The Quick Guide to Reading in Color
Thursday, March 10, 2016
Throwback Thursday: The Accidental Diva
Putnam
Incredible Quote: "What he didn't tell Billie was how naive she sounded, telling him what hustling was about. In the fifth grade, he had more game in his size-five Adidas kicks than anyone at that party could ever hope to have. He hustled to survive. It was either get out there and sell the shit out of some crack, or eat grape jelly for dinner and hope the rat that bit you in your sleep wasn't carrying anything lethal. When Billie talked about hustling and playing the game, what she really meant was that she was ambitious. She was a go-getter. She set high goals for herself and met them, exceeded them. But the bottom line was that she had been born into a supportive, loving, comfortably middle-class family that took care of her and nurtured her and provided as security blanket. Jay came from nothing. Worse than nothing" (186).
One Sentence Review: A diverting read that is excellently paced and notable for both its now-outdated culture references and relevant social commentary on a number of topics ranging from class to fashion to race with a distinctive (in the best way possible) narrative voice.
I love this distinction Ms. Williams makes in her novel. I never realized that people describing themselves as "hustlers" bothered me until I read this passage and found myself nodding in agreement. Especially when celebrities use the term, I just find it ridiculous (excluding those who actually came up from nothing as opposed to those born to famous parents, etc etc) and Ms. Williams perfectly illustrates why. If you're thinking this quote is a bit heavy and shying away from this novel, never fear. This quote is expertly woven into a romp of a read that straddles the line between light and social commentary. It was exactly what I needed to end 2015, a lot of fun to read while making witty observations about being "the only" and exploring class issues that it managed to not only hold my attention but also cause me to pause and think after reading a passage.
The only negative I can see is that it confirmed my fears about the beauty industry in terms of its shallowness. But it's a unique (for me) professional setting for a book so it kept me turning the pages. This book was published in 2004, 12 years later it's sad that we're still having the same conversations. Through Billie the author tackles cultural appropriation (which Bille calls "ethnic borrowing" in the beauty and fashion industry and maybe it's just because of the rise of the Internet and public intellectuals and blogging but it had honestly never occurred to me that people were having these conversations pre-Twitter. That demonstrates my ignorance and I was happy to be enlightened while also being sad that white gaze still has so much power over beauty standards. Although it is getting better because it is harder for beauty companies, fashion companies and magazines to ignore being called out when they "discover" some trend people of color have been naturally gifted with/been doing/wearing for years.
Aside from the pleasing depth of the novel, it's a quick paced read. I actually felt caught up in Billie's sweeping romance and just as intoxicated as she did, I didn't want to resurface from her studio apartment. Honestly I'd like a prequel so that we can live vicariously through Billie, Renee and Vida's college years. And I'm so happy her friends served more of a role than just providing advice at Sunday brunch. Also Billie's family dynamics were absolutely hilarious and unexpected.
I dealt with similar issues to Billie and Jay although not on as large a scale, granted I'm not a professional (yet) but I can relate to the class issues that come up in a relationship with two different economic backgrounds. And not to be a cliche but especially when it's the woman who comes from the comfortable lifestyle and the preconceived notions that we have/that other have about us, difficulty is involved and so on a personal level I was able to really connect with Billie (and better understand Jay).


Thursday, August 14, 2014
Throwback Thursday: Ship of Souls


Thursday, January 5, 2012
Throwback Thursday: The Ruby Notebook

Delacorte Press/Random House
Rating: 5/5
IQ (Zeeta thinking about the Castle of If aka Chateau d’If, located on a small island about a mile away from Marseille) “I wonder about true love, if that’s what J.C. had for my mother, even after one night. I wonder about Vincent and Madame Chevalier, and what their lives would have been like if they’d admitted their love years ago. I wonder about eternal life, if it would get boring, if you’d get sick of yourself and your thoughts and the world…or if things would seem new and different every day. I wonder if living forever would be terribly sad, always loving people, then leaving them behind. I wonder how you’d survive so many losses and still be able to love.” Pg. 233
Zeeta and her mother live in a different country every year, France is 16-year old Zeeta’s 16th country. Previously they lived in Ecuador which is where the first book in this trilogy, The Indigo Notebook is set. Zeeta’s mother loves living near water because she believes it calms her and can have healing powers so they settle in Aix-en-Provence, a city full of fountains, charm and mystery. Zetta soon befriends some traveling street performers and even develops a crush on one, Jean Claude. Unfortunately (or fortunately) Zetta’s boyfriend Wendell will be living in Aix-en-Provence for a summer art program, Zetta is torn over how she feels about Wendell and Jean Claude. She is also troubled by the mysteries anonymous notes and gifts she has been receiving, she calls this admirer her fantome (ghost). Wendell agrees to help her find out who her fantome is and to find a mysterious underground spring whose water is rumored to bring immortality. Zeeta’s help is enlisted by a local antiques dealer, Vincent and his reclusive artist friend, Madame Chevalier.
I’m still puzzled by Rumi quotes but I’ve just accepted that I will never understand him or Zeeta's mother's random use of them, but at least Zeeta doesn't get it either. This book was as close to utter perfection as a book can get. I freely admit that I’m biased towards books where the main character is completely immersed in another country. *shrugs* My previous complaint was that the author didn’t throw in enough Spanish/Quichua phrases but she obliges me here. I LOVE that this book not only features common French words and phrases but also French slang. It truly makes these books stand out because the reader is as close to immersion as possible without visiting or having the book be entirely in French. I’ve been on a French kick lately (reading this book, Anna and the French Kiss, watching Midnight in Paris-FABULOUS movie, and soon to read Paris Noire and This Side of the Sky) and I adore the culture, I desperately want to visit. I enjoyed this brief exchange about the French language when Zetta meets Jean Claude for the first time, “’Enchante, Zeeta.’ He says formally, shaking my hand. Enchanted to meet you. Not pleased. Not glad. Not happy. Enchanted. Magic seeps into even the most mundane interactions in this language.” (pg. 31), no wonder French is known as the language of love! Once again the setting comes alive in Laura Resau’s more-than-capable hands. We can see the street performers doing backflips and passing around a hat for coins, the quiet mime in the town’s square, envision the old houses with private houses and commiserate with Zeeta early in the book as she heads to the only Internet café in town to email and call Wendell. The cast of characters are lively, almost every facet of their being explored from the isolated Madame Chevalier to the mime Torture (French for turtle. Pronounced tor-TEW) to the nomadic members of the theater group Illusion (Jean Claude, Amadine, etc).
I could relate to Zeeta’s fear that she did not know how to be in a long-term relationship because her mother has ever been one. Not that I am in that same situation but Zeeta expresses her confused feelings on romance so well that it’s easy to sympathize with her because it's a frustrating situation. It’s easy to see why she is attracted to Wendell and Jean Claude, they both have attractive qualities. Instead of chasing Wendell’s birth parents as in the first book, here Zeeta is trying to get a better idea of her father because she suspects he might be her fantôme, even if he’s not she’s determined to make Layla remember any sort of clue. I can’t imagine having absolutely no idea who may father was or no way of tracking him down and having a mother who is utterly unconcerned. It’s easy to get caught up in Zeeta’s fantasy about her father but the actual scenario isn’t all that unrealistic. The story turns into a mystery and then takes a delightful turn into the magical involving Celtic lore and warriors and fountains. There’s definitely a quality of magical realism in this story and it flows smoothly with the narrative. I was pleasantly surprised by the Celtic traditions woven into the story but it was fascinating to read about because I was not familiar with the Celtic influence in France.
The Ruby Notebook has a whimsical quality but there’s more complexity to the story than that word allows. It’s a captivating read set in a captivating place, Aix-en-Provence. I really liked that Wendell and Zeeta didn’t do a cliché we-are-so-in-love-in-France type thing, instead their relationship is rocky. They both had some unrealistic expectations of a long-distance relationship and they have to work out the kinks or decide to break up. Not an easy decision but one that is explored realistically. The mystery unravels slowly and it’s truly difficult to figure out who the fantôme is, I did not see it coming. These stories could easily be adapted into films, they read like a screen-play (not that I’ve ever read one). Again, it is not necessary to read the first book in the Notebooks series but I highly recommend you do. You will finish this book feeling utterly enchanted with the setting, characters and author. Do not read these books hoping to be cured of wanderlust, I now have an insatiable desire to travel.
Disclosure: From the library


