Showing posts with label Roman Polanski. Show all posts
Showing posts with label Roman Polanski. Show all posts

Saturday, August 20, 2011

Saturday morning funnies, with Louis CK, Ricky Gervais and Warwick Davis

Speaking of funny, for men (and women, of course) of a certain age like me, "Moonlighting," for the five seasons or so it ran on ABC, was pretty much the very definition of it for TV, so the return of Glenn Gordon Caron to the realm of private eyes can only be good news.

Among other things since "Moonlighting" went off the air in 1989, Caron has developed the series "Medium," but now he's getting back to something that should be more fun, a series based on real-life private investigator Pamela Slaton, who specializes in reuniting clients with long-lost loved ones.

So, not quite the same thing, but I'm still betting on something worth watching coming from all this.

And comedy of a very different - and much darker - sort will surely come with Roman Polanski's "Carnage," and will hopefully even come to my little corner of the world when this opens Dec. 16. Having seen Yazmine Reza's great play, on which this is based, in Minneapolis, I can tell you that it is indeed savagely funny, and with Jodie Foster, John C. Reilly, Kate Winslet and Christoph Waltz all starring in the movie, it should be a real treat. Here is the first trailer I know of for it:



Next up today comes the first teaser trailer I've come across for "American Horror Story," the new series that "Glee" and "Nip/Tuck" creator Ryan Murphy has developed for FX. Delivering solidly on its "Snakes on a Plane"-style title, the show is indeed about an American family that moves into a house that is rather haunted. The fairly phenomenal cast features definite Reel Fanatic fave Connie Britton, Dylan McDermott, Francis Conroy and even, oddly enough, Jessica Lange. Keep an eye out for the show on Oct. 5, and enjoy the trailer.



OK, now on the promised Saturday morning funnies, starring for my money two of the funniest people in the world. In fact, though I'd still put Bill Murray No. 1, with what he's doing on his "Louie" sitcom of sorts, also on FX, Louis CK has vaulted into the second slot for me. If you've never seen it, you're really missing out. Granted, his humor isn't for everyone, since, as you'll see from this clip in which Conan O'Brien wisely just lets him riff, he's the kind of person who, like me, finds children auditioning for "Shindler's List" or (as in the clip he shows from "Louie") dressing up in black face to be very funny. Enjoy the interview.



And finally today, there are very few things I enjoy watching more than Ricky Gervais and the Muppets, so why not combine the two for some sadistic humor? Gervais' humor is indeed more than a bit mean, and his latest foil, Warwick Davis, is clearly in for some punishment on their mockumentary series "Life's Too Short," which will hopefully be coming to HBO sometime soon. To say any more would spoil this, so just enjoy it, and have a great rest of the weekend. And anyone considering seeing the "Fright Night" remake, know that it was written by "Buffy the Vampire Slayer" vet Marti Noxon, and while never close to as funny as that, it's much better than the average horror movie remake. Not a ringing endorsement, I know, but it's at least worth a Saturday afternoon matinee. Peace out.

Sunday, July 31, 2011

Roman Polanski and the art of the extremely uncomfortable



OK, I'm more than a little slow. I knew Roman Polanski's next movie was titled "Carnage," and I've seen the Tony award-winning play by Yazmina Reza "Gods of Carnage" while on vacation with my family in Minneapolis, but not until now did I manage to put the two together.

In my defense, why in the world do they have to keep shortening movie titles to as few characters as possible? Martin Scorsese, of all people, found the title of one of my favorite books, "The Invention of Hugo Cabret," so odious that he had to cut it all the way down to simply "Hugo" for his Thanksgiving offering. But was "Gods of Carnage" really so long that people couldn't digest it on a poster? Sheesh.

But I already digress. Polanski's "Carnage" has been chosen to open the New York Film Festival on Sept. 30, and for many reasons, the play is just a perfect fit for his style of filmmaking.

First, a bit about what the movie and play are about, and who's starring in the flick. Reza's play (and hopefully Polanski's movie) takes place entirely in one New York City apartment, where two groups of parents are gathered after one child has acted out violently to the other one. I'm just guessing from the photo above here, but I have to think John C. Reilly and Jodie Foster play the parents of the wronged child, and Kate Winslet and Christoph Waltz the other couple. Take a second to digest all that star power in one small room.

