A Wednesday clip show, with the Swell Season, J. Edgar and more

Actually, before we get into any of that, there's a bit of news out there this morning, starting off with an "Arrested Development" reunion of sorts ... but no, of course not the one fans have been waiting for.

I'd certainly advise not, if you ever were, holding your breath for any kind of "Arrested Development" movie any time, well, ever, but the entire cast is apparently coming together at the New Yorker Festival for "A Bluth Family Reunion."

If you're lucky enough to be in in NYC, definitely try and snag a ticket for this Oct. 2 event (they go on sale at noon today at the New Yorker's website) that will indeed feature Will Arnett, Jason Bateman, Michael Cera, David Cross, Portia de Rossi, Tony Hale, Alia Shawkat, Jeffrey Tambor, Jessica Walter and series creator Mitchell Hurwitz. Color me jealous.

And along with an "Arrested Development" movie, another thing that I'd like to see that now probably won't happen, or at least not in any form worth watching, is a "Bad Santa 2." I'd think more antics involving Billy Bob Thornton's truly foul Father Christmas, the even funnier Tony Cox and hopefully Lorelai Gilmore too would be an easy sell, but writers Glenn Ficarra and John Requa have apparently spurned an offer to do that for something else that could be a lot of fun.

Jumping on an idea from Steve Carell, they've apparently, according to Moviehole, already written the script for "one of these three friends from college, but now they’re in their 40s, movies. They’re going on a European backpacking trip that they never did. And it’s filled with all this middle-aged fun.”

Actually, sounds like exactly the dreadful kind of dreck that would star John Travolta and Tim Allen, but these are some seriously funny writers, so I'll keep an open mind. Stay tuned ...

And in the last bit of news, you can always sell me on Jeremy Renner in a good heist movie, so here's hoping this will be another one. In "King of Heists" (the movie's got to be better than that title, at least), based on the nonfiction book by J. North Conway, he's set to star as the mastermind of "the greatest bank robbery in American history," which took place on October 27, 1878, when thieves broke into the Manhattan Savings Institution and stole nearly $3 million in cash and securities — around $50 million in today’s terms.

OK, now on to the clips, and there's certainly no better place to start than with the first and only trailer I know of for what should be a truly sweet little music documentary about the Swell Season, aka the duo of Glen Hansard and Marketa Irglova. If those names sound at least vaguely familiar to you, they should, since they were the stars of John Carney's thoroughly charming little romance "Once," which you should rent immediately as soon as you can find it. The doco charts their own path from true-life romance to the Oscars and more, and it should be well worth watching if you're lucky enough to catch this when it comes out in October. Enjoy the trailer.



Next up indeed comes the first full trailer I know of for "J.Edgar," director Clint Eastwood's upcoming biopic on the first FBI director with the rather colorful personal life. I've made my distaste for many of Eastwood's directing efforts clear in this space before, so I can't help but thinking in watching this that it's going to be plenty broad, but not much more than skin deep. And besides, with that aging makeup, Leo DiCaprio just looks creepy. It does, however, have a script from "Milk" scribe Dustin Lance Black, so I'd love to be proved wrong when this comes out Nov. 9. Enjoy the trailer.



Coincidentally enough, I have "Rumble in the Bronx" sitting on my DVR, probably for watching tonight. That's the last Jackie Chan movie I can remember just loving unconditionally, and really the last one in which he hasn't seemed to play some silly form of spy/babysitter/supercop hybrid. The trailer below, on the other hand, for a movie titled "1911" which he apparently co-directed, promises something more serious and hopefully still fun, too. A historical epic about the founding of the Republic of China, it's set to open in at least some American cities on Oct. 12, so keep an eye out for it, and enjoy the trailer.



OK, shifting a bit to TV, the MTV Movies site has a short interview with "Games of Thrones" producers D.B. Weiss and David Benoiff from the Emmys red carpet, and while it doesn't reveal much about season two, I'm certainly jonesing for it, so I'll take what I can get. Since season one was so entirely, but still very entertainingly, by the first book by George R.R. Martin, I've avoided reading any more of the books so I can be surprised from here on out. When will we get a season two on HBO? All I know is next spring, but hopefully by March or so. Bring it on already!

Get More: Movie Trailers, Movies Blog

And finally today, though I haven't watched "Today" in any form except on "The Soup" for about 25 years or so, I'm a sucker for any interview with the truly inspiring Roger Ebert, so enjoy this interview he did with Matt Lauer to promote his new memoir, "Life Itself." There's not much I can say about this that Roger himself doesn't say much better, so I'll just leave it at that. Enjoy the clip, and have a perfectly passable Wednesday. Peace out.

Visit msnbc.com for breaking news, world news, and news about the economy

P.S.: If you really made it this far, you certainly deserve a reward, so here goes: NPR is streaming the new Wilco album "The Whole Love" here, and it's well worth a listen.

Fall/winter movie preview

Before I jump right into this, a couple of notes.

First off, though I've recently moved from Macon, GA., back to Salisbury, MD., I still only get movies that open in the widest possible release, so that's what will be included. Although I'm fairly certain Roman Polanski's "Carnage" and Alexander Payne's "The Descendants" will play wide enough to reach my little corner of the world, I couldn't be sure, so they didn't make the cut.

And second, of course, these are only my picks, so please do feel free to add any at the end that you think I may have snubbed. And with that, let's get right to it, starting with what should be a great one today.

Today: "Drive"

I couldn't tell you what exactly a Nicolas Winding Refn is, but the marketing machine is certainly in full force for what will be the first of his movies I've managed to catch, and why not? Arthouse faves Ryan Gosling and Carey Mulligan in a movie about a stunt driver who just happens to double as a getaway car artist? I'm there. Enjoy this trailer.



Sept. 23: "Moneyball"

When it comes to sports movies, my two favorite genres are boxing and baseball. In the former (well, MMA, actually), "Warrior" is already a real winner (see it already, people, sheesh), and I'm betting "Moneyball," starring Brad Pitt as Oakland A's bean counter Billy Beane with a script by Aaron Sorkin, will be too. Enjoy this trailer.



Sept. 30: "50/50"

On paper, this one should be pretty dour, and some early reviews I've seen have pegged it as exactly that, but based on the cast I'm thinking I'll still really dig it. In this flick based on writer Will Reiser's battle with cancer, Joseph Gordon-Levitt plays the character based on Reiser, Seth Rogen is his best bud, and definite Reel Fanatic fave Anna Kendrick, who I'll watch in anything without the word "Twilight" in it, plays a shrink. Enjoy this trailer.



Oct. 7: "The Ides of March"

If it's fall, it's the season of George Clooney, and he stars in (and directs) this one and also stars in the aforementioned "The Descendants" too. Clooney has an underappreciated flair as a director, and even though this tale of political operatives and dirty tricks (in which Clooney plays a candidate for president, natch) apparently takes a pretty jaded view of our world, I do too right now, so bring it on. Enjoy this trailer.



Oct. 7: "Real Steel"

If you're going to make movies based on video games, why not Rock 'Em Sock 'Em Robots? That seems to be exactly what director Shawn Levy has done here for this flick starring Hugh Jackman about, yes, boxing robots. Silly? No doubt, but I'm still betting on a ton of fun too. Enjoy this trailer.



Nov. 4: "A Very Harold & Kumar Christmas"

Though the rest of October looks pretty bleak, things will light up again (pun fully intended) as John Cho and Kal Penn return for their third adventure as America's favorite stoners. This time out, Harold (Cho) appears to finally be too old for all this nonsense (though I hopefully never will be), being happily married with children until Kumar (Penn) shows up to drag him away for more ganja-fueled games. And yes, of course, NPH comes back from the dead. Enjoy this trailer.



