Sprinter Orla Comerford from Raheny, Dublin … spearheading Ireland’s five-member athletics team in the Paralympic Games in Paris later this month
Patrick Comerford
The closing ceremony of the Paris Olympics takes place today, and already many of the Irish medal winners have returned home to great acclaim.
But there is good reason to be proud of all 134 Irish competitors, including Niall Comerford, who played a key role in in Paris earlier as part of the Irish men’s Rugby Sevens.
Ireland’s Olympic heroes are to be honoured at a public homecoming event in Dublin tomorrow (Monday) afternoon, with a civic reception hosted by Dublin City Council at the GPO on O’Connell Street at 12:30. Team Ireland has won seven medals on seven consequtive days, four gold and three bronze, making the Paris games this year the most successful Olympic Games for Ireland ever.
But the Games are not over yet. The Paralympic Games take place in Paris from 28 August to 8 September, and the Winter Olympics take place in Milan in 2026. Indeed, there are many Comerford family members who have Olympic hopes.
Sprinter Orla Comerford from Raheny in Dublin is one of the athletes spearheading Ireland’s five-member athletics team in the Paralympic Games in Paris. The games open in two weeks’ time, on 28 August, and continue until 8 September.
Orla Comerford and 1500 metre runner Greta Streimikyte are both competing in their third Games. They will be joined by Mary Fitzgerald, Shauna Bocquet and Aaron Shorten.
Orla Comerford of Raheny Shamrocks qualified for the first female athletics slot for Ireland last year at the World Para-Athletics Championships in Paris in July 2023, finishing fourth, just 0.06 seconds off the bronze medal in the 100 metres T13 final.
She has gone from strength to strength recently, dipping under 12 seconds for the first time at the National Senior Track and Field Championships when she lowered her personal best to 11.90 in her T13 1500m event.
Orla Comerford was born in Dublin in 1997. She was involved in sports from a young age but always enjoyed athletics more than any other sport. She joined her local athletics club, Raheny Shamrocks, at the age of 7 and has been competing for them ever since. She went to school at Loreto on the Green and has studied Fine Art, Media and education at the National College of Art and Design, despite losing some of her eyesight when she was in the 5th class at school.
Her childhood hero was Usain Bolt, and at the age of 16 she decided to focus solely on athletics. She went on to achieve her dream of running for Ireland, representing her country for the first time in 2016. She competed at the 2016 Paralympic Games in Rio de Janeiro and the 2020 Games in Tokyo in 2021.
Over the last few years, she effectively had to start all over again. Persistent foot and ankle issues meant she had to break down her stride and relearn everything. At one stage, she took eight months off the track to build up her hamstrings.
With no competition, she lost funding, and missed out on the season in 2022. But it was a long-term plan with Paris 2024 in mind, and her goal is now set on competing and being more successful at the games in Paris later this month. She heads to Paris as one of Ireland’s leading track medal hopes.
Mallory Comerford is a professional swimmer who was hoping to compete for the US in the Paris Olympics this year. She was born in 1997 and is a competitive swimmer specialising in freestyle events.
Mallory Comerford from Kalamazoo, Michigan, was the winner of five gold medals at the 2017 World Aquatics Championships (Photograph: Jack Spitser/Spitser Photography)
Mallory Comerford was the winner of five gold medals at the 2017 World Aquatics Championships. She won USA Swimming’s Golden Goggle Award for Breakout Performer of the Year for 2017. The following year, she won eight medals in individual and relay events at the 2018 World Swimming Championships.
She is a member of the Cali Condors swim team, which is part of the International Swimming League.
Mallory Comerford is originally from Kalamazoo, Michigan. She studied at the University of Louisville in Kentucky, where she was a four times NCAA Champion, multiple-time ACC Swimmer of the Year, and Adidas High-Performance Athlete of the Year.
Canadian fencer Shannon Comerford … her parents and grandparents were born in Dublin
Another hopeful Olympic athlete has been the Canadian fencer Shannon Comerford. Her father, Archdeacon Henry Montgomery Comerford of Saskatoon, was born in Dublin in 1954. He retired in 2016, and with his wife Sara continued to run a family business producing honey, Sun River Honey.
Her grandfather, the Revd Philip Henry Comerford (1909-2006), was born in Dublin and worked as a joiner and draftsman with Irish Railways before leaving Ireland to work as a missionary in Paraguay from 1938 to 1948. Philip returned to Ireland in 1948, and in r 1952, he married Maude Montgomery of Shamrock Street, off Blessington Street, in Saint Mary’s Church, Dublin. Their wedding was conducted by the Revd Norman David Emerson, later Dean of Christ Church Cathedral, Dublin (1962-1966).
Philip and Maude Comerford emigrated to Canada in 1961 with their children. After studying at Emmanuel College, Saskatoon, he was ordained in the Anglican Church of Canada. He died in Saskatoon in 2006 and his funeral took Saint John’s Anglican Cathedral, Saskatoon.
Shannon Comerford was raised on her father’s honey farm outside Saskatoon. She is both an athlete and farmer, both demanding maximum efforts. She was also an Olympic hopeful for the Tokyo 2020 Games in 2021. Shannon began fencing when she was 8-years-old following in the footsteps of her brother Aaron. She was part of the Canadian women’s foil team placed sixth at the 2018 World Championships as well as achieving a best world ranking of sixth overall.
At the time, she said, ‘My sport aspirations of competing at the Olympics has always been the number one goal. Since I started fencing, I have always dreamed of competing with the world’s best on the biggest stage. I was part of the qualification process for London 2012 and Rio 2016 and … Tokyo 2020 …’ But life as an athlete and her road to the Olympics has not always been easy. Her journey was disrupted in 2011 when she tore her left knee ACL right before the Olympic qualification.
Shannon came out as gay when she was 19. Her family had always taught love and inclusion. They have always gone to bat for her and have consistently, without fail, been her solid foundation, she says. Although her coming out was no exception to her family’s inclusivity, she still had a world of homophobia and gender-based discrimination in front of her.
‘Homophobia and heteronormativity are everywhere and they (her parents) couldn’t protect me from the world,’ she said. ‘I still struggled with being different. It took me a long time to feel comfortable identifying as gay but it’s the best thing I ever did for myself!’
She says her wife Meghan is ‘incredibly supportive’ and they have an ‘amazing daughter whose love of life astounds me every day. I’d say, yea, the coming out part is hard, but trust me, the family part is all worth it.’
Alpine skier Cormac Comerford from Glenageary … hoping to represent Ireland in skiing at the Winter Olympics in Milan in 2026 (Photograph: Harry Murphy/Sportsfile)
Meanwhile, Cormac Comerford from Glenageary in south Dublin is hoping to represent Ireland in skiing at the Winter Olympics in Milan in 2026. He is one of eight recipients of the Olympic Federation of Ireland’s Milano Cortina 2026 Olympic Scholarships.
The 27-year-old has his eyes firmly set on securing a place at the 2026 Games in Milan-Cortina in the slalom or giant slalom. Cormac Comerford says skiing has been his obsession ever since he first shot down the dry slope in Kilternan as an eight-year-old.
He said: ‘When I first put skis on and felt the rush of going down a hill, there is nothing like it, the adrenaline you get from going down the slopes. Gliding down that hill and catching it edge to edge … There is no feeling like it. It’s like flying. I’ve never experienced it any other way and that’s what drove me to want more.’
Ireland has been sending teams to the Winter Olympics for many years, but it is 22 years since Dublin-born Clifton Wrottesley (Lord Wrottesley) came up one place shy of a medal for Ireland in the skeleton at the Salt Lake City Games in 2002.
Cormac Comerford’s Olympic scholarship means fewer pressures in a sport that costs him €40,000 a year to compete in. This is important for him, as he remembers how hard it was when first started out professionally after starting to study engineering at TU Dublin. His summer work included ‘a lot of sailing instruction and labour on construction sites.’
He says he spent too many of his early years on the circuit sleeping in bus stations and carting a ski bag the weight of his own body to different events and different countries in order to shave pennies off his budget.
It took him six years to qualify for his engineering degree because of the time spent away from home. He could, as he joked himself, be a doctor by now. But scholarships from Trinity, FBD and this latest contribution from the Olympic Federation of Ireland have been critical in allowing him to stay on track and in pursuit of his dream.
He competed in the World Championships in 2017 for first time. He says he is now at his peak, among the top five per cent in the world, 23rd in the World Championships, ‘and hopefully going a lot higher.’
Corman Comerford found that breaking into a sport where Ireland have no tradition was hard, and his achievements were often belittled. ‘I remember watching Shane O’Connor on the TV at the 2010 Olympics in Vancouver and thinking, ‘Imagine if I could do that, how cool would that be?’ So going into Milan-Cortina would be massive for me. To achieve that childhood dream would be the cherry on the cake.’
Niall Comerford … scored a clinching try for Ireland against Japan in Paris (Photograph: RTÉ)
Showing posts with label Olympic Games. Show all posts
Showing posts with label Olympic Games. Show all posts
11 August 2024
27 July 2024
Niall Comerford:
a young rugby player
at the Olympic Games
in Paris this week
Niall Comerford … scored a clinching try against Japan in Paris this week (Photograph: RTÉ)
Patrick Comerford
Last night's opening ceremony for the 2024 Olympics in Paris was beautiful and spectacular choreography, and an imaginative presentation of the Olympic values and principles. Niall Comerford is a young rugby player who played a key role in Ireland’s quest for an Olympic medal in Paris earlier this week as part of the Irish men’s Rugby Sevens. He is currently playing for United Rugby Championship and European Rugby Champions Cup side Leinster, and his preferred position is wing.
The 24-year-old is part of Ireland’s Rugby Sevens Olympic squad, who had their opening games against South Africa and Japan. On Wednesday night – before the games proper began officially – he scored himself a try in the Irish win over Japan, helping secure a quarter-final spot for Ireland.
Niall Comerford’s athletic pedigree is no surprise: his father Philip Comerford is from Co Kilkenny, where he is remembered for his achievements on the hurling field with John Locke’s of Callan. Philip Comerford lives in Kildare and he has been in Paris this week watching his son playing in the biggest sporting event in the world.
Ireland secured place in the quarter-finals of the men’s rugby sevens with wins over South Africa and Japan earlier this week. They were back in action on Thursday (25 July) against top seed New Zealand, when Ireland lost 19-15. Then, later in the day, Ireland faced Fiji in the quarter final, when Fiji came from behind to beat Ireland 19-15 at the Stade de France.
So there were no medal matches for Ireland today; instead Ireland was fighting it out for the minor placings. They have finished higher than the tenth place at Tokyo three years ago but the regrets of what could have been in the fight against Fiji and the battle with New Zealand will linger.
Niall Comerford, who is from Shankill, Co Dublin, was born on 6 April 2000. His first love of sport was in hurling, Gaelic football, and soccer, and one of his first memories is of holding a hurling stick. He played hurling and football with Kilmacud Crokes in his youth, and during his time with Kilmacud Crokes he first met and was coached by Fergal Keys.
He was first introduced to rugby when he entered Blackrock College in 2012. He found it an easy transition, and a good option since Blackrock has no tradition in Gaelic football. He went on to win a Junior Cup at Blackrock in 2016. Over the years, he tried various positions on the team from flanker in first year to winger on the senior cup team.
Leaving Blackrock College in 2019, Niall choose to study Commerce at University College Dublin (UCD), where he received a rugby scholarship, which allowed him to continue playing rugby alongside his studies.
He realised that rugby was more than a hobby and was something he wanted to do long-term. The UCD Ad Astra scholarship provided the student-player with an academic mentor and allowed Niall to split his final year academic load across two years.
During his time at UCD, he joined the Leinster Academy, the next step on his journey with school mates Joe McCarthy and Sean O’Brien and also current 7s squad member Andrew Smith all entering the academy together.
Niall was called to play for the Irish U20s for the first time in the Six Nations 2020, against France. He was thrilled to play for his country, but then Covid hit; it played havoc with everything and in the end the game was cancelled.
With the impact of Covid on all sports during 2020, training had to take place at home. He set up a home gym to stay fit while the Leinster Academy team communicated over Zoom. The Leinster winger made his debut for the Irish Sevens in Vancouver in 2021.
Through the UCD Rugby Club, Niall was put into contact with Ernst & Young (EY), who offered an internship programme for graduates seeking a career in taxation. He joined EY and was able to work on a hybrid basis, balancing rugby and work. However, last December, when the commitment to the rugby 7s training schedule increased, Niall was faced with a decision to playing full-time or not.
In the end, his employers at EY were understanding and effectively allowed him time out to focus on the game with a leave of absence. He has taken a career break to concentrate on the Paris games.
Sevens rugby, often simply called ‘7s’, is a fast-paced variant of rugby in which teams are made up of seven players, playing seven-minute halves, instead of the traditional 15 players playing 40-minute halves in rugby union. There are seven players on the pitch, but 13 squad members travel to each tournament.
It is a quick, high scoring game, and the emphasis is on speed and agility. Players face the same pitch size as the 15s but with fewer players to cover the area.
Niall Comerford is currently playing under head coach James Topping and also credits the support team with the performance of his team. Training is intensive, with the team training four days a week in the high-performance centre in Abbotstown.
The 2024 Olympics opened in Paris last night
Patrick Comerford
Last night's opening ceremony for the 2024 Olympics in Paris was beautiful and spectacular choreography, and an imaginative presentation of the Olympic values and principles. Niall Comerford is a young rugby player who played a key role in Ireland’s quest for an Olympic medal in Paris earlier this week as part of the Irish men’s Rugby Sevens. He is currently playing for United Rugby Championship and European Rugby Champions Cup side Leinster, and his preferred position is wing.
The 24-year-old is part of Ireland’s Rugby Sevens Olympic squad, who had their opening games against South Africa and Japan. On Wednesday night – before the games proper began officially – he scored himself a try in the Irish win over Japan, helping secure a quarter-final spot for Ireland.
