Meet The Residents

Original Mono Recording

A1		Boots	1:30
		Written-By - Lee Hazelwood*
A2		Numb Erone	1:23
A3		Guylum Bardot	1:22
A4		Breath And Length	1:45
		Vocals - Ruth Essex
A5		Consuelo's Departure	1:55
A6		Smelly Tongues	1:35
		Vocals - Wool
A7		Rest Aria	5:41
A8		Skratz	1:18
A9		Spotted Pinto Bean	6:37
		Oboe - Phillip Friehofner Piano - James Whitaker Vocals - Pamala Wieking
B1		Infant Tango	6:01
		Bass - Bobby Tagney Bass, Guitar - James Aaron
B2		Seasoned Greetings	5:12
B3		N-ER-GEE	10:06

"Meet The Residents was originally released in 1974, on the Ralph Records label. The tapes were monaural recordings on home equipment and suffered further fidelity loss in the mastering and pressing stages. In 1976, The Cryptic Corporation came into legal possession of The Residents recordings, and began working on how to restore these original tapes to studio quality. Using the master tape as a directive, the album was disassembled, reprocessed, and reconstructed into this stereophonic version. No re-recording was employed. The artists who appear on this recording have personally approved this as an authorized realization of the original LP."
The Cryptic Corporation

flac

This particular pressing is the first in a series of reissues. 12,000 copies were pressed once the 1000 original copies had sold out. It features the old Ralph logo on both front and rear with the split black and white 'a' of 'Ralph'. Also, and this is true of both this pressing and the following pressing of reissues, the rear cover is black and white with the original liner notes in a column on the left half and on the right half we have the picture of the original sleeve and tracklisting etc.


This particular pressing is the second in a series of reissues. 5000 copies were pressed. It features the old Ralph logo on the front with the split black and white 'a' of 'Ralph'. But on the Ralph logo on the rear cover the 'a' is completely black (on the first pressing of reissues this is also split). Also, the rear cover is black and white with the original liner notes in a column on the left half and right half we have the picture of the original sleeve and tracklisting etc.


This particular pressing is the third in a series of Ralph reissues. This pressing, which features the 'starfish' front cover, is different from the previous two reissues because aside from the front cover being a slightly darker orange the rear cover is not only completely altered, re-arranged and styled but, most obviously of all, is in colour, whereas the previous two re-issues were in black and white. It also features the modified Ralph logo with black 'a' on both front and rear cover.


Limited edition of 3500 copies released to celebrate the bands 13th anniversary.


"Deluxe Edition" on 200 gram vinyl with gatefold sleeve.
A reissue (2003) of the 1974 Album with original cover. There was also a limited edition (500 copies) made on green vinyl.

Euroralph Reissue with original cover.
Green vinyl, 500 copies with a printed/numbered inner sleeve
Black vinyl, not limited / not numbered / no printed inner sleeve.


Meet The Residents Flexi

1000 copies of this limited edition flexi were made and given away free with File magazine.

Contains excerpts from The Residents LP 'Meet The Residents'.

Excerpts of the following songs: Numb Erone; Guylum Bardot; Smelly Tongues; Rest Aria; N-ER-GEE (A Crisis Bluesuite); Seasoned Greetings


Concentrated



Meet The Residents Sessions (flac)
Zip 001
Zip 002

1. unknown
2. unknown
3. numb erone 1
4. consuelo's departure
5. smelly tongues 1
6. smelly tongues 2
7. smelly tongues 3
8. guylum bardot 1
9. numb erone-guylum bardot
10. guylum bardot 2
11. guylum bardot 3
12. infant tango 1
13. breath and length
14. numb erone 2
15. nooh nooh nooh
16. nooh nooh nooh jam
17. moles
18. infant tango2
19. smelly tongues 4
20. skratz

Dogs Blood Order

Dogs Blood Order

1 Maldoror Is Dead (Live At The Clarendon) 30:31
Mixed By - Roger Smith
2 Maldoror Ceases To Exist (Live At The Equinox Festival) 10:28
Mixed By - John Fothergill , Steven Stapleton
Performer - Derek Thompson , Roger Smith