Nov. 11: "Immortals"

Of all the movies on this list, this one has the biggest potential to simply be awful, but I still have a lot of time for Tarsem, so I'll take a chance on it. If you've never seen his "The Fall," it's a true visionary wonder, and there are few rentals I can recommend higher. This time out, things are a lot more epic as Mickey Rourke (yes, really) plays a king ruling Greece with an iron fist until Theseus (Henry Cavill) leads an uprising against him. Keep your fingers crossed for this one, and enjoy this trailer.



Nov. 11: "J. Edgar"

A complete stranger to subtlety, Clint Eastwood is just a maddeningly uneven director in my book, but there's no denying the pedigree of this grand biopic. With a script from "Milk" scribe Dustin Lance Black, one Leo DiCaprio will play the FBI founder and longtime director who just happened to enjoy wearing dresses. The only trailer I could find for this was a short teaser in which Leo just lights a cigarette, and all the clips I could locate (with funny effect) laid a fart track over it, so no trailer for this one.

Nov. 23: "Hugo"

Even though he's shortened the title from "The Invention of Hugo Cabret" and filmed this in surely unnecessary 3-D, I still can't wait to see what Martin Scorsese comes up with from one of my favorite books, by Brian Selznick. Asa Butterfield stars as our hero, a young boy who lives in the walls of a train station and discovers one of Georges Melies' amazing automatons. Definite Reel Fanatic fave Hit-Girl Chloe Moretz co-stars. Enjoy this trailer.



Nov. 23: "The Muppets"

Everyone who is, like me, of a certain age, remembers Jim Henson's beloved puppets with nothing but fondness, and has probably (also like me) been lapping up everything that's been released already by the Disney marketing machine. The key to a great Muppets movie is an entirely fun spirit, and everything I've seen so far indicates that writer Jason Segel and director James Bobin have just about nailed it, so here's hoping. Enjoy this trailer.



Dec. 9: "The Sitter"

Though as mentioned above I have nothing but love for a good stoner flick, director David Gordon Green proved with the simply awful "Your Highness" that, if you try hard enough, you can certainly make one of those that just sucks. This time out, however, he's playing it much more safely, pretty much combining "Superbad" with "Pineapple Express" for this flick starring Jonah Hill as quite possibly the world's worst babysitter. I'm a sucker for movies starring foul-mouthed kids (the vastly underappreciated "Role Models" gets me every time), so I'm hoping this will be very funny. Enjoy this red band trailer (and be warned, it's plenty foul).



Dec. 9: "Tinker, Tailor, Soldier, Spy"

Director Tomas Alfredson's "Let the Right One In" is easily one of my favorite movies of the last 10 years or so (and definitely the best one with vampires), so you can count this follow-up as the one movie I'm most looking forward to seeing this fall. For his take on John Le Carre's novel about the hunt for a Russian mole who has infiltrated Britain's house of spooks, he's assembled a cast that somehow includes Colin Firth, Gary Oldman, Tom Hardy, Mark Strong, Ciaran Hinds and even Sherlock himself, Benedict Cumberbatch. Enjoy this trailer, and let the spy games begin.



Dec. 16: "Young Adult"

Director Jason Reitman has yet to make a movie that I haven't mostly loved, and for this hopefully very dark comedy he's reunited with scribe Diablo Cody. In it, Charlize Theron, who proved on "Arrested Development" that she can be extremely funny, plays a writer of teen novels who returns to her small hometown to try and pitch woo with her now happily married former high school sweetheart (Patrick Wilson). No trailer for this one either yet, but keep an eye out for it soon, most likely right here.

Dec. 21: "The Girl with the Dragon Tattoo"

Having been burned once already recently by Matt Reeves' extremely by-the-book and just as unnecessary remake of "Let the Right One In," you can color me extremely skeptical about this one, but it certainly fits right in director David Fincher's wheelhouse. Rooney Mara will attempt to step into the shoes of hacker extraordinaire Lisbeth Salander, already perfected on screen by Noomi Rapace in the Swedish original, as she aides Mikael Blomkvist (Daniel Craig, this time) as he tracks down Nazis and other unseemly happenings. Enjoy this trailer.



"Dec. 23: The Adventures of Tintin: Secret of the Unicorn"

What are the odds that even Steven Spielberg can release two movies in the space of six days that are both real winners? Not likely, but this year, on paper at least, it looks like it could happen. In this first one, Hergé's beloved young Belgian detective looks more than a bit odd with the modern touch, but I'm still hoping this will be an old-fashioned tale at least in spirit. Enjoy this trailer.



Dec. 23: "We Bought a Zoo"

After what seems like at least 10 years off, director Cameron Crowe is back this year in a big way, with, first, his documentary about Pearl Jam and then this tale that seems tailormade to his very humanity-heavy style of storytelling. Matt Damon and no-longer-never-nude Scarlett Johansson star in this flick with easily the most "Snakes on a Plane" title of the fall season. Enjoy this still very new trailer.



Dec. 28: "War Horse"

Spielberg's second entry of the week is just the kind of epic movie you'd expect, telling the story of a boy and his horse and their adventures in World War I. And with that, finally, there you have it. Enjoy this final trailer and, as stated above, please feel free to add any movies you're looking forward to that I have somehow snubbed. Peace out.

Wish I was there: Docs that are rocking the TIFF

Actually, before we get into any of that, and trying to stick to some kind of theme after taking more than a week off (living without the Internet, no matter what you might be thinking, really isn't a return to some kind of low-tech paradise, believe me), let's start with news about three things that, at least in my mind, "rock."

First up, a pipe dream, but as with diehard fans of "Arrested Development," the small cult of people who thoroughly appreciated Starz's equally short-lived "Party Down" (of which I'm certainly a member) are new being teased occasionally with the promise of some kind of movie to wrap things up. And though I'm hesitant to get in on that cruel game, I love "Party Down" enough to pass on what the great Adam Scott had to say about the possibility while promoting "Friends with Kids" at the Toronto International Film Festival:

"We're like 90% there, we're hoping to do it maybe next summer, if everyone's schedules work out and the guys get time to write a script. They have kind of a skeleton of a story worked out so we know where it's going to go but we just have to kind of cross the t's and dot the i's, or something. But Starz are being super cool and they're going to let us do it, and we're all excited, we all want to do it."

Like I said, not holding my breath too hard, but I can't imagine Starz has much else to do, so let's just keep hope alive. And moving on to the next thing that caught my attention this morning, and about something much more likely to happen, there's news about Quentin Tarantino's next flick, "Django Unchained."

The latest is that Samuel L. Jackson and Gerald McRaney (Major Dad, yes really) have officially joined the cast, and in even better news, Jackson let slip that filming will begin in January in New Orleans. The movie itself is set to drop as a Christmas day gift in 2012.

And having read the script for this (it's the Internet, folks, you can easily find it), I can say that on paper it's easily Tarantino's most challenging movie, and possibly his best yet, too. The story is about a German bounty hunter (Christoph Waltz) and a freed slave (Django, Jamie Foxx, odd) who join forces to take revenge on slave owners and liberate Django's wife, Broomhilda (again, yes really, and to be played by the truly great Kerry Washington, hopefully). Broomhilda is owned by mandingo fighting ranch owner Calvin Candie, to be played by one Leo DiCaprio.

Sound crazy? It surely is, and thoroughly incorrect in every way, but what else would you expect from QT? Due to the content, I still have some doubts that he can really pull all this off, but here's hoping for sure. Stay tuned ...

And finally, before we get to the TIFF trailers, there are few people I'd rather see return to TV than "Pushing Daisies" creator Bryan Fuller, and it seems he's hard at work on a comeback that should be just about perfect.

The hourlong show would examine the relationship between one Hannibal Lecter and FBI profiler Will Graham, with the action taking place before the story in the "Red Dragon" novel. No idea who would play the roles or what network wants this (I foresee a bidding war if it's not yet settled), and it would certainly be just about the polar opposite of the wonder-filled and wonderful "Pushing Daisies," but I can still only say bring it on!

OK, now on to the main attraction today, with a final clip of what should be the craziest movie at this year's TIFF, and possibly the best thing too for people like me.

