Showing posts with label Blog - Tutorial. Show all posts
Showing posts with label Blog - Tutorial. Show all posts

Sunday, 17 February 2019

Happy Hoppy Easter

I've been playing with some bunnies from Lee Holland and have two cards to share using this cutie.  One of them is no-lines and following a question by Tami about whether I add the pale or dark colours first, I also have a mini picture tutorial of the first stages of my water-colouring.

Here's the first of my cards; the no-lines version:


First of all I lightly shade the whole image as the base colour (for bunny, this was Antique Linen):


Then I add the darker colour where I want the shadow and blend it in with a fine damp brush.  I add a little more ink where I want the most shade, but I find that a little goes a long way with these inks. 

The image below is where I've added Brushed Corduroy around the shaded areas, before blending them in.  I don't usually work on this many sections at one time but wanted to show you where I'd add the ink and got a bit carried away!  I snapped the photo then quickly got to work blending it out with mini circular motions using my watercolour brush.


Ausie aNNie also asked what brush I use, and I tend to use the same brush for most of my painting, which is a ProArte Spotter size 2. It's quite a small brush but it works well for me.


I forgot to take some more pics, but I added some more Brushed Corduroy and some Vintage Photo for the darkest parts.  As usual, I got a bit heavy handed with the darker colours so his face looks like he's spent a little too long on the sun lounger, but I love the golden brown of the Brushed Corduroy.




And here's my second card. It's very similar but I decided against the no-lines technique for this one.


Water-coloured on Langton Watercolour paper with Ranger Distress Ink Reinkers:
  • Fur: Antique Linen, Brushed Corduroy, Vintage Photo, Tattered Rose
  • Grass: Twisted Citron, Mowed Lawn, Peeled Paint, Forest Moss
  • Sky: Tumbled Glass
  • Purples: Milled Lavender, Dusty Concord

Card Recipe:
Happy crafting
Annette
xx



Saturday, 25 February 2017

Mousey Mousey (and an ickle tutorial)

I've used one of the new cute mice images from Lili of the Valley called Three Kind Mice. I've water-coloured him with reinkers and added lots of lovely embellishments from The Ribbon Girl including this gorgeous textured Hessian ribbon.





I've done a mini photo tutorial of how I've coloured some of the flowers to match the colour theme of the card.

I've used plain white lily flowers and coloured the ends of each petal with a Zig Real Brush watercolour pen. I'd just got half way around the final petal before remembering to take a photo, but hopefully you can see what I was doing.  I'd already gone around with a pale pink underneath the lilac to give it a bit of depth so you may be able to see a bit of pink under the lilac if you look closely.


It looked quite 'harsh' so I then dabbed a small wet paintbrush onto the colour to blend it a bit.  When it was dry, this was what it looked like:




I also colour some of the mini rose buds. The one below was coloured pink using the same Zig markers technique as above, but instead of using a paintbrush to blend the colour, this time I dunked the tip of the rosebud into water for a fraction of a second, (literally in and straight out again, even quicker than dunking a digestive biscuit in your cuppa so it doesn't disintegrate and end up as mush at the bottom of your mug!).  The colour blended perfectly into all the detail of the rose bud.  

The photo below was taken just after I'd dunked the pink one, so it's still wet and a bit dark. The white one had not been coloured at this point. Of course, it would have been a better idea to colour them before I'd inter-twined them, but again, I was not thinking logically and only decided to do the tutorial half way through the process!  Next time I'll plan it better! (famous last words!)



Copics can work too, but I find that water colour inks are perfect as the water moves the ink into all the creases of the flower, where you could never get the marker tip to reach.




Card Recipe:


From Lili of the Valley:

From The Ribbon Girl:
From Dies To Die For:
Other:
  • Watercoloured with Ranger Distress Ink Reinkers
  • Flowers coloured with Zig Real Brush Waterbased Markers
  • The Langton Watercolour paper
  • Spellbinders Floral Oval Nesties
I've been inspired by:
Happy crafting
Annette
xx



Tuesday, 23 August 2016

Dropping the Shopping (and a review)

I've been inspired by Aileen to write a review on the Docrafts Artiste pens that I bought last month, which gave me an ideal opportunity to have another play with them at the weekend.

In order to really decide how I feel about using them, I decided to colour the same image in four different mediums; Copics, Derwent Inktense Pencils, DI Reinkers and the Artiste Markers.