1997 CD UK DurtroDURTRO039CD
1000 In jewel case
1997 12" UK DurtroDURTRO039
1000 Red vinyl copies in regular sleeve
2007 February 12" UK DurtroDURTRO039
14 Black vinyl test pressing copies in signed and personalized sleeve with gold ink drawing
Hand-written labels in black ink
2008 September mp3 & flac UK Durtro

After releasing one record LAShtAl, under the name of Current 93, we briefly became Dogs Blood Order. This release gathers together recordings of the two concerts we played; there were no studio recordings.
The first concert was at The Equinox Event, which took place at The London Musician's Co-op in Camden Town, North London, on June 21, 1983. Dogs Blood Order were then: David Tibet and John Murphy. The sound was mixed by Roger Smith. The second was at the Clarendon, in Hammersmith, West London, on October 6, 1983. Dogs Blood Order were now: David Tibet, John Murphy, Roger Smith, and Derek (second name forgotten, though he had played for SPK). The sound was mixed by Steven Stapleton and John Fothergill, of Nurse With Wound.
The image on the cover, Maldoror Is Dead, was the first piece of art designed by Steven Stapleton for us. I can never thank him enough for all he has done for and with me. The reocrding of The Equinox Event was done onto low quality cassette. The recording at The Clarendon was done onto stereo 1/4" tape. Three people clapped at the end of the latter concert. They were being sarcastic.


Current 93 / Dogs Blood Order / Death In June

Dogs Blood Order 10" Vinyl

A1 Current 93 - Great Black Time Pt. I 3:50
A2 Current 93 - Imperium 6:10
A3 Current 93 - Great Black Time 8:00
B1 Dogs Blood Order - Dogs Blood Order 11:40
B2 Death In June - Behind The Rose (Fields Of Rape) 4:00
Vocals - David Tibet

Comes in a thin gatefold sleeve. Limited to 500 copies.
Track A1 is recorded live at Indipendenti Festival, Italy, 1987, track A2 live at Neu Konservativ Festival, Hamburg, Germany, 1985, track B1 live at Equinox Event Festival, London, UK, 1983 and track B2 live at The Fridge, London, UK, 1984.

Coum Transmissions

COUM Transmissions was a transgressive performance art group, with roots stemming from Fluxus and the underground Mail Art scene, founded in 1967 by Genesis P-Orridge and "Jesus" Joheero. COUM expanding its members from 1970 to 1973 to include Cosey Fanni Tutti, Pinglewad, Spydee and Ray Harvey.

From 1972 onwards COUM consisted solely of Cosey Fanni Tutti and Genesis P-Orridge, until including Peter "Sleazy" Christopherson in early 1974. During it's 10 year existence, the group featured a rotating cast of other peripheral members and pushed the boundaries of art and social acceptability.

Towards the end, they developed more into a music group, appearing as Throbbing Gristle at their last performance - "Prostitution" in London's ICA, October, 1976.

COUM Transmission were always controversial with such avant garde happenings such as Copyright Breeches, COUMing of Age and Marcel Duchamp's Next Work, but this peaked with the "Prostitution" art exhibit - based around photos from Cosey's career as a model/actress for pornographic magazines and films. The "Prostitution" show was also the accepted premier of Throbbing Gristle. Tory MP Sir Nicholas Fairbairn decried the show as "a sickening outrage. Obscene. Evil. Public money is being wasted here to destroy the morality of our society. These people are the wreckers of civilization!"


The Sound Of Porridge Bubbling (2009)

A1 Welcome To The Alien Camp
A2 Real Sure Alien Brain
A3 On The Count Of Three
A4 Dogs Are Funny People
A5 It's Easy With Kesey
A6 73 Vibrant
A7 Magazine Illustration

B1 Magickal Variants
B2 Nude Supper
B3 The Sound Of Porridge Bubbling

Style: Psychedelic Rock, Avantgarde, Experimental, Spoken Word
Notes: Limited to 500 copies.

