ORIGINAL

 A tag collage in my Mixed Media Collage art book.

The background was created with a dip, drip and dry process using Walnut Stain distress ink. The Salvaged Patina through a stencil.

The collage was built with layers of torn book papers, printed and stamped elements, hessian, thread, word sticker and washi tape.

The tag is one of 4 that were laid side by side and stamped together with a range of Tim Holtz stamps.

xxx

Stencilled background with acrylic paints - new technique

I have been revisiting old techniques and posting them recently but this one came out of the blue and is now a new technique I'm sure I will call on often.
I was so excited at the results of the layers building this background and made it into a card for this post.

Process steps

1. Scrape a layer of tinting base over the card using a palette knife.

2. Mix a watery wash using the most tiniest pin prick amounts of cobalt teal and grey paint. Dip and dry.

3. Into what is left of the wash add a tiny amount of primary yellow and repeat step 2.

4. Mix a new wash of prussian blue and repeat step 2.

5. Add tiny dots of the yellow, cobalt and prussian blues on a palette. Take a stencil, a small blender with blending foam and a water spritzer. Spritz over the stencil so water goes through onto the background, pick up tiny amounts of one or two of the colours at a time and blend through the stencil and dry.
See this technique also stepped out for a Spring card.

6. Use embossing powders and a text stamp for interest.

7. Spread some resist paste randomly over and paint over a layer of olive grove leave to dry.

8. Rub away with dry kitchen towel and a wetwipe to reveal most of what is underneath again - some of the original background seemed to fade - did I rub too hard?

9. Repeat step 7 using eternal chalk paint this time.

10. Repeat step 8.

11. Scrape some random patches of white crackle paste around the edges and leave to dry.

12. I found that some of the crackle dropped off when I went back to it and I'm sure it must have been because of the resist paste, so I gave it a coat of soft touch varnish and again left to dry. That sealed it in place.

I also made a technique bord using different colours
step 2 - phthalo turquoise and medium grey.
step 3 - add naphthal red
step 4 - prussian blue.
step 5 - create different mixes using naphthal red, diarylide yellow, cerulean blue, prussian blue, titanium white, titan buff - going back over the shapes with different blends of colours to create overlays and depth.

Love the Moroccan/Spanish feel to the design and to see what different effects can be achieved.

xxx

DecoArt Mixed Media Team Project for March

I have a post going live over on the DecoArt Mixed Media Blog today which came about because I had my arm in a sling and needed to not move it around much. So the three media boards I chose to use all had the same techniques and layers as did the butterflies but the small deviations with stamps and positioning created enough variety of interest to the eye.

To see the full tutorial please pop over to the DecoArt blog where it is listed with lots of process steps and photos.

xxx

Wildflowers and cultivated flowers - mixed media journal page.

I went out with a friend for her birthday recently and I bought an old book of Dickens' A Tale of Two Cities. Unusually there is no printer's date in it but it was scribed by someone and dated the 7th January 1910, over a hundred years old, so now I don't want to tear it up or alter it lol.

However my friend had some books in her car ready for the charity shop and one was A Country Diary birthday book, certainly not old at all but the illustrations are all flowers and are hand painted prints so I decided to take it off her hands and have a play at using some of the gorgeous flower designs in some journal pages.

This is the first one stuck into my nature journal which already had some tissue collage paper glued on it.

To age the illustration I stamped with some text and gave it a light coat of watery gesso and distressed the torn edges.

I painted some wildflower stems .....

.... and drew round one of Tim's transparent butterflies on watercolour paper, dipped it in some pinky paint washes, glued the two together and covered the surface with glue to make it matte. I also added a crochet die border and a quote.

You'd think this would be quite quick to do but as always I overthink everything.