I'm certainly not an expert in any of these products, nor am I connected to any of the companies in any way (a girl can dream though, right!).  Although I am more confident with those that I use most often, I'll try not to let my comfort with my most frequently used mediums bias my comments.

The image I've used is called Dropping the Shopping by Lili of the Valley.  I chose this mainly because it included skin, hair and clothing as well as something cute and furry!  I thought all of these elements would give me a better range of colouring challenges upon which to make my comparison.

So here goes .....

Copic Alcohol Markers 

I thought I'd set the benchmark with the medium I find quickest to colour with in order to determine where I wanted the shadow & light and also to choose my colours. So my first sample is using Copics.  These are the only medium which are alcohol-based, rather than water-based, so I stamped with Momento ink onto smooth white card.

I've actually not used Copics for a few weeks, so it wasn't as easy as I'd thought!  To intensify the comparison challenge I decided to include some 'white' areas, and also outline the whole image with blue to give it a bit of 'pop'.

As usual, the pens were easy to blend (although I do find red the hardest to blend well) and I tried a couple of different techniques, including 'dotting' the grey to shade the hat and cuffs.

So, the bar is set, and although I think I could have tried harder with the pleats in her coat, I was fairly pleased with the end result.

So here's the Copic entry:




Docrafts Artiste Watercolour Markers

While I was in 'marker mode' I thought I'd dive straight into the Artiste marker pens.  These are watercolour pens, so I stamped with Stazon onto my preferred Langton watercolour 300gsm card. 

The first noticeable difference to Copics was the range of colours.  I have the 36 colour set so had to decide which colours were going to give me the best comparison to the Copics (erm, yes, I may possibly have slightly more than 36 Copics in my collection!).  For example, when I use Copics to colour skin, I use up to 7 different pens, but with the Artistes, I only had 3; a skin colour, a tan brown for the shadow, and a pink blush for her cheeks.  It probably helped that there was a relatively small surface area of skin on this image, but I think that the shading turned out ok, and she even has a little bridge on her nose where I popped in a bit of extra shadow, just as I'd done with the Copics.

The second main difference between the Artistes and the Copics was the brightness of the colours. I could possibly have used brighter colours in the Copics, but almost all 36 of the Artiste colours are bright, and there are no 'dusky' shades.  This makes the image instantly appear brighter.

When using the pens, I found that I didn't need to add very much ink before 'dragging' it out with my waterbrush. It was easy to add layers (using the same colour on top of the last layer to add depth and shading). I only used the brush nibs, but they are exceptionally fine and therefore accurate, and can get into the smallest corner to add colour.  It was also easy to add a bit of shading to the gathers at the base of her coat. 

There were relatively few colours suitable for the furries, but I used two separate shades of brown on the pup and he turned out a mahogany colour.  The 'white-grey' was fairly easy to shade, and the ink watered down really well to give just a hint of colour where I wanted only a subtle softness. Even the blue halo around the image was easy, although the blue was a fairly dark hue, so I ended up swiping the water brush down the pen's brush nib and adding the ink off the water brush instead of directly from the marker to make it lighter.  I guess I could have scribbled some marker ink onto an acrylic block and picked that up with my brush, but I was being lazy!

Overall, the pens were as easy to apply as Copics, but blended via water.  I feel that water-colouring looks softer and I found it easier to blend away harsh lines without washing out the colour which I sometimes suffer from with Copics when blending a lighter shade after a darker shade.



Derwent Inktense Pencils

The pencils are the medium that I'm least comfortable with.  I love how other people use them with great effect and I love the softness of shades that I've seen achieved.  I invested in a fabulous set of Inktense Pencils a while ago and they've seen very little use because I simply don't feel confident using them. However, I've bitten the bullet and included them in my colouring comparison.

The range of colours is huge (I have the beautiful wooden boxset of 72 pencils), and I love that they blend with water rather than the paper-stumps and Sansodor, but I do find that I can't always blend out the original area that the pencil makes on the paper and it leaves a feint line that is still visible after a lot of furious blending.

In order to do the 'halo effect' around the image I used my watercolour brush to take colour from the pencil and then transfer it from the brush onto the paper rather than applying the pencil directly to the image. This seemed to reduce the problem of the un-blended lines. The colours were a bit dusky and gave the image more of a vintage look.

