقــي بــتــطــوان، إدارة: مــحــمــد الــعــربــي الــتــمــســمــانــــي
Orchestra of the Tetuan Conservatory, Conductor: Mohammed Larbi Temsamani

•• Mohammed Larbi Temsamani: Conductor •• JamalEddine Benallal: Violin •• Mohammed al-Amine al-Akrami: Violin •• Abdessamad Ayt Harour: Viola •• Ahmed Chentouf: Viola •• Mohammed al-Gazi: Rabâb •• Mukhtar Mfarrej:'Ud •• Abdallah Filali: Violoncelle •• Abdelaziz Harraq: Târ •• Abderrahman Alaoui: Darbûka •• Said Chraibi: Munshîd

Index :
Booklet الــــكــتــيــّـــب Livret

Country : Morocco

Language : Arabic - Instrumental

Melodies :

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Download From Here. [1 Gb,210 Mo]

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Thanksgiving & © to Bakfark

Friday, 10 April 2009

Al Tarab • Muscat Oud Festival ♪ الـطــرب • مـهـرجــان مـســقـط الـعـربـي للـعــود


Album :
Al Tarab • Muscat Oud Festival
الـطــرب • مـهـرجــان مـســقـط الـعـربـي للـعــود


Index :
Booklet الـكـتـيـّــب Livret

Language : Instrumental - Arabic

Melodies, Artists and Countries :
CD 1: Solo Ud
Salim Bin Ali al-Maqrashi (Oman)
[.01.] Taqasim, Maqam Nahawand
[.02.] Longa Nahawand, Maqam Nahawand
[.03.] Taqasim, Maqam Rast
[.04.] Sama'i Rast, Maqam Rast
[.05.] Taqasim, Maqam Kurd
[.06.] Musiqa Qasidat "Al-Karnak", Maqam Kurd
Saïd Chraibi (Morocco)
[.07.] Musiqa, "Hawatir Andalusiyya" Maqam Nahawand
[.08.] Musiqa, "Takrim Ustadi" Maqam Nahawand
[.09.] Taqasim, Maqam Rast
[.10.] Sama'i Rast, Maqam Rast
Mamdoh El Gebaly (Egypt)
[.11.] Musiqa, "Hawatir Misriyya" Maqam Rast
[.12.] Taqasim, Maqam Higaz-Kar
[.13.] Sama'i Rahat Al-Arwah, Maqam Rahat Al-Arwah
CD 2: Solo Ud with Voice
Abadi al-Johar (Saudi Arabia)
[.01.] Musiqa "Ahasis", Maqam Higaz-Kar-Kurd
[.02.] Ughniyat "Tibeh", Maqam Higaz-Kar-Kurd
[.03.] Taqasim, Maqam Rast
[.04.] Musiqa Ughniyat "Ha'abluh Bukrah", Maqam Rast
[.05.] Taqasim, Maqam Higaz Kar
[.06.] Ughniyat "Ya Ghayebah", Maqam Nakriz
[.07.] Taqasim, Maqam Nahawand
Ahmad Fathi (Yemen)
[.08.] Ma'zufah in 'Adani Rhythm, Maqam Nahawand
[.09.] Musiqa "Layali Saba", Maqam 'Ussaq
[.10.] Ma'zufat "'Aya Bariq", Maqam Nahawand
[.11.] Ughniyat "La Tisafir" Maqam Nahawand
[.12.] Ughniyat "Sabaya Al-Balad", Maqam Nahawand
[.13.] Ughniyat "Inn Yahrimuna", Maqam Agam
CD 3: Ud and Orchestra / Solo Ud with Voice
Royal Oman Symphony Orchestra (Oman) Alaa Hussein Saber (Egypt)
[.01.] 1st Concerto for 'Ud and Orchestra: Allegro
[.02.] 1st Concerto for 'Ud and Orchestra: Andante
[.03.] 1st Concerto for 'Ud and Orchestra: Allegro
Safwan Bahlawan (Syria)
[.04.] Taqasim, Maqam Rast
[.05.] Taqtuqat "Min 'Azzibak", Maqam Rast
[.06.] Taqasam, Maqam Nahawand
[.07.] Qasidat "Mink Ad-Daya'" with Taqasim, Maqam Nahawand
[.08.] Taqasim, Layali and Mauwal "Mal el Fu'ad", Maqam Huzam
[.09.] Taqasim, Layali and Mauwal "Sagani Nohak", Maqam Rast
[.10.] Qasidat "'Inndama Ya'ti L-Masa'", Maqam Rast
CD 4: Ud and Orchestra
Royal Oman Symphony Orchestra (Oman) Ammar el-Sheri (Egypt)
[.01.] Dialogue for 'Ud and Orchestra: Allegro Moderato Maestoso
[.02.] Dialogue for 'Ud and Orchestra: Andante
[.03.] Dialogue for 'Ud and Orchestra: Allegro
Variations on Arabic Melodies for Ud and Orchestra
[.04.] Variations on Arabic Melodies
. Ana Wil-azab Hawak
. Kan Agmal Yom
. Ya Ward Min Yestirik
. Inta Umri
. Ter el-Wirwar
. Albi Wi Muftahuh
. Lahn el-Hulud
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Download From Here. [P.I: 166 Mo] [P.II: 164 Mo]