I am also sharing this over on the Country View Crafts project blog.

xxx

Supplies from Country View Crafts

Tim Holtz wildflowers die and crochet die

Tim Holtz stamps Nature's Wonder

Tim Holtz Transparent acetate wings

Acrylic Paints blended background and collage journal panel

For this panel I took quinacridone violet, cobalt teal hue and transparent yellow oxide which are all DecoArt Media transparent colours and translucent white which is semi transparent and blended them over a textured gesso background blending with a blending tool and blending foam and rubbing back with dry kitchen paper. When I was happy with the pale colours I then sanded lightly over the surface to reveal some of the white of the gesso below. Using ground espresso distress ink I blended around the edges of the card to give it a more vintage appeal and rubbed a little in the centre too wiping it back with a damp cloth.

Stamp text stamps using watering can archival ink before splattering with a watery wash of paynes grey. Add a collage with wildflower stems and some dried natural accents, ..........

...... a transparent butterfly coated with matte medium to take the shine off of it, .........

......... vintage photo and quote.

I am also sharing this at Country View Crafts project blog today.

xxx

Supplies available from Country View Crafts

Tim Holtz stamps
DecoArt Media Fluid Acrylics
DecoArt Media white gesso
Distress Inks
Transparent Butterflies
Wildflower stems #1
Wildflower Stems #2

CAS card - Brenda style

If you've seen my work you'll know I don't do CAS style - I'm much more a vintage, shabby, grungy, industrial type artist but this came together with some salvage bits from leftover boxes plus a leaf die cut from the newly released Large Stems die from Sizzix and Tim Holtz

You'll probably recognise the latticework stencil design that I used on a piece of canvas paper and then cut the stitched circle, this helped to create the focal point.

The large leaf stem was covered with embossing ink and sprinkled with the new lime mixed media powder from Ranger.

To create a little more interest I added the garden greens leaves and some stamped and die-cut bugs ......

.... and finished off with a happy birthday sentiment.

Can you tell I love Tim Holtz products????? This is a sample I am sharing over on the Country View Crafts project blog today as well.

I know this is not true CAS style but it pleases me to get somewhere near it..

Thanks for looking ...... and 

xxx

Frames for Tando

I am sharing this project over on the Tando blog today, it's one of Di's mini printer trays and I've used it to encapsulate some butterfly images .....

 .... which makes them look as though they are floating in frames.

Process steps
Glue two of the frame pieces together and leave one single and paint all of the pieces with a coat of primitive chalky finish paint.

Cut a cellophane bag (still with two pieces together) to fit the inside of the double frame and glue it down.

Open the cellophane up so that you have lifted the top piece and you're working in the middle of it. Glue on some butterflies. (mine are free images downloaded from the internet).

 Then lay the top piece of cellophane back down adhering it to the outside of the frame and then glue the single top frame over it. You have now encapsulated the butterflies inside the cellophane which makes them look as though they are floating in the frames and are totally protected.

Dip all the pieces in some watery quinacridone gold and add some tissue tape to the outside of the cover.

Stamp alphabet/numbers with black archival ink and scrape gesso randomly down the front and inside left covers.

Create a darker edge to 'frame' the piece by first dabing some watery burnt umber round the edges and spritz with water - heat dry. Then mix some burnt umber with paynes grey and slide the brush around the edges.

Dabble a little burnt umber randomly on the frame, leave to dry naturally - using a heat gun could melt the cellophane!. When dry scrape some white gesso over with a tine palette knife.

Glue the layered frames onto the back cover and add some words on the inside cover .....

..... - mine are computer generated.

Create a butterfly panel as the focus on the front cover, I simply used scraps of patterned papers and butterfly from a Tim Holtz ephemera pack. I added another computer generated saying.

There we have the outside covers ......

..... and the inside ones.

The theme this week over on the Tando blog is frames and I am really happy with my sample and interpretation.

Thanks for stopping by and .....

xxx

Supplies

Mini Printer Tray with cover 

DecoArt fluid media acrylic paints - quinacridone gold, burnt umber, paynes grey

DecoArt media mediums - white gesso, matte medium

DecoArt chalky finish paint - Primitive

Butterfly images

Stamped, bought or computer generated quotes/sayings.