Thursday, September 1, 2011
Throwback Thursday: And Then Everything Unraveled

Point/Scholastic
Rating: 3.5/5
IQ "My armor. You know. Self-protective camouflage. Everybody has armor. Even you, I bet, though I still haven't figured out what form yours takes." Quinn pg. 169
Sixteen year old Delia Truesdale's mother, T.K. has disappeared. T.K. was working on a project in Antarctica with an environmental group that she actively supported. Delia learns a few weeks later that the ship carrying her mother and the crew has vanished and they are all presumed dead. Delia refuses to believe it, especially since T.K. has a plan for everything and she's much "too organized to simply disappear" (back cover). Over Delia's objections she is sent to live with her boho aunt Charley (who has no experience raising kids) in New York City, her mother's other sister, Patience is uptight and in charge of Delia's schooling and finances. The move from Silicon Valley to NYC is a cultural shock. When the two aunts aren't battling over Delia, they are fighting over every little thing. All Delia wants is to find her mother and not fall in like with Quinn, the king of the Do-Nothings. It becomes clear to Delia that she is the only one who can do something about her mother's disappearance but the case quickly becomes much more intricate than she thought.
I'm not sure if it's an element of a mystery novel or not but I've decided that I'm really bothered when a character foreshadows something very dramatically (i. e. "I should have known..." or "How could I have been so stupid..." etc). These statements have really started to bug me and there are a few of those throughout the book. The ending was an annoying type of cliffhanger and yet as I type this review and reflect I've realized that I'm not in a hurry to read the sequel (which I own). I thought it was somewhat ironic that the ice queen Aunt Patience was a more well-rounded character to me than Aunt Charley. I found Charley to be the typical free-spirit, reluctant-to-play-mom-but-rises-to-the-occasion-beautifully aunt. Patience was more complex, in part because Delia doesn't spend much time with her so there's an air of mystery about her. Of course we have the genius best friend who is a whiz with technology and thus can crack anything. I really need to find a friend like that because they only seem to exist in books and movies.....And I have to admit I'm skeptical at the power a certain oil company yields so I was disappointed that I couldn't entirely believe the plot. The most ANNOYING part though is a *spoiler: highlight to read* that Delia finally told Quinn what was going on and not only does the author write the scene off camera (so to speak) but we don't get to read about his reaction afterward, we are just told to assume he accepts it. Ugh no!* End of spoiler
All that being said, I really liked the mystery element. It's not ridiculously dramatic (as in a teenager solving a murder or something) and while one particular villain was obvious, I was not expecting another villain (hinted at via psychic in what I thought was a clever twist). The mystery is rather complex and it's definitely original. Delia is a down-to-earth, mostly logical main character who neither wallows in self-pity nor is she overconfident about her looks. In short, she has good self esteem. I enjoyed reading about Delia's comparing and contrasting NYC to Silicon Valley having only spent four tourist-y days in NYC and never been to California. Plus as flat a character as Quinn was, he embodied typical boy in being so on and off so I definitely could relate to Delia's confusion. I did roll my eyes at the classic Romeo and Juliet scene performed in drama class of course in front of everyone.
And Then Everything Unraveled is an appealing read due to its mostly plausible mystery and the engaging voice of Delia. The setting of NYC is a vibrant one in this book as well and I liked how some of the seemingly-random occurrences were tied into the story. I have to admit I don't see why the author couldn't have made this one mystery story instead of making a sequel. I thought the book was moving slowly and knowing I had the sequel didn't appease me, it just bothered me that I knew the mystery wouldn't be wrapped up and the book would mostly be about the more mundane and the data-gathering. Most of the characters were typical, Quinn is nothing special, Aunt Charley is great fun but still typical (there was a time when she would be atypical but now that I'm a somewhat jaded reader....haha) and Thad is predictable although his motives are fuzzy. The mystery did keep me on my toes when Delia stopped thinking about Quinn. I will eventually read the sequel especially since I'm hoping Delia's half Indian side (her father died) will be explored.
Disclosure: Won (over a year ago I think which is super embarrassing) from Marjolein Book Blog and the author (autographed). Thank you both so much!


Thursday, August 11, 2011
Throwback Thursday: Angel's Grace

Simon & Schuster Books for Young Readers
Rating: 2.5/5
Incredible Quote "I realized that not all secrets are the kind that turns your whole world upside down. Some of them are sweet little things that are simply too delicious to let slip." pg. 165
Grace has unruly red hair and a birthmark on her shoulder that no one else in her family shares. Her little sister Sally resembles her father and while Grace shares some physical and emotional characteristics with her mother, there are some unique parts of her that she would like to figure out who in the family she resembles. Grace's mother tells her that an angel left the mark on her shoulder as a sign of constant protection. She sends Grace and Sally from Brooklyn to Trinidad in order for them to spend time with their grandmother. As Grace flips through old family photo albums with Ma (her grandmother) and Aunt Jackie she discovers a blurred photo of a man with the exact same birthmark she has. Aunt Jackie can't identify him and neither can anyone else (or they simply aren't willing to) which leaves Grace with many questions. Grace is determined to figure out who the man in the photo is and if he might be her father.
Alright so the premise of this book is a cliche so I shouldn't complain....but I'm going to go ahead. The story crawls along at a snail's pace which is especially unsatisfactory when the book is so short and about a cliche topic. When there are 165 pages of large print the story cannot afford to move s-l-o-w-l-y unless it spends pages and pages describing the new (well new-to-readers) location. This book does not do that which was really disappointing because I've never gone to Trinidad and I'm not so sure if I ever will. The author only talks about the sunsets, beaches and makes a few mentions of the market. But there are very few details aside from the above and I would have at least liked to get more detail on the markets. Even better if the details were presented in an interesting manner or described in lush terms. And I was also annoyed at how long it took the main character to reach the conclusion that she was not living with her biological father. To make matters worse she describes her biological father in less-than-endearing terms (nothing too serious but he didn't seem like the gentlest father either) *spoiler: highlight to read* and yet by the end he's acting like he could win the Father-of-the-Year award or something. The change was too abrupt. *End of spoiler*
As much as the plot was a cliche, I did like reading about how Grace went about searching for her father. Trying to find the man in the photo wasn't the most original concept but the backstory was intriguing. The author used one of my favorite techniques by sprinkling words in Creole English and not explaining what all of them meant. The story has an emotional appeal to it, one that didn't affect me but could affect other readers (in a good way). I think the book would have been stronger if it continued into the next summer. The character of Raj was interesting enough but the author barely scratched the surface of his potential.
Angel's Grace had no effect on me which was disappointing, in fact I would probably say it bored me. I didn't fall in love with the setting of Trinidad (which is both good and bad. Good because I was starting to worry that if an author set the book in a 'foreign'-to-me country I would automatically adore it but that is clearly not the case. Bad because I want to love Trinidad through books since I can't travel to see it!). The other cliche in addition to finding a biological parent was instantly befriending a local boy. Their friendship was odd especially because the author left out some of their conversations so I was left wondering how her new friend (Raj) knew certain things that had just happened. Grace was a much better sister than I because Sally drove me insane! All in all this book fell flat for me and wasn't particularly 'quirky' except for the location.
Disclosure: From the libraryyy :)
Meme hosted by Take Me Away


