Showing posts with label Shiki. Show all posts
Showing posts with label Shiki. Show all posts

Saturday, February 15, 2020

Carpe Diem Weekend Meditation #116 Renga With ... waiting for the full moon


!! Open for your submissions next Sunday February 16th at 7:00 PM (CET) !!

Dear Haijin, visitors and travelers,

Welcome at a new Weekend Meditation episode. This weekend I love to challenge you to create a Renga With ... That beautiful feature in which you have the opportunity to create haiku with known and unknown haiku masters.

This weekend I love to challenge you to create a renga with the so called "big five" (Basho, Issa, Buson, Chiyo-Ni and Shiki). And, how immodest, one of my own haiku.

Here are the six haiku to work with:

the autumn wind:
thickets and fields also,
Fuha Barrier

© Basho

a dandelion
now and then interrupting
the butterfly's dream

© Chiyo-Ni



the thunderstorm having cleared up
the evening sun shines on a tree
where a cicada is chirping 

© Shiki

simply trust:
do not also the petals flutter down,
just like that?

© Issa

in nooks and corners
cold remains:
flowers of the plum

© Buson



ancient warriors ghosts
mists over the foreign highlands -
waiting for the full moon

© Chèvrefeuille

Six nice haiku I think. Now it's up to you to create a renga with them by adding your two-lined stanza of approx. 7-7 syllables. You can choose your own "line-up". Enjoy this Renga challenge and have a wonderful weekend.

This weekend meditation is open for your submissions next Sunday, February 16th at 7:00 PM (CET) and will remain open until February 23rd at noon (CET). Enjoy!


Friday, January 17, 2020

Carpe Diem Weekend Meditation #112 Transformation ... sketching from life (Shiki's Shasei technique)


!! Open for your submissions next Sunday, January 19th at 7:00 PM (CEST) !!

Dear Haijin, visitors and travelers,

Welcome at a new Weekend Meditation here at our wonderful Haiku Kai, the place to be if you like to create Japanese poetry and share it with the world.

Maybe you remember that new feature I introduced a while ago "Carpe Diem Transformation" in which I challenge you to "re-build" a given haiku into a tanka. In the first episode of this feature I challenged you to "re-build" a famous haiku by Chiyo-Ni (that episode you can find HERE).

And for this weekend meditation I have chosen a haiku by that other famous haiku master, Masaoka Shiki. In this episode I love to challenge you to re-create a haiku by Shiki into a Tanka. Maybe you can remember that Shiki has a certain haiku writing technique named "shasei". Let me introduce this technique again here.

Japanese Stamp with an image of Shiki

Shasei

The word "shasei" has not yet been invented at the time of Basho, but the idea was there according to what Basho tells his disciples:

[...] Matsuo Basho advises his disciples: “Learn from the Pine!”To do that you must leave behind you all subjective prejudice. Otherwise you will force your own self onto the object and can learn nothing from it. Your poem will well-up of its own accord when you and the object become one, when you dive deep enough into the object, to discover something of its hidden glimmer. [...]

Here is an example of this Shasei technique:

Come spring as of old.
When such revenues of rice.
Braced this castle town!

© Masaoka Shiki

It's a good example of the shasei technique. What is the Shasei technique? Let me try to explain that to you all with the help of Jane Reichhold.

Sketches of Life, Tree of Life (image found on Pinterest)

Though this technique is often given Shiki's term Shasei (sketch from life) or Shajitsu (reality), it has been in use since the beginning of poetry in the Orient. The poetic principle is "to depict the thing just as it is". The reason Shiki took it up as a poetical cause, and this made it famous,  was his own rebellion against the many other techniques used in haiku. Shiki was, by nature it seemed, against whatever was the status quo - a true rebel. If older poets had overused any idea or method, it was his personal goal to point this out and suggest something else. This was followed until someone else got tired of it and suggested something new. This seems to be the way poetry styles go in and out of fashion.

Thus, Shiki hated associations, contrasts, comparisons, wordplays, puns, and riddles - all the things we are cherishing here! He favored the quiet simplicity of just stating what he saw without anything else happening in the haiku. He found the greatest beauty in the common sight, simply reported exactly as it was seen, and ninety-nine percent of his haiku written in his style. Many people still feel he was right. There are some moments that are perhaps best said as simply as possible in his way. Yet, Shiki himself realized in 1893, after writing very many haiku in this style, that used too much, even his new idea could become lackluster. So the method is an answer, but never the complete answer of how to write a haiku.