Niall Comerford’s athletic pedigree is no surprise: his father Philip Comerford is from Co Kilkenny, where he is remembered for his achievements on the hurling field with John Locke’s of Callan. Philip Comerford lives in Kildare and he has been in Paris this week watching his son playing in the biggest sporting event in the world.
Ireland secured place in the quarter-finals of the men’s rugby sevens with wins over South Africa and Japan earlier this week. They were back in action on Thursday (25 July) against top seed New Zealand, when Ireland lost 19-15. Then, later in the day, Ireland faced Fiji in the quarter final, when Fiji came from behind to beat Ireland 19-15 at the Stade de France.
So there were no medal matches for Ireland today; instead Ireland was fighting it out for the minor placings. They have finished higher than the tenth place at Tokyo three years ago but the regrets of what could have been in the fight against Fiji and the battle with New Zealand will linger.
Niall Comerford, who is from Shankill, Co Dublin, was born on 6 April 2000. His first love of sport was in hurling, Gaelic football, and soccer, and one of his first memories is of holding a hurling stick. He played hurling and football with Kilmacud Crokes in his youth, and during his time with Kilmacud Crokes he first met and was coached by Fergal Keys.
He was first introduced to rugby when he entered Blackrock College in 2012. He found it an easy transition, and a good option since Blackrock has no tradition in Gaelic football. He went on to win a Junior Cup at Blackrock in 2016. Over the years, he tried various positions on the team from flanker in first year to winger on the senior cup team.
Leaving Blackrock College in 2019, Niall choose to study Commerce at University College Dublin (UCD), where he received a rugby scholarship, which allowed him to continue playing rugby alongside his studies.
He realised that rugby was more than a hobby and was something he wanted to do long-term. The UCD Ad Astra scholarship provided the student-player with an academic mentor and allowed Niall to split his final year academic load across two years.
During his time at UCD, he joined the Leinster Academy, the next step on his journey with school mates Joe McCarthy and Sean O’Brien and also current 7s squad member Andrew Smith all entering the academy together.
Niall was called to play for the Irish U20s for the first time in the Six Nations 2020, against France. He was thrilled to play for his country, but then Covid hit; it played havoc with everything and in the end the game was cancelled.
With the impact of Covid on all sports during 2020, training had to take place at home. He set up a home gym to stay fit while the Leinster Academy team communicated over Zoom. The Leinster winger made his debut for the Irish Sevens in Vancouver in 2021.
Through the UCD Rugby Club, Niall was put into contact with Ernst & Young (EY), who offered an internship programme for graduates seeking a career in taxation. He joined EY and was able to work on a hybrid basis, balancing rugby and work. However, last December, when the commitment to the rugby 7s training schedule increased, Niall was faced with a decision to playing full-time or not.
In the end, his employers at EY were understanding and effectively allowed him time out to focus on the game with a leave of absence. He has taken a career break to concentrate on the Paris games.
Sevens rugby, often simply called ‘7s’, is a fast-paced variant of rugby in which teams are made up of seven players, playing seven-minute halves, instead of the traditional 15 players playing 40-minute halves in rugby union. There are seven players on the pitch, but 13 squad members travel to each tournament.
It is a quick, high scoring game, and the emphasis is on speed and agility. Players face the same pitch size as the 15s but with fewer players to cover the area.
Niall Comerford is currently playing under head coach James Topping and also credits the support team with the performance of his team. Training is intensive, with the team training four days a week in the high-performance centre in Abbotstown.
The 2024 Olympics opened in Paris last night
Daily prayer in Ordinary Time 2024:
79, Saturday 27 July 2024
‘The kingdom of heaven may be compared to someone who sowed good seed in his field’ (Matthew 13: 24) … a field of green and gold near Bedford this week (Photograph: Patrick Comerford, 2024)
Patrick Comerford
We are continuing in Ordinary Time in the Church and tomorrow is the Ninth Sunday after Trinity (Trinity IX). Today, the Calendar of the Church of England in Common Worship remembers the life and ministry of Brooke Foss Westcott (1901), Bishop of Durham, Teacher of the Faith (27 July).
Before today begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:
1, today’s Gospel reading;
2, a reflection on the Gospel reading;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘Gather the wheat into my barn’ (Matthew 13: 30) … a barn on a farm at Cross in Hand Lane, outside Lichfield (Photograph: Patrick Comerford)
Matthew 13: 24-30 (NRSVA):
24 He put before them another parable: ‘The kingdom of heaven may be compared to someone who sowed good seed in his field; 25 but while everybody was asleep, an enemy came and sowed weeds among the wheat, and then went away. 26 So when the plants came up and bore grain, then the weeds appeared as well. 27 And the slaves of the householder came and said to him, “Master, did you not sow good seed in your field? Where, then, did these weeds come from?” 28 He answered, “An enemy has done this.” The slaves said to him, “Then do you want us to go and gather them?” 29 But he replied, “No; for in gathering the weeds you would uproot the wheat along with them. 30 Let both of them grow together until the harvest; and at harvest time I will tell the reapers, Collect the weeds first and bind them in bundles to be burned, but gather the wheat into my barn”.’
‘The kingdom of heaven may be compared to someone who sowed good seed in his field’ (Matthew 13: 24) … fields of green and gold near Cambridge (Photograph: Patrick Comerford, 2024)
This morning’s reflection:
I spent much of last night watching the spectacular, breath-taking and inspiring opening ceremony for the Paris Olympics on television.
Throughout the ceremony, there was an emphasis on tolerance, diversity and peace, and on the three Olympic values of excellence, respect and friendship. They constitute the foundation on which the Olympic movement builds its activities to promote sport, culture and education with a view to building a better world.
The original values of Olympic movement are expressed in the Olympic Charter as encouraging effort, preserving human dignity and develop harmony. But does the Church always manage to cherish tolerance, diversity and peace, or to excellence, respect and friendship?
Or do we concentrate too much on our divisions, seeking perfection within the church at the expense of respect, tolerance, diversity, understanding and love?
These are questions I am challenged to ask as I read this morning’s Gospel passage.
In this Gospel reading, Christ speaks by the lake first to the crowd, telling them the parable of the wheat and the weeds (verse 24-30). The word that we have traditionally translated as tares or weeds (verses 25, 26, 27, 29, 30, 36, 38, 40) is the Greek word ζιζάνια (zizania), a type of wild rice grass, although Saint Matthew is probably referring to a type of darnel or noxious weed. It looks like wheat until the plants mature and the ears open, and the seeds are a strong soporific poison.
In the verses that follow, Christ then withdraws into a house, and has a private conversation with the Disciples (verses 36-43), in which he explains he is the sower (verse 37), the good seed is not the Word, but the Children of the Kingdom (verse 38), the weeds are the ‘Children of the Evil One’ (verse 38), and the field is the world (verse 38).
The harvest is not gathered by the disciples or the children of the kingdom, but by angels sent by the Son of Man (verses 39, 41).
It is an apocalyptic image, describing poetically and dramatically a future cataclysm, and not an image to describe what should be happening today.
It is imagery that draws on the apocalyptic images in the Book of Daniel, where the three young men who are faithful to God are tried in the fires of the furnace, yet come out alive, stronger and firmer in their faith (see Daniel 3: 1-10).
The slaves or δοῦλοι (douloi), the people who want to separate the darnel from the wheat (verse 27-28), are the disciples: Saint Paul introduces himself in his letters with phrases like Παῦλος δοῦλος Χριστοῦ Ἰησοῦ (Paul, a doulos or slave, or servant of Jesus Christ), (see Romans 1: 1, Philippians 1: 1, Titus 1: 1), and the same word is used by James (see James 1: 1), Peter (see II Peter 1: 1) and Jude (see Jude 1), to introduce themselves in their letters.
In the Book of Revelation, this word is used to describe the Disciples and the Church (see Revelation 1: 1; 22: 3). In other words, the Apostolic writers see themselves as slaves in the field, working at Christ’s command in the world.
This is one of eight parables about the last judgment found only in Saint Matthew’s Gospel, and six of the seven New Testament uses of the phrase ‘weeping and gnashing of teeth’ (ὁ κλαυθμὸς καὶ ὁ βρυγμὸς τῶν ὀδόντων) occur in this Gospel (Matthew 8: 12; 13: 42; 13: 50; 22: 13; 24: 51; and 25: 30; see also Luke 13: 28).
When it comes to explaining the parable to the disciples in the second part of our verses that follow this reading (verses 36-43), the references to the slaves in the first part (verses 27-28) are no longer there. It is not that the slaves have disappeared – Christ is speaking directly to those who would want to uproot the tares but who would find themselves uprooting the wheat too.
The weeding of the field is God’s job, not ours. The reapers, not the slaves, will gather in both the weeds and the wheat, the weeds first and then the wheat (verse 30).
Farmers are baling the hay and taking in the harvest in many places already. In the coming weeks, many farmers will be seen burning off the stubble on their fields to prepare the soil for autumn sowing and the planting of new crops. In this sense, the farmer understands burning as purification and preparation – it is not as harsh as city dwellers think.
It is not for us to decide who is in and who is out in Christ’s field, in the kingdom of God. That is Christ’s task alone.
Christ gently cautions the Disciples against rash decisions about who is in and who is out. Gently, he lets them see that the tares are not damaging the growth of the wheat, they just grow alongside it and amidst it.
But so often we decide to assume God’s role. We do it constantly in society, and we do it constantly in the Church, deciding who should be in and who should be out.
The harvest comes at the end of time, not now, and I should not hasten it even if the reapers seem to tarry.
The weeds we identify and want to uproot may turn out to be wheat; what we presume to be wheat because it looks like us may turn out to be weeds.
We assume the role of the reapers every time we decide we would be better off without someone in our society or in the Church because we disagree with them about issues like sexuality, women bishops and priests, and other issues that we mistake for core values.
The core values, as Christ himself explains, again and again, are loving God and loving others.
It is not without good reason that the Patristic writers warn that schism is worse than heresy (see Saint John Chrysostom, Patrologia Græca, vol. lxii, col. 87, On Ephesians, Homily 11, §5). We do not need to demythologise this reading. Christ leaves that to the future. This morning we are called to grow and not to worry about the tares. That growth must always emphasise love first.
When some members of the Church have sought to ‘out’ or ‘throw out’ people because of their sexuality, they have caused immense personal tragedy for individuals and their families and friends – weeping and gnashing of teeth indeed.
How painful it is that recent wars waged in the name of democracy and freedom have eventually violated the basic concepts of human rights and dignity. In recent decades, across the word, we have seen murdered innocent children murdered while playing on a beach, innocent women and children murdered in their homes, in hospitals, in schools and at weddings. There have been disturbing rises in antisemitism and Islamaphoobia across the wesern world in these recent years.
When I want a Church or a society that looks like me, I eventually end up living on a desert island or as a member of a sect of one – and there I might just find out too how unhappy I am with myself!
But if I allow myself to grow in faith and trust and love with others, I may, I just may, to my surprise, find that they too are wheat rather than weeds, and they may discover the same about me.
An empty barn on my grandmother’s former farm near Cappoquin, Co Waterford (Photograph: Patrick Comerford)
Today’s Prayers (Saturday 27 July 2024):
The Church of England offered a prayer for the London Olympics, written by the Revd Christopher Woods, the Church of England’s National Worship Development Officer and now the Vicar of Saint Barnabas in Jericho, Oxford. This morning, I am praying an adaptation of this prayer:
Eternal God,
Giver of joy and source of all strength,
we pray for those
who prepare for the Olympic and Paralympic games.
For the competitors training for the Games and their loved ones,
For the many thousands who will support them,
And for the Churches and others who are organising special events and who will welcome many people from many nations.
In a world where many are rejected and abused,
we pray for a spirit
of tolerance and acceptance, of humility and respect
and for the health and safety of all.
May we at the last be led towards the love of Christ who is more than gold, today and forever. Amen.
The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), has been ‘Someone called my name – Mary Magdalene Reflection.’ This theme was introduced last Sunday with a reflection by the Revd Cathrine Ngangira, Priest-in-Charge, Benefice of Boughton-under-Blean with Durnkirk, Graveney with Goodnestone and Hernhill.
The USPG Prayer Diary today (Saturday 27 July 2024) invites us to pray reflecting on these words:
Mary Magdalene went and announced to the disciples, ‘I have seen the Lord’; and she told them that he had said these things to her (John 20: 18).
The Collect:
Almighty Lord and everlasting God,
we beseech you to direct, sanctify and govern
both our hearts and bodies
in the ways of your laws
and the works of your commandments;
that through your most mighty protection, both here and ever,
we may be preserved in body and soul;
through our Lord and Saviour Jesus Christ,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Post Communion Prayer:
Strengthen for service, Lord,
the hands that have taken holy things;
may the ears which have heard your word
be deaf to clamour and dispute;
may the tongues which have sung your praise be free from deceit;
may the eyes which have seen the tokens of your love
shine with the light of hope;
and may the bodies which have been fed with your body
be refreshed with the fullness of your life;
glory to you for ever.
Additional Collect:
Lord God,
your Son left the riches of heaven
and became poor for our sake:
when we prosper save us from pride,
when we are needy save us from despair,
that we may trust in you alone;
through Jesus Christ our Lord.
Collect on the Eve of Trinity IX:
Almighty God,
who sent your Holy Spirit
to be the life and light of your Church:
open our hearts to the riches of your grace,
that we may bring forth the fruit of the Spirit
in love and joy and peace;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
A large barn at Comberford Manor Farm in Staffordshire (Photograph: Patrick Comerford)
Yesterday’s reflection
Continued tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
Patrick Comerford
We are continuing in Ordinary Time in the Church and tomorrow is the Ninth Sunday after Trinity (Trinity IX). Today, the Calendar of the Church of England in Common Worship remembers the life and ministry of Brooke Foss Westcott (1901), Bishop of Durham, Teacher of the Faith (27 July).