Thursday, August 4, 2011
Throwback Thursday: The Indigo Notebook
Delacorte Press/Random House
Rating: 4.5/5
IQ "There are ties stronger than blood" pg. 81 Mamita Luz
15 year old Zeeta lives in a different country every year with her free-spirited mother Layla. Layla teaches ESL classes in the various countries and loves the wandering lifestyle; she quotes Rumi, dates starving artists and other guys with no solid future plans and lives in the moment. Zeeta keeps their little family together; she does the dishes, tries to encourage Layla to get to her classes on time, signs them up for first aid classes and is a very practical person. Layla loves the nomadic lifestyle, Zeeta dreams of settling down in suburban America with a Handsome Magazine Dad. This year Zeeta and her mother move to Ecuador (specifically Otavalo which is near the Andes) where Zeeta meets Wendell, an American teenager who wants to find his birth parents. Layla meets Jeff, who is Handsome Magazine Dad. Zeeta and Wendall are both about to learn that they need to be careful what they for and embrace what they have. Zeeta and Wendall's quest to find his parents leads them to an indigenous village, delicious bread, crystal caves, and venomous creatures and flowers.
This is a silly thing to dislike and I didn't dislike it per se but I genuinely did not understand the Rumi quotes. My confusion over what he was saying made me feel like a complete idiot but maybe in time I will understand better. For now I'm content just thinking that he writes vague poetry that celebrates nature, simplicity and individuality (and that might not even be right). I was bothered by the fact that the Layla storyline was really cliche, whimsical mother kept safe/protected by down-to-earth daughter who desperately wants her mother to change. I was hoping Layla would have a less abrupt change (ex: *spoiler highlight to read* What made the one accident in Ecuador lead Layla back to Jeff? Why didn't Layla do that when she had other close-calls and Zeeta begged her to go back to a 'normal' life?* End of spoiler*) and be a little less of a caricature.
This book left me with a serious case of wanderlust. It was hard for me at first to fathom how Zeeta could want to give up her traveling lifestyle with Layla. She spoke seven different languages and had already lived in fifteen different countries. I want to travel the world and speak at least four languages so badly, I'm envious of all those who get to travel and it's hard for me to understand people/characters who don't appreciate the immense opportunity they've been given to travel the world. The author did an excellent job of (almost) completely immersing me in the world of Otavalo (I do wish more Quichua and Spanish words had been thrown in). The hustle and bustle of the market, the loud, cajoling calls of the vendors to tourists with backpacks and water bottles, the dazzling crystal caves in a quiet village, every scene is described in glowing terms down to the most minut detail. Zeeta is the typical teenager in that she doesn't know exactly what she wants and often feels torn between two different sides. She is observant, meticulous and she has a cautiously adventurous spirit. I didn't think Zeeta was boringly practical because she was always willing to explore, she just wanted to know her mother had a financial nest egg for their future.
The Indigo Notebook excels in bringing to life the colors, sounds, smells and even the textures of Ecuador to readers who may never get the chance to visit the country. Not only does it provide more than a cursory glance at life in Ecuador but it opens the page to the larger world of Central American culture (obviously Latin American cultures are very diverse but there are some unifying/common elements). The 'treatment' of being bicultural/multiracial was rarely mentioned but when it was, it was handled deftly. Zeeta's mother is white but Layla doesn't remember what ethnicity her father was but it's clear he wasn't white (and that is why this is not an off-color review). Zeeta observes (and is somewhat irked) that the conversation between Layla and her new 'boy toy' will soon "take a turn to how 'mixed-race' kids always turn out beautiful-in the same way that mutts are tougher than purebreds-and then he'll ask, Where is her father from anyway?" (pg. 6). Through Wendall's avid search for his birth parents, Zeeta is able to live vicariously through him because she doesn't have a clue as to her father's name and where he might live. This is a tale that I was absolutely enamored with due to its fantastic setting of Ecuador, mostly unique characters and the fact that Ecuador did not overpower Zeeta and the other characters. The setting did not overtake the plot and/or the characters which is something that I think is quite important. Otavalo was a major character in and of itself but it wasn't more important than Zeeta, Wendall, and a few other characters. I can't wait to read the next book in the series, The Ruby Notebook!
Disclosure: From ze library
Hosted by Take Me Away Reading (I review books from 2009 and older)


Thursday, July 28, 2011
Throwback Thursday: A Bottle in the Gaza Sea

A Bottle in the Gaza Sea by Valerie Zenatti 2008 (English translation done by Adriana Hunter)
Bloomsbury U.S.A. Children's Books
Rating: 3.5/5
IQ "Only complete idiots are really ugly. That's a rule I made up, but I do believe it. You can't be as sensitive, inquisitive and intelligent as she is and have a face like a rat. People's qualities show on their faces, in their eyes, in whether or not they tense their lips when you're talking." Gazaman pg. 75
Tal Levine is an Israeli but she's curious about the "other side". The other side being the Gaza Strip so she decides to write a letter, place it in a bottle and throw it into the Gaza Sea. She's not 100% positive that she will get a reply but it's worth a shot. The letter lands in the hands of "Gazaman" (the email address and pseudonym he uses), a sarcastic Palestinian guy. Tal spills her guts to him, Gazaman refuses to reveal much of anything about himself. He makes fun of her constantly but things slowly start to change and they become-against all odds-acquittances via email. Beliefs and attitudes will be changed, expectations will shatter and the world might appear a bit more hopeful than before.
The author is an Israeli and I personally thought it showed. Her portrayal of "Gazaman" felt incomplete. I might be being too hasty but I was annoyed that "Gazaman" was so down on his faith and all aspects of Muslim culture. He had nothing positive to say about Palestine which I thought took away from the supposedly neutral tone of the book. He mocks his culture in addition to Tal and since I have a lot of respect for the Muslim culture, this grated on me. In addition I have mixed feelings about the ending. I liked how open-ended it was (which is rare for me because I usually detest those. I'd take a sad ending over no ending almost any day), it works just right for this book. I would however, have appreciated a sequel/epilogue just to know where both of them are in their respective lives three years later. I finished the book not liking Tal but I respected her. She was just SO CHEERFUL and optimistic, it was too much. No wonder Gazaman felt the need to bring her back to reality sometimes. I found her a bit unrealistic in that she immediately told this male stranger all about her life, included a picture, etc. Also on the author's part, sometimes she would explain a lot about a character (for example Tal's brother, Eyyan) but not others (like Tal's boyfriend, Ori). Plus Tal would write down conversations she had with people and they were often extremely long dialogues.
This may sound odd but I was pleased that Ori was a good guy. I'm growing tired of the storyline where a new guy comes in and then the girl wakes up and realizes that *GASP* her boyfriend is actually a jerk. Ori was fairly one-dimensional but he wasn't perfect and yet they had a strong relationship, even though Tal was writing to Gazaman. I adored Gazaman and his biting sense of humor, mainly because I'm sarcastic all the time with my friends so I have a fondness for good sarcasm. The author did an excellent job of making it clear when Gazaman was being sarcastic and when he was serious, "[w]e should set up an Israeli-Palestinian asylum, you and me. It would be a beautiful symbol of reconciliation as Westerners say. We could call it the Majnun & Meshuga Institute, with our motto engraved over the door: Peace comes from insanity" (pg. 121), I think that's an utterly brilliant motto. Perhaps the email exchange between two strangers is an easy way to explain a complex situation but I didn't care because I was fascinated by the descriptions of life in the Gaza Strip (Palestine) versus life in Israel. Different hardly begins to describe the two places.
A Bottle in the Gaza Sea has one of the most appropriate endings I've come across, not hopelessly optimistic but open ended enough that it could be happy. I wanted a bit more clarity but the ending works. I loved every minute of observing Jerusalem with Tal, surveying the Gaza Strip with Gazaman. And like both Tal (and although he wouldn't admit it at first, Gazaman) I eagerly awaited their emails to each other. I became caught up in stories about the bombings, fearing the author would utterly break my heart (and she sort-of did. Just consider lines like the following, "I don't understand how life can hinge on so little: whether or not you feel like going to the cafe along a certain street", pg. 9). I would have liked more space/explanation/introspection in between the dialogue and further exploration of Gazaman's Muslim faith (why is he so delusional? Was he even raised Muslim?). On a more personal note I really enjoyed this book because I knew bits and pieces about the Israeli-Palestinian conflict but not much. This book pried my eyes wide open and forced me to do a double-take, I love when a book makes me do that! An arresting tale that manages to walk the fine line between not being naively optimistic nor being pessimistically realistic. I wish I could give this book not only to all American high school students and government leaders but to all Israelis and Palestinians as well. Like the letters Tal and Gazaman write to each other, it would be another drop in the ocean. And to be perfectly honest, before reading this book I would have said I was more sympathetic to the Israeli cause. Now I'm torn. But I will keep reading so that I can make up my mind and be truly well-informed.