Eggplant

I hope you can relate to this Shasei technique and can work with it. This weekend I love to challenge you to re-create a haiku (in Shasei style) by Shiki into a Tanka. Here is the haiku to work with:

kaboocha yori nasu muzukashiki shasei kana

Sketching from life —
eggplants are harder to do
than pumpkins

© Masaoka Shiki (Tr. Burton Watson)

A challenging task for you this weekend. I am looking forward to all of your wonderful "transformed haiku". Have a great weekend!

This weekend meditation is open for your submissions next Sunday January 19th at 7:00 PM (CET) and will remain open until January 26th at noon (CET). 


Tuesday, January 14, 2020

Carpe Diem's Tan Renga Wednesday (9) I ate a persimmon


Dear Haijin, visitors and travelers,

Welcome at a new Tan Renga Wednesday, that special feature in which I challenge you to complete a Tan Renga by adding your second stanza of two lines with approx. 7-7 syllables.

This week I have a nice haiku by Shiki to create a Tan Renga with, but let me first tell you a little about Shiki.

Masaoka Shiki (1867-1902) put effort into poetry activities to bring about innovation in the haiku from the Edo period. In the seven years of his later years, he kept making haiku while suffering from tuberculosis.

In 1867, Masaoka Shiki was born in Iyo Province (today’s Ehime Prefecture). He was a son of the lower-class samurai who died 40 years old in 1872. With the support of his mother, he entered the Iyo clan school Jobankai. He began to learn haiku when he was 18. But Shiki got the illness which he suffered from ever since. Tuberculosis was fatal disease at that time and 21 years young haiku poet vomited blood for the first time. Shiki (子規, hototogisu) means little cuckoo in Japanese. He named own pen name after the bird because a little cuckoo was described as a bird sing so much that it vomit blood.

He entered Tokyo Imperial University (today’s Tokyo University) in 1900 and gave the lessons of haiku for Kawahigashi Hekigoto (1873-1937) and Takahama Kyoshi (1874-1959). Shiki gave up to graduate from Tokyo Imperial University and started to work at Nippon Shinbun Newspaper. While working as a journalist, he continued to publish haiku poems. During the Sino‐Japanese War (1894‐95) he went to the front. But that made worse of tuberculosis and Shiki went home. He had been in ill bed and suffered in his later years but he composed the jolly and creative haiku poems.

Horyuji Temple Nara (woodblock print)

When I ate a persimmon
The bell rung
The Horyuji temple


© Shiki

Can you create a Tan Renga with this beauty by Shiki?

This Tan Renga Wednesday is NOW OPEN for your submissions and will remain open until January 21st at noon (CEST). I will try to publish our new episode later on.


Carpe Diem #1797 New Beginnings ... First Snow


Dear Haijin, visitors and travelers,

First my excuses for not publishing yesterday. I had some trouble with my PC, but now it has been made, so today I will publish two episodes. This (belated) episode will be short. I will give you only the prompt and a few examples of haiku created by several haiku poets.

Today's prompt is "First Snow", it's a classical kigo for Winter and that means you have to try to create a classical haiku or tanka following the rules as I think you all will known.

The first snow
That the young Hijiri-monk has
The color of the wooden box.

© Basho

Another one by Basho:

The first snow,
When is the pillar set up
For the Great Buddha?





snow's falling!
I see it through a hole
in the shutter...

© Shiki

Well ... it's up to you now to create a haiku or tanka (classical way) themed "first snow".

Here is mine:

a cold moonlit night
just the sound of fresh fallen snow -
wandering over the moors

© Chèvrefeuille

This episode is NOW OPEN for your submissions and will remain open until January 20th at noon (CEST). I will publish our new Tan Renga Wednesday episode later today. For now ... have fun!


Sunday, January 5, 2020

Carpe Diem #1792 New Beginnings ... New Year's Day


Dear Haijin, visitors and travelers,

First ... HAPPY NEW YEAR ... to you all. Let us make this a wonderful year full of love, beauty and inspiration. This month is themed "New Beginnings" and that's what this year will bring us all I hope.

As I told you several days ago my mother has been institutionalized in a nursing home for the elderly people. She has peace with it, but ofcourse it's not easy to cope with this new beginning for her and for me. Time will bring us healing for this ...

The theme for this month is New Beginnings and today we start with ... New Year's Day ... Our classical haiku masters wrote a lot of haiku about New Year's Day ... here are a few examples:

New Year’s Day
dawns clear, and sparrows
tell their tales

© Ransetsu
Japanese Crane

it’s play for the cranes
flying up to the clouds
the year’s first sunrise …

© Chiyo-ni

the first dream of the year —
I keep it a secret
and smile to myself

© Sho-u

New Year’s Day–
everything is in blossom!
I feel about average.