Though I've yet to see any of them, given the quantity and potential quality of the rock docs coming out now, we certainly seem to have entered a golden age of sorts. Martin Scorsese, no stranger to the genre, has a new one on George Harrison, and Cameron Crowe is beginning his comeback with a look at the career of Pearl Jam (always much too earnest for my tastes, but I'd still love to see the movie as soon as I can.)

And at the TIFF, there are at least three others that look very promising. First up, from "An Inconvenient Truth" and "It Might Get Loud" director Davis Guggenheim comes "From the Sky Down," about a certain band known as U2. Heresy, I know, but those guys have never been among my favorites either. The movie, however, judging at least from this trailer, looks to be a lot more fun than the band itself often is. Enjoy.



Next up comes, I believe, Jonathan Demme's third movie about the truly great Neil Young. For this one, "Neil Young Journeys," Demme (coincidentally enough, the director of the Lecter movie "Silence of the Lambs"), followed Young as he returned to his hometown of Toronto for a concert. One I really want to see, so enjoy the trailer.



And last on the strictly rock menu, though Paul McCartney is clearly just a pop kind of guy, comes "The Love We Make," in which McCartney offers his own reflections on 9/11, a day on which he happened to be in NYC. Kinda heavy for a rock doc, but since this comes from the great Albert Maysles, I'm betting on something worth catching if you can. Enjoy the trailer.



And finally, clearly saving the oddest for last, the title of this next one, "Juan of the Dead," obviously gives away what it's about. A Cuban zombie movie that looks as funny and simply wild as that notion should be, this is one I want to see ASAP. And on a slightly different subject, mi hermano and I managed to catch "Attack the Block" while on vacation recently in Charm City, and I can't recommend any movies that have come out this summer higher than that gem produced by Edgar Wright. And with that, I say thanks to anyone who happened to stop by for this return to my vanity project, enjoy the "Juan of the Dead" trailer, and have a perfectly endurable Wednesday. Peace out.

Ron Howard to explore dark side of Mormon history, and more cheery stuff

I'm usually not one to get too excited for simple movie posters, but the movie fall is getting so close (at least in my sun-fried mind) that I can already envision it, and "Let the Right One In" director Tomas Alfredson's take on "Tinker, Tailor, Soldier, Spy" is certainly one of the movies I'm most looking forward to for the rest of this year, so just wanted to share this. As you can see from the poster above, these will be some rather star-packed spy games when this opens hopefully wide enough to reach my little corner of the world Nov. 18.

And in the closest thing to fresh movie news in this post, Ron Howard, having lost his multi-layered production of "The Dark Tower," has now set his sights on Mormons, but not the cute, cuddly kind that won "South Park" masterminds Trey Parker and Matt Stone the top Tony.

Instead, Howard will team up with scribe Dustin Lance Black ("Milk" and Clint Eastwood's upcoming J. Edgar Hoover biopic) for a movie based on Jon Krakauer's "Under the Banner of Heaven." As many probably know, Krakauer is also the author of "Into the Wild," which Sean Penn turned into easily one of my favorite movies of the last five years or so.

"Under the Banner of Heaven" tells the story of a double murder committed by two Mormon Fundamentalist brothers, Ron and Dan Lafferty, who insist they received a revelation from God commanding them to kill their blameless victims. Beginning with this "divinely inspired" crime, Krakauer continues on for an investigation of the Mormon faith as a whole. Heady stuff that, and should it happen to drop just as we might have a Mormon running for president? Stay tuned ...

And speaking of unsavory characters (behold the power of the segue!), Kevin Costner has already made it easy to hate him through the years, but it seems he'll take this to a whole new level with Quentin Tarantino's next movie, "Django Unchained."

Having read the script for this (which is uniformly excellent), I can confirm that the character he'll play, Ace Woody, stands out as the most vile person in a cast packed with them. Woody trains the mandingos who fight for the pleasure of Candyland ranch owner Calvin Candie, to be played by Leonardo DiCaprio. Which makes the only missing piece in Tarantino's sprawling "Southern" finding an actress to play Broomhilda, and with the truly great Kerry Washington up for this, things are rounding into shape in very good, if truly odd form (by the way, I've said it here many a time before, but "Night Catches Us," a '70s period piece of sorts set in Philly and starring Washington and Anthony Mackie, is a can't-miss video rental.)

But getting back to "Django Unchained," if you can get past the racial language that permeated the script and I have to assume will make it on screen, it's as witty as anything Tarantino has written and truly epic in scope too. The movie will tell the story of a German bounty hunter (Christoph Waltz) who teams up with a freed slave, Django (Jamie Foxx, bizarre), to take out slave owners and eventually work to free Django's wife, Broomhilda, who works at Candyland. Just picture how wild all that could be, and I think you'll agree that if he somehow pulls all this off, QT should deliver quite the movie present on Christmas day of 2012.

And all I have left after that today are a couple of videos that caught my eye this morning. Having just finished the U.K. run of "Torchwood" and watched the first Starz-produced installment of "Torchwood: Miracle Day," I just have a hankering for more witty and smart sci-fi. In recent memory, very few TV shows delivered that combo better than Joss Whedon's way-too-short-lived "Firefly," so here, courtesy of Sci Fi Wire, is a clip compiling their 25 best quotes from the series. Enjoy



And what better way to wrap things up on a Wednesday morning than with zombies being bludgeoned back to death? Like the zombies themselves, this wordless promo for the second season of "The Walking Dead" is probably a bit ripe by now, having premiered during Sunday's return of AMC's "Breaking Bad," but I like it, so enjoy, and keep an eye out for the show returning in October. Peace out.

Tarantino gets his Django, and Gervais' "Life's Too Short" heading to HBO

If it's true, as has been suggested, that the racial language (I think you know what I mean) scared off first Will Smith and then maybe Idris Elba too from "Django Unchained," that's areal shame, because having read the script, I can guarantee it has the potential to be among Quentin Tarantino's very best movies.

And while Elba would have been my definite first choice, it seems that Tarantino has found his Django, and it's a sold second (or I guess third) choice in Jamie Foxx.

With that out of the way, and Christoph Waltz, one Leonardo DiCaprio and Samuel L. Jackson too all cast, the only major part left is that of Django's enslaved wife, Broomhilda (yes, really).

So, what's this all about? Well, it's a grand tale about a German bounty hunter (Waltz, natch), Dr. Schultz, who frees the slave Django (Foxx) to help him in his quest as a bounty hunter who has a particular interest in taking out slave owners. They eventually cross paths with the big bad, Calvin Candie (DiCaprio), who runs a mandingo fighting ranch called Candyland (again, yes, really) and is Broomhilda's owner.

And what's great about the script? Plenty. The dialogue, principally between Schultz and Django, is Tarantino sharp throughout, and it's used to set up some set pieces that should rival the best scenes in "Inglourious Basterds" (though nothing will match the burning face of Melanie Laurent in that theater .. priceless.) Best of all should be the last half hour or so, which is just packed with tension as Schultz and Django arrive at Candyland in the guise of mandingo buyers to rescue Broomhilda.

As I said, pretty much by force, just about every page of the script is littered with a certain word that begins with the letter n, but it also sets up something potentially great for 2012, so definitely stay tuned for more just as soon as I can find it.

And after that today, it's all about great comedy, starting with a fantastic partnership and closing with great news about Ricky Gervais and Warwick Davis.

If I were to list the 10 or so people who most make me laugh, Gervais would definitely be on it, but so too certainly would Armando Iannucci and Steve Coogan. And now comes word that the latter duo have teamed up for what should be some really big laughs.

Iannucci has joined Baby Cow, the independent production company founded by Coogan and Henry Normal, as the company's creative director. Iannucci is the mastermind of "The Thick of It" and the fantastic movie satire "In The Loop" that sprang it (featuring what still stands as the most gloriously profane turn of all time with Peter Capaldi as Malcolm Tucker.)