Before today begins, I am taking some quiet time this morning to give thanks, for reflection, prayer and reading in these ways:
1, today’s Gospel reading;
2, a reflection on the Gospel reading;
3, a prayer from the USPG prayer diary;
4, the Collects and Post-Communion prayer of the day.
‘Gather the wheat into my barn’ (Matthew 13: 30) … a barn on a farm at Cross in Hand Lane, outside Lichfield (Photograph: Patrick Comerford)
Matthew 13: 24-30 (NRSVA):
24 He put before them another parable: ‘The kingdom of heaven may be compared to someone who sowed good seed in his field; 25 but while everybody was asleep, an enemy came and sowed weeds among the wheat, and then went away. 26 So when the plants came up and bore grain, then the weeds appeared as well. 27 And the slaves of the householder came and said to him, “Master, did you not sow good seed in your field? Where, then, did these weeds come from?” 28 He answered, “An enemy has done this.” The slaves said to him, “Then do you want us to go and gather them?” 29 But he replied, “No; for in gathering the weeds you would uproot the wheat along with them. 30 Let both of them grow together until the harvest; and at harvest time I will tell the reapers, Collect the weeds first and bind them in bundles to be burned, but gather the wheat into my barn”.’
‘The kingdom of heaven may be compared to someone who sowed good seed in his field’ (Matthew 13: 24) … fields of green and gold near Cambridge (Photograph: Patrick Comerford, 2024)
This morning’s reflection:
I spent much of last night watching the spectacular, breath-taking and inspiring opening ceremony for the Paris Olympics on television.
Throughout the ceremony, there was an emphasis on tolerance, diversity and peace, and on the three Olympic values of excellence, respect and friendship. They constitute the foundation on which the Olympic movement builds its activities to promote sport, culture and education with a view to building a better world.
The original values of Olympic movement are expressed in the Olympic Charter as encouraging effort, preserving human dignity and develop harmony. But does the Church always manage to cherish tolerance, diversity and peace, or to excellence, respect and friendship?
Or do we concentrate too much on our divisions, seeking perfection within the church at the expense of respect, tolerance, diversity, understanding and love?
These are questions I am challenged to ask as I read this morning’s Gospel passage.
In this Gospel reading, Christ speaks by the lake first to the crowd, telling them the parable of the wheat and the weeds (verse 24-30). The word that we have traditionally translated as tares or weeds (verses 25, 26, 27, 29, 30, 36, 38, 40) is the Greek word ζιζάνια (zizania), a type of wild rice grass, although Saint Matthew is probably referring to a type of darnel or noxious weed. It looks like wheat until the plants mature and the ears open, and the seeds are a strong soporific poison.
In the verses that follow, Christ then withdraws into a house, and has a private conversation with the Disciples (verses 36-43), in which he explains he is the sower (verse 37), the good seed is not the Word, but the Children of the Kingdom (verse 38), the weeds are the ‘Children of the Evil One’ (verse 38), and the field is the world (verse 38).
The harvest is not gathered by the disciples or the children of the kingdom, but by angels sent by the Son of Man (verses 39, 41).
It is an apocalyptic image, describing poetically and dramatically a future cataclysm, and not an image to describe what should be happening today.
It is imagery that draws on the apocalyptic images in the Book of Daniel, where the three young men who are faithful to God are tried in the fires of the furnace, yet come out alive, stronger and firmer in their faith (see Daniel 3: 1-10).
The slaves or δοῦλοι (douloi), the people who want to separate the darnel from the wheat (verse 27-28), are the disciples: Saint Paul introduces himself in his letters with phrases like Παῦλος δοῦλος Χριστοῦ Ἰησοῦ (Paul, a doulos or slave, or servant of Jesus Christ), (see Romans 1: 1, Philippians 1: 1, Titus 1: 1), and the same word is used by James (see James 1: 1), Peter (see II Peter 1: 1) and Jude (see Jude 1), to introduce themselves in their letters.
In the Book of Revelation, this word is used to describe the Disciples and the Church (see Revelation 1: 1; 22: 3). In other words, the Apostolic writers see themselves as slaves in the field, working at Christ’s command in the world.
This is one of eight parables about the last judgment found only in Saint Matthew’s Gospel, and six of the seven New Testament uses of the phrase ‘weeping and gnashing of teeth’ (ὁ κλαυθμὸς καὶ ὁ βρυγμὸς τῶν ὀδόντων) occur in this Gospel (Matthew 8: 12; 13: 42; 13: 50; 22: 13; 24: 51; and 25: 30; see also Luke 13: 28).
When it comes to explaining the parable to the disciples in the second part of our verses that follow this reading (verses 36-43), the references to the slaves in the first part (verses 27-28) are no longer there. It is not that the slaves have disappeared – Christ is speaking directly to those who would want to uproot the tares but who would find themselves uprooting the wheat too.
The weeding of the field is God’s job, not ours. The reapers, not the slaves, will gather in both the weeds and the wheat, the weeds first and then the wheat (verse 30).
Farmers are baling the hay and taking in the harvest in many places already. In the coming weeks, many farmers will be seen burning off the stubble on their fields to prepare the soil for autumn sowing and the planting of new crops. In this sense, the farmer understands burning as purification and preparation – it is not as harsh as city dwellers think.
It is not for us to decide who is in and who is out in Christ’s field, in the kingdom of God. That is Christ’s task alone.
Christ gently cautions the Disciples against rash decisions about who is in and who is out. Gently, he lets them see that the tares are not damaging the growth of the wheat, they just grow alongside it and amidst it.
But so often we decide to assume God’s role. We do it constantly in society, and we do it constantly in the Church, deciding who should be in and who should be out.
The harvest comes at the end of time, not now, and I should not hasten it even if the reapers seem to tarry.
The weeds we identify and want to uproot may turn out to be wheat; what we presume to be wheat because it looks like us may turn out to be weeds.
We assume the role of the reapers every time we decide we would be better off without someone in our society or in the Church because we disagree with them about issues like sexuality, women bishops and priests, and other issues that we mistake for core values.
The core values, as Christ himself explains, again and again, are loving God and loving others.
It is not without good reason that the Patristic writers warn that schism is worse than heresy (see Saint John Chrysostom, Patrologia Græca, vol. lxii, col. 87, On Ephesians, Homily 11, §5). We do not need to demythologise this reading. Christ leaves that to the future. This morning we are called to grow and not to worry about the tares. That growth must always emphasise love first.
When some members of the Church have sought to ‘out’ or ‘throw out’ people because of their sexuality, they have caused immense personal tragedy for individuals and their families and friends – weeping and gnashing of teeth indeed.
How painful it is that recent wars waged in the name of democracy and freedom have eventually violated the basic concepts of human rights and dignity. In recent decades, across the word, we have seen murdered innocent children murdered while playing on a beach, innocent women and children murdered in their homes, in hospitals, in schools and at weddings. There have been disturbing rises in antisemitism and Islamaphoobia across the wesern world in these recent years.
When I want a Church or a society that looks like me, I eventually end up living on a desert island or as a member of a sect of one – and there I might just find out too how unhappy I am with myself!
But if I allow myself to grow in faith and trust and love with others, I may, I just may, to my surprise, find that they too are wheat rather than weeds, and they may discover the same about me.
An empty barn on my grandmother’s former farm near Cappoquin, Co Waterford (Photograph: Patrick Comerford)
Today’s Prayers (Saturday 27 July 2024):
The Church of England offered a prayer for the London Olympics, written by the Revd Christopher Woods, the Church of England’s National Worship Development Officer and now the Vicar of Saint Barnabas in Jericho, Oxford. This morning, I am praying an adaptation of this prayer:
Eternal God,
Giver of joy and source of all strength,
we pray for those
who prepare for the Olympic and Paralympic games.
For the competitors training for the Games and their loved ones,
For the many thousands who will support them,
And for the Churches and others who are organising special events and who will welcome many people from many nations.
In a world where many are rejected and abused,
we pray for a spirit
of tolerance and acceptance, of humility and respect
and for the health and safety of all.
May we at the last be led towards the love of Christ who is more than gold, today and forever. Amen.
The theme this week in ‘Pray With the World Church,’ the Prayer Diary of the Anglican mission agency USPG (United Society Partners in the Gospel), has been ‘Someone called my name – Mary Magdalene Reflection.’ This theme was introduced last Sunday with a reflection by the Revd Cathrine Ngangira, Priest-in-Charge, Benefice of Boughton-under-Blean with Durnkirk, Graveney with Goodnestone and Hernhill.
The USPG Prayer Diary today (Saturday 27 July 2024) invites us to pray reflecting on these words:
Mary Magdalene went and announced to the disciples, ‘I have seen the Lord’; and she told them that he had said these things to her (John 20: 18).
The Collect:
Almighty Lord and everlasting God,
we beseech you to direct, sanctify and govern
both our hearts and bodies
in the ways of your laws
and the works of your commandments;
that through your most mighty protection, both here and ever,
we may be preserved in body and soul;
through our Lord and Saviour Jesus Christ,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
Post Communion Prayer:
Strengthen for service, Lord,
the hands that have taken holy things;
may the ears which have heard your word
be deaf to clamour and dispute;
may the tongues which have sung your praise be free from deceit;
may the eyes which have seen the tokens of your love
shine with the light of hope;
and may the bodies which have been fed with your body
be refreshed with the fullness of your life;
glory to you for ever.
Additional Collect:
Lord God,
your Son left the riches of heaven
and became poor for our sake:
when we prosper save us from pride,
when we are needy save us from despair,
that we may trust in you alone;
through Jesus Christ our Lord.
Collect on the Eve of Trinity IX:
Almighty God,
who sent your Holy Spirit
to be the life and light of your Church:
open our hearts to the riches of your grace,
that we may bring forth the fruit of the Spirit
in love and joy and peace;
through Jesus Christ your Son our Lord,
who is alive and reigns with you,
in the unity of the Holy Spirit,
one God, now and for ever.
A large barn at Comberford Manor Farm in Staffordshire (Photograph: Patrick Comerford)
Yesterday’s reflection
Continued tomorrow
Scripture quotations are from the New Revised Standard Version Bible: Anglicised Edition copyright © 1989, 1995, National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
21 June 2023
‘O commemorate me with no hero-courageous
Tomb – just a canal-bank seat for the passer-by’
Patrick Kavanagh’s bench by John Coll at Wilton Terrace on the Grand Canal, between Baggot Street Bridge and Leeson Street Bridge, Dublin (Photograph: Patrick Comerford, 2023)
Patrick Comerford
O commemorate me where there is water,
Canal water, preferably, so stilly
Greeny at the heart of summer. Brother
Commemorate me thus beautifully
Where by a lock niagarously roars
The falls for those who sit in the tremendous silence
Of mid-July. No one will speak in prose
Who finds his way to these Parnassian islands.
A swan goes by head low with many apologies,
Fantastic light looks through the eyes of bridges –
And look! a barge comes bringing from Athy
And other far-flung towns mythologies.
O commemorate me with no hero-courageous
Tomb – just a canal-bank seat for the passer-by.
While I was being interviewed in Dublin last week by Montenegrin television, Charlotte and I were staying in the Clayton Burlington Hotel on Leeson Street, close to Leeson Street, Raglan Road, Pembroke Road, Baggot Street and the Grand Canal, and all their memories of and associations with the poet Patrick Kavanagh (1904-1967).
It was Bloomsday, and after coffee in the Canal Bank Café on the corner of Leeson Street and Suffolk, we went on our own Dublin perambulation of the area that Patrick Kavanagh made his own corner of Dublin after moving to the city from Co Monaghan in 1939.
He wrote 70 years ago in 1953:
If ever you go to Dublin town
In a hundred years or so
Inquire for me in Baggot Street
And what I was like to know.
Patrick Kavanagh’s love of the area is feted in his ballad, ‘On Raglan Road’, and these streets became his ‘enchanted way’, the quiet streets where old ghosts meet.
There are plaques to him on the houses he lived in – one of them is now the Mexican Embassy on Raglan Road – and he pops up constantly in the street art around the area along with other writers, including Samuel Becket and Brian O’Nolan or Flann O’Brien or Myles na Gopaleen.
Parson’s Bookshop was beloved by many writers in Dublin, particularly Brendan Behan, Benedict Kiely, Mervyn Wall and Mary Lavin, but none more so than Patrick Kavanagh. It used to be the Bridge House, on Baggot Street Bridge, but has long since closed.
‘And look! a barge comes bringing from Athy / And other far-flung towns mythologies’ … barges on the Grand Canal between Baggot Street Bridge and Leeson Street Bridge (Photograph: Patrick Comerford, 2023)
Patrick Kavanagh’s lasting memorial along these ‘enchanted ways’ is his bench close to Baggot Street Bridge on Wilton Terrace and Wilton Park, on the north bank of the Grand Canal.
Sitting on a bench erected to the memory of ‘Mrs Dermot O’Brien’, Kavanagh wrote a sonnet requesting the same for himself. That bench inspired his sonnet, ‘Lines Written on a Seat on the Grand Canal, Dublin.’ That particular seat was on the Mespil Road or south side of the Canal, and was dedicated to ‘Mrs Dermot O’Brien.’ She was Mabel Emmeline Smyly, the wife of Dermod William O’Brien (1865-1945) from Mount Trenchard, near Foynes, Co Limerick, a landscape and portrait painter who won an Olympic medal in the painting competition at the 1928 Olympic Games.
Shortly after Kavanagh died in 1967, his friends John Ryan and Denis Dwyer formed a committee to raise money to buy the materials and pay for the labour for another, less-well-known seat. That statue, unveiled a few months after his death, is a simple wood and granite seat designed by the artist Michael Farrell (1940-2000).