© Issa

Year after year
on the monkey’s face
a monkey’s face


© Basho

Japanese Calendar (Wikipedia)

The old calendar
fills me with gratitude
like a song


© Buson

New Year comes,
and I become poorer
than before


© Shiki (never published and recovered in August 2018)




All wonderful haiku on New Year's Day. In Haiku philosophy we count five seasons and the first season is New Year, it's roughly the period of December 15th and January 15th. So I challenge you to create a classical haiku themed New Year, to celebrate the new year.

Here is mine:

New Year's eve --
through the bare branches
the wind as always

© Chèvrefeuille

This episode is NOW OPEN for your submissions and will remain open until January 12th at noon (CEST). I will try to publish our new episode later on. For now ... have fun!


Friday, December 6, 2019

Carpe Diem Extra December 6th 2019 ... CDHK on hold


Dear Haijin, visitors and travelers,

I feel the urge to tell you how it's going here in The Netherlands. As you all have noticed the last weeks I am not publishing on time or sometimes not at all. I love to explain why. As I told you in one of my earlier posts my mother is diagnosed with vascular dementia. The last weeks her dementia is very progressive. She looses the hold on her life and brings her own safety in danger. I am the only one left, next to my mother, of our family, so I am almost on a daily base at my mother's home.
She is really loosing the hold on our life and needs almost 24/7 care, but at the moment there is no place in the nursing homes for the elderly.
You all will understand that the care for my mother takes all my time and that makes me sad, because you all are in a way my family and I just want to give you all the attention you deserve. That's not possible at the moment. I am exhausted and running towards a nervous breakdown.
So I have decided to take some time off. Ofcourse with pain in my heart, but I cannot cope in a good way with the progressive dementia of my mother ... I hope you all will understand my decision.

I hope to be back as your host in a few weeks, because I really love CDHK and I love to do our traditional "Seven Days Before Christmas" feature ...


it dribbles tears

The man
I used to meet in the mirror
is no more.
Now I see a wasted face.
It dribbles tears.

© Masaoka Shiki

This Tanka by Shiki, gives you an idea how I am feeling right now.

Namasté,

Chèvrefeuille, your host


Tuesday, April 2, 2019

Carpe Diem #1639 blossom haze (hanagumori)


Dear Haijin, visitors and travelers,

Spring ... my favorite season (next to autumn). I love spring and I am always glad to see the first signals od spring. For example: first cherry blossom and snowdrops. Yes spring ... nature leaves its hibernation state and comes alive again.

This month we are exploring the classical and non-classical kigo (seasonwords) for spring and today I have a wonderful classical kigo for you to work with. Today our classical kigo is blossom haze (hanagumori). I will try to explain the meaning of this kigo.

A clouded sky during the Cherry blossom season, blossom haze, is "hanagumori", only in this season used as a kigo for late spring and never used for other flowers in haze or clouds. (Source: Gabi Greve's World Kigo Database)

An example by Shiki:

hanagumori miyako so sumi no Asukayama

blossom haze -
in a corner of the capital
is Asukayama 

© Masaoka Shiki

And another one, more of modern times, by Ayabe Jinki (1929-2015)

tenpura ni kagiru sakana ya hanagumori

this fish is best
as Tempura . . .
cherry blossom haze 

© Ayabe Jinki

blossom haze (hanagumori)

Of course I have given it a try to create a haiku with this classical kigo about blossom haze:

against dark clouds
more fragile than they aready are
cherry blossoms


© Chèvrefeuille

And I found a few other haiku on blossom haze in my archive:

blossom haze -
walking in the middle
of falling petals

Ah! those cherries
have to let go their blossoms -
blossom haze

© Chèvrefeuille (2013)

All beautiful haiku on blossom haze. I hope I inspired you with this new episode on blossom haze, a classical kigo for spring.

This episode is NOW OPEN and will remain open until April 9th at noon (CEST). I will try to publish our new episode later on.


Carpe Diem #1638 (delayed post) tranquil (nodoka)


Dear Haijin, visitors and travelers,

Welcome at a delayed episode of our Spring kigo month, April 2019. I had a busy evening shift so I hadn't time to create a new episode on time. So my excuses for that.

This month we are exploring modern and classical kigo for spring and today I have a classical kigo for you, tranquil (nodoka). Spring has started and I enjoy this season with an intensity I cannot describe. I like seeing how nature comes alive again, but what I love the most is the tranquility of an early spring morning. The sun is slowly rising, birds praising their Creaor and slowly but certain the tranquility fades away. The world comes alive again after a tranquil night.

tranquility
the first torii (*) in the middle
of the barley field

© Shiki

(*) A Torii is the sacred archway of a Shinto shrine. Every Shinto shrine had three of these Torii, which weren't direct in front of the shrine, but quite in a distant. This Torii in Shiki's haiku was the first and stood in the middle of a barley field. It's a wonderful imagery of the tranquility of Spring.




tranquility -
finally I have found peace,
blossoms have fallen

© Koyu-Ni (Tr. Chèvrefeuille)

[...] Koyu-Ni died in 1782, her family name was Matsumato. She is one of the more prominent woman poets of the Edo period. She learned haiku from Songi the First. [...]