And Iannucci is currently at work on something for HBO that could be potentially very funny, Julia Louis-Dreyfuss in "Veep," a hopefully sharp satire in which she plays the vice president of the United States.

As for his previous work with Coogan, the duo combined to create what is still his best character, the epicly clueless Alan Partridge. You could easily spend an entire day watching the Alan Partridge archive on YouTube, but here's just a sweet little taste, Partridge singing a great Kate Bush medley for Comic Relief. Yes, really.



What will they come up with next? Who knows for sure, but I do know the company currently has a 12-month partnership with the BBC to develop new comedy scripts, so perhaps we'll find out very soon.

And finally today, in great news for anyone who, like me, subscribes to HBO, the inevitable word has come down that "Life's Too Short," the series that Gervais is cooking up with little man extraordinaire Warwick Davis, will be coming to HBO sometime in 2012.

No word yet on when exactly that will be, but this faux documentary about Davis' life should be nothing but a hoot, so I'll let you know as soon as I find out anything solid. In the meantime, here's the show's first trailer, which isn't nearly as funny as it could be, but still gives you a taste of what's to come. Enjoy, and have a perfectly pleasant Thursday. Peace out.

When will we get a new Tarantino movie?, plus a short clip show

Actually, I've read what I'm about 99 percent certain is the rough script for Quentin Tarantino's next movie, "Django Unchained," and if he manages to make the movie that he's spelled out on paper, it will be a real doozie, and possibly his best yet (I'm still taking it all in, but I'll put up a script review soon.)

But when will we get to see it? Well, the Weinstein Company has now set up this wild ride as a great Christmas present set for release Dec. 25, 2012.

And what's it about? Having read it, I can tell you it's a fairly epic Southern/Western about a German bounty hunter and a freed slave who join forces to take out slave owners and other generally despicable individuals, and eventually work to rescue the freed slave's (Django) wife.

And the cast, as so far assembled, is just perfect. Christoph Waltz, naturally, will play the bounty hunter, Dr. Schultz, and in even better casting, Leonardo DiCaprio will most likely play the big bad, Calvin Candie, the owner of a mandingo fighting operation (yes, really).

Left among the major parts to cast are Django and his wife, Broomhilda (again, yes, really), and though many names have been thrown about for the former, including one Will Smith, having read this I can see Idris Elba as the natural choice for Django, who in Tarantino parlance, truly is one bad motherf$#%er.

The one thing I know for sure about all this is that, on paper, this is a revenge flick that's even crazier than "Inglourious Basterds," my favorite movie of 2010, so all I can say is hurry up and bring it on!

In the only other major movie news out there this morning, it seems that the Academy of Motion Picture Arts and Sciences is hedging its best when it comes to this big question: What if we don't have 10 movies that can be logically be considered worthy Best Picture contenders?

To prepare for that inevitable eventuality and, in their explicit reasoning, to add some more suspense to the contest, the academy has now announced that, rather than a set field of 10 nominees, there will now be anywhere from five to 10, with the actual number not known until the field of nominees is announced.

Not a shocking development, and I suppose it could add some interest to the nominations announcement, but I'll just leave you with this thought before we move on to a couple of videos: With the field of 10 for this year's awards, I correctly predicted all nominees. Not bragging, just saying.

OK, now on the clips, starting in a great spot with the first trailer I've seen for a new Errol Morris documentary set to come out July 15. That alone would be reason to cheer, but with this movie, "Tabloid," it seems he's found a perfectly bizarre story that just naturally fits his style of filmmaking. Best as I can tell, it's about a model who "kidnaps" a Mormon missionary to sex him up and deliver him from the fold. And no, I'm not kidding. You'll have to see the movie itself to learn more, as I certainly will at the first opportunity, but for now just enjoy this fun trailer, and then stick around for a parting shot from Reel Fanatic fave Anna Faris.



Now that Kristen Wiig has gotten the opportunity to craft a smash comedy (and easily one of this year's best movies) with "Bridesmaids," I'd say Anna Faris is now the comedienne most deserving of the same break. Unfortunately, "What's Your Number?", the first trailer for which I've come across is below, doesn't seem to be it. Although veryfunnyman Chris Pratt of "Parks and Recreation" (aka Mr. Faris) is in this too, the flick, set to come out Sept. 30, just looks like the most generic variation of "romantic comedy." Oh well. "Enjoy" the trailer, and have a perfectly passable Wednesday. Peace out.

Remember, it's Will Smith's world, you're just visiting

Anne Hathaway as Catwoman? Nothing I can say to make that any more amazing, so 'nuff said.

In other news, just in case you had any doubt that Will Smith's kids can point at anything in the world and make it theirs, he's putting his paws on another cherished property to remake for one of his offspring.

I never bothered to see what became of "The Karate Kid" remake starring Jaden Smith, but not really out of animosity. It's just that summer is a crowded time for movies, and occasionally, I even have something else to do.

Now, however, it's apparently Willow's turn (is it possible she's named after the adorable witch from "Buffy the Vampire Slayer"? Probably not, but if so, bully), and so he's gearing up a remake of the Broadway stage classic "Annie" for her star turn.

I actually saw "Annie" on Broadway when I was a wee lad, so have some affection for the musical itself. However, it's already been made into two movies, one I've seen (the 1982 version with Carol Burnett as Miss Hannigan and Albert Finney as Daddy Warbucks), and one I haven't (a TV movie version for the Disney Channel in 1999, apparently).

So, why do it again? Because your Will Smith, right? And besides, the 1982 movie wasn't particularly great, so maybe its time. The oddest and most interesting thing about all this is that Jay-Z is somehow involved, too. An at least slightly hip-hop "Annie"? Probably not, but we'll have to wait and see. Coincidentally enough, I'm listening to Hova's masterpiece, "The Black Album," right now, and since I've already written way more about this than I intended, I'll just share the video for Jay-Z's "Annie" homage, "Hard-Knock Life," and move, as the man himself says, on to the next one(s).



In the first of two other tidbits of very good TV news, both involving NBC, it seems the network has picked up the pilot for a new series from "Battlestar Galactica" mastermind Ron Moore.

I've seen it described as "Harry Potter for grownups," but as someone who's supposed to be an adult most of the time and who has read all the Harry Potter books, that's just insulting. What it is is something called "17th Precinct," and its about cops who work in the town of Excelsior, where "the world is ruled by magic instead of science." It's been forever since a good fantasy series was on network TV, so bring it on.

And also, not tonight but next week, straight off his much-reviled (but not by me) Golden Globes performance, Ricky Gervais will be visiting the American version of "The Office" for a cameo as his character on the original U.K. title, David Brent. Following all of that?

Is it possible he's there to fire Michael Scott, bringing about Steve Carell's departure from the show? Impossible, I guess, since Dunder Mifflin is now owned by Sabre, but whatever he's coming to do, it should be nothing but funny.

And with that, I'll leave you, but not before sharing this video that's very appropriately titled "Leonardo DiCaprio freaks out," since it's four-and-a-half minutes of exactly that. It's not nearly as funny as the collection of Nicolas Cage losing his s@#%, but it's just about equally not safe for work, so definitely watch it with headphones on. Enjoy the clip, and have a perfectly enjoyable Thursday. Peace out.

Men of the year: My favorite male movie performances of 2010

I waited to compile this list until seeing "Black Swan" and "The Fighter" as a truly odd double feature last Saturday, and that day yielded one entry here I expected and one that caught me by surprise.

It's still dangerous to do it before The Dude surely abides this week in "True Grit" and without having seen the performance of Oscar favorite (if I'm reading the cards right) Colin Firth in "The King's Speech," but I'm fairly confident that with those two exceptions I've seen most of the best movies of 2010, so here goes: My favorite male performances of 2010, in order only of release date until the very end, for which I've saved my vote for the best.

Leonardo DiCaprio, "Shutter Island": Sure, Leo played pretty much the same constantly stressed out character in both this and "Inception" this year, but he was better here as FBI agent Teddy Daniels in this flick based on the Dennis Lehane novel, which is so good that it will likely end up on my overall best movies of 2010 list, too.