The setting is key, because in that tight space, the often scathing words aren't just weapons, they're WMD's, and the "Carnage" is immediate and brutal. And, thankfully, Reza's whip-smart play is also devastatingly funny, as when the character to be played by Reilly (again, I assume) explains how he used to be in a "gang" when he was a kid. It's not a comedy of manners, but of pretty much the complete lack thereof, my favorite kind.

In relation to the best of Polanski's movies, it fits in perfectly. The most direct correlation is to "Death and the Maiden," in which Sigourney Weaver traps and torments Ben Kingsley in Polanksi's take on the Ariel Dorfman play. In that and his most recent flick, the political thriller "Ghost Writer" (well worth an immediate rental if you haven't seen it), among others, the tension is not just kept high, but ramped up to the point of suffocation throughout, giving his best movies a very claustrophobic feel.

And that, in short, is why Roman Polanski's "Carnage" is definitely a movie to keep an eye out for when it opens hopefully wide enough to reach even my little corner of the world on Nov. 18. And I'll leave you today with, courtesy of collider, eight or so short clips from another movie I'm certainly looking forward to, "The Help," the movie based on Kathyrn Stockett's insanely popular novel and starring Emma Stone and Viola Davis, set to come out as some relief from the usual August slog on the 10th. Enjoy, and have a great Sunday. Peace out.

Wednesday, October 20, 2010

A cool Wednesday cache of clips

Before we get in to that, however, there are some bits of good news out there this morning, and it all starts with "Chuck."

With the still fairly great spy comedy premiering in the fall this year, I just assumed that a full fourth season had already been booked, but silly me. It apparently had to earn that right, and NBC has just announced that that will indeed happen (along with, unfortunately, a full season of "Outsourced" - who the hell watches this crap? And if this means something bad for the return of "Parks and Recreation," well, I of course won't be able to do anything about that, but I will be rather friggin pissed about it.)

As for "Chuck," this season had gotten off to a bit of a rough start in my book, with the show really unsure how to deal with Chuck and Sarah as a couple, but Monday's episode with Casey's "funeral" was a real winner, so here's hoping the show is back on track for its full 22-season run.

In movie news, if you didn't see Roman Polanski's "The Ghost Writer," I highly recommend a rental. It was a whipsmart political thriller until the ending is wrapped up way too neatly, and any movie that has that much Ms. Cross - a.k.a. Olivia Williams - definitely can't be all bad.

And now comes word that he's assembled a first-rate cast for his next directing project, "God of Carnage." John C. Reilly, Jodie Foster, Christoph Waltz and Kate Winslet will play the leads in the movie based on the Tony award-winning play by Yasmina Reza, about two sets of parents who meet after their kids brawl in the schoolyard, and they get along worse than the kids did.

Reilly will play Michael, the role originated onstage by James Gandolfini, and Foster plays his wife, so by force I would have to assume Waltz and Winslet (what a pair) play the other couple. Filming for this begins in January in Paris, so definitely keep your eyes on it.

And finally, before we dive into the clips today, it seems that Ben Affleck may be closing in on his directorial followup to "The Town."

Speaking of that flick, I know I'm in the minority, but the more time and space I get removed from it, the more it just leaves me cold. Sure, an expertly directed crime thriller with a great cast in top gear, but the story was just so familiar to the point of being tired.

But I digress a bit. Despite my unheard reservations about "The Town," Affleck found himself more than a bit of a hot property after its release, being courted for and turning down the next "Superman" flick (which went to Zack Snyder) and a movie called "Tales from the Gangster Squad," about the police force who cracked down on Jewish mobsters in 1940s Hollywood.

Now, however, he seems to be circling something that he's actually interested in, and thankfully it would pull him out of his Boston crime rut. Warner Bros. wants him to direct a movie based on the Ken Grimwood novel "Replay," about a 45-year-old man who has a fatal heart attack while trying to prevent the murder of a jogger in New York's Central Park. Instead of dying, however, he is stuck in a "replay" of his life beginning at age 18 in Brooklyn. With his knowledge of the future, he changes his life and builds a financial empire, only to die again at age 45. The "replay" continues, however, as he and the murdered jogger fall in love and struggle to break the cycle of their repeating lives.