PS I actually prefer the French cover (left). Which cover do you prefer?
I also loved the following line said by Tal's (typical wise, artistic, intellectual father) "instead of loving this city [Jerusalem] in the way it deserves, instead of getting along, they've [Israelis and Palestinians] fought over her for more than fifty years, the way men might once have fought for a woman, with passion, with a little more hate for their rivals every day. They don't even realize their wars are now damaging the thing they claim to love, damaging it more and more violently in one way or another" (pg. 9)


Thursday, April 28, 2011
Throwback Thursday: Seeing Emily

Amulet Books/Abrams
Rating: 3/5
IQ "Perhaps the more familiar someone is to you the harder it is to separate her from the person she is to you, and the harder it is to see her as a person in her own right." pg. 204 ("Sleepover")
A free-verse novel that tells the story of sixteen-year old Emily, one of three Asian students at her Richmond, Virginia high school. Emily loves her parents (as their only child they are fiercely protective and doting) and has always obeyed them until she meets Nick, a junior transfer student who seems to have an interest in her. She's not allowed to wear make up or date, but she's actually considering going against her parents wishes. In addition she is growing more and more passionate about art and while her mother encourages it, she also offers advice, advice that Emily doesn't really want. Emily wants to make her own path, through her artwork and her relationships, she needs space from her family. But a trip to Taiwan might just change her perspective on everything and everyone.
The most unsatisfactory element of the book is Emily's relationship with Nick. I don't know if part of the problem was the fact that the novel was in free-verse and so I felt as though there was less dialogue but I wasn't buying their relationship. A transfer student, a year older than Emily, sees her suddenly in the hallway and decides to be extra friendly? Emily describes herself as plain (I no longer have the book so no exact quotes) and I think their relationship would have been more plausible for me if they started as friends. But no, they just started going out. I didn't understand where this story was going. this is my fault but I expected Taiwan to happen much sooner, instead it occurs towards the end and I didn't think those scenes were particularly well-developed. I didn't close this book thinking I had just glimpsed life in Taiwan in the 21st century. Not only was the relationship between Emily and Nick not described in much detail, her relationships with her family and friends were bare. I didn't understand the disconnect between her and her parents because they so rarely communicated. I would venture a guess as to that being why Emily has issues with her parents but to me her parents were never that unreasonable and when they did have a few strict rules, they never spoke them, it was just clear from their expressions (described by Emily). I would have liked more dialogue between all the characters. I was really through when *SPOILER: Highlight to read* WHY DID EMILY NOT TAKE NICK TO TASK for the geisha/exotic comments, etc? Yes he was ignorant but I felt some pity for him because Emily basically broke up with him for no reason. She should have explained why. You can't just ignore a person and hope they'll go away.* End of SPOILER
The free verse works superbly when it's just Emily narrating. Her voice is quiet but her use of metaphors, especially when describing her little epiphanies or her artwork are vivid and make her voice seem stronger. However I'm not sure I would finish this book thinking Emily became stronger. A tiny thing that I loved was how Emily's mom supported Emily's love of painting. From my personal MG/YA reading experience I've found that Asian mothers tend to not want their children to focus on the arts merely for enjoyment, they either push them incredibly hard or discourage them. Emily's mom strikes a nice balance, she loves to paint and she offers advice, but she was never overbearing. I wish I still had a copy of the book (or had thought to write the quote down) but there's a quote that goes something like 'Chinese mothers want their sons to become dragons and their daughters to become phoenixes.' LOVE
Seeing Emily's strength lies in the clear and expressive adjectives used to provide details about herself and her artwork. This novel fell flat for me when it came to the secondary characters because I felt as though they were ignored. The author didn't focus her wonderful way with words on the minor characters and Emily's relationships with them so I was left with a fuzzy view of them. I wish Emily's trip to Taiwan had been explored in more detail and had occurred sooner (and I was secretly hoping that China vs. Taiwan would be touched on but I don't hold that against the book). I was happy with one of the core issues between Nick and Emily. Happy isn't the right word, I was just pleased that the topic of how we view guys and girls from different cultures was addressed (except for the end-see spoiler). Read this book for the eloquent poetry, but there will not be much of a plot or significant character development.
Disclosure: From the library


Thursday, March 31, 2011
Throwback Thursday: Reading Lolita in Tehran

Random House
IQ "An absurd fictionality ruled our lives. We tried to live in the open spaces in the chinks created between that room which had become our protective cocoon, and the censor's world of witches and goblins outside. Which of these two worlds was more real and to which did we really belong? We no longer knew the answers. Perhaps one way of finding out the truth was to do what we did: to try to imaginatively articulate these two worlds, and through that process, give shape to our vision and identity." pg. 26
From 1995 to 1997, Azar Nafisi and seven of her most committed female gathered in her house to discuss Western literature, the classics that have been forbidden. They gather ever Thursday morning to discuss Vladmir Nabokov, F. Scott Fitzgerald, Henry James, Jane Austen and other greats. This book covers each of the above mentioned authors, but many others are discussed for a bit as well. Not only does the author talk about herself but she reveals an intimate portrait of each one of her young students as well as what life was like in the early days of Islamic Republic and at the end of the 20th century. The author was a professor at the University of Tehran but she was expelled for refusing to wear the veil.
If you don't want Lolita, The Great Gatbsy, Washington Square (or Daisy Miller) and Pride & Prejudice to be spoiled for you, don't read this book. I didn't mind since I'd read two of the four. Also I'm ashamed to say I'd never even heard of Henry James. Not sure where I was when people talked about his classics. Lolita I knew the gist of, but it's sounds so much more suffocating and horrifying than I anticipated. I do want to read it, if only because I think the experience will be all the richer after having read Reading Lolita in Tehran. The book is divided into four parts, each part named after Fitzgerald, James, Nabokov or Austen. What really drew me to this non-fiction story was how easily (or so it seemed to me) the author was able to make comparisons between the lives of herself and her students in Iran with the lives of those they were reading about in books. For example in talking about Lolita she states "I added that in fact Nabokov had taken revenge against our own solipsizers; he had taken revenge on the Ayatollah Khomeini, on Yassi's last suitor on the dough-faced teacher for that matter. They had tried to shape others according to their own dreams and desires, but Nabokov, through his portrayal of Humbert, had exposed all soplipsists who take over other people's lives. She, Yassi [one of the seven students], had much potential; she could be whatever she wanted to be-a good wife or a teacher and poet. What mattered was for her to know what she wanted" (pg. 33).
Unlike Lipstick Jihad this book is much more distressing to read because the rules are so much stricter. Lipstick Jihad took place in the early 2000s, this book is from the '70s to the '90s and I highly recommend both, or at least that you read this book and then one set in present-day Iran so you can see the changes. It's rather astonishing. I do think at times the author waxed on philosophically a bit too much, talking more about the books than life in Iran and/or her students. In fact, I do wish we had gotten to better know the seven girls; Yassi, Mahshid, Manna, Azin, Nassrin and Mitra. We get glimpses of their personalities, but I think the author only lightly touched on the complexities of their lives. Perhaps she couldn't go into much detail for fear of getting them (or herself, loved ones, etc.) in trouble. Stylistically I wasn't a huge fan of how the book was told. The passing of time was confusing and the conversations weren't italicized or put in " " so I wasn't always sure if the author was having an actual conversation or just thinking in her head. What bothered me most was once we hit the 2nd or 3rd part, the book became less about the author/teacher AND the girls and more about just the author. I had been expecting equal playing time so to speak so that surprised me. I also had high expectations for the Pride & Prejudice part, I think the comparisons fell flat except when talking about Iranian society and British society of the 19th century. It was truly sad to read about these young women who knew nothing about relationships but still yearned for their Mr. Darcy, even though he seemed very, very far away indeed. I did however really like this lengthy quote "Mr. Nahvi was one of the few students in whom I was unable to find a single redeeming quality. I could say, like Eliza Bennet, that he was not a sensible man. One day after a really exhausting argument, I told him Mr. Nahvi, I want to remind you of something: I am not comparing you to Elizabeth Bennet. There is nothing of her in you to be sure-you are as different as man and mouse. But remember how she is obsessed with Darcy, constantly trying to find fault with him, almost cross-examining every new acquittance to confirm that he is as bad as she thinks? Remember her relations with Wickham? How the basis for her sympathy is not so much feelings for him as his antipathy for Darcy? Look at how you speak about what you call the west. You can never talk about it without giving it an adjective or an attribute-decadent vile corrupt, imperial. Beware of what happened to Elizabeth!" (pg. 290).
Reading Lolita in Tehran delivers excellent literary analysis with the bonus of raising the curtain off of life in Iran during the early days of the Islamic Republic especially concerning what life was like for students and teachers. It's hard to read about the suffering the people went through, the jobs lost, the rather ridiculous-sounding rules, and worse, the interrogations and the executions. I found it especially sad at how people bewail the brain power that is leaving Iran. I think I can understand why young people wouldn't want to stay, but I can also see how others would see it as betrayal (i.e. why don't they stay and try to work with the system to make Iran better). This is not a book for you (I don't think) if you don't like learning about Iran and/or reading literature analysis. The story is slow-moving but that allows for plenty of details about life in Iran, although I do think the seven young women the book was supposed to be about as well, got pushed to the side towards the middle and end of the book. The transitions and passing of time was confusing as were conversations held, but I can't help but marvel at how this book manages to take seemingly unrelated topics and show how they are similar, to illustrate how classics can literally be applied to people's lives ANYWHERE. Even in what we may think of as a repressive society. For most of the book the literary references went completely over my head, but I found the analysis fascinating and I definitely intend on re-reading this book after I've read (or re-read) each of the main four classics. I'm particularly excited to read some Henry James (I definitely didn't get her comparisons when it came to his work and Iran but that's probably because I know nothing about him or his work)! My favorite part is when they put a book of his on trial in class. It was a lot of fun to read about, but stomach-churning at how much disgust some students had for the book, not all though and that was reassuring.
Disclosure: From library
PS I had quotes picked out from each part
On the Great Gatsby "[w]hat we in Iran had in common with Fitzgerald was this dream that became our obsession and took over our reality, this terrible beautiful dream impossible in its actualization for which any amount of violence might be justified or forgiven. This is what we had in common, although we were not aware of it then. [...] When I left the class that day I did not tell them what I myself was just beginning to discover: how similar our own fate was becoming to Gatsby's. He wanted to fulfill his dream by repeating the past, and in the end he discovered that the past was dead, the present a sham, and there was no future. Was this not similar to our revolution which had come in the name of our collective past and had wrecked our lives in the name of a dream?" (pg. 144), powerful! And I actually understood that connection (it helps that we just finished studying Iran).
On Washington Square "[t]hus, Dr. Sloper commits the most unforgivable crime in fiction-blindness.[...]This I believe, is how the villain in modern fiction is born: a creature without compassion, without empathy. [...] I think most of my students would have agreed with this definition of evil, because it was so close to their own experience. Lack of empathy was to my mind the central sin of the regime, from which all the others flowed. My generation had tasted individual freedom and lost it; no matter how painful the loss, the recollection was there to protect us from the desert of the present. But what did this new generation have to safeguard them? Like Catherine's, their desires, their yearnings, their urges to express themselves were manifested in bizarre ways." (pg. 224) I don't know if I agree that they expressed themselves in 'bizarre ways' , their ways of expressing themselves were merely differently from what one might expect. Honestly I think it was more of a generational thing. Maybe the author just didn't get 'young people'. Ha