Ricardo Darin, "The Secret in Their Eyes": In this Argentinian film noir, Darin's character undergoes a rather epic journey, returning to both the scene of a brutal crime from his career as a legal inspector and reuniting with an unrequited but still smoldering love, and his performance carries us every step along the way.

John Hawkes, "Winter's Bone": The key to this Debra Granik movie, another film noir of sorts and, like "The Secret in Their Eyes," also shown this year by the Macon Film Guild, is the mysterious motivations of all the characters Jennifer Lawrence's Rhee Dolly encounters while searching for her missing father - and the most important of those is Hawkes' Teardrop (yes, really), who plays his cards close until the end and makes this my vote for the best movie of 2010.

Steve Carell, "Despicable Me": Can a voice-only performance really be one of the best of the year? When it's as good as Carell's as the criminal mastermind with a heart Gru, absolutely, and besides, even though "Toy Story 3" will rightly get most of the animated kudos this year, this was just a thoroughly charming flick.

Kevin Kline, "The Extra Man": I was expecting the worst from Kline in this, and so was that much more pleasantly surprised by how restrained he was as the "gentleman" Henry Harrison, whose sole job is squiring wealthy widows around NYC. Both Kline's performance and the movie overall, out now on DVD, are winning portraits of the kind of eccentric New York that's now all too rare.

Kieran Culkin, "Scott Pilgrim Vs. the World": Comedy rarely gets is just due in awards season, and for my money, no one was funnier this year than Culkin as Scott Pilgrim's gay roommate who constantly pops up to provide a snarky commentary of sorts in the best movie that virtually no one saw in 2010.

Kodi Smit-McPhee, "Let Me In": Matt Reeves' "Let Me in" would have been a completely soulless remake of the clearly superior vampire movie "Let the Right One In" if it weren't for the performances of the two kids at the story's core. McPhee and Chloe Moretz draw us deep into the doomed world of young Owen and Abby and, against steep odds, improve on the performances of the kids in the original movie.

Vincent Cassel, "Black Swan": The two things that surprised me about Darren Aronofsky's movie is just how much of a B-movie schlockfest it really is (albeit about the ballet, of course), and just how good Vincent Cassel is as the ballet director who expertly manipulates his young dancers, never with overt menace but an equally dangerous charm.

Christian Bale, "The Fighter": Bale's extreme measures - and weight fluctuation - to get into his roles would be easy to mock if there clearly weren't more than madness to his method. Here, he's on the very gaunt side as Dicky Eklund, the crack-addicted brother of Mark Wahlberg's titular "Fighter" and the main thing that helps David O. Russell's movie rise above the pack of standard sports underdog flicks.

James Franco, "127 Hours": As I said, the best for last, and this year it's by a pretty wide margin. As Sam Rockwell did last year in the seriously smart sci-fi flick "Moon," Franco dominated almost every frame of Danny Boyle's movie, and never once lets the viewer get bored of watching him. From the exuberance of the beginning of Aron Ralston's perfect day to the extreme desperation of being trapped under a rock for the titular "127 Hours," Franco takes us along every inch of this often very hard to watch journey, making the payoff all the more rewarding at the finish. Just an all-around excellent performance.

And there you have it. Please feel free to let me know of any I may have snubbed (in the honorable mention, I've already got Christopher Plummer in "The Last Station", Michael Nyqvist in "The Girl With the Dragon Tattoo"/"The Girl Who Played With Fire" and George Clooney in "The American"), and have a perfectly endurable Monday. Peace out.

Free and funny? Two of my favorite things

Actually, before I get into that, now that Joaquin Phoenix's sabbatical from acting appears to be over and his "I'm Still Here" freakout exposed as a hoax (albeit, from what I've heard, a very entertaining one), it's good to know he's quickly going to jump into things that should be fascinating.

First up, if some financing issues are resolved, will be an indie oddity titled "Big Shoe," about a foot fetishist (Phoenix, presumably) who doubles as an amazing footwear designer. Ingenue Mia Wasikowska, who has yet to make a movie I haven't liked quite a bit (especially the Southern drama "That Evening Sun," out on DVD now, so watch it already), has been cast as the female lead in this craziness.

Sound like an odd subject for a feature film? Well, it comes from director Steven Shainberg, who has been missing for about five years, but when he makes movies enjoys rather lurid subjects. He made his debut with the S&M flick "Secretary" starring Maggie Gyllenhaal, and also made "Fur: An Imaginary Portrait of Diane Arbus," which starred Nicole Kidman and Robert Downey Jr.

Here's hoping that somehow comes together, but more likely and even better would be if he takes the part that Clint Eastwood has reportedly offered him in Eastwood's upcoming J. Edgar Hoover biopic.

With a script from "Milk" scribe Dustin Lance Black and Leonardo DiCaprio hired to play Hoover, this was already shaping up to be pretty great, but now with Phoenix being offered the role of Hoover's protégé and reputed paramour Clyde Tolson, who was Hoover's longtime associate director of the FBI, it just gets much better.

It's a fascinating subject now apparently to be paired with an equally great cast, so this 2012 flick is definitely one to keep your eyes on.

OK, now on the titular offer of free and funny, which comes in two doses (actually, I suppose the latter is actually more cute than funny, but it's still pretty great.)

First up comes the new Louis CK standup flick "Hilarious," which fortunately both lives up to its boastful title and is being streamed for free at Epix. I've watched about half of it so far, and even if CK's often morose humor isn't for everyone, it certainly is for me, and this is really good stuff. To see it, go here and sign up by entering your e-mail (yes, you have to), and then enjoy.

And finally today, what OK Go is doing with music videos is really something not to be missed. The band's actual music is just the breeziest brand of pop, but as visual artists, they clearly put a lot of effort in to their work and have a lot of fun doing it.

If you've never seen their giant Mousetrap game video for the song "This Too Shall Pass," I've included that too at the end, because it really is a pretty amazing visual feat (and apparently all real - no computer tricks.)

But first up comes their new video for the song "White Knuckles," which, while not as visually ambitious, is guaranteed to make you smile. It features an adorable and remarkably trained cast of rescue dogs doing all kinds of tricks on cue. And, best of all, OK Go is donating a portion of any profits they make from this to the ASPCA. To learn more about that, go here. Enjoy the videos, and have a perfectly bearable Wednesday. Peace out.

Mid-year report card: One man's picks for the best movies of 2010 (so far)

After a more than slightly disappointing beginning to this movie year, we've been on a real roll of late.

The winning streak started with "Toy Story 3," the perfect ending to a great movie trilogy, and continued with the surprisingly charming "Despicable Me" on through the ambitious mindbender "Inception" (and if you really think you can explain that one to me, bring it on.)

Overall, not nearly as good a movie year as 2009, but it's clearly getting better, and the fall should have some real winners (more on that in coming weeks). Here is one man's opinion about the best movies (so far) of 2010, in order of preference.

10. "Shutter Island": I'd say Leonardo DiCaprio was in a mindbending movie rut if the ones he's been in this year weren't so good. "Shutter Island," a Martin Scorsese movie based on a novel by Dennis Lehane, was a B-movie flick with A-level acting and style. Now on DVD.

9. "Alice in Wonderland": Though many - if not most - of director Tim Burton's adaptations/remakes are tired, this was a welcome exception. It was full of whimsy and surprising restraint from Burton, and for once, Johnny Depp was funny rather than simply creepy in a Burton movie as the Mad Hatter. Now on DVD..

8. "Date Night": This is most certainly the year of Steve Carell on the big screen, and since he's soon likely to quit "The Office," why not? Though this flick with co-star Tina Fey lacked the anarchic spirit of Scorsese's "After Hours," from which it clearly draws inspiration, it was still a fun night out with two very talented comedians. Coming to DVD on Aug. 10.