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Friday, 1 August 2008

B'ismillah, Highlights From The Fes Festival Of World Sacred Music ♪ بـآسم الله, وميض من مهرجان فاس للموسيقى العريقة


Album :
B'ismillah
Highlights From The Fes Festival Of World Sacred Music
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بـــآســـم الله
ومـــيـــض مــن مــهــرجــان فــاس للــمــوســيــقــى الــعــريــقــة
Volume I


Melodies, Artists & Country :
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Disc One :
[.1.] Radio and Television Symphony Orchestra Of Bosnia-Herzegovina (Bosnia and Herzegovina)
Call To Prayer, With Orchestra
[.2.] Hamza Shakour And The Al Kindi Ensemble (Syria)
Sufi Music Of Damascus
[.3.] Al Imam Al Busiri Association (Morocco)
Traditional Sufi chant
[.4.] Tagmout Of Zagora (Morocco)
Traditional music of the Sahara
[.5.] Sheikh Ahmed Barrayn (Egypt)
Madih (Chanted Poetry)
[.6.] Mehr Ali and Sher Ali (Pakistan)
Sufi qawwali chant
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Disc Two :
[.1.] Radio and Television Symphony Orchestra Of Bosnia-Herzegovina (Bosnia and Herzegovina)
Amila baksic, soprano, with violin
[.2.] Said Chraibi (Morocco)
Andalusian oud music
[.3.] Said Chraibi (Morocco)
Oud and percussion
[.4.] Diego De Los Santos (Spain)
"Marinette" acappella saeta
[.5.] Ahaidous (Morocco)
Berber Music From The Northern Atlas Mountains
[.6.] Ustad Gulam Hassan Shagan (Pakistan)
Classical bhara khayal chant
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Download From Here. [198 Mo]
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B’ismillah : The most inspired music on the planet finds its highest expression at the annual Fes Festival of World Sacred Music. B’ismillah ("in the name of God") brings together the highlights of this landmark event. B’ismillah documents music from the world’s most accomplished artists in many traditions, including Pakistani qawwali chants dating back to the 11th century; Egyptian madih odes; flamenco style Christian saeta that are shot "like an arrow" into the heart of God; ancient gwalior chants from the north of India; and the mystical music that transforms mere mortals into the whirling dervishes of the Sufi tradition. Utterly authentic, B’ismillah radiates a divine presence beyond the artificial boundaries of maps and politics, into the hearts of world music lovers everywhere. Live digital recording.
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© S.Bajro aka S.Pac

Wednesday, 21 November 2007

Saïd Chraïbi -:- L'oud [Oud Du Maroc] # Saïd Chraïbi -:- La Clef De Grenade

l'un des plus grands joueurs de Oud Marocain
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I. Saïd Chraïbi -:- L'oud [Oud Du Maroc]
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Artist : Saïd Chraïbi

Album : L'oud

Melodies :
0. Saïd Chraïbi - L'oud (Oud Du Maroc)
1. Souleimane Écouter
2. Taksim Sur Le Makam Awjara Écouter
3. Samai Awjara Ghouzoud Écouter
4. Taksim Sur Le Makam Hitaz Kar Kurdi Écouter
5. Pensées Andalouses Écouter
6. Likaa Écouter
7. Taksim Sur Le Makam Raast Danjikah Écouter
8. Ya Onmou Abaya Écouter
9. Longa Nakryse Écouter
10. Nouzha Écouter
11. Improvisation Autour De Souleimane
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II. Saïd Chraïbi -:- La Clef De Grenade