Thursday, March 10, 2011
Throwback Thursday: Who You Wit?

Dafina/Kensington
Rating: 3/5
IQ "Jacinta toyed with that thought as the clique joked around her, amazed at how the world kept going even when something huge was happening to people." pgs. 38-39
*Mild Spoilers from the third book, That's What's Up*
Summer is almost here but summer brings a sense of doom to some members of the Del Rio Bay (DRB) clique. For Mina it's the last summer before Brian goes to Duke and she wants to spend every minute of every day with him. Lizzie wants to avoid spending every minute with Todd because she's so head-over-heels, she might end up doing something she (thinks) she'll regret. Jacinta can't wait for summer to be over so that maybe she and Raheem can finally have some space since he's going to Georgetown. Kelly is ambivalent about summer, she looks forward to spending time with her DRB clique and maybe there will be a new guy in her life. Or an old one.
I feel bogus for saying so but what dragged this book down for me were some of the characters. That's a good thing though right? Right. Because each of these characters has redeemable qualities, they aren't one dimensional jerks. Lizzie decides to take a one-year abstinence pact but she doesn't bother to run this pact by her boyfriend, Todd. Her story goes downhill from there, she becomes annoying because she recognizes the problem but is too stubborn/proud to fix it. She's judgemental and is the only character who I don't think ever really redeemed herself. This book focuses a little more on boy problems, less on friendship issues but it never becomes completely about the guys, there's a slightly uneven balance but it's understandable. I didn't like how the clique's extracurricular activities got pushed to the side. I did think that the song lyrics were random at times, not always fitting with the content of the chapter. The last few pages were annoyingly dramatic, full of foreboding and foreshadowing which I don't care for, especially not in a contemporary novel. I couldn't remember how old any of the members of the clique are, I think sophomores? Some characters who started to become well-developed were completely ignored in this book, like Jessica and even Jessica's twin, Sara. JZ still hasn't developed as a character and Michael was a complete prop, only appearing when it was convenient (like when Mina needed a prom dress).
I could relate to Mina especially in this book. She's so terrified of Brian leaving her and then forgetting about her, sleeping with other girls that she makes a decision she might not have had made so soon. Every time I read a book in this series I feel like I'm talking to my Black/Latino friends. We laugh all the time it seems like but there's always some kind of drama going on, either between friends or between couples. The Del Rio Bay Clique series captures all the angst and fun of being a minority in the suburbs as well as just teenage life in suburbia in general. At first it was frustrating that Jacinta is still with Raheem but something occurs that (I think) makes it very understandable as to why she can't force herself to cut all ties with him. Kelly makes a good decision but goes about it in a bad way, very authentic teen :)
Who You Wit'? is a quick read that is guaranteed to transport you back to your teen years or to help you through them. The dialogue is spot-on (a few times the author sounds like she might be trying too hard considering these are suburban teens but for the most part it works). It's funny Mina was my least favorite character at first, now my favorite is either her or Jacinta. Once again, I think Mina's parents are too strict but my parents probably would have been even harsher if they found out I had done what she did so I won't talk. Haha. I love these books because they are universal but the main characters are Blacks and Latinos. Their world is completely diverse too, even the random characters that the main characters interact with have some diversity. I also appreciate that besides racial diversity these books feature economic diversity (i.e. a book about middle class ethnic cultures) and teenage diversity. By teenage diversity I mean these kids are active. I always find it hard to relate to books where the main character does little and/or has no school spirit. Mina cheerleads and writes for the school newspaper, JZ, Todd and Brian play basketball (and JZ plays football), Lizzie is active in the Drama club and Kelly tutors. All of those activities ensure that the author is faithful to teen behavior. I also really liked how a certain character described having sex. It was funny and so very teenage, I would have said the some thing! If you're looking for lighter fair with drama, romance, friendship, heart and diversity, give this series a try.
Disclosure: Bought =)
*I have changed my Throwback Thursday posts. Starting now, I'm going to make a throwback anything that comes from the 1st decade of the 21st century. Ideally, I want to keep the reviews to 2007 and older but exceptions may be made :)
Hosted by Take Me Away Reading
I am currently on a mandatory school retreat so I have no Internet access. I'll be back Friday evening and will try to respond all comments and emails asap!


