Quintilian, Institutio Oratoria, Book 11, chapter 6, section 182

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[182] For example, if an actor has to speak the following lines on the stage:¹

“What shall I do then? Not go, even now,
Now when she calls me? Or shall I steel my soul
No longer to endure a harlot's insults?
”

he will hesitate as in doubt, will vary the modulations of his voice, together with the movements of hand and head. But oratory has a different flavour and objects to elaborate condiments, since it consists in serious pleading, not in mimicry.

1 Ter. Eun. I. i. 1.

Quintilian. With An English Translation. Harold Edgeworth Butler. Cambridge. Cambridge, Mass., Harvard University Press; London, William Heinemann, Ltd. 1922.

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