Despite the rather "Groundhog Day" nature of its premise, that actually sounds pretty intriguing, and despite my reservations about "The Town," Affleck is a genuinely great director in the making, so stay tuned for more on this as soon as I find it.

OK, getting into the clips today, where in the world else would you start than with the teaser trailer for what could quite possibly be the funniest movie of 2011, Greg Mottola's "Paul." As you'll see from the trailer, it stars dynamic duo Simon Pegg and Nick Frost as two geeks on their way to Comic-Con in a Winnebago when they - naturally - encounter the titular extraterrestrial, voiced by Seth Rogen. With "The Daytrippers," "Superbad" and "Adventureland" under his belt, Mottola has yet to direct a movie I didn't like quite a bit, so enjoy the trailer, and definitely keep an eye out for this to come out March 18.



It seems like forever since Alejandro Gonzales Inarritu last directed a movie, and it has indeed been four years since "Babel," which I loved almost unconditionally, though I know many people who didn't. Soon to come out will be his new flick, "Biutiful," starring one Javier Bardem. Here's the synopsis, courtesy of The Playlist:

Biutiful is a love story between a father and his children. This is the journey of Uxbal, a conflicted man who struggles to reconcile fatherhood, love, spirituality, crime, guilt and mortality amidst the dangerous underworld of modern Barcelona. His livelihood is earned out of bounds, his sacrifices for his children know no bounds. Like life itself, this is a circular tale that ends where it begins. As fate encircles him and thresholds are crossed, a dim, redemptive road brightens, illuminating the inheritances bestowed from father to child, and the paternal guiding hand that navigates life's corridors, whether bright, bad - or biutiful.

Rather heady stuff that. Enjoy this, the first full trailer I know of, and keep an eye out for this in surely limited release starting Dec. 29.


Biutiful Trailer
Uploaded by ThePlaylist. - Check out other Film & TV videos.

The first trailer for David O. Russell's "The Fighter" really didn't seem to promise much more than an average sports underdog flick starring Mark Wahlberg, but Sunday's fuller look that came with the finale of "Mad Men" (I miss it already!), had a lot more of Amy Adams and Christian Bale in it, and just made it look like a much more intriguing flick. Here's a look, and keep an eye out for the movie itself Dec. 10.



So, what can fill the Sunday void left by "Mad Men"? Well, nothing really, but "Sherlock," coming to PBS' Masterpiece Theatre (or whatever the heck its called now) for three installments beginning this Sunday, should at least be small solace, and I'll definitely be tuning in. As you'll see from the promo below, someone named Benedict Cumberbatch (yes, really) plays Sherlock himself, and the great Martin Freeman (of the UK "Office" fame and apparently the new Bilbo Baggins in Peter Jackson's "The Hobbit") plays Watson. Enjoy the clip, definitely tune in for this, and have a perfectly passable Wednesday. Peace out.

Tuesday, October 12, 2010

Oh, the horror! My 10 or so favorite monster movies

When it comes to modern horror movies, I'd be the first to admit that I'm more than a bit of a wimp.

I just can't see the attraction of gorefests like "Hostel" or the "Saw" movies (yes, there's a 3D version coming out very soon, if that's your thing), and in particular I just don't have much stomach at all for movies that showcase the torture of women.

That said, however, I do love a good horror movie, and when you mix that up with a little humor, it's even better. Here, to get everyone in the Halloween spirit, are my 10 or so favorite horror movies, in no particular order.

Universal Studios Classic Monster Collection: If you spring for the whole box set, you get a big bite of truly classic horror with "Dracula" "Frankenstein," "The Mummy," "The Invisible Man," "The Bride of Frankenstein," "The Wolf Man," "Phantom of the Opera" and "Creature from the Black Lagoon." Or, you can buy them all individually for less than $10 a pop, and you really can't go wrong with any of these early favorites.

"Let the Right One In": Almost no one went to see the recent American remake of this Swedish vampire movie, "Let Me In," but do yourself a favor and rent the original this Halloween. Part horror movie and part coming of age tale, it's a truly unique movie experience, and my single favorite movie of 2008.

"The Orphanage": Orphanages are scary enough, but when you make them haunted it's that much more fun, and ghost tales just don't much more stylishly frightening than this Spanish flick from director Juan Antonio Bayona.