Well ... I hope I have inspired you.

This episode is NOW OPEN for your submissions and will reamin open until April 8th at noon (CEST). I will try to publish our new episode later on. For now ... have fun!


Friday, March 15, 2019

Carpe Diem Weekend Meditation #76 Renga With ... the Big Five


!! Open for your submissions next Sunday March 17th at 7:00 PM (CET) !!

Dear Haijin, visitors and travelers,

Time flies when you have fun they say, but time flies really fast. It's again time for a new weekend meditation and after that first Light Retreat, started today, I have another challenge for you. As you all know in my opinion there were five great haiku poets, or as I call them "The Big Five". Maybe you know which haiku poets I mean with the big five?

Yes ... I knew you all would know it. The "big five" are Basho, Issa, Buson, Shiki and Chiyo-Ni. This weekend I love to challenge you with a new episode of "Renga With ..." This weekend that will be a Renga With ... The Big Five.


I have chosen a two haiku by Basho and of the other four I have chosen one haiku. It's up to you to create a renga with those haiku. You can choose your own "line-up" and I hope you will try to "close" the chain by a ageku (closing verse) that refers back to the hokku (starting verse).

Here are the haiku to work with:

wisteria beans
let's make that a theme for haikai
a flower fruit 

how glorious
young green leaves
flash in the sun

© Basho (Tr. Jane Reichhold)

garden butterfly
as the baby crawls, it flies―
crawls close, flutters on

© Issa

Plum Blossom

in nooks and corners
cold remains:
flowers of the plum

© Yosa Buson (tr. RH Blyth)

the wild geese take flight
low along the railroad tracks
in the moonlit night

© Masaoka Shiki

the flowering branch of the plum
gives its scent
to him who broke it off

© Chiyo-Ni

A wonderful range of haiku by these five haiku poets and you, my dear haijin, can enjoy the opportunity to create a renga with these five great haiku poets by adding your two-lined stanza.

I hope you all will have a wonderful weekend with a lot of inspiration. I am looking forward to your renga with the big five.

This weekend meditation is open for your submissions next Sunday March 17th at 7:00 PM (CET) and will remain open until March 24th at noon (CET). Have a wonderful weekend.


Tuesday, January 29, 2019

Carpe Diem #1595 hawk (taka)


Dear Haijin, visitors and travelers,

Welcome at the penultimate episode of January 2019. This month we were exploring seasonwords for winter. Seasonwords (or kigo) are words that can be used to place a time-frame into your haiku (or tanka). Seasonwords, as the name already says are words that point to a specific season. In classical Japan there were five seasons, New Year, Spring, Summer, Autumn and Winter. That classical tradition is still in use nowadays, but as you all know New Year season is only something of Japan and few other countries in that same region.

As we talk about classical haiku than the use of a kigo (seasonword) is one of the classical rules next to the 5-7-5 syllables-structure, a cuttingword (kireji), a moment as short as the sound of a pebble thrown into water, a deeper meaning (mostly spiritual or Buddhistic) and the interchangeable first and third line. Back in our rich CDHK history we saw several other classical rules, but the ones I mentioned are the most known and common in use.

Today I have a classical kigo for you to work with. It's taken from the section Winter subsection Animals of the Shiki classical saijiki. So today you have to create haiku with "hawk (taka)".

Hawk (Taka)
What a majestic bird this is and what a wonderful spiritual meaning this Hawk has. The hawk symbolizes the ability to use intuition and higher vision in order to complete tasks or make important decisions. ... Hawks represent the messengers of the spirit world, so seeing them definitely means the universe wants you to learn powerful lessons or expand your knowledge and wisdom.

Here is an example of a haiku by Masaoka Shiki with this kigo and a few more other haiku:

toward those short trees
we saw a hawk descending
on a day in spring.

© Masaoka Shiki

by a singular stroke
of luck, I saw a solitary hawk circling
above the promontory of Irago.

© Matsuo Basho

between bare branches
high above the white world
hawks looking for prey

messenger of heaven
circling high above my head -
re-thinking my life

© Chèvrefeuille

Well ... I think Hawk can give you a lot of inspiration and I am looking forward to all your responses. By the way that brings me to the following. As you have noticed I am not commenting a lot, my excuses for that, because I am far behind with commenting and I hope, I really hope to catch up a.s.a.p.