Artist : Saïd Chraïbi

Album : L'oud

Melodies :
0. Saïd Chraïbi - L'oud (Oud Du Maroc)
1. Souleimane Écouter
2. Taksim Sur Le Makam Awjara Écouter
3. Samai Awjara Ghouzoud Écouter
4. Taksim Sur Le Makam Hitaz Kar Kurdi Écouter
5. Pensées Andalouses Écouter
6. Likaa Écouter
7. Taksim Sur Le Makam Raast Danjikah Écouter
8. Ya Onmou Abaya Écouter
9. Longa Nakryse Écouter
10. Nouzha Écouter
11. Improvisation Autour De Souleimane
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Said Chraibi is at the forefront of a younger generation of musicians that is revitalizing the traditions of Arab-Andalusian music in Morroco. His spectacular technique on the oud (short-necked fretless lute) in addition to his compositions that fuse tradition with modernity have made him famous in Morocco, as well as among enthusiasts of Middle Eastern music in Europe and the United States. Although he is steeped in the centuries-old music of the Andalusi orchestras, he is not a historian, seeking instead to broaden the repertoire through his own compositions and to broaden his audience through touring abraod and recording.
Chraibi was born in Marrakech, on February 2, 1951, picking up the oud when he was 13. He went on to study Andalusi music at the university, but didn't begin to generate international acclaim until he was in his thirties, when he won first prize for his playing at a competition in Iraq, in 1986. He toured throughout Morocco and the rest of the Arab world, but it wasn't until his appearances at the Fez Festival of Sacred Music that he earned recognition in Europe and the U.S. The Sounds True compilation from the 1996 festival, entitled Bismillah, featured a piece from his performance of that year and that lead to more recording opportunities, including a disc featuring his suite "Dreams of Fez," Holm Bi Fes. ~ Tom Chandler, All Music Guide
Saïd Chraïbi, né le 2 février 1951 à Marrakech, est considéré comme l'un des plus grands joueurs de Oud marocain.
Saïd découvre le luth à l'âge de 13 ans, et ne se séparera plus de cet instrument qui le conduira sur la scène internationale, en soliste, en orchestre, ou comme accompagnateur des plus grandes voix du monde arabe. Les oeuvres qu'il compose sont le prolongement de la tradition, l'aboutissement d'une recherche et d'un travail sur des modes très anciens Arabo-Andalous, Turques ou Perses. » (Cinqplanete) (voir sur le site)
Saïd Chraïbi est « un artiste qui a beaucoup apporté à la scène artistique nationale. Instrumentiste reconnu à l'échelle aussi bien nationale qu'internationale, Saïd Chraïbi est aussi un véritable découvreur de talents. Il a le mérite d'avoir révélé plusieurs artistes, dont la chanteuse Karima Skalli.(...) Pour ce qui est du luth, l'artiste possède presque tous les éléments de la famille de cet instrument noble, luth turc, baroque et autres qu'il aurait apportés de ses multiples voyages en Orient et en Europe. » (Libération, Casablanca, 25 décembre 2001)

Wednesday, 31 October 2007

Orillas - Juan Carmona

Album : Orillas

Artists :

Guitares : Juan Carmons
Chant flamenco : Montse Cortes, Potito
Jose de la Negreta, Luisa Muñoz
Danse / Tacon : Antonio Canales
Basse /Mandole : Carles Benavent
Flûte : Jorge Pardo
Percussions : Abdel Khotba
Cajon: Piraña
Palmas : Chicharito Gregorio, Chelo
Guito, Juañares, Juan de Juan
Chant Gnawa : Abelmjid Bekkas
Luth : Saïd Chraïbi
Neyl : Rachid Zaroual
Zarb : Bijane Chemirani

Melodies :

1.Ronda
2.Noche
3.Esperando
4.Marrakech
5.Juncales
6.II Han
7.Soleá Mora
8.Tú vives en mí
9.De Casablanca a Granada


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