Thursday, February 10, 2011
Throwback Thursday: Book of a Thousand Days

Bloomsbury U.S.A. Children's Books
Rating: 4.5/5
IQ "'Was it..' I hesitated. I didn't want to tell him his own feelings, but I thought I understood. 'Was it as though you had a splinter inside, deep in your chest, that had been there so long you'd forgotten to notice the pain, and the song reminded you so you could pluck it out?'" Dashti pg. 169
Dashti is Lady Saren's loyal maid. She is so loyal that when Lady Saren refuses to marry the man her father has chosen for her, Dashti accepts the same punishment as Lady Saren. They are both locked into a tower for seven years, there is only one tiny flap that opens up to the outside world. Lady Saren is in love with another guy, Khan Tegus, and both he and Lord Khasar (the man Lady Saren refused) visit Lady Saren while she's in the tower. Lady Saren is too afraid to talk to Khan Tegus, so she orders Dashti to impersonate her. Pretending to be gentry is a crime punishable by death, but Dashti will be required to keep up the charade in order to keep Lady Saren and herself safe.
I was worried that I would not like Dashti. The book gets off to a slow start and I was uneasy at the thought of having to deal with meek Dashti for the entire book. Gradually, I realized that my uneasiness over Dashti's meek attitude was a good thing. The author really made me get into a character's head, I UNDERSTOOD why Dashti didn't want to cross the gentry, all her life she has had it hammered into her that she is inferior to the gentry because she is a mucker. She takes care of animals and knows only healing songs. Imagine having it hammered into you that you are inferior (oh hey I've talked about that before xD) so I understood Dashti a little better. However I could not abide Lady Saren. It doesn't matter how she redeemed herself, she annoyed me with her weak will and inability to express herself. I'm just not patient though and Lady Saren did not take away from my enjoyment from the story. I only wish the book had picked up faster.
The Eight Realms of Dashti's world are partially modeled after medieval Mongolia. I would not have pieced that together were it not for the author's acknowledgments (although the title 'khan' made me think of Genghis Khan). How cool :) I adore the fairy-tale elements of this book. It's not sickly sweet but it isn't depressingly realistic either. There is a careful balance maintained throughout the duration of the novel. Humor in the novel comes from Dashti's mucker songs, she heals people by singing about something completely different to take the person's mind off their pain. Lord Khasar presents an unexpected twist, his acerbity is most unwelcome and terrifies Lady Saren. The romance between Dashti and her love interest also develops slowly, friends first, very close friends later, in-like and finally, in-love. The two of them are adorable. More than anything, my favorite part of the book was seeing the difference between meekness and timidness. Dashti is quiet but she will not allow herself to be all walked all over, when something REALLY bothers her, she speaks up. She isn't a perfect 'warrior' woman and she is not a know-it-all. Dashti doubts herself constantly but her self-doubt does not affect her ability to follow her heart.
The Book of a Thousand Days features exquisite writing, complicated situations and first-love goodness. Each word is chosen with care and while Dashti acts as though she fumbles to find the right words, she easily finds the most eloquent and storybook ways of expressing herself. Another of my favorite quotes, "[t]he sky no longer seems breathlessly huge, but feels to press down on me. Perhaps I'm just afraid of the uncertainty to come. When I'm moving on a journey, the ending is still unknown and possibly wonderful. But once I arrive, it's hard to keep imagining." (pg. 129) The book is cheerful filled with great characters, slow and steady worldbuilding and an exciting climax. Bonus points for having an all Asian cast and a main character who has a beautiful spirit and is only slightly bothered by her mottled hand (that she feels hinders her beauty, but then again a mucker maid is not supposed to be beautiful). Extra bonus: some of the proceeds from the sale of this book go to Heifer International!
Disclosure: Received from Aurora, thank you so much!
PS Read the original fairy tale Maid Maleen here
Thursday, January 6, 2011
Throwback Thursday: Hallway Diaries

Kimani Tru/Harlequin Press
IQ "In the short distance to the bus, I realized that Baltimore was trying to prove its worth. It was like a beautiful woman with a black eye. It was trying to prove that it was the little big city that could. It was more dangerous than it should be. It was trying to prove that it deserved attention. It was loud for no reason. It was trying to prove that it had something to say. So I listened." Nina pg. 76
The first story is "How to Be Down" by Felicia Pride, the second story is "Double Act" by Debbie Rigaud and the final story is "The Summer She Learned To Dance" by Karen Valentin. What all these stories have in common is that they are about girls who are considered Black in mostly white communities and 'white' in mostly Black communities. They would be called 'oreos' in the Black community.
The problem with all three of these stories is how they develop the backstory. In "Double Act" we learn the main character's name and that she's a straight-A student through her thoughts "Come on Mia Chambers, I scolded myself. You just found out that you aced all your classes with straight As" (pg. 165). That statement is redundant (acing classes and getting straight As is the same thing) and is an easy way of explaining some facts about the main character. Easy but not very interesting. All the stories read like this. A small thing that bothered me was when in "How To Be Down", the author felt the need to 'translate' what some of the characters were saying. "While we walked to the lunch line, Sheena asked why my hair was bushier than this morning. 'Why you look so crazy?' (pg. 62). Based on that phrase alone, the reader could have figured out what was going on. In "The Summer She Learned To Dance" the story contains excerpts from the thoughts of each of the characters which reads oddly in such a small space. I think the story should have just been told from Giselle's perspective or Giselle's and Jacinta 's(her cousin from the Dominican Republic), instead of also including thoughts from her father and Katie. These are little things but they ended up becoming quite annoying. All the stories will be dated rather quickly (in fact they're dated now) because of their celebrity references. Also time flew by very quickly and that made things very confusing because it wasn't described well.
I really liked "How to be Down" and "Double Act." They had a lot in common with the whole 'oreo' thing, parents who are upper middle class and make sure they are exposed to all the aspects of Black culture. What makes "How to be Down" stand out is the 'villaness'. I want name names but she's so insecure because she's biracial and feels that if she keeps questioning other people's Blackness, they won't have time to question hers. A rare story and one that is pulled off fairly well for a short story collection. Nina (main character of "How to be Down") moves from her suburban neighborhood to the city of Baltimore and it's a jarring change for her, one that the author successfully outlines in a oftentimes humorous manner. In "Double Act", Mia has to switch from her predominately Black school to the more challenging all girls, almost all white, suburban school. The author shows that not only is the curriculum more challenging, but so are the social challenges. How do you handle being at a school that ignores the contributions of anyone who is not white? Mia was an unusual character because she "used sound as my own road map. The tap-tap sounds of the double-Dutch ropes helped me decide when to jump. I could identify a song after hearing no more than three or four notes. And people's voices sounded like notes on my keyboard." (pg. 209). Not sure how that works but it's a different way of being able to remember people :) "The Summer She Learned to Dance" has Giselle in the timeless struggle of learning more about her Dominican culture (her mother is dead and she's been raised by her all father's white family) and balancing her Dominican culture with her white culture.
Hallway Diaries is an early book that talks about 'sellouts' in a sometimes funny and meaningful way. Nina, Mia and Giselle are all trying to figure out who they are in and how to survive the trials of high school. High school is always tough, and this collection shows how hard it can be for middle/upper class Black (and one half Latina) teens. The challenges are nothing new, but still there and ones that many white teens may not be aware of. The writing isn't anything special nor are the characters ones who will stick with you. But in the short time it took to read this book, I found myself relating to all three of the main characters and having a nice time while I read.
*I don't rate anthologies by different authors, only anthologies by the same author. Also Throwback Thursday is hosted by Take Me Away. In this meme I review books published before 2007.
Disclosure: Bought years and years ago. Ok not that long ago
Thursday, December 30, 2010
Throwback Thursday: Born Confused