One of the main problems I found was that even if the paper was only fractionally damp, the pencil lines were worse and if the pencil itself got wet, then I had to say goodbye to any hope of blending. However, I did find then that I could use the brush-to-pencil application method really easily to great effect.  

As well as loving the effect that I'd seen others' produce with them, another reason that I actually bought the pencils originally was their portability.  I couldn't take my reinker pallets with me when I left the house because the inks are far too runny, so I was limited to Copics if I wanted to colour anywhere than at home.  Saying that, hubby wasn't too impressed when I sneaked the rather bulky wooden box into his suitcase (I was travelling light with all my clothes in just hand-luggage) when we went on holibobs earlier this year.  Men just don't understand a crafter's obsessions!  I could've taken them out of their box to make them less bulky, but the box actually doubled up as an image protector and kept my images flat and safe from dog-ears in transit too. :0)



Distress Ink Reinkers

So lastly I've used the medium that I'm most comfortable with, my Ranger Distress Ink Reinkers.  I have 55 of the dinky bottles of inks, (eek, I've never counted them before) stored in 2 of the Tim Holtz palette trays.  On the downside, they have practically zero portability (I just about manage to take them outside onto the garden table, but even then once fell foul of a gust of wind that took hold of the tray and gave me a multicoloured gravel path and an empty palette.  If you prefer you can, I believe, use the ink pads instead and grab ink with your paintbrush by pressing ink from the pad onto an acrylic block (or the lid).  However, the reinkers are more cost effective (and I don't want 55 ink pads) and their lack of portability is more than compensated by the range of depth and shadow that can be achieved.  You can get an amazing array of style using these inks, from beautiful, soft, romantic, subtle hues (see the lovely Squirrel's amazingly delicate colouring) to the higher contrast effect that is all I seem to be able to achieve (despite my occasional attempts to take a leaf out of Squirrel's book and "keep it soft").

Another consideration is that these bottles of inks last ages because you need so little ink on the paintbrush. I've been using them for years, often on a daily basis, and I've not even used a quarter of a bottle of any of my colours yet, even those I use most like the browns.  A single drop from the pipette lasts months and they don't evaporate on the palette either.

Like the pencils, you have to be uber careful if you find you're adding another layer on top if the previous layer isn't quite dry because it will bleed. Worse, and far far far worse than any of the other mediums I've mentioned above, if you don't allow one colour to dry before colouring a neighbouring area you are at a high risk of colours bleeding into each other.  This can sometimes be saved with a clean damp brush and blotting with kitchen paper but is heartbreaking when it happens, especially if you've coloured most of the image.  I did have a small mishap (*ahem* purely in the name of research for this review, of course) on the bottom left corner of the purple bag, but I blended it with water to wash it down, and then the blue halo faded it a bit more, but that happened because I added the blue halo before the purple was dry, which can take some time.

Overall, despite their challenging mishaps, and lack of portability, the inks are still my go-to colouring options, but that doesn't mean I'm going to be getting rid of my Copics, Inktense pencils or Artiste watercolour markers anytime soon!




Side by Side

As a final comparison here are all 4 finished images side by side.  The Copics are on smooth white card, and the others, all being watercolour mediums, are on Langton which is a bit creamier in colour. My lamp was also in the top left corner of my desk!
  1. Top left : Copics
  2. Top right : Docraft Artiste Watercolour Markers
  3. Bottom left : Derwent Inktense Pencils
  4. Bottom right : Ranger Distress Ink Reinkers



And finally:

Here's a finished card using one of the images.  But can you see which one?  No prizes for guessing, so it's just for fun, but let me know in the comments section which medium you think I've used on this card! :0)

More importantly, I'd love to hear what you think of the review, and if you have any other questions on any of the above mediums. If you've made it this far down the article, I hope this has been helpful, especially if you're new to any of these colouring tools.





Card Recipe:
My card's been inspired by:
Happy crafting
Annette
xx




Wednesday, 8 June 2016

Coffee (in a Teapot)

It's my turn to showcase a project at My Mum's Craft Shop and I've got a cute little mousey from Whipper Snapper Designs called Colby's Caffeine.  I've made a teapot shaped card from a circle with shaped spout, handle and base.  The 'lid' is just an added circle with a brad on it.  I've cut the image out with a stitched circle stax die and kept the embellishments simple with just some flowers and a die cut '50'.