But the sculpture that is best-known as a commemoration of Patrick Kavanagh is on Wilton Terrace. This is a more recent sculpture, with a much-photographed life-size bronze figure by John Coll. It was commissioned as part of the Dublin 1991 European City of Culture celebrations and was unveiled 32 years ago on 11 June 1991 by President Mary Robinson.
John Coll is originally from Taylor’s Hill Galway and now living in Dublin. After an initial career as a marine biologist, he became a figurative sculptor with many public works to his name, including the monument to Patrick Kavanagh on the Grand Canal and his celebration in bronze of Brendan Behan on the Royal Canal in Drumcondra.
John Coll’s sculpture on Wilton Terrace, between Baggot Street Bridge and Leeson Street Bridge, shows a reflective Patrick Kavanagh sitting thoughtfully, his hat beside him on the bench. He seems to offer a sympathetic, non-judgmental ear to passers-by, inviting them to sit down and have a chat.
Coll imagines the poet Kavanagh composing not ‘Lines Written on a Seat on the Grand Canal, Dublin’ but another sonnet, ‘Canal Bank Walk,’ for a plaque beside the sculpture bears the quotation:
Leafy with love banks and the green waters of the canal
Pouring redemption for me
Patrick Kavanagh 1904 to 1967
Sculptor John Coll.
The poem ‘Canal Bank Walk’ was also inspired by the Grand Canal, but was written in 1958 after the poet’s recovery from lung cancer and from legal difficulties:
Leafy-with-love banks and the green waters of the canal
Pouring redemption for me, that I do
The will of God, wallow in the habitual, the banal,
Grow with nature again as before I grew.
The bright stick trapped, the breeze adding a third
Party to the couple kissing on an old seat,
And a bird gathering materials for the nest for the Word
Eloquently new and abandoned to its delirious beat.
O unworn world enrapture me, encapture me in a web
Of fabulous grass and eternal voices by a beech,
Feed the gaping need of my senses, give me ad lib
To pray unselfconsciously with overflowing speech
For this soul needs to be honoured with a new dress woven
From green and blue things and arguments that cannot be proven.
The house where Patrick Kavanagh once lived on Raglan Road is now the Mexican Embassy in Dublin (Photograph: Patrick Comerford, 2023)
Patrick Comerford
O commemorate me where there is water,
Canal water, preferably, so stilly
Greeny at the heart of summer. Brother
Commemorate me thus beautifully
Where by a lock niagarously roars
The falls for those who sit in the tremendous silence
Of mid-July. No one will speak in prose
Who finds his way to these Parnassian islands.
A swan goes by head low with many apologies,
Fantastic light looks through the eyes of bridges –
And look! a barge comes bringing from Athy
And other far-flung towns mythologies.
O commemorate me with no hero-courageous
Tomb – just a canal-bank seat for the passer-by.
While I was being interviewed in Dublin last week by Montenegrin television, Charlotte and I were staying in the Clayton Burlington Hotel on Leeson Street, close to Leeson Street, Raglan Road, Pembroke Road, Baggot Street and the Grand Canal, and all their memories of and associations with the poet Patrick Kavanagh (1904-1967).
It was Bloomsday, and after coffee in the Canal Bank Café on the corner of Leeson Street and Suffolk, we went on our own Dublin perambulation of the area that Patrick Kavanagh made his own corner of Dublin after moving to the city from Co Monaghan in 1939.
He wrote 70 years ago in 1953:
If ever you go to Dublin town
In a hundred years or so
Inquire for me in Baggot Street
And what I was like to know.
Patrick Kavanagh’s love of the area is feted in his ballad, ‘On Raglan Road’, and these streets became his ‘enchanted way’, the quiet streets where old ghosts meet.
There are plaques to him on the houses he lived in – one of them is now the Mexican Embassy on Raglan Road – and he pops up constantly in the street art around the area along with other writers, including Samuel Becket and Brian O’Nolan or Flann O’Brien or Myles na Gopaleen.
Parson’s Bookshop was beloved by many writers in Dublin, particularly Brendan Behan, Benedict Kiely, Mervyn Wall and Mary Lavin, but none more so than Patrick Kavanagh. It used to be the Bridge House, on Baggot Street Bridge, but has long since closed.
‘And look! a barge comes bringing from Athy / And other far-flung towns mythologies’ … barges on the Grand Canal between Baggot Street Bridge and Leeson Street Bridge (Photograph: Patrick Comerford, 2023)
Patrick Kavanagh’s lasting memorial along these ‘enchanted ways’ is his bench close to Baggot Street Bridge on Wilton Terrace and Wilton Park, on the north bank of the Grand Canal.
Sitting on a bench erected to the memory of ‘Mrs Dermot O’Brien’, Kavanagh wrote a sonnet requesting the same for himself. That bench inspired his sonnet, ‘Lines Written on a Seat on the Grand Canal, Dublin.’ That particular seat was on the Mespil Road or south side of the Canal, and was dedicated to ‘Mrs Dermot O’Brien.’ She was Mabel Emmeline Smyly, the wife of Dermod William O’Brien (1865-1945) from Mount Trenchard, near Foynes, Co Limerick, a landscape and portrait painter who won an Olympic medal in the painting competition at the 1928 Olympic Games.
Shortly after Kavanagh died in 1967, his friends John Ryan and Denis Dwyer formed a committee to raise money to buy the materials and pay for the labour for another, less-well-known seat. That statue, unveiled a few months after his death, is a simple wood and granite seat designed by the artist Michael Farrell (1940-2000).
But the sculpture that is best-known as a commemoration of Patrick Kavanagh is on Wilton Terrace. This is a more recent sculpture, with a much-photographed life-size bronze figure by John Coll. It was commissioned as part of the Dublin 1991 European City of Culture celebrations and was unveiled 32 years ago on 11 June 1991 by President Mary Robinson.
John Coll is originally from Taylor’s Hill Galway and now living in Dublin. After an initial career as a marine biologist, he became a figurative sculptor with many public works to his name, including the monument to Patrick Kavanagh on the Grand Canal and his celebration in bronze of Brendan Behan on the Royal Canal in Drumcondra.
John Coll’s sculpture on Wilton Terrace, between Baggot Street Bridge and Leeson Street Bridge, shows a reflective Patrick Kavanagh sitting thoughtfully, his hat beside him on the bench. He seems to offer a sympathetic, non-judgmental ear to passers-by, inviting them to sit down and have a chat.
Coll imagines the poet Kavanagh composing not ‘Lines Written on a Seat on the Grand Canal, Dublin’ but another sonnet, ‘Canal Bank Walk,’ for a plaque beside the sculpture bears the quotation:
Leafy with love banks and the green waters of the canal
Pouring redemption for me
Patrick Kavanagh 1904 to 1967
Sculptor John Coll.
The poem ‘Canal Bank Walk’ was also inspired by the Grand Canal, but was written in 1958 after the poet’s recovery from lung cancer and from legal difficulties:
Leafy-with-love banks and the green waters of the canal
Pouring redemption for me, that I do
The will of God, wallow in the habitual, the banal,
Grow with nature again as before I grew.
The bright stick trapped, the breeze adding a third
Party to the couple kissing on an old seat,
And a bird gathering materials for the nest for the Word
Eloquently new and abandoned to its delirious beat.
O unworn world enrapture me, encapture me in a web
Of fabulous grass and eternal voices by a beech,
Feed the gaping need of my senses, give me ad lib
To pray unselfconsciously with overflowing speech
For this soul needs to be honoured with a new dress woven
From green and blue things and arguments that cannot be proven.
The house where Patrick Kavanagh once lived on Raglan Road is now the Mexican Embassy in Dublin (Photograph: Patrick Comerford, 2023)
05 October 2021
Saint Fursey’s Church in
Banteer, Co Cork, site of
Ireland’s last pitched battle
Saint Fursey’s Church in Banteer, Co Cork, dates from 1828 (Photograph: Patrick Comerford, 2021)
Patrick Comerford
One of the many small towns and villages I visited in Co Cork during this year’s summer ‘road trip’ was Banteer, south of Kanturk and west of Mallow in north Cork.
Banteer was at the centre of the last pitched battle of the Irish Confederate Wars, the Battle of Knocknaclashy, which was fought near Banteer in 1651, when an Irish force under Donagh MacCarthy, Viscount Muskerry, was defeated by a Cromwellian force under Roger Boyle, 1st Earl of Orrery.
Dr Patrick ‘Pat’ O’Callaghan (1906-1991) was born in Banteer on 28 January 1906. He was the first Irish athlete from Ireland to win an Olympic medal under the Irish flag rather than the British flag. He won gold medals at Amsterdam in 1928 and in Los Angeles in 1932, and he was the flag bearer for Ireland at the 1932 Olympic Games.
Saint Fursey’s Church, Banteer, Co Cork, facing the liturgical east (Photograph: Patrick Comerford, 2021)
Banteer never grew as a town or reached its promising potential. Banteer railway station, on the Mallow to Tralee line, opened on 16 April 1853 but was closed for goods traffic on 2 September 1976, although it remains open for passenger trains on the Dublin-Tralee route.
Today, the most notable building in Banteer is Saint Fursey’s Roman Catholic Church, a simple, single-cell church, with long side elevations and a stone façade.
Saint Fursey was involved in early missions to East Anglia and France and was said to have experienced angelic visions of the afterlife before he died in 650.
Saint Fursey’s Church, Banteer, Co Cork, facing the liturgical west (Photograph: Patrick Comerford, 2021)
Sant Fursey’s Church occupies a prominent corner site in Banteer, enhanced by the boundary walls and railings and by the piers and gate to the entrance.
The decoration on the façade of the church is minimal and is restricted to the cross finials and window surrounds. Inside, the church is more ornate, but retains its stained-glass windows and carved plaque.
This church dates from 1828, and was restored and enlarged in 1952. The decoration of the façade is minimal and restricted to the cross finials and window surrounds. It has a five-bay nave, a single-bay flat-roofed addition at the south gable, a pitched slate roof with carved limestone cross finials and dressed limestone coping at the gables, with a dressed limestone eaves course.
There are snecked sandstone walls on the east and north side, with a rendered south gable. The north gable has carved limestone plaques. The carved limestone font at the north doorway has a carved limestone stoup set into a pointed arch recess at the south doorway.
A carved limestone memorial in the church is dated 1834 (Photograph: Patrick Comerford, 2021)
The round-headed windows have dressed limestone voussoirs and sills and are filled wth stained-glass. The round-headed door openings have timber battened double-leaf doors, dressed limestone voussoirs and ornate cast-iron strap hinges.
Inside, the church is more ornate, but retains its stained-glass windows and an interesting carved plaque. There is a coffered ceiling, a carved timber gallery, carved confession boxes and a carved limestone memorial dated 1834, with an urn and heraldic motifs in relief.
The cast-iron bellstand at the north-west of church has fluted, cast-iron, circular-profile columns with a cast-iron bell.
Saint Colman, patron sain of the Diocese of Cloyne, depicted in a stained glass window in the church (Photograph: Patrick Comerford, 2021)
At the east side of the site, the churchyard has carved limestone gravestones and cast-iron and dressed limestone grave surrounds. The snecked sandstone boundary walls have cut sandstone square-profile piers at the entrance.
The simple single-cell form of this church, along with its long side elevations and stone façade, make it a notable feature in Banteer. It stands on a prominent corner site, enhanced by its boundary walls and railings and by the piers and entrance gate.
Hub caps become street art in Banteer (Photograph: Patrick Comerford, 2021)
Patrick Comerford
One of the many small towns and villages I visited in Co Cork during this year’s summer ‘road trip’ was Banteer, south of Kanturk and west of Mallow in north Cork.
Banteer was at the centre of the last pitched battle of the Irish Confederate Wars, the Battle of Knocknaclashy, which was fought near Banteer in 1651, when an Irish force under Donagh MacCarthy, Viscount Muskerry, was defeated by a Cromwellian force under Roger Boyle, 1st Earl of Orrery.
Dr Patrick ‘Pat’ O’Callaghan (1906-1991) was born in Banteer on 28 January 1906. He was the first Irish athlete from Ireland to win an Olympic medal under the Irish flag rather than the British flag. He won gold medals at Amsterdam in 1928 and in Los Angeles in 1932, and he was the flag bearer for Ireland at the 1932 Olympic Games.
Saint Fursey’s Church, Banteer, Co Cork, facing the liturgical east (Photograph: Patrick Comerford, 2021)
Banteer never grew as a town or reached its promising potential. Banteer railway station, on the Mallow to Tralee line, opened on 16 April 1853 but was closed for goods traffic on 2 September 1976, although it remains open for passenger trains on the Dublin-Tralee route.
Today, the most notable building in Banteer is Saint Fursey’s Roman Catholic Church, a simple, single-cell church, with long side elevations and a stone façade.
Saint Fursey was involved in early missions to East Anglia and France and was said to have experienced angelic visions of the afterlife before he died in 650.
Saint Fursey’s Church, Banteer, Co Cork, facing the liturgical west (Photograph: Patrick Comerford, 2021)
Sant Fursey’s Church occupies a prominent corner site in Banteer, enhanced by the boundary walls and railings and by the piers and gate to the entrance.
The decoration on the façade of the church is minimal and is restricted to the cross finials and window surrounds. Inside, the church is more ornate, but retains its stained-glass windows and carved plaque.
This church dates from 1828, and was restored and enlarged in 1952. The decoration of the façade is minimal and restricted to the cross finials and window surrounds. It has a five-bay nave, a single-bay flat-roofed addition at the south gable, a pitched slate roof with carved limestone cross finials and dressed limestone coping at the gables, with a dressed limestone eaves course.
There are snecked sandstone walls on the east and north side, with a rendered south gable. The north gable has carved limestone plaques. The carved limestone font at the north doorway has a carved limestone stoup set into a pointed arch recess at the south doorway.