Bicoastal boutique label Dais Records --founded in 2007 by Gibby Miller in L.A. and Ryan Martin in Brooklyn -- has, in its brief history, quickly amassed (with no signs of stopping) an impressive back-catalog of instantly classic releases by artists on the obscure and dark end of the spectrum. The label’s roster of quality limited vinyl pressings includes albums by Cult of Youth and Tor Lundvall as well as the sought-after Cold Cave 12”, The Trees Grew Emotions and Died. The label has also developed a trusted working relationship with Genesis Breyer P-Orridge which has resulted in the vinyl release of Psychic TV’s recent full-length, Mr. Alien Brain vs. The Skinwalkers, and a haunting, previously unreleased 1968(!) archival recording from P-Orridge entitled Early Worm (now out of print). A third upcoming team-up between P-Orridge and Dais is another archival release, entitled The Sound of Porridge Bubbling by the infamous COUM Transmissions. Its release will mark the first time most will hear COUM Transmissions, a transgressive performance art collective and band founded, in part, by P-Orridge in 1967 (whose detailed story can be read in a 1999 illustrated biiography entitled Wreckers of Civilisation by Simon Ford). By the time Sound was recorded in 1971 its members also included Cosey Fanni-Tutti and, by 1976, eventually evolved into the seminal and forever holy/unholy Throbbing Gristle. The recordings went unreleased until now due to the rapid activity of the collective pushing them off as a priority. However, now that the seal on the vault has been cracked, further COUM archive releases via Dais are also in the works .

Zos Kia

Zos Kia was initially formed by John "Zoskia" Gosling along with John Balance and Min. This trio - along with Peter Christopherson on sound and other guests - recorded and performed several concerts in 1982/83 under the names Zos Kia and Coil, and some of this material is available on the Coil/Zos Kia release Transparent.
In 1983, Balance and Christopherson left to concentrate on Coil full-time. All material released under the Zos Kia name alone was primarily the work of John Gosling.

Zos Kia / Coil

Transparent (1984)

1 Zos Kia - Sicktone
2 Baptism Of Fire
3 Rape
4 Poisons
5 Truth
1-5: Zos Kia. Berlin Atonal. 3.XII.1983
-- Zos Kia were John Balance, Joan D'Arc & Min.
Mixed live by Peter Christopherson.

6 Coil / Zos Kia - Sewn Open
Rehersal 5.X.83 (Balance/D'Arc)

7 Coil - Silence & Secrecy (Section)
Live At Magenta Club, London 5.VIII.1983 (John Balance/Peter Christopherson)

8 Coil - Here To Here (Double Headed Secret)
taken from Beast 666 Cass (Nekrophile, 1983)

9 Stealing The Words
3.VIII.82 (John Balance)

10 On Balance
5.V.82 (John Balance)

Orighinally released on cassette by Nekrophile Rekords in 1984.
The packaging of the initial copies of this release was orangish-brown in colour. Subsequent editions were green, as are the CD and LP reissues.


Coil - Live at The Air Gallery London 24-08-83
(MP4)[CSO 1]



Be Like Me 12" (1985)

A Be Like Me
B Ten Miles High

Performers - Binnie,Best,Gazza,Lorec,Nains
Producer - Lorec,Nains

Limited edition released on clear vinyl.
Standard version has the same tracks and cat#.
Recorded at The Building Site.

Thank you Alex F.

Also includes Alternative Mix of Ten Miles High released on Swarm 2Cd.
And ZOS KIA an interview with gavin semple (Wordpad doc.}


Rape 12"(1985)

A1 Rape 4:40
Featuring [Uncredited Backing Track] - Coil
Producer - Fergusson , P.Orridge , Zoskia
A2 Thank You 7:20
Producer - Fergusson , P.Orridge , Zoskia
B1 Black Action
Producer - Lorec , Nains*
B2 An Absolute
Producer - Lorec , Nains*

Side A recorded at the Building Site April 1984.
Side B recorded in Hamburg 1985.
Side A Outrun says - MELT - LEMON - SI - SPANGLE
Side B Outrun says - OO TO BE A GOONER


Zoskia Meets Sugardog

That's Heavy Baby 12" 1987

A
J.G.
B1
'Smile'
B2
J.G. Smiles


See Also Mekon

Obscure

Mid 1970s conceptual label run by Brian Eno, which was initially marketed through Island Records. During the Island period all the catalogue numbers had the prefix OBSCURE NO.