"Rosemary's Baby": If I had to pick one single favorite horror movie, this one from Roman Polanski would be it. Author Ira Levin's tale of the ultimate deal with the devil is a creepy as it is campy, and once you see it, I guarantee you'll never get Ruth Gordon out of your head.

"The Shining": Probably the most quotable horror movie of all time, it's easily the most fun movie Stanley Kubrick ever made and probably also the most fun Jack Nicholson ever had on screen too.

"The Evil Dead": No director better mixes humor and horror than Sam Raimi, and this is his masterpiece. Zombies have always been much more scary to me than vampires, and what could be worse than an army of them? Besides, has anyone ever heard of a cuddly zombie? 'Nuff said.

"Drag Me to Hell": A double shot from Raimi, because he really is a horror maestro. After the thorough disaster that was "Spider-Man 3," Raimi desperately needed to get back to his wickedly fun roots, and this gypsy curse tale was just the perfect cure. I bought this one for $5 at a Redbox machine a while ago, and go back and watch it every few months or so, and get thoroughly creeped out each time.

"Cloverfield": I normally have little time for "found footage" movies (don't even get me started on the friggin' "Blair Witch Project"), but this monster movie from Matt Reeves is a welcome exception. It expertly builds the tension until the monster is finally revealed near the end, and it's very well worth the wait.

"Near Dark": Long before Bella met Edward or Kathryn Bigelow won the Best Picture Oscar for "The Hurt Locker," Bigelow made this, my favorite vampire movie. Adrian Pasdar stars as young man who joins an evil pack of vampires because - why else? - he's chasing a pretty girl. Definitely watch this vampire Western (yes, really) if you can find it.

"Shaun of the Dead": That the great Simon Pegg is the most dead person in this zombie zoo may be the biggest and best joke in Edgar Wright's flick, but there's much more fun to discover if you've never seen it, and I guarantee that the pub scene will make you think twice before stopping into a seemingly tame watering hole you've never visited before. Simply hilarious from start to finish.

And there you have it. Please feel free to add any of your favorites I managed to snub (believe me, I could have taken this list to at least 20), and have a perfectly passable Tuesday. Peace out.

Friday, March 19, 2010

Will Tim Burton ever again have an original idea?

I wonder what would happen if Tim Burton ever encountered an original idea. Would his head - or perhaps his entire body - explode? He certainly must think so, because though the man is clearly a talented director (and yes, I really liked "Alice in Wonderland" quite a bit), he's also just as clearly incredibly insecure.

Rather than take a chance on anything even slightly out of the norm, he's instead signed on to direct a stop-motion animation adaptation of "The Addams Family." And yes, that Addams Family. Sheesh. I've never actually seen the movies that have already sprung from the horror/comedy franchise, but I did see a YouTube clip of Christina Ricci breaking down the real origins of Thanksgiving as Wednesday, and that was nothing but extremely funny (what ever happened to her, any way .. I mean, "Black Snake Moan" really was just about as horrible as it could possibly be, but was it a career killer?)

Actually, I've learned something from this news, so I guess I should be grateful. Did anyone else know the Addams Family actually originated as a New Yorker cartoon? Burton claims his movie will tap into this original spirit and show a "sharper wit than could be placed into a '60s family TV series." OK, fair enough, but you can't color me as anything but skeptical at this point. And besides, as great as "The Nightmare Before Christmas" was, please don't ever forget that that was actually directed by the great Henry Selick, not Burton. 'Nuff said on all that.

"Inception" details emerge and sound friggin great

There will certainly be many contenders for the movie of the summer (and my dark horse money is on Phillip Noyce's "Salt"), but there really can't be many at all that come burdened with higher expectations than Christopher Nolan's "The Dark Knight" follow up, "Inception." And as details emerge about what exactly it might be about, you can count me as more and more jazzed to finally see it.

He turned up for the big Warner Bros. event on the last day of ShoWest, and here's some of what he had to say about "Inception."

As he introduced a video clip from the flick, which I unfortunately can't find online, he described it as "an action film told in a grand scale by a character played by Leonardo DiCaprio, who runs a team of people who have access to a technology that allows them to enter people's minds through their dreams." He said there was shooting in six different countries to create all the dreamscapes. Here's a bit of how Collider, for which I occasionally contribute, described some of the footage:

The footage started with Leo cocking a gun and his voiceover saying, "There's one thing you should know about me. An inception is an idea that's like a virus, it's highly contagious. The small seed of an idea can grow to define or destroy you."

