When designing the Swag Leg chair, George Nelson began with the legs, insisting that they be made of machine-formed metal, be prefinished. And be beautiful. The shell echoes another familiar form. Nelson borrowed (with permission) the patented process for molding plastic that Charles and Ray Eames had developed. But he added a twist. He created separate seat and back shells and then glued them together. The chair was introduced in 1958 and is back in production today.
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| George Nelson Swag Leg chair, 1958 edition20.com |
Industrialist J. Irwin Miller made a deal with his home town of Columbus, Indiana. He would set up a foundation that would pay architect fees for new public buildings if the foundation could choose the architects. As a result, the town of 40,000 has buildings by Eero and Eliel Saarinen, I. M. Pei, Cesar Pelli, Kevin Roche, Richard Meier and others and has been listed by the American Institute of Architects to be the sixth most architecturally significant city in the United States.
When Eero Saarinen designed Miller's home, he asked Ray and Charles Eames to design high-quality seating for outdoor use. They constructed their chairs of cast aluminum with a seat frame that supported a stretched synthetic mesh, and the Aluminum Group was born. Herman Miller began making the Aluminum Group for the office in 1959.
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| Eames Aluminum Group Management chair, 1959 officedesigns.com |
When George Nelson asked Charles Eames to assist in the design of the U. S. pavilion at the Moscow world exhibition in 1959, Eames asked his friend Henry Luce, the chairman of Time-Life, for a favor. Luce gave Eames access to the company's vast archive of images on the condition that he could call in a favor of his own at some time in the future, which he did a year later when he asked for a chair for his ultra-modern new building. The Eameses responded with the Time-Life chair. At the time, it was a revolutionary design, and it hasn't been changed yet.
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| Eames Time-Life chair, 1960 homedit.com |
In 1969 Ray and Charles Eames added plush cushions to the Aluminum Group chair, and the Soft Pad line was created.
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| Eames Soft Pad Management chair, 1969 uncrate.com |
In 1994 Herman Miller hired Don Chadwick and Bill Stumph to create a breakthrough design in office seating. The high back and waterfall seat of the Aeron became a symbol of the dot-com era. It is part of the New York MoMA permanent collection and has been named of of "Designs Greatest Hits" by Your Company magazine and a gold medal winner of the "Designs of the Decade" of the Industrial Designers Society of America.
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| Aeron chair, 1994 hermanmiller.com |
In 2003 German design team Studio 7.5 (made up of Claudia Plikat, Burkhard Schmitz, Nicolai Neubert, Carola Zwick, and Roland Zwick, who prefer to work as a team without titles or hierarchy) created the Mirra chair. Their concept was to make the chair "a shadow of the sitter."
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| Mirra chair, 2003 josesandoval.com |
The Celle (say Sell-uh) chair was designed by Jerome Caruso, who has been Sub-Zero's only designer for more than two decades. He called the Celle "The Mt. Everest of fun." He conceived it as hundreds of tiny "cells," each one consisting of a pad with spring-like loops.
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| Celle chair, 2005 argosytradingfurniture.com |
Herman Miller asked Yves Béhar to design an affordable chair that would encorporate good design, ergonomics, engineering and respect for the environment. Béhar took his inspiration for the Sayl chair from the Golden Gate Bridge in his home town of San Francisco, California.
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| Sayl chair, 2009 hermanmiller.com |
Check back tomorrow to see my Aeron...and the new desk I bought to go with it.) It's amazing how one thing always leads to another...
From hermanmiller.com, smartfurniture.com and homedit.com
