Showing posts with label Kate Winslet. Show all posts
Showing posts with label Kate Winslet. Show all posts

Friday, September 30, 2011

Baseball still on the brain, with Bennett Miller's next and more

It may be a slight exaggeration to say, as my friend Bob Connally did very well, that Wednesday night was "The Greatest Night of Sport You Will Ever See" except that for fans of certain baseball teams, it really was.

Even if you had no dogs in that fight, the final American League playoffs spot being decided in two dramatic games finishing three minutes apart showed just why baseball is not just America's pastime, but also its greatest sport, even if football is king for the moment.

And really, there's no better way to follow up that glorious night (especially for fans of one seriously cursed team from Charm City) than by going to see "Moneyball" if you missed it in week one, since it's the best baseball I've seen in many years, and one that thanks to Brad Pitt, Jonah Hill and just some whip-smart writing will appeal just as much to people who somehow don't understand the allure of baseball as it will to diehard fans.

There's a solid chance that, though personally I'll be giving my money to "50/50" with Joseph Gordon-Levitt and Seth Rogen, "Moneyball" could finish in the top slot in week two given the baseball buzz, and that would certainly be well-deserved.

And I tell you all that to tell you this: "Moneyball" director Bennett Miller has just signed Steve Carell to star in his next movie, which will tell one of the truly odd stories to come out of my old and now new again corner of the world, that of John du Pont.

That name may not mean anything to lots of people, but certainly the Du Pont chemical company does. John, the heir to its sizable fortune, was a rather serious amateur wrestling fan, to the extent that he built a training facility called Foxcatcher on his Pennsylvania estate that attracted many of the country's top wrestlers. Until, that is, Du Pont, a paranoid schizophrenic, shot and killed Olympic gold medal-winning wrestler David Schultz (Du Pont died last year in a Pennsylvania prison at age 72.)

Just as with "Moneyball" and baseball, this is clearly an intriguing tale even if you don't care at all about wrestling (as a never terribly good former high school wrestler, I do, and coincidentally, Thomas McCarthy's wrestling movie "Win Win" still stands as my favorite movie of 2011 so far - rent it now.)

I have to assume that Carell would be playing Du Pont, but there's no confirmation on that just yet ... stay tuned.

There's also news out there about two of my other favorite filmmakers, Ryan Fleck and Anna Boden, who also coincidentally enough happened to make another of my favorite baseball movies, 2008's "Sugar." After that they made "It's Kind of a Funny Story," which while more than a bit uneven, was exactly the kind of human story that I look for in small-scale movies, and either one is well worth a rental.

For their next movie, the duo will direct (and I assume, as with their past movies, write, too, but not certain of that yet) something described as a "character drama" and titled "Hate Mail." It will be about the interweaving stories of several New Yorkers who receive said types of deliveries, and while that doesn't sound like the most intriguing of premises, they haven't let me down yet, so I'm in.

And finally today, before I close with one video clip, think of all your dream candidates to play James Bond. Daniel Craig is indeed pretty good, and he should be great as Mikael Blomkvist in Fincher's take on "The Girl With the Dragon Tattoo," but just think how amazing it would be if the role were to go to Stringer Bell.

That's apparently an old rumor, but being a now fairly old dude, I heard it for the first time this week as Idris Elba was making the promotional circuit for season two of "Luther," which premiered on BBC America (and my DVR) this week. Far from simply the first "Black Bond," which Elba rightly dismissed the significance of in interviews, what he would instead be, as fans of "The Wire" know, is someone who would give the character even more of an edge than Craig did, and a welcome boost of new energy.

In the meantime, police procedurals don't get much better than "Luther," in which Elba plays the titular lead detective. Season one is available now streaming from Netflix, and it's well worth tracking down.

And I'll leave you today, before I go swimming, help my dad spread some gravel for a greenhouse and then go see "50/50," with this clip for Roman Polanski's "Carnage," definitely one of the movies I'm most looking forward to for this fall/winter. Having seen the play it's based on by Yasmina Reza, I can tell you that it's one seriously wicked war of words, and with the movie starring Jodie Foster, Kate Winslet, Christoph Waltz and John C. Reilly, it should be just as great. Enjoy this clip of Reilly describing his past experience in a "gang," and have a perfectly pleasant weekend. Peace out.

Saturday, August 20, 2011

Saturday morning funnies, with Louis CK, Ricky Gervais and Warwick Davis

Speaking of funny, for men (and women, of course) of a certain age like me, "Moonlighting," for the five seasons or so it ran on ABC, was pretty much the very definition of it for TV, so the return of Glenn Gordon Caron to the realm of private eyes can only be good news.