This episode is open for your submissions tonight at 7:00 PM (CET) and will remain open until February 6th at noon (CET). I will try to publish our last episode of this month later on. For now ... have fun!


Sunday, November 18, 2018

Carpe Diem #1547 Renga With ... the big five haiku poets


Dear Haijin, visitors and travelers,

I hope you all will have a wonderful weekend in which you could relax, meditate and contemplate. I had a nice weekend myself and the weather was great. I ran into a gorgeous tree in all its autumn beauty ... and I love toshare that image here with you:

Amber Tree (© Chèvrefeuille)
Look at that beauty ... it's a feast for my eyes and I had never seen it. All those different colors on the same tree wow!

Okay back to today's episode. Today I love to challenge you (again) to create a renga together with the "big five", Basho, Chiyo-Ni, Issa, Buson and Shiki. Here are the haiku to use in a line-up of your own choice. You have to add your two lined stanza (approx. 7-7 syllables) to make the renga a story about autumn.

it is seen
in the papier-maché cat
the morning of autumn

© Basho

along this road
goes no one
this autumn eve

© Basho

when I go out of the gate
I also am a traveller
in the autumn evening

© Buson

autumn's bright moon
however far I walked, still afar off
in an unknown sky

© Chiyo-Ni

two houses!
two houses making rice-cakes:
autumn rain

© Issa

Small Wooden Drum (source unknown)

with the autumn tempest
the small drum
falls from its shelf

© Shiki

A nice series of haiku I would say. Enjoy this challenge and the opportunity to create a renga with the five renown haiku poets.

This episode is NOW OPEN for your submissions and will remain open until November 25th at noon (CET). Have fun!


Friday, November 2, 2018

Carpe Diem Weekend Meditation #57 Renga With ... six haiku poets



!! Open for your submissions next Sunday November 4th at 7:00 PM (CET) !!

Dear Haijin, visitors and travelers,

Welcome at a new weekend-meditation our feature that gives you the opportunity to meditate and contemplate before you submit your work. Let me give you a small update first. As you all know the hospital where I am working has ran into bankruptcy so I am unemployed at the moment. Of course my colleagues and I are hoping that the hospital will be re-opened and it looks positive at the moment. There are a few investors who would like to take over, but right at the moment it's not clear which one will get "the bone". So I have a few appointments for a new job. One of those interviews I have had yesterday (Thursday November 1st) and I am glad that interview was succesful. I have already my contract for that new job, but I have still a few interviews to do, so I haven't yet signed it. Why didn't I sign? Well ... it's just for a few months. Of course that's better than nothing, but I am looking for a longtime commitment.


For this weekend meditation I have cjosen to challenge you to create a Renga With ... not with one other haiku poet, but with six different haiku poets. So this weekend you can make a renga with the following haiku poets: Basho, Issa, Chiyo-Ni, Buson, Shiki and Jane Reichhold. Of course you may choose your own line-up. Your task is to add the two-lined stanza between the haiku through association on the scene(s) in the haiku.

Here are the six haiku to work with:

all my years
floating in the river
a childish heart


© Jane Reichhold (taken from our tribute e-book "All My Years")

a flash of lightning:
the screech of a night-heron
flying in the darkness


© Basho

the coolness
of the sound of water at night,
falling back into the well


© Issa

autumn's bright moon,
however far I walked, still afar off
in an unknown sky


© Chiyo-Ni

autumn's bright moon

pressing sushi;
after a while,
a feeling of loneliness

© Buson

at the gate of a deserted house,
a cicada is crying in the rays
of the evening sun


© Shiki

What an awesome challenge this is ... creating a renga with all those wonderful and renown haiku poets. I hope you will enjoy this wonderful task. By the way ... try to create a "closed chain" with an ageku that connects with the hokku.

This weekend-meditation is open for your submissions next Sunday November 4th at 7:00 PM (CET) and will remain open until November 11th at noon (CET). Enjoy your weekend.


Friday, October 26, 2018

Carpe Diem Weekend Meditation #56 Crossroads


!! Open for your submissions next Sunday October 28th at 7:00 PM (CET) !!

Dear Haijin, visitors and travelers,

What a week I have had, but I am so glad that the weekend is coming, because it gives me the possibility to find my peace again. Thank you all for your warmhearted words.

This weekend I love to challenge you to create a "fusion" haiku from two given haiku. So this weekend meditation it's a Crossroads episode. Maybe you know that at the FB-page "The Haiku Pond Academy" has a contest to create a "fusion" haiku and it's still open for submissions.