What follows are eerie visuals with people floating and the ethereal string chords build, as we see Leo sitting at a table in an ornately adorned room explaining to Ken Watanabe and Joseph Gordon-Levitt what they do:

"In the dream state, your consciousness defenses lower," he tells them. "It makes your thoughts vulnerable to theft, called extraction. So you can actually train your subconscious to defend itself from the most skilled extractor."

Watanabe asks how he knows that to which Leo replies, "Because I AM the best extractor."


It all sounds more than a bit like "Memento" writ on an extremely grand scale, which would be just fine with me. And Marion Cotillard, Cillian Murphy, Ellen Page, Joseph Gordon-Levitt and, inevitably I suppose, Michael Caine all appear in this too, so you can bet I'll be among the masses buying my ticket when this finally opens July 16.

A couple of biopics I can get squarely behind

The first thing I thought when I heard a Cesar Chavez biopic was at least in the early stages of development was, how has it taken so long? After all, he's a hero to millions of Hispanics and gringos alike, and his life would just make a grand tale.

It seems that screenwriter Keir Pearson and producer Larry Meli agree, and have optioned the life rights of the labor activist Chavez, and will be producing this with Gael Garcia Bernal and Diego Luna's Canana Films. Pearson, by the way, won an Oscar for co-writing "Hotel Rwanda" with director Terry George, and also has, among other projects, a biopic of Roberto Clemente in the works for HBO and Playtone.

And just in case anyone really hasn't heard of Chavez, he dedicated his life to improving the working conditions of California farm workers, eventually co-founding the National Farm Workers Association, which would later become the United Farm Workers.

Though it's of course far too early to be talking about who could pull this role off, Garcia Bernal would certainly seem to be a perfect choice. What say you?

In other, crazier, biopic news, it seems that independent filmmaker and writer David Miller is hard at work with his son, Jordan, on a movie about the truly odd and troubled Texas outsider musician Daniel Johnston. And yes, I know there's already been a documentary about Johnston, the very compelling "Devil and Daniel Johnston," but can you imagine how much fun (well, maybe that's not quite the right word) the right actor could have with this role?

Here's what he to say about the project to Pedestrian, via the Playlist:

I've got a few things going — we're doing a Daniel Johnston biopic and I'm Producing and Writing and Gabriel Sunday our star [from "My Suicide"] he's going to be Directing and playing young Daniel. It's going to be an epic super hero story and it's going to be a narrative biopic so it doesn't really cover any of the same stuff that the famous "Devil And Daniel Johnston" Documentary that won Sundance in 2005 covers.

How are you going to portray older Daniel Johnston?
That's a really good question. We're either putting Gabriel in a fat suit or there's so many people that are reaching out that are huge Daniel Johnston fans. Philip Seymour Hoffman and John C. Reilly for example, Johnny Depp's a big Daniel Johnston fan though we'd like him to play the older brother. But we haven't really arrived at that yet — we're just in the scripting process at the moment but once we get the script finished we'll be able to get a better handle on what the budget will be.


Nothing like dropping some big names to get attention, but I'd imagine he's right that a lot of actors would indeed be interested in the chance to take on the life a true American original.

And with that, I've got to go to the job that still somehow pays me, but I'll leave you with the trailer for the next Jennifer Aniston movie I'll be seeing (hint: It won't be "Bounty Hunter.") "The Switch," which I believe used to go by the much funnier name "The Baster," is a comedy starring Aniston and veryfunnyman Jason Bateman, and you can watch the trailer below Enjoy, and have a great weekend (and if you can, go see Roman Polanski's new flick, which I'll be doing Saturday afternoon.) Peace out.

Friday, November 27, 2009

My (and only my) best movies of the decade: The 2002 edition

With many movie years, you have to choose between quantity and quality, but that was certainly not the case in 2002.

There were so many good movies that year that it really is a shame to cut it down to just 10, but those were the rules I established. However, in a nod to just how many worthy selections there were, here's the honorable mention first:

Peter Greengrass' "Bloody Sunday," Christopher Nolan's "Insomnia," "Mostly Martha," Nicole Holofcener's "Lovely and Amazing," Hayao Miyazaki's "Spirited Away," "Jack-Ass: The Movie," Curtis Hansen's "8 Mile," Phillip Noyce's "Rabbit Proof Fence," Roman Polanski's "The Pianist" and Peter Jackson's "The Lord of the Rings: The Two Towers."