A carved limestone memorial in the church is dated 1834 (Photograph: Patrick Comerford, 2021)
The round-headed windows have dressed limestone voussoirs and sills and are filled wth stained-glass. The round-headed door openings have timber battened double-leaf doors, dressed limestone voussoirs and ornate cast-iron strap hinges.
Inside, the church is more ornate, but retains its stained-glass windows and an interesting carved plaque. There is a coffered ceiling, a carved timber gallery, carved confession boxes and a carved limestone memorial dated 1834, with an urn and heraldic motifs in relief.
The cast-iron bellstand at the north-west of church has fluted, cast-iron, circular-profile columns with a cast-iron bell.
Saint Colman, patron sain of the Diocese of Cloyne, depicted in a stained glass window in the church (Photograph: Patrick Comerford, 2021)
At the east side of the site, the churchyard has carved limestone gravestones and cast-iron and dressed limestone grave surrounds. The snecked sandstone boundary walls have cut sandstone square-profile piers at the entrance.
The simple single-cell form of this church, along with its long side elevations and stone façade, make it a notable feature in Banteer. It stands on a prominent corner site, enhanced by its boundary walls and railings and by the piers and entrance gate.
Hub caps become street art in Banteer (Photograph: Patrick Comerford, 2021)
20 September 2021
The Greeks have a word
for it (31) Olympian
A reminder of Greek pride in the Olympian tradition … in Vergina Restaurant in Platanias in Rethymnon (Photograph: Patrick Comerford, 2021)
Patrick Comerford
I left Ireland for Greece with everyone showing great pride in our Olympians, both those who took part in the summer games and those who took part in the Paralympics. I returned from Greece to find a debate in Ireland over plans to rename the Olympia Theatre in Dublin.
In the English language we can use the word Olympian as an adjective relating to, or inhabiting Mount Olympus (Όλυμπος), near Thessaloniki in northern Greece, such as the ‘Olympian gods,’ of something that is befitting or characteristic of Mount Olympus, such as ‘Olympian detachment,’ ‘Olympian calm’ or even ‘Olympian arrogance,’ or of relating to, or constituting the Olympic Games.
We can also use the word Olympian to refer to one of the deities said to have lived atop Mount Olympus, to someone who is lofty and above it all, or to a participant in the Olympic Games.
The word Olympian was first used as an adjective in English in the 15th and 16th centuries, and as a noun in the early 17th century.
The original Olympic Games (Ὀλυμπιακοί Ἀγῶνες) were first held not on Mount Olympus but at Olympia (Ολυμπία), in the western Peloponnese, from the eighth to the fourth century BCE. The modern Olympic Games were revived in Athens in 1894.
If we are proud of our Olympians in Ireland, and if we are quick to defend the name of the Olympia Theatre in Dublin, then Greeks are equally proud of the traditions associated with Mount Olympus, Olympia, and the Olympic Games.
Mount Olympus seen from the Monument of Alexander the Great in Thessaloniki (Photograph: Patrick Comerford)
Yesterday: Monastery
Tomorrow: Hypocrite
Patrick Comerford
I left Ireland for Greece with everyone showing great pride in our Olympians, both those who took part in the summer games and those who took part in the Paralympics. I returned from Greece to find a debate in Ireland over plans to rename the Olympia Theatre in Dublin.
In the English language we can use the word Olympian as an adjective relating to, or inhabiting Mount Olympus (Όλυμπος), near Thessaloniki in northern Greece, such as the ‘Olympian gods,’ of something that is befitting or characteristic of Mount Olympus, such as ‘Olympian detachment,’ ‘Olympian calm’ or even ‘Olympian arrogance,’ or of relating to, or constituting the Olympic Games.
We can also use the word Olympian to refer to one of the deities said to have lived atop Mount Olympus, to someone who is lofty and above it all, or to a participant in the Olympic Games.
The word Olympian was first used as an adjective in English in the 15th and 16th centuries, and as a noun in the early 17th century.
The original Olympic Games (Ὀλυμπιακοί Ἀγῶνες) were first held not on Mount Olympus but at Olympia (Ολυμπία), in the western Peloponnese, from the eighth to the fourth century BCE. The modern Olympic Games were revived in Athens in 1894.
If we are proud of our Olympians in Ireland, and if we are quick to defend the name of the Olympia Theatre in Dublin, then Greeks are equally proud of the traditions associated with Mount Olympus, Olympia, and the Olympic Games.
Mount Olympus seen from the Monument of Alexander the Great in Thessaloniki (Photograph: Patrick Comerford)
Yesterday: Monastery
Tomorrow: Hypocrite
06 August 2021
We need to take note
of all the warning signs
and rekindle our hope
Yoshinori Sakai, who ran the final leg of the torch relay for the 1964 Tokyo Olympics, at the Olympic torch in Tokyo shortly before he died
Patrick Comerford
President, Irish Campaign for Nuclear Disarmament (Irish CND)
1 p.m., Friday 6 August 2021
Annual Hiroshima Day Commemoration
Merrion Square, Dublin
I think we are all proud of the medals our Olympic athletes have brought home from Tokyo. Personally, I am particularly proud of our rowers and scullers.
I am old enough now to also recall the first Olympics in Tokyo, back in 1964.
But how many of us remember the opening ceremony in Tokyo on 10 October 1964 … 57 years ago, but just 19 years after the bombing of Hiroshima?
Yoshinori Sakai (1945-2014) was the Olympic flame torchbearer who lit the cauldron at the Tokyo Olympics in 1964. He was born on the day of the atomic bombing of Hiroshima, two hours after the bombing. The Hiroshima bomb exploded so close to his hometown of Miyoshi, 60 km away, that his father saw the flash.
At the age of 19, Yoshinori Sakai was chosen to light the flame to symbolise Japan’s post-war reconstruction and commitment to peace. At the time, sports commentators labelled him ‘the Hiroshima Boy.’
While the nations compete at the Tokyo games this summer, there are four clear indicators that the world is not safe while we sit and watch.
1, It is now estimated that the Covid-19 pandemic will kill well over two million people around the globe. Nuclear weapons have failed to protect the world – have failed to protect us – against this mass killer. We may yet find we are facing wave after wave of pandemics, but the world’s nuclear powers have learned nothing and continue to spend money needed for health care and research on weapons that are useless against this global threat to our security and our survival.
Indeed, the mishandling of this grave global health crisis is a ‘wake-up call’ that governments, institutions, and a misled public remain unprepared to handle the even greater threats posed by nuclear war and climate change.
2, The failure of the world powers to deal with climate change and global warming show the folly of using the world’s scarce resources for the pleasure of the rich of this generation. Fires continue to rage across Greece and Turkey as I speak, and no amount of spending on nuclear weapons can ever protect us against climate change and global warming, against the folly of world leaders who have brought this crisis to a head in our generation.
3, Cyber security has shown how vulnerable, how weak, every country in the world is today. It was Ireland’s hospitals and health service that were targeted in recent weeks. But it was also oil supplies on the east coast of the US, trains in Britain, Iran and Australia, cabinet offices in Poland and Japan, Dutch police, the supply chains of major food suppliers in Australia, Brazil, Canada and the US … all in recent weeks.
Nuclear weapons are no protection against people who are waging a new, low-level, cold war that is warning us that everything is vulnerable, everything can collapse, everything can grind to halt. And if the para-state hackers get into the command and control systems of nuclear arsenals, all guided missiles become mass killers with the capacity to destroy all life as we know it.
4, Nuclear weapons cannot protect the victims of human rights abuses, the migrants caught in the waters of the Mediterranean or between Calais and Dover, or the people increasingly denied access to clean water, food or affordable medical care.
Nuclear weapons cannot protect girls denied access to education, the victims of gender-based violence, or stop the rise of racism, anti-Semitism, Islamophobia and hate crime.
Nuclear weapons cannot open the eyes of a blinkered Priti Patel or roll back the folly of Brexit in Boris Johnson’s Britain, where £205 billion is being spent on replacing Trident, Britain’s nuclear weapons system – money that public morality says must be spent instead on meeting genuine security needs: providing a properly-funded NHS and a sustainable energy sector.
This year, the Doomsday Clock of the Bulletin of the Atomic Scientists remains as close to midnight as it has ever been – just 100 seconds to midnight.
Dr Rachel Bronson of the Bulletin of the Atomic Scientists says the ‘lethal and fear-inspiring’ Covid-19 pandemic is as a ‘wake-up call,’ a vivid illustration that national governments and international organisations are ‘unprepared to manage the truly civilisation-ending threats of nuclear weapons and climate change.’
But Yoshinori Sakai was like so many hibakusha. He too succumbed as a victim of the bomb, and he died of cerebral bleeding in Tokyo at the age 69, 50 years after the first Tokyo Olympics, on 10 September 2014.
Before this year’s Tokyo Olympics began on 23 July, the Olympic torch relay passed through Hiroshima on Monday 17 May. There were few participants because of the pandemic. But one of the torchbearers was Yoshinori Sakai’s younger brother, Takayuki Sakai. He was part of the group who brought the Olympic flame to the city’s Peace Memorial Park, near the epicentre of the atomic bombing.
There should be no more Yoshinori Sakais, no more hibakusha.
It is time to listen to the wake-up call of the Doomsday Clock. Nuclear weapons protect us against none of the threats we face in the world today. They never protected us against the threats the world faced in the past. And they have no place in the world as face the challenges of the future.
(Revd Canon Professor) Patrick Comerford is President of the Irish Campaign for Nuclear Disarmament (Irish CND). He was speaking at Irish CND’s annual Hiroshima Day commemoration at the Hiroshima Memorial in Merrion Square, Dublin.
Patrick Comerford
President, Irish Campaign for Nuclear Disarmament (Irish CND)
1 p.m., Friday 6 August 2021
Annual Hiroshima Day Commemoration
Merrion Square, Dublin
I think we are all proud of the medals our Olympic athletes have brought home from Tokyo. Personally, I am particularly proud of our rowers and scullers.
I am old enough now to also recall the first Olympics in Tokyo, back in 1964.
But how many of us remember the opening ceremony in Tokyo on 10 October 1964 … 57 years ago, but just 19 years after the bombing of Hiroshima?
Yoshinori Sakai (1945-2014) was the Olympic flame torchbearer who lit the cauldron at the Tokyo Olympics in 1964. He was born on the day of the atomic bombing of Hiroshima, two hours after the bombing. The Hiroshima bomb exploded so close to his hometown of Miyoshi, 60 km away, that his father saw the flash.
At the age of 19, Yoshinori Sakai was chosen to light the flame to symbolise Japan’s post-war reconstruction and commitment to peace. At the time, sports commentators labelled him ‘the Hiroshima Boy.’
While the nations compete at the Tokyo games this summer, there are four clear indicators that the world is not safe while we sit and watch.
1, It is now estimated that the Covid-19 pandemic will kill well over two million people around the globe. Nuclear weapons have failed to protect the world – have failed to protect us – against this mass killer. We may yet find we are facing wave after wave of pandemics, but the world’s nuclear powers have learned nothing and continue to spend money needed for health care and research on weapons that are useless against this global threat to our security and our survival.
Indeed, the mishandling of this grave global health crisis is a ‘wake-up call’ that governments, institutions, and a misled public remain unprepared to handle the even greater threats posed by nuclear war and climate change.
2, The failure of the world powers to deal with climate change and global warming show the folly of using the world’s scarce resources for the pleasure of the rich of this generation. Fires continue to rage across Greece and Turkey as I speak, and no amount of spending on nuclear weapons can ever protect us against climate change and global warming, against the folly of world leaders who have brought this crisis to a head in our generation.
3, Cyber security has shown how vulnerable, how weak, every country in the world is today. It was Ireland’s hospitals and health service that were targeted in recent weeks. But it was also oil supplies on the east coast of the US, trains in Britain, Iran and Australia, cabinet offices in Poland and Japan, Dutch police, the supply chains of major food suppliers in Australia, Brazil, Canada and the US … all in recent weeks.
Nuclear weapons are no protection against people who are waging a new, low-level, cold war that is warning us that everything is vulnerable, everything can collapse, everything can grind to halt. And if the para-state hackers get into the command and control systems of nuclear arsenals, all guided missiles become mass killers with the capacity to destroy all life as we know it.
4, Nuclear weapons cannot protect the victims of human rights abuses, the migrants caught in the waters of the Mediterranean or between Calais and Dover, or the people increasingly denied access to clean water, food or affordable medical care.
Nuclear weapons cannot protect girls denied access to education, the victims of gender-based violence, or stop the rise of racism, anti-Semitism, Islamophobia and hate crime.
Nuclear weapons cannot open the eyes of a blinkered Priti Patel or roll back the folly of Brexit in Boris Johnson’s Britain, where £205 billion is being spent on replacing Trident, Britain’s nuclear weapons system – money that public morality says must be spent instead on meeting genuine security needs: providing a properly-funded NHS and a sustainable energy sector.
This year, the Doomsday Clock of the Bulletin of the Atomic Scientists remains as close to midnight as it has ever been – just 100 seconds to midnight.
Dr Rachel Bronson of the Bulletin of the Atomic Scientists says the ‘lethal and fear-inspiring’ Covid-19 pandemic is as a ‘wake-up call,’ a vivid illustration that national governments and international organisations are ‘unprepared to manage the truly civilisation-ending threats of nuclear weapons and climate change.’
But Yoshinori Sakai was like so many hibakusha. He too succumbed as a victim of the bomb, and he died of cerebral bleeding in Tokyo at the age 69, 50 years after the first Tokyo Olympics, on 10 September 2014.
Before this year’s Tokyo Olympics began on 23 July, the Olympic torch relay passed through Hiroshima on Monday 17 May. There were few participants because of the pandemic. But one of the torchbearers was Yoshinori Sakai’s younger brother, Takayuki Sakai. He was part of the group who brought the Olympic flame to the city’s Peace Memorial Park, near the epicentre of the atomic bombing.