When the catalogue was bought by Polydor in the late 1970s the catalogue prefix changed to OBS.
All releases were later reissued by Editions EG (EGED 21-30).

Gavin Bryars

The Sinking Of The Titanic (1975)

A The Sinking Of The Titanic
Conductor, Piano - Gavin Bryars
Double Bass - Sandra Hill
Leader [Director] - Howard Davidson , Howard Rees
Musical Box [Music Box] - Angela Bryars
Strings - The Cockpit Ensemble
Violin - John Nash
Voice [Spoken] - Miss Eva Hart

B Jesus' Blood Never Failed Me Yet
Conductor - Gavin Bryars
Double Bass - Sandra Hill
Guitar - Derek Bailey
Leader [Director] - Howard Davidson , Howard Rees
Orchestra - The Cockpit Ensemble
Organ - Michael Nyman
Tuba - John White
Violin - John Nash


GAVIN BRYARS
'Jesus' Blood Never Failed Me Yet'
Vlaams Radio Orkest, cond. Gavin Bryars
Palais des Beaux-Arts - Bruxelles (Belgium)
17-09-2005

Broadcast as part of the Minimal Weekend (Klara Festival) with composer Gavin Bryars conducting the Vlaams Radio Orkest
01. 'Jesus' Blood Never Failed Me Yet'

FM > wav > flac 8 (frontend)
ThanX to davidraphael
Dimeadozen.org



Christopher Hobbs / John Adams / Gavin Bryars

Ensemble Pieces (1975)

A1 Christopher Hobbs - Aran
Featuring - Gavin Bryars , John White
A2 John Adams - American Standard
Part I: John Philip Sousa
Part II: Christian Zeal And Activity
Part III: Sentimentals
It was performed live by the New Music Ensemble of the San Francisco Conservatory of Music at the Museum of Art on March 23rd 1973.

B1 Christopher Hobbs - McCrimmon Will Never Return
Reed Organs - Gavin Bryars
B2 Gavin Bryars - 1, 2, 1-2-3-4
Cello - Cornelius Cardew
Drums - Mike Nicolls
Guitar - Derek Bailey
Oboe - Andy Mackay
Piano - Christopher Hobbs
Trombone - Paul Nieman
Violin - Stuart Deeks
Vocals - Brian Eno , Celia Gollin


Brian Eno

A1 Discreet Music (1975)

The B-side is called: Three Variations On The Canon In D Major By Johann Pachelbel.
B1 Fullness Of Wind
B2 French Catalogues
B3 Brutal Ardour


David Toop / Max Eastley

New And Rediscovered Musical Instruments (1975)

A1 Max Eastley - Hydrophone
A2 Max Eastley - Metallophone
A3 Max Eastley - The Centriphone
A4 Max Eastley - Elastic Aerophone / Centriphone

B1 David Toop - Do The Bathosphere
Performer [The Cetaceans] - Brian Eno , Chris Munro , Phil Jones (9)
Voice [Solo] - David Toop
B2 David Toop - The Divination Of The Bowhead Whale
Bass [Prepared Bass Guitar] - Brian Eno
Bells [3 Japanese Resting] - Frank Perry
Drums [3 Bass], Percussion [Large Lorry Hub], Fiddle [2 String] - Paul Burwell
Guitar [Prepared Electric], Performer [Bowed Chordophone] - David Toop
Harp [Grill] - Hugh Davies
B3 David Toop - The Chairs Story
Voice [Solo], Flute, Performer [Water] - David Toop


Jan Steele / John Cage

Voices And Instruments (1976)