Card Recipe:
Created for:



I've been inspired by:
Happy crafting
Annette
xx



Thursday, 2 July 2015

Tutorials in a Winter Wonderland

We're in the middle of a summer heatwave so I thought I'd make a wintry card (no smart-arse comments from you now please Squirrel !).

This card went though a few versions, different papers, background matt colours and ribbons, and then ended up with no designer papers and no fussy stuff whatsoever!

It's supporting the 'favourite sport' theme at As You Like It Challenge, but unfortunately I'm not much of a sports fan (unless eating or sleeping count as sports).  However, I do quite a bit of walking as I walk to work most days and also usually do some kind of walking at the weekend, even if it's just walking into town and back for some noshing (there's the eating coming into the picture again!) or getting the train to the next town along the bay I live in and walking back, which is about 5 or 6 miles (with an ice-cream at the half way point!).

I did find it quite hard to find a walking image, hence I've ended up with a Christmas themed card as I was struggling to find a walking image in my stash.  And to top it off, I've added a custom sentiment which includes my 'sport', just to bring it all together.

Which leads me nicely to the tutorial part.  I was asked on a previous post if I'd do a mini tutorial on how I do my arc sentiments. I've done a couple on vellum which looks good, but this one is just typed and printed onto white card, then matted onto green to match my image.  But there's a bit of work behind the scenes to get the arc just the right shape.  So if you're interested, then keep reading and I'll include some pics on how I do it.

But first, here's my 'sports themed' card!



Arc Sentiment Tutorial:

I use Microsoft Word for my sentiments, but if you use another software the process will be similar so hopefully it helps give you some ideas!

1)  I insert a circle into my document which is the same size as the image that I want to arc my sentiment around. This is merely to use as a visual aid to get the arc of my sentiment right.  It will be deleted at the end so I don't need to fuss about colour and outline.  To insert a shape into Word, select Insert, Shape, and then select the Oval shape option.





2)  Ensure you size your circle to the same size as your image layer. My image panel has a 10cm diameter, so I size the template circle to these dimensions.




3) Next I insert some Word Art which will be my custom sentiment.  





4) I enter my text in the Word Art text box and format the font style and size to something I like the look of. 




5) Next I use the Format, Transform, Arch Up tool (as shown in the picture below) to arc the text. The Arch Down option would work in the same way if you wanted the text at the bottom of the circle.





6)  Next manually resize the text box into a large square that creates the shape of arc that you want.  Use your circle shape as a template imagining that it's your image.  As you can see below, the text box is not necessarily an even square (mine is slightly taller than it is wide) in order to get the shape of text that I think looks best.  Use the manoeuvring squares in each corner, and move the text box around over your circle template until you're happy with how it looks.  It takes some fiddling, but it's an easy way to get your shape right without a lot of printing trial and error!





7)  When I'm happy with my sentiment, I want to delete my circle template so that it doesn't print out.  However, the layers are now such that the text box is on top of the circle shape, so I can't select the circle shape very easily.  In Word you can move the layers backwards and forwards.  I move the text box that I can select backwards, behind the circle shape by using the 'Send to back' option on the text box.   If the text is at the 'back' this means that the template circle shape is therefore at the front.





8)  Once the circle shape is in front, I am able to select it and delete it. This should leave my sentiment by itself with some clean white space around it ready to print. 



9)  Once printed I use a circle the same size as my image (I could use my image panel, but this red circle is more helpful as it has a small mark in the centre).  Using a ruler I can then measure out the diameter of the circle I need to cut the outer arc of my sentiment.  Here, I have decided I need it to be an extra 1cm larger than my image panel (my desired size is shown in green below), so I need to cut the arc with my circle cutter set to 12cm diameter.






10)  I use my circle cutter to cut the arc, using the mark on the centre of my template as a guide for the centre of my circle cutter.  You could use a circle die instead for this cutting part and you wouldn't need to do steps 9 or 10, but I don't have a circle die large enough for this particular circle.






11)  I cut the sides at right angles and also trim the base as shown in the image below.  
If I want to matt the sentiment I cut a semi circle in coloured card which is very slightly larger than my sentiment arc.  I stick my sentiment down leaving a small border edge as shown below.

Tip:  If I print the sentiment onto vellum then I don't usually add a backing matt as I prefer the 'sheer' look of the vellum without it.