7. "Despicable Me": Carell again, in a flick that proves Pixar doesn't have the market cornered on mixing wicked humor with heart. After a slow start full of run-of-the-mill jokes, it develops into a thoroughly charming animated tale, and contains my single favorite movie line of 2010 so far: "The physical appearance of the please makes no difference." In theaters now.,

6. "Inception": This is, of course, all anyone is talking about now when it comes to movies, and what more can you ask for than that? Christopher Nolan's dreamscape may well move up on this list over time, but for right now, I need to see it again, because after one viewing it left me with as many questions as answers, and that's far from a complaint. In theaters now.

5. "A Prophet": It has been called "The French Godfather," and though that's clearly a high bar to set, the comparison actually works on many levels. The story about what one man has to do to survive a long stint in prison - from unsavory alliances to even more unsavory activities - is simply mesmerizing from start to finish. Out on DVD Tuesday.

4. "Kick-Ass": Really? Yes, really. Though there are clearly questions about the morality of a 13-year-old, extremely foul-mouthed and even more lethal "Hit-Girl," played by young Georgian Chloe Moretz, there's no denying that it's funny. And this is, after all, a comic-book movie, and one that in the hands of director Matthew Vaughn breathes new life into that very familiar genre. Now on DVD.

3. "That Evening Sun": A definite highlight of the 2010 Macon Film Festival, this stars Hal Holbrook in a revival of the great Southern movie, a genre that's becoming far too much of a rarity. He's angry, ornery and excellent as an old man who escapes from a nursing home to reclaim his former home, now being inhabited by another Macon Film Festival favorite, Ray McKinnon. Not to be missed, and coming to DVD on Sept. 7. And the Macon Film Festival will return Feb. 17, 2011, so stay tuned.

2. "Toy Story 3": Is Pixar's marquee trilogy also now the best movie trilogy of all time? The argument can certainly be made, since it started with a groundbreaking original, upped the ante with a second chapter that was even better in terms of story and humor, and then finished up (we assume) with a final chapter that was both a rousing adventure and a definite charmer, and yes, the ending did make this grown man cry (admit it, you did too.) In theaters now.

1. "Winter's Bone": Debra Granik's movie takes a classic film genre, the film noir, and sets it in just about the bleakest possible setting, the Missouri Ozarks. And though it can often indeed be as depressing as that sounds, it's also riveting as newcomer Jennifer Lawrence tries to unravel the mystery of what has happened to her deadbeat father, who has put up the house she shares with her two young siblings as a guarantor that he'll appear in court on charges of making meth. This is, indeed, the perfect kind of movie for the Macon Film Guild to offer this fall (though I don't have any say in that), and worth seeking out now in select theaters.

Honorable mention: "Youth in Revolt", "Edge of Darkness", "Ghost Writer", "The Crazies", "The Good Heart", "OSS 117: Lost in Rio", "Splice", "Joan Rivers: A Piece of Work", "Get Him to the Greek" and "Cyrus"

So, there you have it. Please feel free to share any you think I may have snubbed (and there's surely more than one), and to offer any of your favorites from this movie year so far. Peace out.

"Let the Right One In" director assembling great spy game

Congrats to my staff on 4 Emmy nominations. This bodes well for the future of The Tonight Show with Conan O'Brien.

It's good to know that through it all Conan is, of course, still very funny, but easily the best news in yesterday's Emmy nominations was long overdue acting nods for Connie Britton and Kyle Chandler of "Friday Night Lights." They probably won't win, and the great show somehow still didn't get a best dramatic series nomination, but kudos nonetheless. Bully.

And beyond that today, it's a fairly slow day outside the quartet of clips at the end of this, but there is news about one of my favorite directors. Although Matt Reeves has been garnering plenty of attention for his thoroughly unnecessary English-language remake of the simply brilliant vampire movie "Let the Right One In," the director of the original classic (yes really, classic already, it's that good), Tomas Alfredson, has quietly assembled an A-list cast for what should be a fantastic spy flick, his take on John Le Carre's "Tinker, Tailor, Soldier, Spy."

Already according to Variety, Ralph Fiennes, Colin Firth, Gary Oldman and Michael Fassbender have all signed on, though there's no word yet on which of them will play the main spook, George Smiley. Even better than that is that Peter Morgan, who wrote, among many other things, "Frost/Nixon," "The Queen" and the fantabulous futbol flick "The Damned United" (rent that one already), has penned the script for this, so it should be whip smart.

Le Carre's novel was already made into a seven-part British miniseries starring, among others, Alec Guinness and the late, truly great Ian Richardson (if I can digress for a second, the "House of Cards" trilogy, starring the latter as the nefarious Francis "F.U." Urquhart, is a grand piece of political theater, so watch that as soon as you can find it.) In the story, Smiley is assigned to uncover and take out a double agent implanted in the British Secret Service by Moscow Centre.

Update: A second of research by me reveals that Gary Oldman will indeed be playing George Smiley, so count this as one to definitely keep an eye out for in 2012.

OK, after that all I have today is a quartet of clips, but they're all well worth sticking around for. First up comes the second teaser trailer I know of for David Fincher's "The Social Network," and I have to say both of these have brought new life to that dying art of getting you amped up for a flick without revealing any actual footage. The flick, penned by Aaron Sorkin and starring Jesse Eisenberg, Rashida Jones (of "Parks and Recreation") and one Justin Timberlake, is set to drop Oct. 1. Enjoy.



Next up comes the second full trailer I know of for Robert Rodriguez's "Machete," which of course springs from the faux trailer in "Grindhouse" and is set to come out Sept. 3. There's a gigantic chance this could just be bloody awful, but with Danny Trejo as the lead badass and Jessica Alba, Steven Seagal, Michelle Rodriguez, Don Johnson, Lindsay Lohan and even somehow Robert De Niro all starring in this, I'm betting on a lot of silly fun too. Enjoy.



I'm not sure when I'll be able to see Christopher Nolan's "Inception," since I'll be on vacation in Philly next week with mi hermano, but there's no doubt that the marketing machine for his brainy blockbuster set to come out July 16 is operating at full force. Here's just one of the many clips out there today, in which Leo DiCaprio introduces Reel Fanatic favorite Ellen Page to the concept of shared dreaming.

Movie Trailers - Movies Blog

And where in the world would be a better place to end up today than with Warwick Davis discussing his upcoming mockumentary BBC series with Ricky Gervais and Stephen Merchant, "Life's Too Short"? No idea when this will manage to cross the pond, but hopefully the wait won't be too long, because with that trio, comedy gold will surely be unearthed. Enjoy the clip, and have a great weekend. Peace out.

Movie Trailers - Movies Blog

Why isn't Ellen Page a big star already?

I've often wondered (yes, really, I find it much more fun than thinking about my actual job) why more people don't give Ellen Page starring roles.

Sure, Drew Barrymore gave her the lead in "Whip It," but, especially given the subject matter, that was much more tame and less funny than it could have been. And she has a pretty big role in Christopher Nolan's new flick, "Inception" (which I'll be geeking out for at the midnight show), but that one will of course be all about Leo.

But I just assumed (and hoped) that after "Juno," young Ellen Page would become a big star in something besides TV commercials, because she certainly deserves it. Well, now comes word from Cannes that she has indeed signed on for a new leading role, though not in anything that should bring her anywhere near the multiplexes in my little corner of the world.

Endgame has signed her to star in a dramatic feature based on Cynthia Wade's short documentary "Freeheld," which certainly has a timely topic for our times. Page will play a New Jersey car mechanic whose police detective girlfriend is diagnosed with terminal cancer. The documentary was and feature will be about their battle to secure her partner's pension benefits, which, rather amazingly, is apparently still an issue.

Not exactly the most uplifting of subjects, but hopefully in the hands of screenwriter Ron Nyswaner, who won an Oscar for "Philadelphia," some properly powerful stuff.

Except for that, I really don't have much today before "True Blood" except that the CW has somehow renewed a show that I thought only me and about six other people watched (though that may indeed be a high enough number for renewal there.) I'm not sure if it will be in the fall with a full 22-0r-so season or in Winter again for 13 more episodes.