A1 Jan Steele - All Day
Bass [Guitar] - Steve Beresford
Guitar - Fred Frith
Guitar [Solo] - Stuart Jones
Lyrics By [Text] - James Joyce
Percussion - Phil Buckle (2)
Vibraphone - Kevin Edwards (2)
Voice - Janet Sherbourne
A2 Jan Steele - Distant Saxophones
Bass [Guitar] - Steve Beresford
Flute - Jan Steele , Utako Ikeda
Percussion - Arthur Rutherford
Piano - Martin Mayes
Viola - Dominic Muldowney
A3 Jan Steele - Rhapsody Spaniel
Piano - Jan Steele , Janet Sherbourne
The compositional style of Side A is the result of work with the improvisation group F & W Hat, formed in 1972.

B1 John Cage - Experiences No.1
Piano [Duet] - Richard Bernas
B2 John Cage - Experiences No.2
Lyrics By [Text] - E. E. Cummings
Voice - Robert Wyatt
B3 John Cage - The Wonderful Widow Of Eighteen Springs
Lyrics By [Text] - James Joyce
Percussion - Richard Bernas
Voice - Robert Wyatt
B4 John Cage - Forever And Sunsmell
Lyrics By [Text] - E. E. Cummings
Percussion - Richard Bernas
Voice - Carla Bley
B5 John Cage - In A Landscape
Piano [Solo] - Richard Bernas


Michael Nyman

Decay Music (1976)

A 1-100
Piano - Michael Nyman
B Bell Set No. 1
Percussion - Michael Nyman , Nigel Shipway

Penguin Café Orchestra

Music From The Penguin Café (1976)

A1 Penguin Cafe Single
Zopf
A2 From The Colonies
A3 In A Sydney Motel
Cello - Simon Jeffes
A4 Surface Tension (Where The Trees Meet The Sky)
A5 Milk
A6 Coronation
A7 Giles Farnaby's Dream
Composed By - Giles Farnaby
Ukulele - Neil Rennie
A8 Pigtail
-
B1 The Sound Of Someone You Love Who's Going Away And It Doesn't Matter
B2 Hugebaby
B3 Chartered Flight

Recorded on location between 1974-1976


John White / Gavin Bryars

Machine Music (1978)

A1 John White - Autumn Countdown Machine
Bassoon, Percussion - Christopher Hobbs
Double Bass - Sandra Hill
Double Bass, Percussion [Metronome] - Gavin Bryars
Tuba, Percussion [Metronome], Percussion - John White
A2 John White - Son Of Gothic Chord
Piano - Christopher Hobbs , John White
A3 John White - Jew's Harp Machine
Jew's Harp - Christopher Hobbs , Gavin Bryars , John White , Michael Nyman
A4 John White - Drinking And Hooting Machine
Percussion [Bottle] - Brian Eno , Christopher Hobbs , Gavin Bryars , John White , Susan Dorey

B Gavin Bryars - The Squirrel And The Ricketty Racketty Bridge
Acoustic Guitar [Steel Stringed] - Derek Bailey
Electric Guitar - Brian Eno
Electric Guitar [Double-headed] - Fred Frith
Guitar [Concert] - Gavin Bryars

Recorded at Basing Street Studios 1976.


Tom Phillips / Gavin Bryars / Fred Orton

Irma (1978)

A1 Introduction
A2 Overture And Aria : "I Tell You That's Irma Herself"
A3 First Interlude
B1 Aria: "Irma You Will Be Mine"
B2 Second Interlude
B3 Chorus: "Love Is Help Mate"
B4 Postlude


Harold Budd

The Pavilion Of Dreams (1978)