Okay ... back to our weekend meditation ... a Crossroads challenge. For this challenge I have chosen four haiku, so in a way this is a Crossroads "hineri" (with a twist). You can choose your two haiku to use or you may choose all the four haiku to use. I have chosen four haiku, one haiku by Basho, one by Issa, one by Buson and one by Shiki. Tough challenge I think to fuse haiku from two different haiku poets.


Here are the four haiku I have chosen:

a strange flower
for birds and butterflies
the autumn sky 

© Basho

the pheasant cries
as if it just noticed
the mountain

© Issa

Pheasant
the winter river;
down it come floating
flowers offered to Buddha 

© Buson

just outside the gate 
the road slopes downward 
winter trees 

© Shiki

A wonderful series of beauties I would say. This will be a real challenge, because of the fact that I have given you four haiku by four different haiku poets. But ... for sure I think you can do this.

This weekend meditation is open for your submissions next Sunday October 28th at 7:00 PM (CET). Have fun ... and have an awesome weekend.


Tuesday, October 23, 2018

Carpe Diem #1528 Shasei


Dear Haijin, visitors and travelers,

I hope this will be a nice episode to inspire you. I had a sad day today. Today the hospital were I work as an oncology nurse told its personnel that the hospital is running towards bankruptcy, so the future has become very uncertain today, but ... there is no need to share this sadness with you all and it certainly cannot influence my passion for CDHK, because you all deserve that I inspire you every day.

Maybe you have read our CDHK E-book Haiku Writing Techniques Volume 2, I hope so, because I have taken a chapter from that 2nd volume to inspire you today. Maybe you can remember "shasei", it's a haiku writing technique inventened by Masaoka Shiki. Let me give you an explanation of this haiku writing technique.

A Stormy Sea (painting by Monet, 1884), this is what "shasei" means "the real thing, as you see it".

The word "shasei" has not yet been invented at the time of Basho, but the idea was there according to what Basho tells his disciples:

[...] Matsuo Basho advises his disciples: “Learn from the Pine!”To do that you must leave behind you all subjective prejudice. Otherwise you will force your own self onto the object and can learn nothing from it. Your poem will well-up of its own accord when you and the object become one, when you dive deep enough into the object, to discover something of its hidden glimmer. [...]

An example of "shasei", a haiku by Shiki:

Come spring as of old. 
When such revenues of rice. 
Braced this castle town! 

© Masaoka Shiki

Though this technique is often given Shiki's term Shasei (sketch from life) or Shajitsu (reality), it has been in use since the beginning of poetry in the Orient. The poetic principle is "to depict the thing just as it is". The reason Shiki took it up as a poetical cause, and this made it famous,  was his own rebellion against the many other techniques used in haiku. Shiki was, by nature it seemed, against whatever was the status quo - a true rebel. If older poets had overused any idea or method, it was his personal goal to point this out and suggest something else. This was followed until someone else got tired of it and suggested something new. This seems to be the way poetry styles go in and out of fashion.

Thus, Shiki hated associations, contrasts, comparisons, wordplays, puns, and riddles - all the things we are cherishing here! He favored the quiet simplicity of just stating what he saw without anything else happening in the haiku. He found the greatest beauty in the common sight, simply reported exactly as it was seen, and ninety-nine percent of his haiku written in his style. Many people still feel he was right. There are some moments that are perhaps best said as simply as possible in his way. Yet, Shiki himself realized in 1893, after writing very many haiku in this style, that used too much, even his new idea could become lackluster. So the method is an answer, but never the complete answer of how to write a haiku.

waves (© unknown)

An example of a shasei haiku by Jane Reichhold:

evening
waves come into the cove
one at a time

© Jane Reichhold

In Basho's time shasei wasn't a known word, but this haiku shows what shasei means. Just the real scene caught in a haiku. An example of a shasei haiku by Basho:

ame no hi ya seken no aki o sakai-cho

a rainy day
the autumn world
of a border town

© Basho (Tr. Jane Reichhold)

The play of words, something Shiki hated, comes with sakai ("boundary" or "border") and sakai-cho, the name of the theater district of old Tokyo. Because of its questionable reputation the district was placed at the edge of town.

hazy heath

I think this shasei is a nice Haiku Writing Technique and worth "playing" with. So here is a haiku by myself in which I have used shasei:

at sunrise
wandering over the hazy heath
the cry of an owl

© Chèvrefeuille

Well ... the goal is clear for this episode I think "write a haiku in the shasei style" promoted by Shiki. Have fun!

This episode is NOW OPEN for your submissions and will remain open until October 30th at noon (CET). I will try to publish our new episode later on. For now ... have fun!

More about this "shasei" you can find HERE


Tuesday, September 11, 2018

Carpe Diem Tan Renga Challenge September 2018 Chained Together III (7) grasses wilt


Dear Haijin, visitors and travelers,

First ... my apologies for being this late with publishing our new TRC. I had a very busy evening shift in the hospital.

