Mp3 @ 192 kbps - 211 MB
This THING that you are clutching in your claws is a swan dive into the prehistoric origins of The Cramps
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Mostrando entradas con la etiqueta Psychobilly. Mostrar todas las entradas
Mostrando entradas con la etiqueta Psychobilly. Mostrar todas las entradas
lunes, 16 de febrero de 2009
domingo, 15 de febrero de 2009
The Cramps - Fiends of Dope Island (2003)
Mp3 @ 192 kbps - 66MB
Having decided long ago that messing with their one of a kind formula was a fruitless waste of time, the Cramps now seem happy to let albums such as 2003's Fiends of Dope Island perpetuate their unmistakable sound: authentic psychobilly riffs executed with garage punk panache, combined with fun-loving lyrics about bondage, drugs, Satanism, slasher flicks — in sum, all things kitsch and trash culture. Even better, inexorable advancing age has apparently only served singer Lux Interior's desires, by helping him look like the gloriously decrepit B-movie monster that he's always wanted to be on the record's striking cover. Once inside, the Cramps' latest amusement park house of horrors of an album confirms that Interior is again up to his patented vocal tricks — be it howling possessed on "Papa Satan Sang Louie," growling lasciviously on the (Seattle) Wailers' "Hang Up," exaggeratedly crooning like the King himself over Jerry Reed's "Oowee Baby," or convulsively "bow-bow-bowing" his way through "Elvis Fucking Christ!" As for his life partner in crime, Poison Ivy, her crunchy grooves shimmy their way across tracks like "Big Black Witchcraft Rock" and "Dopefiend Boogie"; her primal riffs pay tribute to Link Wray with the "Rumble" replica "Color Me Black"; and her stinging, fleet-fingered leads positively electrify anthems both swinging ("Fissure of Rolando") and ripping ("Wrong Way Ticket"), all the while conjuring mental images of her studiously disinterested expression under red bouffant and over high-heeled s**t-kicker boots, her cigarette dangling distractedly. Moving right along, the duo creates twisted surf music with both "Mojo Man from Mars" and "Taboo" (a cover of obscure songwriter Margarita Lecuona), and even makes sure to provide entertaining titles to weaker numbers like "Dr. Fucker M.D. (Musical Deviant)" and "She's Got Balls." The rhythm section of Chopper Franklin (bass) and Harry Drumdii (errr, drums) handles its appointed task (providing those raunchy stripper rhythms) capably and unobtrusively so the two head ghouls can do their thang. In short, a solid outing — unmistakable as anyone but the Cramps — that should neither detract nor add to their established legacy. Their fans could probably ask for nothing more at this stage.
Allmusic
The Cramps - Big Beat From Badsville (2001)
Mp3 @ 192 kbps - 76MB
Once again an excellent album from the Cramps. Sometimes you wonder can they still find old songs they want to cover, do they still have inspiration to make a new album, and then after 2 years waiting there's suddenly always a new Cramps album. This album is more rockabilly then ever. Well it's their version of rockabilly of course, because the first song of the album is a typical let's-tear-this-place up Cramps song. Maniacal, monotonous drums, fuzz guitar and not all too difficult lyrics. The lyrics of the Cramps are always very poetical. What about: Well the docter pulled me out and smakced me in the can. Wiped me off, took a look and said "it's a man! Well of course you have to hear Lux's voice to it, but it's a small impression. Thsi album is full of good songs, but "Burn she-devil burn", and "Like a bad girl should" really stand out.
Psychobilly review
viernes, 13 de febrero de 2009
The Cramps - Look Mom No Head! (1991)
Mp3 @ 192 kbps - 59MB
Out of print in the U.S.! The fiendishly fun Cramps have been creating their own style of dirty Garage Rock 'N' Roll for 30 years and they show no sign of letting up. Although not the most prolific band on the planet, they certainly cram plenty of meat onto each of their silver platters when they do get around to releasing them. Look Mom, No Head!, originally released in 1991, is no exception. It's raw and it's dirty! It growls and snarls! It kicks and screams! Yes, it's The Cramps doing what they do best. If you're looking for a ghoulishly good time, look no further! 12 tracks including 'Dames, Booze, Chains & Boots', 'Alligator Stomp' and 'Two Headed Sex Change'. Big Beat.
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jueves, 12 de febrero de 2009
The Cramps - All Women Are Bad (1990)
Mp3 @ 192 kbps - 13MB
El único sencillo que tengo de los cramps.