And when it comes to "Jack-Ass," yes, really, because that movie just makes me laugh from start to finish, and you really can't ask for more than that sometimes. And it really was a banner year for Noyce, who will make another appearance below. Here goes:

"Gosford Park"
Being Robert Altman's last movie should probably be enough by itself to earn a spot on this list, but "Gosford Park" has a whole lot more going for it than that. Proving he could take his talent for weaving together many storylines to just about anywhere, Altman and screenwriters Bob Balaban and Julian Fellowes turned this into not only a solid mystery but also captured the mannered intricacies of the upstairs/downstairs culture.

"Monsoon Wedding"
Does Mira Nair keep having to make movies about Indian subjects for them to be great? Not necessarily, but it certainly seems to help. Two other of her flicks that almost perfectly capture that state of being both Indian and a citizen of the world are "The Namesake" and "Mississippi Masala," but the titular wedding here, which draws guests and chaos from around the world, is her best work.

"Y Tu Mama Tambien"
The runner-up for best movie of 2002 in my book, and only because this year also contains what is my best movie of the decade (you'll have to keep reading to find out what it is, but a few may know already.) The first Alfonso Cuaron flick I managed to see ("Little Princess" is great too, but I didn't see that until it hit video) is a great Mexican road movie, a charmingly twisted coming-of-age tale and - in its own way - a statement on the corrupt nature of Mexican politics. And, for the ladies, of course, it introduced the world to Gael Garcia Bernal and Diego Luna. A sheer delight.

"Nine Queens"
I believe this great Fabian Bielinsky heist movie was actually first released in 2000, but it didn't make it to the US of A until 2002, so here it is. Bielinsky, by the way, is a first-rate director, but sadly died at only age 47 and after only helming two movies, this one and "El Aura," a nifty twist on the traditional film noir. Both are well worth an immediate rental.

"Sunshine State"
This was the last time I really thought John Sayles used his storytelling talent to its full strength, and coincidentally enough, it comes 10 years after what for me is still his best flick, "Passion Fish." It probably helps that I had visited my brother in South Florida and got a feel for the murky world Sayles delves into here, but he really got to the crooked heart of it nearly perfectly. (His last movie, by the way, "Honeydripper," was just a real flaming turd in my book, so here's hoping Mr. Sayles makes a return to top form soon.)

"24-Hour Party People"
Michael Winterbottom makes far too many movies for them all to be great - or even good - but not coincidentally the best two put Steve Coogan front and center, this and "A Cock and Bull Story" (which may very well make an appearance on the 2005 list.) Coogan's flair for blustering ego combined with the improbably true story of the rise and fall of Manchester's Factory Records told with a winking wit make this a real gem.

"Super Troopers"
Is, on any possible scale, Broken Lizard's "Super Troopers" better than the 10 or so movies that only made this year's honorable mention? Probably only mine, but the guys made just about the ultimate "comfort" movie with this just wacky enough look at what really happens in the lives of highway patrolmen. Though "Beerfest" was fairly funny, I don't think they'll ever be as good as they were with this one, but here's hoping "Slammin' Salmon" both gets a wide enough distribution that I get to see it and doesn't disappoint. (Amazingly, it looks like there may well be a "Super Troopers 2" in 2011 .. bring it on!)

"City of God"
OK, I probably shouldn't reveal this only three years into the decade, but this Fernando Meirelles flick is, for me, the best movie of the last 10 years. None better combines simply dynamic storytelling in the saga of two boys growing up in the violent slums of Rio de Janeiro with stunning visuals that will stay burned on your brain, especially in a street party scene that's as electric as it is harrowing. This movie spawned both a Brazilian TV series and a sequel of sorts, both titled "City of Men," which are both worth watching but don't quite capture the unique magic of Meirelles' masterpiece.

"The Quiet American"
Occasionally, remakes can work just right, as is the case with Phillip Noyce's update on the Graham Greene novel about Vietnam. Well, update isn't really the right word, because Noyce keeps it right in the same time and place and brings along Brendan Fraser as the titular yank and Michael Caine as a wizened British journalist to tell the tale of how love, politics and intrigue all collide with more style and certainly more steam than the 1958 original. And Mr. Noyce, a definite favorite around here, may very well make another appearance on the 2006 list for "Catch a Fire."