Either way, I really like the show about a 16-year-old (Britt Robertson) who, after growing up in a series of foster homes, reunites with and is taken in by the parents who abandoned her (Shiri Appleby and Kristoffer Polaha) shortly after she was conceived during a one-night stand in high school. Surprisingly, it's often as serious as the subject matter would call for, but also very funny and overall an odd fit in the CW lineup. I'll certainly be tuning in for as many episodes as they bother to make from here on out.

OK, enough of anything serious, because "True Blood" returns to HBO for season three beginning June 13, and as you can see from the first full trailer below, the series will continue to take all kinds of liberties from the Sookie Stackhouse novels by Charlaine Harris. In season three, among the colorful characters coming are Alcide (Joe Manganiello), a werewolf charged with protecting Sookie (Anna Paquin) as she searches for the missing Bill (Stephen Moyer); the mysterious (as opposed to mundane, I suppose) vampire Franklin Mott (James Frain), who latches on to Tara (Rutina Wesley); and Denis O'Hare as Russell Edgington, the vampire king of Mississippi.

All those characters make at least brief appearances in the novels, all of which, yes, I've read, but much of the fun (almost none of it, thankfully, high-minded) of the show comes in seeing in how their roles are greatly expanded. I'm thoroughly enjoying "Treme," but "True Blood" and that David Simon New Orleans show back to back? The South is indeed rising again. Enjoy the full "True Blood" trailer, and have a perfectly passable Wednesday. Peace out.

OK, I'm still not sold on the need for "Let Me In," but ...

I'm not nearly ready to give in yet, because the necessity of and, for that matter, any possible reason at all for an English-language remake of the simply sublime horror film "Let the Right One In" is still beyond me, but I have to confess that first photo (above) is pretty friggin' cool.

There's still no way in the world anyone should see this without first enjoying the original movie by Tomas Alfredson, which is easily the best horror movie I've seen in the last five years or so, but I'm now willing to concede that they seem to have gotten the casting, at least, just about dead right. And besides, "Cloverfield" was way better than I could have possibly imagined, so I suppose I should have at least a bit of trust in "Let Me In" writer/director Matt Reeves.

All that said, however, the first shot of Chloe Moretz as Abby in the remake highlights just about everything that can go horribly wrong with this. After her performance as Hit-Girl in "Kick-Ass," which not just made the movie but really hijacked the entire operation, I have faith that the rather young lady will at least give this her all, but anyone who's seen the original movie (and again, if you haven't, do it .. it's easily my favorite movie of 2008) knows that she has extremely big shoes to fill in playing the "young" vampire played to perfection (and known as Eli) in "Let the Right One In" by Lina Leandersson. Simply for comparison's sake, here's a shot of her as Eli.


As Eli, she just exuded a great combination of insecurity and blood-starved killer, and was the perfect match for Kare Hedebrant as young, bullied Oskar, who will be known as Owen and played by Kodi-Smit McPhee in the remake. The only thing I can remember seeing that kid in was the recent movie of Cormac McCarthy's "The Road," which was a large cut above the usual apocalyptic fare that crowds up our multiplexes and is well worth a rental.

Finish the cast off with definite Reel Fanatic fave Richard Jenkins as Abby's poor "father" and you have the makings of a truly first-rate cast, but let me be clear about this: Though I was always going to see this anyway when it comes out Oct. 1 just out of sheer curiosity, you can still count me as having at best an icy heart toward it, though now perhaps not one completely encased in steel.

And all I have besides that today, before a couple of videos worth watching, is some more intriguing casting news. I still have yet to see "Invictus," but as soon as I finish typing this sentence I'm gonna add it to the Netflix queue, and perhaps move it right to the top. Morgan Freeman won kudos for his portrayal of Nelson Mandela in that Clint Eastwood flick, and now another actor, and easily one of my favorites, is ready to step into the rather large role.

Terrence Howard, who just has me for life after "Hustle & Flow," has signed on to play Mandela in "Winnie," a biopic about his even-more-interesting former wife. I'll take more convincing that Jennifer Hudson has the gravitas to play Winnie, the angry heart of the anti-apartheid movement, but you can count me ready to be proven wrong as this movie by director Darrell Roodt comes together in Cape Town, Johannesburg and Robben Island, where Nelson Mandela was locked up. Definitely keep your eyes on this one.

OK, as promised, all that's left now is couple of clips well worth a few minutes of your time. The first is an extended trailer for Christopher Nolan's "Inception," which along with Phillip Noyce's "Salt" I'm expecting to be the sleeper hits of this summer (though I suppose you can't really call a Nolan/Leonardo DiCaprio flick a "sleeper.") It has all kinds of new footage, and just has me thoroughly amped for when this finally comes out July 16 (and besides, isn't the world just a slightly better place with some more Ellen Page in it, especially when she's not schilling for Cisco?) Enjoy.



And finally, I do realize that I'm far too old for the "MTV Movie Awards," so I'll try my best not to watch the whole thing, but with Aziz Ansari as the host when it airs June 6, you can be certain I'm at least gonna watch the beginning. And if you put together a promo that also features Kristen Bell and spoofs "The Hurt Locker"? Yeah, I'm gonna embed that. Enjoy, and have a great rest of the weekend. I'm off to eat some Joe-Bear's barbecue and then watch "Iron Man 2." Peace out.

MTV Shows

Will Tim Burton ever again have an original idea?

I wonder what would happen if Tim Burton ever encountered an original idea. Would his head - or perhaps his entire body - explode? He certainly must think so, because though the man is clearly a talented director (and yes, I really liked "Alice in Wonderland" quite a bit), he's also just as clearly incredibly insecure.

Rather than take a chance on anything even slightly out of the norm, he's instead signed on to direct a stop-motion animation adaptation of "The Addams Family." And yes, that Addams Family. Sheesh. I've never actually seen the movies that have already sprung from the horror/comedy franchise, but I did see a YouTube clip of Christina Ricci breaking down the real origins of Thanksgiving as Wednesday, and that was nothing but extremely funny (what ever happened to her, any way .. I mean, "Black Snake Moan" really was just about as horrible as it could possibly be, but was it a career killer?)

Actually, I've learned something from this news, so I guess I should be grateful. Did anyone else know the Addams Family actually originated as a New Yorker cartoon? Burton claims his movie will tap into this original spirit and show a "sharper wit than could be placed into a '60s family TV series." OK, fair enough, but you can't color me as anything but skeptical at this point. And besides, as great as "The Nightmare Before Christmas" was, please don't ever forget that that was actually directed by the great Henry Selick, not Burton. 'Nuff said on all that.

"Inception" details emerge and sound friggin great

There will certainly be many contenders for the movie of the summer (and my dark horse money is on Phillip Noyce's "Salt"), but there really can't be many at all that come burdened with higher expectations than Christopher Nolan's "The Dark Knight" follow up, "Inception." And as details emerge about what exactly it might be about, you can count me as more and more jazzed to finally see it.

He turned up for the big Warner Bros. event on the last day of ShoWest, and here's some of what he had to say about "Inception."

As he introduced a video clip from the flick, which I unfortunately can't find online, he described it as "an action film told in a grand scale by a character played by Leonardo DiCaprio, who runs a team of people who have access to a technology that allows them to enter people's minds through their dreams." He said there was shooting in six different countries to create all the dreamscapes. Here's a bit of how Collider, for which I occasionally contribute, described some of the footage:

The footage started with Leo cocking a gun and his voiceover saying, "There's one thing you should know about me. An inception is an idea that's like a virus, it's highly contagious. The small seed of an idea can grow to define or destroy you."

What follows are eerie visuals with people floating and the ethereal string chords build, as we see Leo sitting at a table in an ornately adorned room explaining to Ken Watanabe and Joseph Gordon-Levitt what they do:

"In the dream state, your consciousness defenses lower," he tells them. "It makes your thoughts vulnerable to theft, called extraction. So you can actually train your subconscious to defend itself from the most skilled extractor."