PUSH/Scholastic
Rating: 4.5/5
IQ "She'd told him I was the Indian girl. The Indian girl. Somehow neither description rang completely true to me in terms of how I felt inside, but the thing was I'd never really consciously thought of myself as American, either. Of course I did the Pledge, too, along with everybody else for years of mornings, but like everyone else I wasn't really thinking about the words. I mean, I definitely wanted liberty like Gwyn had with the car keys and no curfew and justice for all would be great, especially in high school where people were definitely not created equal (proof: cheerleaders). But I didn't know if that had so much to do with the stars and stripes; it seemed to be more about the jeans and teams." Dimple pg. 13
Dimple Rohitbhai Lala is confused. She doesn't feel American or Indian. Being Indian is now cool, even her best friend is wrapped up in the 'romance' of India, wearing saris and a bindi dot. Dimple's still trying to forget about her ex boyfriend who broke up with her a year ago and her best friend, Gwyn, is spending less and less time with her. Her parents have decided it's time for her to meet a 'suitable boy' so they set her up on a blind date. Dimple dismisses him as a mama's boy and ignores him. Until she's at a club and discovers that he's one of the best DJs in NYC. Dimple now wants the 'suitable boy' because he seems so unsuitable. Of course, Dimple essentially relinquished claim on him when she declared him a mama's boy and too soft....
The only problem with this book is that it moves veeerrryyy slowly and it times it reads like a 'everything you need to know about South Asian culture' guide. I loved learning about South Asian culture' the terms, the food, the clothes, but at the same time, some of this information is passed down through lectures or infodumps done by characters. Other than that, I absolutely loved this book. You don't have to be South Asian to identify with this book (although I have no doubt you would love this book even more if you were), anyone who is second or third generation can relate to not feeling quite American but not feeling as though you are a part of your culture either. We seem to be stuck between two worlds and are constantly trying to reconcile them. Every page in this book contains at least one memorable line, there are a lot of deep thoughts being shared between characters and these conversations are golden. They are the type of conversations that many dream of having with your friends, when you can tell them anything at all, be completely vulnerable and they'll still love you. It wasn't until the end that I understood why Gwyn and Dimple were friends. Gwyn treated Dimple poorly for most of the book (especially her claim that she knew about Indian culture because she had a Indian friend. Oh jeez), but at the end, she more than makes up for it.
Dimple is one of the most fantastic main characters I've ever read. She's awkward, confused and funny. I love that Dimple really comes alive when she takes pictures (her camera is named Chica Tikka which means third eye. Great name!) and when she's talking about her pictures. I could perfectly envision her snapping away at everything she saw and being able to see the beauty in every image. I could also really relate to Dimple's 'perfect life.' Gwyn tells Dimple that she would never understand what it means to come from a 'broken' family because her home life is perfect, her parents are in love. Gwyn and Karsh (the suitable/unsuitable boy) are discussing their single parent homes and while Karsh is more sympathetic to Dimple's point, Gwyn is not.
"'What do you mean? They don't hold hands, I've never seen them kiss. In fact, I'm not even sure how I got here, to tell the truth.' [Dimple]
-What's kissing and holding hands? said Gwyn almost snobbishly. That's a dime dozen. They wake up together every morning, they sleep together every night; they managed to cross an ocean together and not fall apart. And they adore you. That's pretty perfect and you're complaining? What's wrong with you? You could use all that love to go out and conquer the world!
I wasn't complaining. I was just trying to find my place in this conversation, but it was looking more and more like a sold-out show." (pg. 247) I get that. It seems weird to want to fit in by complaining about how much your life stinks, but I've felt that way before too. It's an uncomfortable feeling when everyone thinks your life is perfect and refuses to see that you might still be unhappy. Karsh is probably one of the best YA crushes ever. He's not perfect though since he sends so many mixed signals (half the time it was obvious that he had feelings for Dimple but then the other half of the time he was really into Gwyn). One of my favorite scenes is at the end when *SPOILER* (highlight to read) Karsh is saying that he can't believe Dimple didn't know he was into her and she defends herself by telling him about all his mixed signals;
"Like that time you came over and out of all the pictures I'd taken chose the one of her [Gwyn]for the one you wanted, the one you wanted to keep.
-Dimple, he said, and he looked at me first surprised then very soberly.-Of course I picked that one.
-Of course?
-That was the only one with you in it, he said." pg. 484 Not gonna lie, my heart melted at that line. I'm growing sappy!*End of Spoiler*
Born Confused is a priceless tale of friendship, tradition, culture, love and being seventeen. The story is a riot to read because Dimple can be very melodramatic and her parents can mix up some American phrases with quite amusing results. While the story can move very slowly and seem to be drifitng aimlessly, there are frequent witty observations and bursts of laughter. I would love to meet Dimple and Karsh (I could leave Gwyn) and just explore the Desai neighborhoods of NYC with them. I love that there are so many complex characters and storylines (like the one with Kavita, Dimple's cousin). I wish all the information about Indian culture and South Asian culture in general had been presented in a more easygoing/natural manner, but nevertheless I appreciated the information. You will not forget Dimple and her mixed-up and messy life. Highly, highly recommended.
Disclosure: Bought. One of my best purchases for sure!
Thursday, December 23, 2010
Throwback Thursday: The Stone Goddess

Orchard Books Scholastic
Rating: 3.5/5
IQ "As flowers sacred to Buddhism we had always been taught that because the lotus had its roots in the mud, grew trough the murky water, and blossomed in the open air, each lotus was like the human spirit." Nakri pg. 4
Nakri Sokha and her family live peaceful lives in Phnom Penh, Cambodia. Nakri's mother teaches Nakri and her older sister, Teeda the beautiful classical dances of Cambodia and Teeda aspires to one day dance the highest role, the role of an aspara (celestial dancer). All that changes when the Khmer Rouge takes over Phonm Penh. Nakri and her family are forced to evacuate the city and eventually Nakri, her brother Boran and Teeda are taken away to a labor camp. Nakri despairs of ever seeing her family again, but Teeda keeps her hopes up. Once they are finally reunited with their family, they head to Thailand, and from there, America. But nothing is the same after the cruel Communist rule of the Khmer Rouge and Nakri can't forget about all that she saw and endured.
This might not be as big a deal to anyone else, but I wanted more dance details :) I wanted to learn more about celestial dancers, the steps. the costumes, the music, the stories. I also would have preferred to read the story from an older teen's view. Nakri (who is twelve) doesn't know about much that is going on and since I didn't either, I wanted more details about how the Khmer Rouge came to power. I knew they were cruel obviously and I remember the name of the leader (Pol Pot) but I wanted to understand why they were allowed to run rampant for so many years, was there opposition to their rule? Finally, I had a problem with the narrative of the story. It starts off rather quickly which is fine. Then, Nakri heads off to the labor camp and apparently three years went by. There was no indication that time was passing at all, and I suppose that's ok because being in a labor camp is probably the same thing everyday: backbreaking work and cruel supervisors, but I didn't think I got a chance to really see how Nakri and Teeda coped with their situation. Then time flies by in the Thailand at a refugee camp and ends in America. The America scenes are towards the end and the book ended rather too abruptly for my taste.
My favorite thing about this book were the strong and vivid family relationships. Nakri and her sister, Teeda have such a close bond and it's a great thing to read about. It's almost unreal because none of the siblings argue with each other. I didn't know that was possible! Teeda tells Nakri stories and watches over her as does her older brother, Boran. Their youngest brother, Yan, doesn't make many appearances in the story but he gets along well with everyone else. Nakri's parents are genuine, they aren't overly mean or cold and they aren't soft and forgiving either. They are a mixture of both, like most parents. As much as I complained about the narrative from a child's perspective, it did (over)simplify things and I still got the basic idea of what was going on. There was plenty of details about everyday life in Cambodia, the people, the buildings, the food. I felt immersed in the culture.
The Stone Goddess is a horrifying read in that the cruelty of the Khmer Rouge is aggravating and yet sadly, believable. The writing and characters are rather simple and the situation seems to be too simple but it's still informative. How many students today know anything about Cambodia (I'm not even sure I could point it out on a map. I vaguely know the area)? I do wish that the story hadn't been so simple and that the family wasn't so nice. At the same time, the cozy family relationship was refreshing and there was enough drama and hardship to keep me turning the pages. The final scene, while abrupt is absolutely beautiful.
Disclosure: From the library
Throwback Thursday is hosted by Take Me Away
Thursday, November 4, 2010
Throwback Thursday: Who Am I Without Him?