"Talk to Her"
Even when he goes completely over the top, I almost always find something redeeming in Pedro Almodovar's works, but he's at his best as with "Talk to Her" when he takes things a little more seriously without losing any of his unique view of the world. I suggested this one as a Macon Film Guild selection (though I'm sure they had it on their list already), and was pleasantly surprised to find out no one complained, even when one of the two men at the core of this story finds himself shrinking and exploring his comatose lover's body until, inevitably I suppose, he ends up inside her vagina. Almodovar just has a knack for writing great roles for women, as he appears to have done again this year for Penelope Cruz, so I'll leave you today with what I think is the latest trailer for his "Broken Embraces," which is slowly building buzz and should be a strong awards season dark horse. Enjoy, and have a great weekend. Peace out.

Saturday, April 04, 2009

Will Miyazaki's "Ponyo" ever hit U.S. theaters?

Actually, the most depressing news out there is that Jackie Earle Haley has signed on to play Freddie Krueger in Platinum Dunes' remake of "A Nightmare on Elm Street." Digest that for a second.

Now, on paper, Mr. Haley as Freddie isn't that much of a stretch. He certainly has the manic look down, but any news about what Michael Bay's Platinum Dunes company is up to just turns my stomach and makes it do flips.

Remaking fun movies like "Friday the 13th" and "Nightmare" aren't exactly bold artistic moves, but neither are they really high cinematic crimes. But the Platinum Dunes folks have no plans to stop there; they've got real classics in their sights too.

Further along is a "retelling" (the dirty little euphemism used to claim you're not making a "remake") of Hitchcock's "The Birds." I'm still hoping this will never happen, but assuming it does it will star Naomi Watts in Tippi Hedren's iconic role and have Martin Campbell of "Casino Royale" fame as its director.

Even more insidious but still in pre-infancy stage (if that's possible) is the company's plan to remake what remains my single favorite horror film, Roman Polanski's "Rosemary's Baby." If anyone out there has the power to stop all this madness, please do!

OK, enough of that. This was supposed to be all about Hayao Miyazaki, a subject which makes me much, much happier.

It seems that not only does his new film, "Ponyo on a Cliff by the Sea" (to be retitled simply "Ponyo") finally have a U.S. release date of Aug. 14 (more than a friggin' year after it debuted in Japan!), but it also has some kids in the lead voice roles that just might give it enough cache to even open in my little corner of the world.

Ensuring that Billy Ray Cyrus will apparently be able to live off the talents of his kids forever, it seems there's another little Cyrus running around, named Noah, and he has landed the titular role of the goldfish princess who just wants to be human. Just in case that's not enough Disney for you, it seems that yet another of those Jonas kids, someone named Frankie, will voice the role of Sosuke, the young boy who befriends Ponyo.

I really have no idea who any of those people are, but if that's what it takes to finally bring this to American movie theaters, bring it on. Among the adults involved in this are Cate Blanchett, Matt Damon, Tina Fey and Liam Neeson.

And in even better news that only impacts, well, me, I'm off to see "Adventureland" today at 2:15, and I'm fairly confident it's just going to rule. Peace out.

Wednesday, June 25, 2008

Will Quentin Tarantino ever really make another movie?

It appears he indeed might, but by the time he finally does, the more important question might be: Will anyone still care?

Well, despite his rather amazing ego, I think I still will. Though "Grindhouse" was a ton of fun, it was only his half, "Deathproof," that got my DVD bucks (though I would have gladly sprung for the whole bag if I could have), and I thought the second half of "Kill Bill," at least, was QT in nearly top form.

But what in the world has he been doing for the past couple of years or so? Well, the BBC has the answer, and it's apparently "Inglorious Bastards," his take on the World War II epic genre. There's only a script so far, but with the rate at which this guy works I guess we should at least be happy for that.

QT told the BBC it will be a "modern, in-your-face" World War II flick (if that doesn't make you cringe at least a little bit, think about it some more.) What it's more accurately been described as is his version of "The Dirty Dozen," which I actually think could work (if he ever really does get around to it.)