12) Finally I trim the edge of my coloured card leaving a narrow border, ready to slip underneath my image panel.





And here's a reminder of the finished card with the sentiment slipped behind the image panel:



Card Recipe:
I've been inspired by:
Happy crafting
Annette
xx



Monday, 14 July 2014

A Kit Tutorial

I've got something a bit different to show you today, in the form of a kit from The Stamp Basket, and a tutorial on how I used it.  The kit has so many items in it, enough to create 4 full cards, with plenty left over for lots of other projects.  All you'll need is some colouring items (pens / pencils / paints), some glue, and you're ready to get creative!

I won't ramble on today, as there are LOTS of pics to bore you with.  Firstly I'll show you what I created with the kit, and then if you'd like to see how I made it, please check out the tutorial below.

Here's my finished card ...
And here's how I made it ...

1)   I trimmed 2 sheets of my chosen Nordic Christmas papers in half, and popped some tape on the back to keep them together.  The papers in the pack complement each other, so they match well.  Personally I prefer the lighter colour on top as it seems to balance out the finished card better, but try out some papers and decide which you think looks good.



2)   Put the papers face down on a cutting mat, and lay your card base on top (don't stick it down at this point).  Line up the top and one side of your card base against the papers and using a ruler, trim the excess paper away from the other side with a craft knife.  Only trim the side edge at this stage, not the bottom edge.



3)   Remove the base card and place it to one side.  Turn over your papers and lay a strip of the ribbon across the join to hide it up.

Tip : If you can still see the join through the ribbon, which is possible if one paper is much darker than the other and the ribbon is semi-transparent, then place the bottom edge of the ribbon almost directly over the join.  The lighter paper should not show through much, but more importantly the contrast of the join will not be noticeable either.  :0)

4)   Turn over the papers and fold the ribbon around the edges, sticking it to the back of the card using sticky tape.  This is why you needed to trim the width of the card in step (2) above because now the ribbon is wrapped around you won't be able to trim it once it's stuck on the card.



5)   Now stick your papers to your base card.  I use a dry glue stick as wet glue can make the papers ripple.  Alternatively you can use double sided tape, but this can be tricky around a shaped card.

Tip : When using my glue stick, I pop the papers (reverse side up) inside the card base so they're directly underneath as much of the fancy card edge as possible.  You need to ensure that you get the glue right to the edge of the card base and overspill can make your cutting mat / desk sticky.  But it doesn't matter if you get glue on the reverse of the papers, because it all helps to stick it down anyway!



6)   Once the papers are stuck on, lining up the sides and top carefully, turn the card over, and open it up.  You should see the excess papers on the reverse.  With a sharp craft knife, use the edge of the shaped card as a guide and carefully trim off the excess papers.

Tip : I have learnt from unfortunate experience that it is vital to have a sharp knife at this stage.  If your knife is even slightly blunt the papers may tear and ripple up along the edge.  You will see that I actually use a mini disposable Stanley knife which has blades which you can snap off in tiny strips to get a fresh new sharp blade whenever it starts to feel a bit blunt.  Cutting card is obviously not great for keeping your blades sharp!  Also ensure you are not using your best table cloth as a cutting mat!  ;0)



7)  This is what your card should now look like - all neat and trimmed with a pretty ribbon hiding the join in the papers.


8)   Tie a strip of ribbon into a bow, and push a pearl brad through the middle.  I sometimes have wiggle it back and forth to work it through all the layers of ribbon in the bow, and it also helps if you've not pulled the bow into a vice-like knot, but more a gentle (but not loose) knot.  This can take a bit of practice, and sometimes I use my craft knife to get it started.  The next pic shows the brad pushed through, ready to be used.



9)   You're now ready to assemble your card.  I've coloured my image in colours to complement my papers, and matted both my image and another rectangle of designer paper onto pink card, trimming the edges neatly.  At this stage I like to lay my elements out to check where I'm going to place them.  I am planning to use the paper panel as the base for my bow, so I mark where the brad will need to push through, and make a teeny slit with my craft knife.  If you don't do this, and try to push the brad through without any cut, then it can crease the designer paper as it pushes though.



10)   I've now pushed through the brad and opened it up on the reverse of the paper panel.  This is a super strong way to adhere your bows.