Hyperion/Jump at the Sun
Rating: 3/5 (I decided to rate this anthology since it's by the same author. I will not however rate anthologies by several authors)
IQ "But what's in us don't just evaporate like steam from hot pipes. That's what's my mother used to say anyhow. It lingers, like sediment (your momma taught me them words), and every now and then it turns into what it was meant to be in the first place." Daddy, Letter To My Daughter, pg. 211
I decided to share a short summary of each story along with my thoughts on it (the title is self explanatory if you want to know the theme of the book)
1. So I Ain't No Good Girl- The main character doesn't have a name, but in the typical story, she's dating a guy who treats her badly. He abuses her, cheats on her and she always takes him back. The summary of the story reads like a cliche, but what makes the story good is that the author tries to help unsympathetic readers (like myself) understand why a girl would stay with a guy who treats her badly. It made sense and was the right length. I'm not sure if it's a good or bad thing that I didn't particularly care that it ended where it did.
2. Girl, Didn't I Say I Don't Write Letters?-Devita Mae and Jaquel are in the same English class and they are given an assignment to write letters to each other. The letters can be about anything they want, but the teacher can read it. This was the funniest story. I always like the whole gender wars/boys writing letters to girls, etc so I was entertained by the premise. The dialogue is snappy and fun "Watch out, Jaquel. That big thing floating around the room is your head; too much hot air made it pop off and fly away." (pg. 21). Jaquel and Devita Mae obviously become friends and their friendship is rushed, but there are some setbacks. The setbacks aren't big crises which is nice, they are natural issues that arise in high school (I think they are freshmen). We also read Devita Mae's diary to learn about what she keeps back from Jaquel. Very cute story and the ending was satisfying.
3. The Ugly One-Saddest story. My heart went out to Asia Calloway who is a self-described "regular girl" except for her face which is covered in boils. She has been mocked all her life and it just...makes your blood boil (no pun intended) at the cruelty of kids. However, I didn't care for the storyline. It was short and while understandable, it still felt odd.
4. Mookie in Love-Another odd story. Perhaps odd isn't the right word, but a few of the stories seemed a bit out-there. This story was entertaining but rather crazy. Mookie is the cousin of the narrator and he's the only boy in the whole extended family. He's spoiled rotten until he falls in love. The women in his family are appalled at this and do everything they can to sabotage the relationship. Mookie and Shana (his girlfriend) were cheesy but the actions of Mookie's family were so out there that I just ignored the cheesiness and enjoyed the antics.
5. Don't Be Disrespecting Me-One of my favorite stories from the anthology. It's a typical Romeo and Juliet story. E (short for Erin, but Erin is a guy) is poor, Ona is rich. Noodles says that E is wasting his time on Ona, Noodles only uses girls for money and Ona doesn't seem like the type who would let herself be used. E is desperate to make some money and tkae Ona to the school dance so he makes a choice. This choice will (obviously) change his life and the climax is dramatic. More please!
6. I Like White Boys-A diverting story about Erika who likes white boys (duh), especially Johnny. Johnny who is unavailable, who doesn't date girls like Erika. Erika doesn't like to sit with the Black kids at school, all of whom are on scholarships. She is too, but unlike her Black classmates, she wants to speak "proper" English and she doesn't care to date Black guys. She's called an "oreo". The story ending was random, but the idea behind it was a good one. Although I didn't walk away really understanding why Erika likes white guys over Black guys.
7. Jacobs's Rules-Another darling story about gender roles. It's the classic throw-a guy and girl together-to raise a baby story (except there's no baby, they just have to pretend to be married). I really liked this story too, especially because Brandon treats Marimba so wrong. He's not some unrealistic chivalrous freshman, he knows what he wants and he doesn't care who knows it. The marriage thing was actually a really cool twist. At times Brandon's behavior is incomprehensible, but then again, I know guys like him. Fav line:" Girls think they know what they want until they get it. Then when it ain't right, instead of ditching it like an old skirt that don't fit no more, they let out the seam, dye it or try to change it into something it's not. [...] Then they complain about it not fitting and stuff." (pg. 119, Jonathon). Girls, is this not true?
8. I Know a Stupid Boy When I See One-I don't know how I feel about this story. The main character isn't appealing, the love interest is unconventional and the story is sad I suppose, but I felt no sympathy. Probably my least favorite, but props for writing a story with an unlikable main character. However I didn't care in the slightest about the outcome. The main character should have had at least one redeeming characteristic.
9. Hunting for Boys-A group of girls raised in a super conservative church and home decide to finally rebel. they go looking for boys and of course, they go about it in all the wrong ways. Just an OK story.
10. Wanted: A Thug-By now I was tired of reading stories about girls who stayed with guys who weren't good for them, so my patience had worn thin. Therefore, I was biased going into this story but it was a pleasant surprise. I didn't expect the little twist at the end, although I still don't get why any girl would want a thug. I really don't get it and I can't wait till I find a book that actually explains it to me.
11. Not a Boy-Charming and awkward story about a guy asking a girl on a first date. If only he had listened to his parents. But that would have ruined the fun :)
12. A Letter to my Daughter-Another favorite story. How can you not find a story sweet when a father writes a letter to his daughter? A perfect length filled with good advice that makes up for some of the less-than-great stories in this collection. Best story to end with. Favorite bit of advice: "Second, don't get all excited if some boy is nice to you. Ain't the mailman nice to you? And what about your teachers, the drunk on the corner or the little boy up the street? Nice ain't nothing much. shoot, I'm nice to the snaggletoothed woman who scrubs the floors where I work. You think I wanna date her? Let me get back to the point. Alicia, you deserve a boy who is more than nice to you. Women be thinking nice is enough. It ain't. It's a low bar to set for yourself. You deserve a boy who's gonna respect you." (pg. 214)
A variety of stories keep the book interesting but a a few do fall flat. They all had potential, but only some lived up to their full potential.
Disclosure: Bought forever ago. haha
Thursday, October 28, 2010
Throwback Thursday: Haters

Little, Brown and Company/Hachette Book group
Rating: 3.5/5
IQ "He makes me want to experience everything. I stare at the table and hope that my dad can't hear me thinking about Chris. My thoughts are so clear and colorful that I can't imagine anyone not being able to just by looking at me what's in my head." Paksi pg. 247
Pasquala (Paski) Rumalda Quintana de Archuleta is different. Not just because she moved from the calm and steady pace of life in Taos, New Mexico to the busy life of Los Angeles. She's the new girl who has never really liked shopping, dated much and she likes to eat. Padre Loma High School is ruled by the Haters; Jessica Nguyen, Haley Williams and Brianna Sarantopoulos. At her old school, Paksi was part of the popular crew. But Jessica has decided that Paksi is not going to be popular in California and Jessica will do anything to keep Paksi down. The problem is, Paksi has psychic abilities and she keeps having visions of something happening to Jessica. Jessica hates her, so Paksi should just keep quiet, she deserves it right? Wrong.
This was just what I needed since I've been in a back-to-school funk (well I've been in it since school started but it's getting worse). It's not cotton candy light but it didn't make me pause at any revolutionary/extraordinary thoughts. I would like to state however that this book could be a lot shorter. There seemed to be a lot of excess information and while it didn't take away from the plot per se, it wasn't something I needed to know. I found the dialogue to be repetitive and too much TELLING and not enough SHOWING. Furthermore, the author tells you what conclusions she wants you to draw through Paksi or she explains something through her. For example, "'Wow' he [Andrew] says. 'Hi I say. I blush because I can tell he likes what he sees." (pg. 155). I hope I'm not coming off as picky, but I think based on the wow and just hearing that Paksi blushed we could figure out what Andrew meant by 'wow'.
Other than what I listed above, I really enjoyed this novel. I love that the most popular girl in school (head of the Haters) is Vietnamese and that it's a diverse little clique at the top (Brianna is Greek, Haley is bi-racial). In addition to the popular girls, the popular boys vary in cultural backgrounds as well. It was quite refreshing because it's so effortless, the author doesn't overstate the character's ethnicity, but you know their cultural identity. The book moves at a fast and fun pace and what helps it stand apart from standard chick lit is its diversity and Paksi's supernatural abilities. Paksi only wants to be normal so she tries to ignore her visions in the hopes that they will leave her, but that is usually not the case. The question is not whether or not Paksi will act on these visions, but how far will she go to tell the person that is concerned? Perhaps what draws me to Paksi the most is that she is an athlete. She rode on her grandmother's Harley back in Taos but not very often and in this book she learns how to race motocross (which is on a motorcycle so I didn't totally get the difference. But that's what Google is for. haha). She's not afraid to work up sweat whether on her bike or a motorcycles and that's awesome.
Haters avoids being dismissed as mere 'chick lit' (not that there's anything wrong with chick lit!) by having an extra layer of supernatural occurrences and motorcycles. A competitive Latina motocross racer is enough of rarity for me to get excited about reading it. The predictability does not run rampant throughout. There's a lot going on this novel and at times it does seem to be like the author wants to talk about too many different things at once (Taos vs. Los Angeles, Japanese internment camps, motocross, date rape drugs, etc.) but the story has many unique moments to capture (and hold) your attention. The dialogue is realistic of teenagers, although I did want fewer explanations. Paksi is the quintessential teenager; embarrassed by her father (her mother is not around), torn between her desire to fit in and be unique to herself, confused about boys and a strong urge to ride a motorcycle (and do it well). And it doesn't hurt that the book has one of the cutest love interests.
Disclosure: Bought!
Throwback Thursday is hosted by Take Me Away Reading