There should be no more Yoshinori Sakais, no more hibakusha.
It is time to listen to the wake-up call of the Doomsday Clock. Nuclear weapons protect us against none of the threats we face in the world today. They never protected us against the threats the world faced in the past. And they have no place in the world as face the challenges of the future.
(Revd Canon Professor) Patrick Comerford is President of the Irish Campaign for Nuclear Disarmament (Irish CND). He was speaking at Irish CND’s annual Hiroshima Day commemoration at the Hiroshima Memorial in Merrion Square, Dublin.
28 September 2018
Searching for elephants
and finding an Olympic
medallist in Charleville
Charleville Park was turned into flats in the late 20th century, but is now derelict, boarded up and fenced off (Photograph: Patrick Comerford, 2018)
Patrick Comerford
Charleville is a busy market town in North Cork, close to the border with Co Limerick. I spent the morning there yesterday [27 September 2018], in in the heart of the rich farming area known as the Golden Vale that spreads through Cork, Limerick and Tipperary.
The lands around Charleville bought in the late 16th century by Richard Boyle (1566-1643), 1st Earl of Cork and one of the most successful Elizabethans in Ireland. His third son, Roger Boyle (1621-1679), Lord President of Munster and 1st Earl of Orrery, founded the town of Charleville in 1661 and named it in honour of the recently-restored King Charles II.
Charleville became the centrepiece of a vast estate owned by the Boyle family. The town was laid out in a formal plan with two parallel wide streets. It was granted a charter in the 17th century with a sovereign (mayor) and two bailiffs elected annually by the 12 burgesses or town councillors.
The principle Boyle residence was Charleville House, built in 1668 and set in a vast deer park north of the town. It was regarded as one of the finest houses in Ireland at the time. It occupied one side of a large walled court and could be defended with 16 guns.
However, during the lifetime of Lionel Boyle (1671-1703), 3rd Earl of Orrery, Charleville House was burnt down by Jacobite forces under the command of the Duke of Berwick, after he had dined in the house in 1690. The house was later demolished and nothing remains of it today. All that remains of the ‘notable gardens and fine park’ are symmetrical fields, masonry walls and earthworks, including the site of four fish ponds.
Although the Boyles remained the lords of the manor, William Sanders of Charleville leased The Park ‘for ever’ from the Boyles on 20 September 1697.
The Sanders estates expanded through intermarriage with the Knight family, and in the late 18th century Christopher Sanders built Charleville Park, which was also known as Sanders Park.
Like many Irish towns, Charleville went through a period of rebuilding in the late 18th early 19th centuries and most of its elegant streetscape dates from this period, along with the many side lanes that gave access to the areas behind the streets.
Charleville became an important market town with a weekly market on Saturdays and six fairs during the year, and with a number of industries, including tanyards, flour mills and a blanket factory.
Christopher Sanders’s son, William Sanders (1773-1819), was living in the house in 1814, and his son, Christopher Sanders (1808-1839), was living there in 1837. The estates were divided between his sons, Christopher Sanders (1808-1839), who inherited Deer Park, and William Robert Sanders (1810-1851), who was living at Charleville Park at the time of Griffith’s Valuation, holding the property from the Earl of Cork.
The third son, Colonel Robert Sanders (1814-1860) inherited Deer Park when his brother Christopher died and Charleville Park when his brother William died. But he too died without male heirs, and in 1860 the estates passed to another younger son, Thomas Sanders (1816-1892) of Sanders Park or Charleville Park, Charleville.
By the 1870s, he owned 1,024 acres in Co Cork and 942 acres in Co Limerick. A barrister, magistrate and landowner, he was boycotted by the tenant farmers in Charleville, who refused to pay the rents. It was said, ‘Not a blacksmith could be found to shoe his horse and not a living creature to cook his food.’
Robert Massy Dawson Sanders, a land agent, inherited Charleville Park from his father in 1892. He was an elder brother of Evelyn Francis Sanders (1864-1909), who in 1903 married Maria Elizabeth Coote Townshend (1865-1942), who was born in Ireland, and they lived in Calcutta.
Robert Sanders was educated at Trinity College Dublin and was High Sheriff of Co Cork in 1901. He managed the family estate at Charleville Park and a number of other estates, and in 1916 he inherited the Ballinacourty Estate in Co Tipperary from his mother’s uncle, Captain Francis Evelyn Massy-Dawson, a retired naval officer.
During the Irish Civil War, the anti-treaty Republicans occupied Ballinacourty House, but on the approach of Irish Free State soldiers the Republicans burned the house and made good their escape.
Ballinacourty House was never rebuilt, but the stables have since been restored as Ballinacourty House Restaurant. Robert Massy Dawson Sanders later rebuilt and extended an old school house and opened it as an hotel and convalescent home. The Glen Hotel now stands on the site.
During the Irish Civil War, Robert Sanders moved to Buckland Court in Surrey, which was owned by his elderly father-in-law, Francis Henry Beaumont, who transferred the estate to Sanders in 1923. Later, around 1932, Robert Sanders built a lodge on the Ballinacourty Estate where he could stay when he was in Ireland; the Aherlow House Hotel stands there today.
Terence Robert Beaumont Sanders (1901-1985) was born at Charleville Park and became an Olympic gold medallist (Photograph: Patrick Comerford, 2018)
Robert and Hilda Sanders were the parents of two sons, Charles Craven Sanders (1899-1985) and Terence Robert Beaumont Sanders (1901-1985), who were born at Charleville Park and educated at Eton and Trinity College Cambridge.
Charles Craven Sanders lived at Coolnamuck Court, near Carrick-on-Suir, Co Tipperary, up to the mid-1950s, and later lived in Whitechurch, Rathfarnham. His brother Terence was an Olympic gold medallist and a lecturer in engineering in Cambridge.
Terence Sanders was born at Charleville Park on 2 June 1901 and was educated at Eton and Trinity College Cambridge. At Cambridge, Sanders, Maxwell Eley, Robert Morrison and James MacNabb, who had rowed together at Eton, made up the coxless four that won the Stewards’ Challenge Cup at Henley in 1922 as Eton Vikings and the Visitors’ Challenge Cup as Third Trinity Boat Club.
Sanders stroked for Cambridge in the Boat Race in 1923, which was won by Oxford. The coxless four won the Stewards’ Challenge Cup at Henley again in 1923, the crew won Stewards’ at Henley again in 1924 and went on to win the gold medal for Great Britain rowing at the 1924 Summer Olympics in Paris. The British crew won comfortably over the 2000 metre course and winning, with Canada finishing second and Switzerland taking the bronze medal.
Sanders became a Fellow of Corpus Christi, Cambridge in 1925, and was appointed university lecturer in engineering in 1936. He was honorary treasurer of the University Boat Club from 1928 to 1939, and was in the Leander Club eight that won the Grand Challenge Cup at Henley in 1929. In 1929, he co-wrote The University Boat Race: Official Centenary History 1829-1929.
During World War II, he was active in Operation Crossbow that countered the threat of German V2 rockets. He was made a Companion of the Bath (CB) in 1950, and retired from the army as colonel in 1951. Sanders died at Dorking, Surrey, on 6 April 1985 at the age of 83, and is buried in Buckland churchyard near Reigate.
Meanwhile, Charleville Park was the residence of a Mr Binchy, a merchant in Charleville, in the 1940s. By the end of the 20th century, Charleville Park was turned into flats, and new housing estates were built on part of the land.
When I visited Charleville yesterday [27 September 2018], the house was derelict, boarded up and fenced off. But an unusual octagonal gate lodge still stands near the original entrance to the house and demesne.
This two-storey gate lodge was built around 1830, with one-bay faces. The projecting slate roof forms a shallow canopy at the entrance face, with carved timber bargeboards supported on carved timber brackets. There are rendered chimneystacks, rendered walls, square-headed openings with quarry glazed transomed and mullioned windows and rendered sills. An elliptical-headed opening has a raised brick surround and a timber panelled door.
This former gate lodge at Charleville Park is an interesting example of theatrical architecture, and its shape and size are unusual as gate lodge are typically single-storey structures, as can be seen nearby at the former gate lodge at Knight’s Lodge.
I had wondered whether I would find any clues at Charleville Park about the choice of name for Fort St George nearby. After all, the Sanders family coat-of-arms has three elephants’ heads on the shield and an elephant’s head in the crest, and Evelyn Sanders and his wife Maria were living in Calcutta in the early part of the 20th century.
But Calcutta was too far from Fort St George and too late a connection to explain the name, and the elephants’ heads provided no clues at all.
Instead, there was another link with Fort St George, as I imagined Robert Sanders as a regular visitor as he rowed for Cambridge or walked along the banks of the River Cam.
At the time Sanders rowed for Britain in the 1924 Olympics, it was a matter of chance rather than choice whether Irish Olympians were categorised as Irish or British, and his opportunities came from his experiences at Eton and Cambridge. But Robert Sanders should not be forgotten as an Irish-born Olympic gold medallist.
The octagonal gate lodge at Charleville Park is an interesting example of theatrical architecture (Photograph: Patrick Comerford, 2018)
Patrick Comerford
Charleville is a busy market town in North Cork, close to the border with Co Limerick. I spent the morning there yesterday [27 September 2018], in in the heart of the rich farming area known as the Golden Vale that spreads through Cork, Limerick and Tipperary.
The lands around Charleville bought in the late 16th century by Richard Boyle (1566-1643), 1st Earl of Cork and one of the most successful Elizabethans in Ireland. His third son, Roger Boyle (1621-1679), Lord President of Munster and 1st Earl of Orrery, founded the town of Charleville in 1661 and named it in honour of the recently-restored King Charles II.
Charleville became the centrepiece of a vast estate owned by the Boyle family. The town was laid out in a formal plan with two parallel wide streets. It was granted a charter in the 17th century with a sovereign (mayor) and two bailiffs elected annually by the 12 burgesses or town councillors.
The principle Boyle residence was Charleville House, built in 1668 and set in a vast deer park north of the town. It was regarded as one of the finest houses in Ireland at the time. It occupied one side of a large walled court and could be defended with 16 guns.
However, during the lifetime of Lionel Boyle (1671-1703), 3rd Earl of Orrery, Charleville House was burnt down by Jacobite forces under the command of the Duke of Berwick, after he had dined in the house in 1690. The house was later demolished and nothing remains of it today. All that remains of the ‘notable gardens and fine park’ are symmetrical fields, masonry walls and earthworks, including the site of four fish ponds.
Although the Boyles remained the lords of the manor, William Sanders of Charleville leased The Park ‘for ever’ from the Boyles on 20 September 1697.
The Sanders estates expanded through intermarriage with the Knight family, and in the late 18th century Christopher Sanders built Charleville Park, which was also known as Sanders Park.
Like many Irish towns, Charleville went through a period of rebuilding in the late 18th early 19th centuries and most of its elegant streetscape dates from this period, along with the many side lanes that gave access to the areas behind the streets.
Charleville became an important market town with a weekly market on Saturdays and six fairs during the year, and with a number of industries, including tanyards, flour mills and a blanket factory.
Christopher Sanders’s son, William Sanders (1773-1819), was living in the house in 1814, and his son, Christopher Sanders (1808-1839), was living there in 1837. The estates were divided between his sons, Christopher Sanders (1808-1839), who inherited Deer Park, and William Robert Sanders (1810-1851), who was living at Charleville Park at the time of Griffith’s Valuation, holding the property from the Earl of Cork.
The third son, Colonel Robert Sanders (1814-1860) inherited Deer Park when his brother Christopher died and Charleville Park when his brother William died. But he too died without male heirs, and in 1860 the estates passed to another younger son, Thomas Sanders (1816-1892) of Sanders Park or Charleville Park, Charleville.
By the 1870s, he owned 1,024 acres in Co Cork and 942 acres in Co Limerick. A barrister, magistrate and landowner, he was boycotted by the tenant farmers in Charleville, who refused to pay the rents. It was said, ‘Not a blacksmith could be found to shoe his horse and not a living creature to cook his food.’
Robert Massy Dawson Sanders, a land agent, inherited Charleville Park from his father in 1892. He was an elder brother of Evelyn Francis Sanders (1864-1909), who in 1903 married Maria Elizabeth Coote Townshend (1865-1942), who was born in Ireland, and they lived in Calcutta.
Robert Sanders was educated at Trinity College Dublin and was High Sheriff of Co Cork in 1901. He managed the family estate at Charleville Park and a number of other estates, and in 1916 he inherited the Ballinacourty Estate in Co Tipperary from his mother’s uncle, Captain Francis Evelyn Massy-Dawson, a retired naval officer.
During the Irish Civil War, the anti-treaty Republicans occupied Ballinacourty House, but on the approach of Irish Free State soldiers the Republicans burned the house and made good their escape.
Ballinacourty House was never rebuilt, but the stables have since been restored as Ballinacourty House Restaurant. Robert Massy Dawson Sanders later rebuilt and extended an old school house and opened it as an hotel and convalescent home. The Glen Hotel now stands on the site.
During the Irish Civil War, Robert Sanders moved to Buckland Court in Surrey, which was owned by his elderly father-in-law, Francis Henry Beaumont, who transferred the estate to Sanders in 1923. Later, around 1932, Robert Sanders built a lodge on the Ballinacourty Estate where he could stay when he was in Ireland; the Aherlow House Hotel stands there today.
Terence Robert Beaumont Sanders (1901-1985) was born at Charleville Park and became an Olympic gold medallist (Photograph: Patrick Comerford, 2018)
Robert and Hilda Sanders were the parents of two sons, Charles Craven Sanders (1899-1985) and Terence Robert Beaumont Sanders (1901-1985), who were born at Charleville Park and educated at Eton and Trinity College Cambridge.