This month we have our 3rd edition of the TRC-month in which I challenge you to complete a Tan Renga with a given haiku by a classical or non-classical haiku poet. Today I have a nice haiku for you to work with by Seishi.

This haiku I found (again) on the same website as the haiku of yesterday by Patrick Blanche. This haiku is also in a translation by Burch.

Here is the haiku to work with:

grasses wilt:
the braking locomotive
grinds to a halt.

©️ Yamaguchi Seishi, (Tr. Michael R. Burch)

Steamengine on the railroad at Takanawa (woodblockprint by Ikkei)

As I read this haiku by Seishi I immediately thought of that nice haiku by Shiki:

smoke whirls
after the passage of a train.
young foliage.

© Shiki

Two beautiful haiku I would say, but the TRC for today is to create a Tan Renga with the haiku by Seishi, but if you also would like to create a Tan Renga with the haiku by Shiki than feel free to do as you like.

This episode is NOW OPEN for your submissions and will remain open until September 17th at noon (CEST). I will try to publish our new episode later on. For now ... have fun!


Wednesday, May 2, 2018

Carpe Diem Crossroads #8 The First Snow (Kanajo)


Dear Haijin, visitors and travelers,

Welcome at a new episode of our special CDHK feature "Crossroads" in which I challenge you to create a new (fusion) haiku from two given haiku. This week I have chosen for a not so well known female haiku poet, Hasegawa Kanajo(1887-1969). She was a contemporary of Shiki and her husband was one of the editors of Shiki's magazine Hototogisu.

Hasegawa Kanajo
Let me give you a brief biography of her:

She was born near Nihonbashi, in the center of Tokyo. She entered the Mitsui Family in 1903 to learn about proper housekeeping and the virtues of a good wife, but could not continue due to a heart disease. In 1909 she married her private English teacher, the haiku poet, who later was known as Hasegawa Rsishi (1888 - 1928), who was a member of Hototogisu.

She begun to write haiku herself and on request of Takahama Kyoshi joined a Woman's Haiku Group.
Shortly after the death of her husband in 1928 her home in Shinjuku burned down and she moved outside to Urawa town, Saitama, where she died of lung infection at the age of 81.

And here are the two haiku to work with. I think her haiku have wonderful and beautiful fragility:

the first snow
on the Mt. Fuji and the round
cloud flows from there

the sound of rain
the clouds on right-side are
with the summer moon

© Hasegawa Kanajo(1887-1969)

the first snow on Mount Fuji (woodblock print)
clouds move away
first snow on Mount Fuji
reflects moon light

© Chèvrefeuille

Hm ... not a strong "fusion", but I like this haiku inspired on the both haiku by Kanajo. Now it is up to you.

This "Crossroads" episode is NOW OPEN for your submissions and will remain open until May 9th at noon (CEST). Have fun!


Tuesday, November 7, 2017

Carpe Diem #1300 The Rose


Dear Haijin, visitors and travelers,

Today is another day in a wonderful world in which poetry is the leading character. A few minutes ago I stood almost naked in the freezing cold of a late autumn night. We had our first period of frost here in The Netherlands and this morning it was awesome. The sunrise was awesome and blue sky steel like. It was a great morning. And now this same feeling I had as I stood outside my house in the backyard watching the dark blue starry night. It was almost magical, but also a little bit sad, because the amount of city-lights takes away that wonderful sight of a starry night. Sometimes, mostly in this time of year (inbetween two seasons) I climb on my bike and cycle into the surrounding areas of my hometown. Just to see the stars, it is such an awesome sight to see the stars and the Milky Way, without the pollution of city-light. I am in a bit of melancholical mood I think, but I need that sometimes. Just meditate and contemplate about the things that matter ... and to find a little bit peace of mind after a very busy day at work.

Starry Night in Winter (painting by Van Gogh)
This was just to give an idea of the mood I am in, nothing wrong with by the way, nothing wrong with me neither.

Today I have the first of two quatrains by Omar Khayyam from "The Rubaiyat" which (in my opinion) cannot be seen apart, but maybe you think otherwise. The title of this episode I have extracted from the quatrain I use today. It's a beauty I think. Of course I will give you some background too (with a little bit help of wikipedia and bob forrest).

Hyacinth (image found on Pinterest)

Here is the quatrain for today:

I sometimes think that never blows so red
The Rose as where some buried Caesar bled;
That every Hyacinth the Garden wears
Dropt in its Lap from some once lovely Head.