A1 Bismillahi ´Rrahman ´Rrahim 18:14
Celesta - Richard Bernas
Electric Piano - Harold Budd
Glockenspiel - Gavin Bryars
Harp - Maggie Thomas (2)
Marimba - Howard Rees , Jo Julian , John White , Michael Nyman
Saxophone [Alto] - Marion Brown
A2 Two Songs 6:23
Harp - Maggie Thomas (2)
Mezzo-soprano Vocals - Lynda Richardson
A2.1 1. Let Us Go Into The House Of The Lord
A2.2 2. Butterfly Sunday
B1 Madrigals Of The Rose Angel 13:47
Celesta - Gavin Bryars
Chorus - Alison Macgregor , Lesley Reid , Lynda Richardson , Margaret Cable , Muriel Dickinson , Ursula Connors
Conductor [Chorus] - Harold Budd
Electric Piano - Richard Bernas
Harp - Maggie Thomas (2)
Percussion - Nigel Shipway
B1.1 1. Rossetti Noise
B1.2 2. The Crystal Garden And A Coda
B2 Juno 7:35
Glockenspiel - Gavin Bryars
Marimba - Michael Nyman
Percussion - John White
Piano - Harold Budd
Vibraphone - Howard Rees
Vibraphone [Vibes] - Jo Julian
Voice - Brian Eno , Gavin Bryars , Harold Budd , Jo Julian , John White , Michael Nyman

An extended cycle of works begun in 1972.

With:
Bismillahi ´Rrahman ´Rrahim from 1974
Two Songs from 1973-74
"Let Us Go Into The House Of the Lord" is a setting of a traditional hymn. After A version by Pharoah Sanders.
"Butterfly Sunday" adapted from John Coltrane`s "After The Rain"

Madrigals Of The Rose Angel from 1972
Juno from 1975.

David Jackman - Singles

Elusive composer and visual artist David Jackman began his career in the U.K. with experimental group Scratch Orchestra alongside Cornelius Cardew. Later he created group Organum. This seminal improvisational group was also the breeding ground for AMM and the New Zealand percussion composer Phil Dadson.
Jackman's work as Organum was documented on limited-edition vinyl LPs in the '80s, and in the '90s he released numerous CDs. The albums Submission, released by Complacency in the U.S., and Veil of Tears, on Matchless, exhibit a strongly minimalist aligned music, with an attention to the sonic effects of massed string drones and metal percussion. Many Organum recordings were made as location specific happenings, taking advantage of unusual reverberant spaces to enhance the music performance, such as tunnels, caves, and a highway overpass, as well as many outdoor natural environments.
Highly regarded in avant-garde music circles, he has worked with members of Nurse With Wound, Jim O'Rourke, Robert Hampson of Main, and Christophe Heemann of H.N.A.S. This dark ambient drone music that at times recalls the minimalist violin drones of Tony Conrad or the electronic soundscapes of Morphogenesis, although it is often called post-industrial, it is far from the futuristic imagery conjured by such a tag. In fact, this music has roots in Medieval and Eastern ritual music, hence Jackman has titled one of his works "Kammer," which references the early music genre of the same name.
On the collaboration CD Crux + Flayed on Matchless, Jackman and percussionist Eddie Prevost used electronics to transform sounds of a drum and cymbal improvisation that results in a dense drone alive with overtones and harmonics. This approach differed from the heavily reverberated strings improvisations of prior works. Akin to the work of David Toop and Max Eastley, in that it is inspired by British minimalism, free improvisation, and sound sculpture, the music is Zen-like and can be simultaneously elating and dark.

Part One

Ten-Cut
10" (1996)
Numbered and signed edition of 80 copies.

The record is cut in a saw blade shape.

Ember Hollow

7" (1998)

A Ember Hollow 3:24
B Dawn Plaza 3:18

Limited to 100 numbered copies

Laus

7" (1998)

A Laus 3:00
B Laus 3:00
Notes
600 copies released.
Same material on each side. (Both sides pressed with stampers made from the same laquer disk.)


Flag Of Surrender

7" (1998)

A Flag Of Surrender 4:36
B Fracture 3:54

First edition of 400 copies on black vinyl with blue labels in grey & black sleeve
Second edition of 89 copies on white vinyl with blue labels in grey & black sleeve
Third edition of 91 copies on black vinyl with blue labels in blue & black sleeve


Canary Waltz

7" (1998)

A Kanarienvogelwalzer 1:42
B Canary Waltz 1:31

Picture disc.
Limited to 90 numbered copies.