Charles Craven Sanders lived at Coolnamuck Court, near Carrick-on-Suir, Co Tipperary, up to the mid-1950s, and later lived in Whitechurch, Rathfarnham. His brother Terence was an Olympic gold medallist and a lecturer in engineering in Cambridge.
Terence Sanders was born at Charleville Park on 2 June 1901 and was educated at Eton and Trinity College Cambridge. At Cambridge, Sanders, Maxwell Eley, Robert Morrison and James MacNabb, who had rowed together at Eton, made up the coxless four that won the Stewards’ Challenge Cup at Henley in 1922 as Eton Vikings and the Visitors’ Challenge Cup as Third Trinity Boat Club.
Sanders stroked for Cambridge in the Boat Race in 1923, which was won by Oxford. The coxless four won the Stewards’ Challenge Cup at Henley again in 1923, the crew won Stewards’ at Henley again in 1924 and went on to win the gold medal for Great Britain rowing at the 1924 Summer Olympics in Paris. The British crew won comfortably over the 2000 metre course and winning, with Canada finishing second and Switzerland taking the bronze medal.
Sanders became a Fellow of Corpus Christi, Cambridge in 1925, and was appointed university lecturer in engineering in 1936. He was honorary treasurer of the University Boat Club from 1928 to 1939, and was in the Leander Club eight that won the Grand Challenge Cup at Henley in 1929. In 1929, he co-wrote The University Boat Race: Official Centenary History 1829-1929.
During World War II, he was active in Operation Crossbow that countered the threat of German V2 rockets. He was made a Companion of the Bath (CB) in 1950, and retired from the army as colonel in 1951. Sanders died at Dorking, Surrey, on 6 April 1985 at the age of 83, and is buried in Buckland churchyard near Reigate.
Meanwhile, Charleville Park was the residence of a Mr Binchy, a merchant in Charleville, in the 1940s. By the end of the 20th century, Charleville Park was turned into flats, and new housing estates were built on part of the land.
When I visited Charleville yesterday [27 September 2018], the house was derelict, boarded up and fenced off. But an unusual octagonal gate lodge still stands near the original entrance to the house and demesne.
This two-storey gate lodge was built around 1830, with one-bay faces. The projecting slate roof forms a shallow canopy at the entrance face, with carved timber bargeboards supported on carved timber brackets. There are rendered chimneystacks, rendered walls, square-headed openings with quarry glazed transomed and mullioned windows and rendered sills. An elliptical-headed opening has a raised brick surround and a timber panelled door.
This former gate lodge at Charleville Park is an interesting example of theatrical architecture, and its shape and size are unusual as gate lodge are typically single-storey structures, as can be seen nearby at the former gate lodge at Knight’s Lodge.
I had wondered whether I would find any clues at Charleville Park about the choice of name for Fort St George nearby. After all, the Sanders family coat-of-arms has three elephants’ heads on the shield and an elephant’s head in the crest, and Evelyn Sanders and his wife Maria were living in Calcutta in the early part of the 20th century.
But Calcutta was too far from Fort St George and too late a connection to explain the name, and the elephants’ heads provided no clues at all.
Instead, there was another link with Fort St George, as I imagined Robert Sanders as a regular visitor as he rowed for Cambridge or walked along the banks of the River Cam.
At the time Sanders rowed for Britain in the 1924 Olympics, it was a matter of chance rather than choice whether Irish Olympians were categorised as Irish or British, and his opportunities came from his experiences at Eton and Cambridge. But Robert Sanders should not be forgotten as an Irish-born Olympic gold medallist.
The octagonal gate lodge at Charleville Park is an interesting example of theatrical architecture (Photograph: Patrick Comerford, 2018)
19 April 2018
An unusual sculpture
carries its weight at
a Limerick junction
The John O’Grady Monument at the Fair Green in Limerick (Photograph: Patrick Comerford, 2018)
Patrick Comerford
Limerick has an interesting collection of public sculptures and monuments commemorating its sporting life, including rugby players and hurlers, Olympic athletes, and, of course, that star of Sporting Life, Richard Harris.
But the most unusual sporting monument, in appearance as well as theme, must be the John O’Grady Monument at the Fair Green on the junction of the Pike or Ballysimon Road and the Blackboy Road or Old Cork Road. It is impossible not to notice the monument at the sharp angle of the junction of two roads forming the pike.
This monument in limestone and steel is symbolic and yet has a neoclassical character. It was erected in 1940 to commemorate the champion weight thrower John O’Grady (1892-1934), once the strongest man in Limerick.
The monument shows a weight at the top resting on four limestone balls, and these stand on a limestone plinth base with a canted podium and there is commemorative panelling on the sides of plinth base. The top part of the monument, representing the handle of the weight, was damaged and dislodged. When it was found recently by a local resident, the monument was recently restored to its former glory by Limerick Civic Trust.
John O’Grady was born on 17 February 1891 in Ballybricken, Co Limerick, the son of William and Catherine O’Grady, farmers.
He stood at over 6 ft tall and weighed more than 18 stone. A world record-breaking weight thrower, he represented Ireland in the 1924 Summer Olympics in Paris and was the country’s flag bearer. He took part in the shot put, which he threw a distance of 12.75 metres, which placing him 17th in the Olympics that year.
The monument records that in his career he created three world records for putting and also won seven national championships.
In his later years, he was the rates book inspector for the Limerick County Council. He died on 26 November 1934,at his home, in Saint Kevin’s, Alphonsus Terrace, Limerick. His funeral took place in Saint Michael’s Church, and he was buried in Kilmurry, Caherconlish. All who knew him recalled his jolly disposition.
The inscription on the monument reads:
Erected by his admirers in proud memory of John O’Grady World Champion Weight Thrower born at Ballybricken, Co. Limerick 17th Feb 1892. Died at Limerick 26th Nov 1934. He worthily upheld Ireland’s Athletic prestige and endeared himself to all by his loveable character and simple bearing.
Patrick Comerford
Limerick has an interesting collection of public sculptures and monuments commemorating its sporting life, including rugby players and hurlers, Olympic athletes, and, of course, that star of Sporting Life, Richard Harris.
But the most unusual sporting monument, in appearance as well as theme, must be the John O’Grady Monument at the Fair Green on the junction of the Pike or Ballysimon Road and the Blackboy Road or Old Cork Road. It is impossible not to notice the monument at the sharp angle of the junction of two roads forming the pike.
This monument in limestone and steel is symbolic and yet has a neoclassical character. It was erected in 1940 to commemorate the champion weight thrower John O’Grady (1892-1934), once the strongest man in Limerick.
The monument shows a weight at the top resting on four limestone balls, and these stand on a limestone plinth base with a canted podium and there is commemorative panelling on the sides of plinth base. The top part of the monument, representing the handle of the weight, was damaged and dislodged. When it was found recently by a local resident, the monument was recently restored to its former glory by Limerick Civic Trust.
John O’Grady was born on 17 February 1891 in Ballybricken, Co Limerick, the son of William and Catherine O’Grady, farmers.
He stood at over 6 ft tall and weighed more than 18 stone. A world record-breaking weight thrower, he represented Ireland in the 1924 Summer Olympics in Paris and was the country’s flag bearer. He took part in the shot put, which he threw a distance of 12.75 metres, which placing him 17th in the Olympics that year.
The monument records that in his career he created three world records for putting and also won seven national championships.
In his later years, he was the rates book inspector for the Limerick County Council. He died on 26 November 1934,at his home, in Saint Kevin’s, Alphonsus Terrace, Limerick. His funeral took place in Saint Michael’s Church, and he was buried in Kilmurry, Caherconlish. All who knew him recalled his jolly disposition.
The inscription on the monument reads:
Erected by his admirers in proud memory of John O’Grady World Champion Weight Thrower born at Ballybricken, Co. Limerick 17th Feb 1892. Died at Limerick 26th Nov 1934. He worthily upheld Ireland’s Athletic prestige and endeared himself to all by his loveable character and simple bearing.
29 August 2017
A gold medal recognised
in Limerick and Athens
but not in Lausanne
The bench on Thomas Street recognises Con Leahy’s gold and silver medals in Athens in 1906 (Photograph: Patrick Comerford, 2017; click on image for full-screen view)
Patrick Comerford
On a street corner in Limerick, a street bench remembers Con Leahy, the only Limerick athlete to ever win an Olympic Gold medal.
Seeing the memorial bench in Thomas Street this week brought me back to my visit to Athens the weekend before, but was also a reminder of the controversy surrounding the 1906 Olympics.
Cornelius ‘Con’ Leahy (1876-1921) was born in Creggane, near Bruree, Co Limerick, and was one of seven brothers who were distinguished on the sports fields. His brother Patrick won the British high jump record in 1898 and won Olympic medals in 1900; Timothy jumped competitively; Tom was a talented jumper; and Mick, the youngest brother, was a champion hurdler, pole-vaulter and high jumper who also played rugby for Garryowen and hurling for Limerick, and rowed for Shannon.
In 1906, Con Leahy was entered for the Athens Games, along with Peter O’Connor and John Daly. They were nominated by the Irish Amateur Athletic Association and the Gaelic Athletic Association to represent Ireland.
However, when they arrived in Athens, they found the rules had been changed and that only athletes nominated by National Olympic Committees were eligible. Ireland did not have a National Olympic Committee, and the British Olympic Council claimed the three.
On registering for the Games, Leahy, O’Connor and Day found that they were listed as members of the United Kingdom team and not as part of an Irish team, but they decided to go ahead and take part.
Leahy won the gold medal in the high jump with 1.775 meters, beating Lajos Gönczy of Hungary by 2.5 cm. He then took part in the hop, step and jump (triple jump), which Peter O’Connor won with 14.075 meters, with Leahy coming second with 13.98 meters and winning a silver medal. O’Connor also won the silver medal in the long jump.
Two years later, at the 1908 Olympic Games, Leahy again took part in the high jump, and won a silver medal, sharing second place at 1.88 meters, behind the American Harry Porter at 1.90 meters.
Con and Patrick Leahy emigrated to the US in 1909, and Con died in Manhattan in 1921.
In 2006, to mark the 100th anniversary of his Olympic medal, a memorial was unveiled in Bedford Row, Limerick, and was then moved to a corner of O’Connell Street and Thomas Street when a portion of Thomas Street was pedestrianised. The inscription reads: ‘In honour of Cornelius ‘Con’ Leahy (1876-1921) Olympic Gold Medalist High Jump – Gold / Triple Jump – Silver May 1st Athens 1906.’
Keeping the memory of Athens 1906 alive in Limerick (Photograph: Patrick Comerford, 2017)
To this day, however, the International Olympic Committee refuses to recognise the 1906 Games, and medals awarded at those games in Athens are not displayed with the collection of Olympic medals at the Olympic Museum in Lausanne.
The 1906 Games are still referred to as the Intercalated Games although when they took place they were considered to be Olympic Games and the International Olympic Committee referred to them as the Second International Olympic Games in Athens.
The first modern Olympic Games were staged in Athens in 1896. The Athens games in 1896 had been so successful that the Greeks suggested they could organise the games every four years. But Pierre de Coubertin, the founder of the IOC, wanted to keep the games in Paris.
When major problems emerged with organising the 1900 and 1904 Olympic Games, the IOC hoped that the 1906 Games would breathe fresh life and enthusiasm into the Olympics, and agreed to a second Olympics in Athens.
The compromise involved holding special games in Athens every four years, between the regular Olympic Games which would move venue. The 1906 Games in Athens were held from 22 April to 2 May 1906 were a success. Unlike the 1900, 1904 or 1908 games, the 1906 Athens games were neither stretched out over months nor overshadowed by an international exhibition.
The Games took place in the Panathenaic Stadium (Παναθηναϊκό Στάδιο), which had already hosted the 1896 Games and the earlier Zappas Olympics of 1870 and 1875. Several events from the previous two games were excluded, but new events included the javelin throw and the pentathlon.
These were the first games where all athletes registered through the National Olympic Committees, the first games to have the Opening Ceremony as a separate event, with the athletes marching into the stadium in national teams, each following a national flag, the first games with an Olympic Village, at the Zappeion, and the first games with a closing ceremony and the raising of national flags for the medal winners.
A Canadian athlete, Billy Sherring, lived in Greece for two months to adjust to the local conditions. His efforts paid off when he unexpectedly won the Marathon. Prince George accompanied him on the final lap.
Finland made its Olympic debut, and immediately won a gold medal, when Verner Järvinen won the Discus, Greek style event. The Grand Duchy of Finland was part of the Russian Empire at the time, but was treated as a separate nation. This recognition of Finland compounded the feeling among the Irish athletes that they had been treated unfairly.
At the medal ceremony, Peter O’Connor protested at being put on the British team, scaled the flagpole in the middle of the field and waived the Irish flag. Below him, the pole was guarded by Irish and American athletes and supporters, including Con Leahy.
These were the first games too at which that the United States had an official team. One of the US medallists was Martin Sheridan (1881-1918) from Bohola, Co Mayo. He was sent to Athens by the Irish American Athletic Club. Competing for the US, he won gold in the 16-lb Shot put and the Freestyle Discus throw and silver in the Standing high jump, Standing long jump and Stone throw. He scored the greatest number of points of any athlete at the Games. For his accomplishments, he was presented with a ceremonial javelin by King George I. The javelin remains on display in a local pub near Sheridan’s hometown in Bohola, Co Mayo.
Many of the innovations in Athens in 1906 have since become part of the Olympic tradition, and the crisp format may have helped to ensure the continued existence of the games. But they turned out to be the first and only ‘Intercalated Games.’
Due to of political unrest in Greece, the Intercalated Games were cancelled in 1910, World War I broke out in 1914 and continued until 1918, and these alternate games were never held again.