By the way, brace yourself for an onslaught of World War II flicks. I'm extremely confident that Spike Lee will come up with the best one with "Miracle at St. Anna," but sometime early next year we'll also finally (maybe!) get Bryan Singer's "Valkyrie."

And, if QT is still to be believed (and I obviously have my doubts), we might even have "Inglorious Bastards" in time for next year's Cannes Film Festival. Given his track record, I expect he'll show up with maybe half the movie done, but even for that I'd still have to say welcome back.

A "School of Rock 2"? Bring it on

This is only just slightly beyond a rumor (hence its appearance on Defamer), but I'm ready to embrace it and hope this actually happens.

Even after his falling out with the Apatow crew (and he had some legitimate points to make about "40-Year-Old Virgin"), Mike White might be just about the funniest guy on the planet, so every time I hear of him getting work it just makes me smile.

He's already apparently sold a script to Edgar Wright for something to be called "Them." Joining Wright's stable of solid spoofs (not to be confused with anything that has "Movie" in its title), this one focuses on a woman who's convinced that she's unearthed the true force that governs the Earth. In my mind, I'm already there.

But, in possibly even better news, White has also apparently also just finished a script for a "School of Rock 2." It hasn't gotten any farther than that, and I'm not sure if this is a good sign or not, but he told an L.A. Film Festival panel that finishing it made him cry:

"I actually just completed a draft of what's potentially the sequel, and I'm still, like, crying as I'm writing the script," he said. "I try to come at it from a personal place."

No matter how he managed to approach it, I'll definitely be there if this ever comes to fruition. "School of Rock" has found a home on my shelf with those silly little flicks (like "Office Space" and "Super Troopers") that are just the definition of cinematic comfort food.

Roman Polanski's next flick taking shape

Among the many victims of the Screen Actor Guild's strike, the most depressing just might have been Roman Polanski's "Pompeii," which could have made an intriguing thriller set against the eruption of Mt. Vesuvius. But now, thankfully, it seems he's finally hard at work on what would be his first feature film since 2005's "Oliver Twist," which I must confess I haven't seen.

The news now from MTV (a shockingly good source of movie info) is that Pierce Brosnan and Nicolas Cage have been cast in "The Ghost," Polanski's flick to be based on the Robert Harris novel about a ghostwriter who uncovers more than he planned on when he's hired to write the memoirs of a former British prime minister (Harris also wrote "Pompeii.")

Now, I can certainly buy Brosnan as the PM, but Cage will have some convincing to do to make me believe he's the writer. I'm not in the camp that just hates Cage across the board, but I'm always at least a bit wary. Even so, it's just good to hear that Roman's back at work on something that sounds this promising.

A secret Chris Carter movie?

Coming in the immediate wake of "The Dark Knight," I still think Chris Carter's second "X-Files" flick could be the sleeper hit of the summer when it opens on July 25 (I've seen that tag applied to the monster haul so far for "Sex and the City," but anyone who didn't expect that to be a huge hit simply doesn't understand the power of women.)

And, as he wrapped up "X-Files: I Want to Believe,"
the Hollywood Reporter reports, Carter was already secretly at work on another flick to be called "Fencewalker." All we know so far is that it stars "I Want to Believe" co-star and sometime rapper Xzibit along with "The Tudors" star Natalie Dormer, Katie Cassidy, Derek Magyar and Meckah Brooks. All's I know beyond that is that it will be "essentially a coming-of-age semiautobiographical character piece with no supernatural elements," so I'll just say cool and leave it that. Besides, when you've got Hayden Panettiere in tight leather, it's really time to just get to it!

Claire-Bear's all grown up!

Remember "Heroes"? To be honest, I'm having a little trouble doing so, partly because it's just been off the air for so long and partly because Vol. 2 was just so uneven. Even so, it ended on a high note, so I'm amped for the show's return when it finally comes this fall, especially (and to be as piggish as possible) if it means seeing Hayden Panettiere's Claire go from her cheerleader's outfit to this leather ensemble. And, in the interest of fair play for the ladies, I've included a shot of "Gilmore Girls" (not "Golden Girls" as I somehow managed to type before being thankfully corrected by an alert reader!) alum Milo Ventamiglia as Peter too from the great celebrity gossip site Gossip Girls, where you can see more of these shots. Enjoy, and have a perfectly bearable Wednesday. Peace out.