No special edition made. Originally 120 copies were pressed but 30 were badly warped and had to be (sadly) destroyed. The image is of an unknown man from a 1920's photograph "found" by David Jackman.

Machine Guns

7" (2000)

A Machine Gun
B Machine Gun

Tracks using the archive recordings of the "Imperial War Museum" in London as a sound source.
Edition of 600 copies in transparent vinyl. 2nd edition: 200 copies on black vinyl.

Machine Gun Fighting

10" (2000)

A1 Untitled
A2 Untitled
B1 Untitled
B2 Untitled
Notes
Limited edition of 500 copies.

Original sound IWM [Imperial War Museum] London.
The same material is on both sides.

Gun, Machine, Vickers, .303-inch, MK 1

7" (2000)

A Untitled
B Untitled

Pressed in an edition of 400 copies.


Eisen

10" (2001)

A Untitled 4:51
B Untitled 4:51

Limited to 500 copies. Housed in a black die-cut sleeve.


David Jackman / Philip Sanderson

Terrain 10" (2002)

A David Jackman / Philip Sanderson - Terrain 6:28
Written-By - Jackman , Sanderson
B David Jackman - Adrift 3:39
Written-By - Jackman

Side A (recorded 1980) is an alternative version of "Terrain" originally released on the "Zero Degrees North" cassette on Aeroplane (AR04) in 1982.

Side B (recorded 1981) was originally released on the 1981 Snatch Tapes cassette 'Adrift' (TCH212).

Limited edition of 500 copies.
First 100 copies are on grey vinyl.


Edge Of Nothing

10" (2004)
A Edge Of Nothing 6:29
B Edge Of Nothing 6:29
Limited to 500 copies.
First 100 copies on clear vinyl.

"Edge Of Nothing" was originally released on The Elephant Table Album 2LP (X Tract, 1983). Both tracks presented here are new mixes of the original material, done in January 2003.

The sleeve illustration is an isometric image of a WW1 British machine gun emplacement taken from an original drawing made by a member of 23 Field Company, Royal Engineers in Febuary 1918.

Flak

10" (2004)

A Flak 5:59
Written By - Jackman , Via
B Wietzendorf 5:40
Written By - Jackman , Schwarz

Edition of 500 copies of which the first 100 copies are on white colored vinyl and are only available through mailorder.


Part Two


Ritual (1980) MC

A1 David Jackman - Ritual 3:29
B1 David Jackman & Philip Sanderson - Offshore 3:28

Two editions exist with different covers. The first edition is limited to 5 copies; the second edition is limited to 25 copies.

The B-side was later re-released on the Up From Zero CD (Robot Records, 2005).

Untitled (1983) Cassette

A Untitled 6:55
B Untitled 6:53

Limited to 10 copies.
A side track remastered and rereleased on 'The Elephant Table Album' compilation (see listing on 'X Tract' label XX 001).



Threshold (1994) 7"

A Threshold 4:51

Artwork By - David Jackman
Performer - David Jackman

Limited to 100 numbered copies


Organum

Desola (1995)
mini CD

1 Desola Pt 1 6:13
Accordion [Uncredited Drone] - Christoph Heemann
2 Shin-en 5:40
3 Desola Pt 2 4:00

Edition of 1000 copies.


Fiery Holes (1996)CD

1 Rage & Futility 4:55
2 Slug 5:09
3 Fiery Holes 6:19

1st edition - 1996, 200 numbered copies.
2nd edition - 1999, 400 copies


Silver Skies (1997)7"

A Silver Skies A 3:51
B Silver Skies B 2:09

Limited to 100 numbered and signed copies


Sternklare Nacht (1998)
CD-r

1 Untitled 3:06
2 Untitled 3:06

Edition Of 50 Numbered Copies
Cd Comes In A Cardboard Sleeve & Is Signed By David Jackman

David Jackman Und Orchester

Rabenfeld (1999)CD-r

1 Untitled 4:01
2 Untitled 4:01
3 Untitled 3:59

Numbered, limited edition of 50 copies, each signed by David Jackman



Also see Organum - The Singles