11)   Pop on some foam pads and stick your paper panel / bow combo onto your card base.



12)   Using more foam pads stick your image panel onto the card base.

Tip : If the next layer is overlapping part of a previous layer, part will already be raised up if you're using foam pads.  Therefore work out which part will be 'double height' and pop two foam pads on that section to support it at the right height.  Hopefully here you can see that the right hand side, where the lower paper panel won't be lifting up the image panel, I've used 2 foam pads instead of one.



13)   I've then added some Viva Pearl Pen to the snow.



14)   Finally I've added some glossy accents onto the ground ...



... and some crystal glamour dust (fine white glitter) over the glossy accents.  I keep my glamour dust in a recycled business card box, and use a teaspoon to sprinkle it where I want it, and tap the rest back into the box afterwards.  The next photo is at the mid-glitter stage, before I've knocked off the excess.



And voilà!!!



Card Recipe:

Annabelle with Gift Nordic Christmas Kit, comprising:
Other items used:
I've been inspired by:
Happy crafting
Annette
xx



Thursday, 28 November 2013

Rosie Book Drawer Tutorial

The theme today at As You Like It Challenge is to showcase your favourite digi stamp.  I do love my digi images; they're so simple to print (with no risk of inky fingers!).  I also love that I can flip and resize them to fit my project.  However, I have so many that my favourites change all the time.

Bears are definitely always in my top picks, but at the moment I'm really loving the girlie Sugar Nellie cuties. The one I've used today, called Rosie, is one I have favoured a couple of times recently because she's so pretty.  I've also used my favourite digi paper brand, Nitwits on this project.

I refer to it as a 'project', because instead of making a card (why oh why didn't I just make a card!!!) I saw this book drawer over on Dian's amazing blog while I was 'Pinterest hopping' a couple of weeks ago, and I decided to have a go with some photo mount-board that I purchased for my recent clocks.

I seriously underestimated how long this project would take me to make, although to be fair, I did faff around a bit working out how to make it.

I made the outer part quite quickly by cutting a rectangle and scoring the spine, but the board was quite thick, so I had to peg it in place against the inside drawer frame overnight to ensure it was holding tightly.

Then the next day I made the drawer.

And the next day I inked it all up, and decorated it.

3 days!!!

Here's how I did it:

Outer Cover:

  1. Cut a rectangle in thick card 23cm x 13cm.
  2. Score it at 9.5cm and 4cm measured in from one of the short edges.
  3. Score a series of lines between the two existing score lines at tight intervals to create the spine.
  4. Bend the cover into shape.
Drawer Encasement:
  1. Cut a rectangle 12cm x 23cm.
  2. Score it at 4cm, 7cm, 15.5cm and 18.5cm from one of the short edges.
  3. Shape it into a box open at both ends.
  4. Stick it inside the book cover sticking to both the front and back "covers".
Drawer:
  1. Cut a rectangle 17.5cm x 13.75cm.
  2. Score a line 2.75cm in from each of the 4 edges.
  3. Cut 2.75cm slits along the scoreline you've created on both sides of each short edge.
  4. Fold the box up and stick the tabs on the insides to hold the sides up.
  5. Insert the drawer into the encasement. Because the encasement is open at both ends, the drawer can be opened by pushing it through from either end. If it's a tight fit (as mine is) it won't open without being pushed quite hard.
Decorating:
  1. Using a rough brush, dab it in brown ink (I used Walnut Stain DI reinker)
  2. Streak it in straight lines along the edges of the insert and the drawer to resemble 'pages'.
  3. Ink around the top of the drawer and the edges of the cover to match.
  4. Decorate the rest of your book as you wish.
.... and relax!

Because it took me sooooo long to make, I'm going to bore you all with some more pics!   

Brace yourself ...










And before I disappear, (if you're still with me), I have some news ...


Yup, I'm back with my old (and some new) teamies at Crafty Little Fairies.  The adorable Squirrel asked me last week and I couldn't possibly refuse her, so woohoo, I'm back!!
Thanks hun.  Love ya loads.  :0)

I think my first outing will be next week (if I get my arse in gear and get creating), but in the meantime this week's theme is Red & Green Christmas, so pop over to see what the fairies have created and join in the Fairy Fun.


See my cards available to buy on eBay

eBay


Card Recipe:
I've been inspired by:
Happy crafting.
Annette
xx