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The Cramps - Stay Sick (1990)
Mp3 @ 192 kbps - 66MB
From Stay Sick! is the ninth album by the American garage punk band The Cramps. It was released on Enigma Records. It was engineered by Steve McMillan and recorded at Music Finder Hollywood CA. It was self-produced by Poison Ivy.
The Cramps re-released the album on their own Vengeance Records in 2001 containing the bonus tracks "Bikini Girls With Machine Guns (live)" "Beat Out My Love" "Jailhouse Rock" and "Jackyard Backoff"
The Cramps re-released the album on their own Vengeance Records in 2001 containing the bonus tracks "Bikini Girls With Machine Guns (live)" "Beat Out My Love" "Jailhouse Rock" and "Jackyard Backoff"
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martes, 10 de febrero de 2009
The Cramps - A Date With Elvis (1986)
Mp3 @ 192 kbps - 48MB
The cramps are truly original and this album is one of their best. Lux Interior does his best psychotic Elvis imitaion on tracks like "Can Your ... Do The Dog?" and the opening track features Poison Ivy's vibrato pulsing country blues licks. All this and no bass player just pure garage rockabilly punk that kicks you in the head. The lyrics will make you laugh too.
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The Cramps - Bad Music for Bad People (1984)
Mp3 @ 128 kbps -28MB
O Music for Bad People is the sixth album by the American garage punk band The Cramps. It was released on I.R.S. Records and was seen by most fans as a cynical cash-in by the record label following the departure of the band. Sounds magazine, the now defunct UK music paper, whilst giving the album a five star review said "Miles Copeland's IRS label pick the carrion of their former label mates even cleaner by releasing a watered down version of the 'Off the Bone' singles collection that was released in the UK...The music's still great even if the scheming behind 'Bad Music for Bad People' stinks of decay and corruption
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The Cramps - Smell Of Female (1983)
Mp3 @ 192 kbps -46MB
Originally release in 1983, this completely remastered Vengence reissue was recorded at New York's Peppermint Lounge with Powers on guitar, the quartet slams out a then mostly entirely new set of songs with, as expected, appropriate covers as needed. The wonderfully profane take on Hasil Adkins' 'She Said' surfaces here, with Interior sounding like he's about to die more than once. The Count Five's 'Psychotic Reaction' and the perfectly appropriate 'Faster Pussycat,' taken from the legendary Russ Meyer film of the same name, also give the band more than a little something to chew onA studio cut, 'Surfin' Dead,' surfaces as a ringer at the end; if not quite the Cramps go Beach Boys. --This text refers to an out of print or unavailable edition of this title.
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lunes, 9 de febrero de 2009
The Cramps - Off the Bone (1983)
Mp3 @ 192 kbps -83MB
Off the Bone is the first compilation of previously released material by American garage punk band The Cramps. It was released in 1983 in the United Kingdom on Illegal Records. The original release featured an Anaglyph on the cover and a pair of paper red and blue "3D glasses" inside the sleeve for viewing it. Sounds magazine, the now defunct British music weekly gave the album a 5 star review, calling it " a hell-fire cocktail of gutter riffing and chattering Rockabilly voodoo strum into which is dropped an electric sugar cube of psychedelic power
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domingo, 8 de febrero de 2009
The Cramps - Psychedelic Jungle(1981)/Gravest Hits (1989)
Mp3 @ 192 kbps -68MB
Combining what is arguably the band's finest full-length album with their debut collection of covers, Psychedelic Jungle/Gravest Hits offers up a substantial dose of the Cramps' punk-strained mix of rockabilly music and '50s horror flick aesthetics. Lux Interior's ghoulishly manic vocals, Poison Ivy's treble-heavy guitar distortion, and Knick Knox's tribal beat are all ideally showcased on such Cramps classics as "Goo Goo Muck," "Primitive," "Green Door," and "The Crusher." While these are all fine covers, originals such as "Caveman," "Can't Find My Mind," and "Beautiful Garden" demonstrate the Cramps could take their rockabilly roots to fetchingly Gothic extremes. Adding to the riches from Psychedelic Jungle, the five-song EP, Gravest Hits, features inimitable versions of the Trashmen's "Surfin' Bird," Roy Orbison's early rockabilly side "Domino," and the Ricky Nelson hit "Lonesome Town." With quality roundups hard to come by, Cramps fans would do well to pick this two-fer of the band's prime early material.
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