Later, athletes who won medals in Athens in 1906 that they were not really Olympic Games at all. Pierre de Coubertin, the founder of the Modern Olympics, decided arbitrarily and unilaterally that the 1906 Olympics should be ignored and considered unofficial. Since then, the 1906 Games are often referred to as the 10th anniversary Games.
In 1948, and again in 2003, attempts were made to convince the IOC to reinstate the 1906 Games as official Olympic Games, but the proposals were rejected without ever being put to a vote.
Con Leahy’s achievements and medals may not be recognised in Lausanne, but they are remembered in Athens and are honoured on the streets of Limerick.
The Panathenaic Stadium in Athens (Photograph: Patrick Comerford, 2017; click on image for full-screen view)
Patrick Comerford
On a street corner in Limerick, a street bench remembers Con Leahy, the only Limerick athlete to ever win an Olympic Gold medal.
Seeing the memorial bench in Thomas Street this week brought me back to my visit to Athens the weekend before, but was also a reminder of the controversy surrounding the 1906 Olympics.
Cornelius ‘Con’ Leahy (1876-1921) was born in Creggane, near Bruree, Co Limerick, and was one of seven brothers who were distinguished on the sports fields. His brother Patrick won the British high jump record in 1898 and won Olympic medals in 1900; Timothy jumped competitively; Tom was a talented jumper; and Mick, the youngest brother, was a champion hurdler, pole-vaulter and high jumper who also played rugby for Garryowen and hurling for Limerick, and rowed for Shannon.
In 1906, Con Leahy was entered for the Athens Games, along with Peter O’Connor and John Daly. They were nominated by the Irish Amateur Athletic Association and the Gaelic Athletic Association to represent Ireland.
However, when they arrived in Athens, they found the rules had been changed and that only athletes nominated by National Olympic Committees were eligible. Ireland did not have a National Olympic Committee, and the British Olympic Council claimed the three.
On registering for the Games, Leahy, O’Connor and Day found that they were listed as members of the United Kingdom team and not as part of an Irish team, but they decided to go ahead and take part.
Leahy won the gold medal in the high jump with 1.775 meters, beating Lajos Gönczy of Hungary by 2.5 cm. He then took part in the hop, step and jump (triple jump), which Peter O’Connor won with 14.075 meters, with Leahy coming second with 13.98 meters and winning a silver medal. O’Connor also won the silver medal in the long jump.
Two years later, at the 1908 Olympic Games, Leahy again took part in the high jump, and won a silver medal, sharing second place at 1.88 meters, behind the American Harry Porter at 1.90 meters.
Con and Patrick Leahy emigrated to the US in 1909, and Con died in Manhattan in 1921.
In 2006, to mark the 100th anniversary of his Olympic medal, a memorial was unveiled in Bedford Row, Limerick, and was then moved to a corner of O’Connell Street and Thomas Street when a portion of Thomas Street was pedestrianised. The inscription reads: ‘In honour of Cornelius ‘Con’ Leahy (1876-1921) Olympic Gold Medalist High Jump – Gold / Triple Jump – Silver May 1st Athens 1906.’
Keeping the memory of Athens 1906 alive in Limerick (Photograph: Patrick Comerford, 2017)
To this day, however, the International Olympic Committee refuses to recognise the 1906 Games, and medals awarded at those games in Athens are not displayed with the collection of Olympic medals at the Olympic Museum in Lausanne.
The 1906 Games are still referred to as the Intercalated Games although when they took place they were considered to be Olympic Games and the International Olympic Committee referred to them as the Second International Olympic Games in Athens.
The first modern Olympic Games were staged in Athens in 1896. The Athens games in 1896 had been so successful that the Greeks suggested they could organise the games every four years. But Pierre de Coubertin, the founder of the IOC, wanted to keep the games in Paris.
When major problems emerged with organising the 1900 and 1904 Olympic Games, the IOC hoped that the 1906 Games would breathe fresh life and enthusiasm into the Olympics, and agreed to a second Olympics in Athens.
The compromise involved holding special games in Athens every four years, between the regular Olympic Games which would move venue. The 1906 Games in Athens were held from 22 April to 2 May 1906 were a success. Unlike the 1900, 1904 or 1908 games, the 1906 Athens games were neither stretched out over months nor overshadowed by an international exhibition.
The Games took place in the Panathenaic Stadium (Παναθηναϊκό Στάδιο), which had already hosted the 1896 Games and the earlier Zappas Olympics of 1870 and 1875. Several events from the previous two games were excluded, but new events included the javelin throw and the pentathlon.
These were the first games where all athletes registered through the National Olympic Committees, the first games to have the Opening Ceremony as a separate event, with the athletes marching into the stadium in national teams, each following a national flag, the first games with an Olympic Village, at the Zappeion, and the first games with a closing ceremony and the raising of national flags for the medal winners.
A Canadian athlete, Billy Sherring, lived in Greece for two months to adjust to the local conditions. His efforts paid off when he unexpectedly won the Marathon. Prince George accompanied him on the final lap.
Finland made its Olympic debut, and immediately won a gold medal, when Verner Järvinen won the Discus, Greek style event. The Grand Duchy of Finland was part of the Russian Empire at the time, but was treated as a separate nation. This recognition of Finland compounded the feeling among the Irish athletes that they had been treated unfairly.
At the medal ceremony, Peter O’Connor protested at being put on the British team, scaled the flagpole in the middle of the field and waived the Irish flag. Below him, the pole was guarded by Irish and American athletes and supporters, including Con Leahy.
These were the first games too at which that the United States had an official team. One of the US medallists was Martin Sheridan (1881-1918) from Bohola, Co Mayo. He was sent to Athens by the Irish American Athletic Club. Competing for the US, he won gold in the 16-lb Shot put and the Freestyle Discus throw and silver in the Standing high jump, Standing long jump and Stone throw. He scored the greatest number of points of any athlete at the Games. For his accomplishments, he was presented with a ceremonial javelin by King George I. The javelin remains on display in a local pub near Sheridan’s hometown in Bohola, Co Mayo.
Many of the innovations in Athens in 1906 have since become part of the Olympic tradition, and the crisp format may have helped to ensure the continued existence of the games. But they turned out to be the first and only ‘Intercalated Games.’
Due to of political unrest in Greece, the Intercalated Games were cancelled in 1910, World War I broke out in 1914 and continued until 1918, and these alternate games were never held again.
Later, athletes who won medals in Athens in 1906 that they were not really Olympic Games at all. Pierre de Coubertin, the founder of the Modern Olympics, decided arbitrarily and unilaterally that the 1906 Olympics should be ignored and considered unofficial. Since then, the 1906 Games are often referred to as the 10th anniversary Games.
In 1948, and again in 2003, attempts were made to convince the IOC to reinstate the 1906 Games as official Olympic Games, but the proposals were rejected without ever being put to a vote.
Con Leahy’s achievements and medals may not be recognised in Lausanne, but they are remembered in Athens and are honoured on the streets of Limerick.
The Panathenaic Stadium in Athens (Photograph: Patrick Comerford, 2017; click on image for full-screen view)
17 August 2017
Jack Yeats and Paul Henry
brought together in
Hunt Museum exhibition
‘Keel, Achill’ (ca 1910-1919) by Paul Henry, on loan from the Ulster Museum (Photograph: Patrick Comerford, 2017)
Patrick Comerford
I have not been back to Achill Island yet this year. But I was transported back to Achill through the paintings of Paul Henry during the weekend when I visited the summer exhibition at the Hunt Museum in Limerick of paintings by Jack B Yeats and Paul Henry, two of Ireland’s most important 20th century artists.
The exhibition, ‘Jack B Yeats and Paul Henry: Contrasting Visions of Ireland,’ features 50 works, bringing together paintings drawn from private and public collections.
Many of these works are normally not available for public viewing. They include works on loan from the European Investment Bank Collection in Luxembourg and other paintings have been borrowed from private collections.
The former Abbot of Glenstal Abbey, Father Mark Patrick Hederman, launched the exhibition earlier this summer. Speaking in the Hunt Museum, he said this unique exhibition encourages ‘visitors to see Ireland through the eyes of two very different artists working before, during and after the establishment of the Irish Free State.’
The two artists were contemporaries and had much in common. Both were born in the 1870s, and they died within two years of each other in the 1950s after long and prolific careers. Both had family links with the west of Ireland, both began their working lives in London, both married fellow artists, and both returned to Ireland in 1910.
Ten years later, they collaborated in setting up the Society of Dublin Painters in 1920. Each separately discovered and recreated the West of Ireland in ways that captivated the imagination of critics and the Irish public.
Their paintings provided the new Irish Free State with a distinctive and positive image of its people and its land, offering insights into the ‘soul’ of Ireland through its traditions, its landscapes and streetscapes and the ways of life of the Irish people.
Yet, their paintings differ profoundly in style and scope, and demonstrate the diverse ways in which the creative mind responds to its environment, transforming sensations, memories and experiences in their different visions.
‘From Portacloy to Rathlin O’Beirne’ (1932) by Jack B Yeats, oil on canvas, in a private collection (Photograph: Patrick Comerford, 2017)
John (Jack) Butler Yeats (1871-1957) was a brother of the poet William Butler Yeats and was immensely prolific and innovative in his style and technique. He was born in London and his early style was that of an illustrator – he created the first cartoon strip for Sherlock Holmes and the works of Arthur Conan Doyle. He began to work regularly in oils in 1906, and he moved to Ireland permanently in 1910.
His early pictures are simple lyrical depictions of landscapes and figures, mainly from the west of Ireland, especially in his boyhood home in Co Sligo.
He responded to the distinctive nature of the West of Ireland, especially in his beloved Sligo and in Irish mythology, and to the practices and traditions of its people. He also celebrates the city life of the new Ireland, the Irish love of sport, and social events at the heart of rural Ireland.
Yeats also holds the distinction of winning the Irish Free State’s first medal at the Olympic Games. At the 1924 Summer Olympics in Paris, his painting The Liffey Swim won a silver medal in the arts and culture segment.
Paul Henry (1876-1958) was born in Belfast, and lived and worked on Achill Island for a decade, from 1910 to 1919. His works are incredibly atmospheric and evocative, and he continued to produce Achill landscapes in later life. He portrays traditional habits and ways of life, as well as the unmistakable landscape features of the West of Ireland. An immensely popular artist, his work has influenced many peoples’ perceptions of the uniqueness of Ireland.
● The exhibition opened on 2 June and continues until the end of next month [Saturday 30 September 2017].
The Jack B Yeats and Paul Henry exhibition continues at the Hunt Museum until 30 September (Photograph: Patrick Comerford, 2017)
Patrick Comerford
I have not been back to Achill Island yet this year. But I was transported back to Achill through the paintings of Paul Henry during the weekend when I visited the summer exhibition at the Hunt Museum in Limerick of paintings by Jack B Yeats and Paul Henry, two of Ireland’s most important 20th century artists.
The exhibition, ‘Jack B Yeats and Paul Henry: Contrasting Visions of Ireland,’ features 50 works, bringing together paintings drawn from private and public collections.
Many of these works are normally not available for public viewing. They include works on loan from the European Investment Bank Collection in Luxembourg and other paintings have been borrowed from private collections.
The former Abbot of Glenstal Abbey, Father Mark Patrick Hederman, launched the exhibition earlier this summer. Speaking in the Hunt Museum, he said this unique exhibition encourages ‘visitors to see Ireland through the eyes of two very different artists working before, during and after the establishment of the Irish Free State.’
The two artists were contemporaries and had much in common. Both were born in the 1870s, and they died within two years of each other in the 1950s after long and prolific careers. Both had family links with the west of Ireland, both began their working lives in London, both married fellow artists, and both returned to Ireland in 1910.
Ten years later, they collaborated in setting up the Society of Dublin Painters in 1920. Each separately discovered and recreated the West of Ireland in ways that captivated the imagination of critics and the Irish public.
Their paintings provided the new Irish Free State with a distinctive and positive image of its people and its land, offering insights into the ‘soul’ of Ireland through its traditions, its landscapes and streetscapes and the ways of life of the Irish people.
Yet, their paintings differ profoundly in style and scope, and demonstrate the diverse ways in which the creative mind responds to its environment, transforming sensations, memories and experiences in their different visions.
‘From Portacloy to Rathlin O’Beirne’ (1932) by Jack B Yeats, oil on canvas, in a private collection (Photograph: Patrick Comerford, 2017)
John (Jack) Butler Yeats (1871-1957) was a brother of the poet William Butler Yeats and was immensely prolific and innovative in his style and technique. He was born in London and his early style was that of an illustrator – he created the first cartoon strip for Sherlock Holmes and the works of Arthur Conan Doyle. He began to work regularly in oils in 1906, and he moved to Ireland permanently in 1910.
His early pictures are simple lyrical depictions of landscapes and figures, mainly from the west of Ireland, especially in his boyhood home in Co Sligo.
He responded to the distinctive nature of the West of Ireland, especially in his beloved Sligo and in Irish mythology, and to the practices and traditions of its people. He also celebrates the city life of the new Ireland, the Irish love of sport, and social events at the heart of rural Ireland.
Yeats also holds the distinction of winning the Irish Free State’s first medal at the Olympic Games. At the 1924 Summer Olympics in Paris, his painting The Liffey Swim won a silver medal in the arts and culture segment.
Paul Henry (1876-1958) was born in Belfast, and lived and worked on Achill Island for a decade, from 1910 to 1919. His works are incredibly atmospheric and evocative, and he continued to produce Achill landscapes in later life. He portrays traditional habits and ways of life, as well as the unmistakable landscape features of the West of Ireland. An immensely popular artist, his work has influenced many peoples’ perceptions of the uniqueness of Ireland.
● The exhibition opened on 2 June and continues until the end of next month [Saturday 30 September 2017].
The Jack B Yeats and Paul Henry exhibition continues at the Hunt Museum until 30 September (Photograph: Patrick Comerford, 2017)
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