© Omar Kayyam (Tr. FitzGerald)

Background:

A poetic notion that the redness of a Rose is derived from the blood of some slaughtered King (Caesar) who died on the spot where it grows; that every Hyacinth marks the spot where some Beauty died. FitzGerald gives an interesting note on this in his 3rd and 4th editions of "The Rubaiyat":

[...] “Apropos of Omar's Red Roses...I am reminded of an old English Superstition, that our Anemone Pulsatilla, or purple ‘Pasque Flower’ (which grows plentifully about the Fleam Dyke, near Cambridge), grows only where Danish Blood has been spilt.” [...]

In Christian lore, Albertus Magnus wrote of “the rose made red by the blood of Christ in his Passion."  Likewise, St Louis de Montfort, in his devotional book The Secret of the Rosary, talks of the Rose made Red “because the Precious Blood of Our Lord has fallen upon it” (and of its thorns, which prick us to give us “pangs of conscience…in order to cure the illness of sin and to save our souls”!)

Red Rose

Again, the association of the colour red with blood led to the red rose becoming a symbol of martyrdom, the white rose, in contrast becoming a symbol of purity.
Both blood and fire enter into two different folktales of how the robin got its red breast, as Christina Hole tells us:

“The robin and the wren are both connected with fire, and an old legend tells how the wren braved the dangers of Hell to bring fire to mankind. He returned in flames, and the robin wrapped himself around the burning bird and so scorched himself that his breast has remained red ever since. Another story says the robin got his crimson breast by trying to draw a thorn from the Crown of Thorns; a drop of Our Lord’s blood fell on him and dyed his breast feathers for ever.”

In this explanation I also find a kind of reference to Shiki (1867-1902). Shiki suffered from tuberculosis (TB) much of his life. In 1888 or 1889 he began coughing up blood and soon he adopted the pen-name Shiki from the Japanese hototogisu, which is a word usually translated as cuckoo. It is a Japanese conceit that this bird coughs blood as it sings, which explains why the name "Shiki" was adopted.

Awesome ...

How to catch this in a haiku or tanka? It was really an ordeal to come up with my response, but I have given it a try:

red roses
all that remains
after the storm
between the walls
and my heart


© Chèvrefeuille (experimental tanka)

This episode is NOW OPEN for your submissions and will remain open until November 14th at noon (CET). I will try to publish our new episode, the follow up of this quatrain, later on.


Wednesday, July 5, 2017

Carpe Diem #1215 cold sake (hiyazake)


Dear Haijin, visitors and travelers,

Welcome at a new episode of Carpe Diem. This month we are exploring the kigo for summer. Kigo are seasonwords that are used in haiku to point towards the season in which the haiku took place. Today we have a classical kigo as used in ancient Japan. The most kigo were chosen with Edo as the tracking point, because of the long stretched country. Today the classical kigo is hiyazake or cold sake.

Sake is a rice wine and mostly it is served warm, but in the summer, when it is hot, it is served cold.

Hiyazake (cold sake)
Here are a few examples of haiku with this kigo:

Santoka Taneda (1882 - 1940) had an unhappy life which was, since his eleventh year, marked by the suicide of his mother, which she apparently committed because of her cheating husband. Santoka was raised by his grandmother, and whole of his life was marked by constant drinking which left him outside of community, irrespectively of his great poetic talent. He couldn't keep a job and all he was able to do was wandering and writing sad haiku poetry marked by his addiction to sake. The addiction probably killed him in the end.
As you (maybe) know Santoka's haiku have a free form and don't follow the 5-7-5 syllable rule. Santoka thus departs from the traditional haiku, but his poetry can be still classified as haiku, although it does not fit there with regards to form. It does fit in there, however, with regards to the spirit, because it remains faithful to revealing the whole world in a moment, in a single experience - in this, Santoka was a sad master.
Santoka wrote several haiku about or themed sake:
If I sell my rags
And buy some sake
Will there still be loneliness?


So drunk
I slept
with the crickets!
Beneath The River of Heaven
The drunkard dances all night.
sound of waves
far off close by
how much longer to live
© Santoka, (tr. Burton Watson)
Hiyazake
Or this one by Shiki, more for autumn and winter:

samukeredo sake mo ari  yu mo aru tokoro
it is cold, but
we have sake
and the hot spring
© Shiki (1867-1902)
And here is one by myself:
in the light of the full moon
drinking sake with my haiku friends
under cherry blossoms
© Chèvrefeuille (April 2017)

a strange sight
sailors loaded with sake
dance like fools
© Chèvrefeuille (October 2015)
Well ... it is up to you now ...

This episode is open for your submissions tonight at 7.00 PM (CET) and will remain open until July 10th at noon (CET). I will (try to) post our new episode, a new "weekend-meditation" later on. For now .... have fun!