Watanabe asks how he knows that to which Leo replies, "Because I AM the best extractor."

It all sounds more than a bit like "Memento" writ on an extremely grand scale, which would be just fine with me. And Marion Cotillard, Cillian Murphy, Ellen Page, Joseph Gordon-Levitt and, inevitably I suppose, Michael Caine all appear in this too, so you can bet I'll be among the masses buying my ticket when this finally opens July 16.

A couple of biopics I can get squarely behind

The first thing I thought when I heard a Cesar Chavez biopic was at least in the early stages of development was, how has it taken so long? After all, he's a hero to millions of Hispanics and gringos alike, and his life would just make a grand tale.

It seems that screenwriter Keir Pearson and producer Larry Meli agree, and have optioned the life rights of the labor activist Chavez, and will be producing this with Gael Garcia Bernal and Diego Luna's Canana Films. Pearson, by the way, won an Oscar for co-writing "Hotel Rwanda" with director Terry George, and also has, among other projects, a biopic of Roberto Clemente in the works for HBO and Playtone.

And just in case anyone really hasn't heard of Chavez, he dedicated his life to improving the working conditions of California farm workers, eventually co-founding the National Farm Workers Association, which would later become the United Farm Workers.

Though it's of course far too early to be talking about who could pull this role off, Garcia Bernal would certainly seem to be a perfect choice. What say you?

In other, crazier, biopic news, it seems that independent filmmaker and writer David Miller is hard at work with his son, Jordan, on a movie about the truly odd and troubled Texas outsider musician Daniel Johnston. And yes, I know there's already been a documentary about Johnston, the very compelling "Devil and Daniel Johnston," but can you imagine how much fun (well, maybe that's not quite the right word) the right actor could have with this role?

Here's what he to say about the project to Pedestrian, via the Playlist:

I've got a few things going — we're doing a Daniel Johnston biopic and I'm Producing and Writing and Gabriel Sunday our star [from "My Suicide"] he's going to be Directing and playing young Daniel. It's going to be an epic super hero story and it's going to be a narrative biopic so it doesn't really cover any of the same stuff that the famous "Devil And Daniel Johnston" Documentary that won Sundance in 2005 covers.

How are you going to portray older Daniel Johnston?
That's a really good question. We're either putting Gabriel in a fat suit or there's so many people that are reaching out that are huge Daniel Johnston fans. Philip Seymour Hoffman and John C. Reilly for example, Johnny Depp's a big Daniel Johnston fan though we'd like him to play the older brother. But we haven't really arrived at that yet — we're just in the scripting process at the moment but once we get the script finished we'll be able to get a better handle on what the budget will be.

Nothing like dropping some big names to get attention, but I'd imagine he's right that a lot of actors would indeed be interested in the chance to take on the life a true American original.

And with that, I've got to go to the job that still somehow pays me, but I'll leave you with the trailer for the next Jennifer Aniston movie I'll be seeing (hint: It won't be "Bounty Hunter.") "The Switch," which I believe used to go by the much funnier name "The Baster," is a comedy starring Aniston and veryfunnyman Jason Bateman, and you can watch the trailer below Enjoy, and have a great weekend (and if you can, go see Roman Polanski's new flick, which I'll be doing Saturday afternoon.) Peace out.

Where the wild sounds aren't: A soundtrack dud

Actually, the biggest - though I'm not sure the best - news in my book is that easily one of my favorite British TV shows is not only coming to America, but even to the burgh formerly know as Charm City, Baltimore itself.

On the surface, E4's "Skins" would look like the definition of a guilty pleasure for someone as old and often cranky as me, but I think it's so good it stands up as entertainment for all ages. I'm not sure exactly how I got hooked on it in the first place, but I think it was because someone who visits here once commented that Dev Patel of "Slumdog Millionaire" stars in the first two seasons, which is indeed the case. If so, I can't remember who it was, but thank you all the same.

The show, a primetime soap opera that fits squarely with Britain's best entries in that genre, follows the adventures of seven teens who have the misfortune of living in Bristol with at best very unfit parents. There's an awful lot of sex and drugs, but also just a lot of humanity and fantastic storytelling. And besides, Peter Capaldi of "In the Loop" makes a very memorable turn on a few episodes as one said parent, so you know they have to be doing something right.

The show has aired a third season with a new set of kids, which I'll pick up on DVD as soon as I'm able, but in the meantime comes the rather dubious news that MTV (attracted, I suppose, by all the sex and drugs) is not only doing an American version, but setting it in Baltimore with a cast of "unknowns."

Show creator Bryan Elsley will have a hand in at least the pilot, so perhaps this won't turn out as dreadful as I'm imagining it could be. And in the meantime, I really do recommend watching the first two seasons of "Skins" on DVD. It's not quite "Freaks and Geeks," but in it's own way, it's still a unique view of teenage life that I guarantee you'll find entertaining if you stick with it.

In other, much more geeky and less disturbing, news, John Landis and the great Simon Pegg are teaming up for a flick that - if I'm not mistaken - would be Landis' first big-screen feature directorial project since "Blues Brothers 2000" (which may well some kind of masterpiece, but since I'll never see it, I guess I'll never know.)

"Burke and Hare," which sounds like it's right up each of their alleys, will be about a pair of 19th Century grave robbers who dug up and sold cadavers to the Edinburgh Medical College for dissection. I'm laughing at that already, and if you pair Pegg and Nick Frost as the two grave robbers, even better.

And finally, before we get to the rather lame lead single from the upcoming "Where the Wild Thing Are" soundtrack and then a mind-bending teaser trailer from no less than Christopher Nolan, there's one more bit of news about what will most likely be Pixar's first live-action movie, "John Carter of Mars" (Brad Bird had been developing a live-action project titled "1906" about the great San Francisco earthquake, but it looks like that one might be in serious trouble.)

"John Carter of Mars" will be based on the series of books by Edgar Rice Burroughs about a Civil War veteran who is somehow transported to the red planet. Already, "Friday Night Lights" (man, do I miss that show) vet Taylor Kitsch has been cast as the titular John Carter, and now two of my favorite actors have joined the mix.

Dominic West, who walked the beat in Baltimore (you really can't have too much Charm City in one post) as Jimmy McNutty on "The Wire," will play Sab Than, the Martian prince who (according to reports, since I haven't read these books yet) tries to force the Martian princess Dejah Thoris to marry him. Even better, and wilder, Samantha Morton will play Sola, the "10-foot-tall, four-armed green secret daughter of Martian warrior Tars Tarkas."

Like I said, not having read the books, none of that means much to me, but I still can't wait to see what Pixar will do in live action (though it won't be coming until 2012), and especially with a cast that good.

OK, as we near the finish, it's time for something just almost completely disappointing. Anyone who's been here before knows that I've been tracking all the slightest bits of minutiae about "Where the Wild Things Are," because it pairs one of my favorite directors, Spike Jonze, with my favorite tale from childhood by Maurice Sendak.

In, I think, both of the trailers, they've used the simply sensational Arcade Fire song "Wake Up," which in both spirit and sound just fits the movie perfectly.

Now, however, they've released the first single from the upcoming movie soundtrack, by "Karen O and the Kids," with Karen O being the frontwoman for the Yeah Yeah Yeahs. And I have to say, having listened to it twice now, that it's unfortunately just a big ball of meh.

Don't take my word for it, though. Click here and scroll down the right side to listen yourself, and please feel free to let me know if I'm somehow just all wet about this.

And, really finally, I'm probably a few days late with this, but who really cares when it's the teaser trailer for Christopher Nolan's next flick, "Inception"? The clip doesn't reveal much except that it stars Leonardo DiCaprio, but I can also tell you young Ellen Page is in it, it won't come out until July and it should just be a real friggin mind trip when it finally drops. Enjoy, and have a perfectly passable Tuesday. Peace out.