Among other things since "Moonlighting" went off the air in 1989, Caron has developed the series "Medium," but now he's getting back to something that should be more fun, a series based on real-life private investigator Pamela Slaton, who specializes in reuniting clients with long-lost loved ones.

So, not quite the same thing, but I'm still betting on something worth watching coming from all this.

And comedy of a very different - and much darker - sort will surely come with Roman Polanski's "Carnage," and will hopefully even come to my little corner of the world when this opens Dec. 16. Having seen Yazmine Reza's great play, on which this is based, in Minneapolis, I can tell you that it is indeed savagely funny, and with Jodie Foster, John C. Reilly, Kate Winslet and Christoph Waltz all starring in the movie, it should be a real treat. Here is the first trailer I know of for it:



Next up today comes the first teaser trailer I've come across for "American Horror Story," the new series that "Glee" and "Nip/Tuck" creator Ryan Murphy has developed for FX. Delivering solidly on its "Snakes on a Plane"-style title, the show is indeed about an American family that moves into a house that is rather haunted. The fairly phenomenal cast features definite Reel Fanatic fave Connie Britton, Dylan McDermott, Francis Conroy and even, oddly enough, Jessica Lange. Keep an eye out for the show on Oct. 5, and enjoy the trailer.



OK, now on the promised Saturday morning funnies, starring for my money two of the funniest people in the world. In fact, though I'd still put Bill Murray No. 1, with what he's doing on his "Louie" sitcom of sorts, also on FX, Louis CK has vaulted into the second slot for me. If you've never seen it, you're really missing out. Granted, his humor isn't for everyone, since, as you'll see from this clip in which Conan O'Brien wisely just lets him riff, he's the kind of person who, like me, finds children auditioning for "Shindler's List" or (as in the clip he shows from "Louie") dressing up in black face to be very funny. Enjoy the interview.



And finally today, there are very few things I enjoy watching more than Ricky Gervais and the Muppets, so why not combine the two for some sadistic humor? Gervais' humor is indeed more than a bit mean, and his latest foil, Warwick Davis, is clearly in for some punishment on their mockumentary series "Life's Too Short," which will hopefully be coming to HBO sometime soon. To say any more would spoil this, so just enjoy it, and have a great rest of the weekend. And anyone considering seeing the "Fright Night" remake, know that it was written by "Buffy the Vampire Slayer" vet Marti Noxon, and while never close to as funny as that, it's much better than the average horror movie remake. Not a ringing endorsement, I know, but it's at least worth a Saturday afternoon matinee. Peace out.

Sunday, July 31, 2011

Roman Polanski and the art of the extremely uncomfortable



OK, I'm more than a little slow. I knew Roman Polanski's next movie was titled "Carnage," and I've seen the Tony award-winning play by Yazmina Reza "Gods of Carnage" while on vacation with my family in Minneapolis, but not until now did I manage to put the two together.

In my defense, why in the world do they have to keep shortening movie titles to as few characters as possible? Martin Scorsese, of all people, found the title of one of my favorite books, "The Invention of Hugo Cabret," so odious that he had to cut it all the way down to simply "Hugo" for his Thanksgiving offering. But was "Gods of Carnage" really so long that people couldn't digest it on a poster? Sheesh.

But I already digress. Polanski's "Carnage" has been chosen to open the New York Film Festival on Sept. 30, and for many reasons, the play is just a perfect fit for his style of filmmaking.

First, a bit about what the movie and play are about, and who's starring in the flick. Reza's play (and hopefully Polanski's movie) takes place entirely in one New York City apartment, where two groups of parents are gathered after one child has acted out violently to the other one. I'm just guessing from the photo above here, but I have to think John C. Reilly and Jodie Foster play the parents of the wronged child, and Kate Winslet and Christoph Waltz the other couple. Take a second to digest all that star power in one small room.

The setting is key, because in that tight space, the often scathing words aren't just weapons, they're WMD's, and the "Carnage" is immediate and brutal. And, thankfully, Reza's whip-smart play is also devastatingly funny, as when the character to be played by Reilly (again, I assume) explains how he used to be in a "gang" when he was a kid. It's not a comedy of manners, but of pretty much the complete lack thereof, my favorite kind.

In relation to the best of Polanski's movies, it fits in perfectly. The most direct correlation is to "Death and the Maiden," in which Sigourney Weaver traps and torments Ben Kingsley in Polanksi's take on the Ariel Dorfman play. In that and his most recent flick, the political thriller "Ghost Writer" (well worth an immediate rental if you haven't seen it), among others, the tension is not just kept high, but ramped up to the point of suffocation throughout, giving his best movies a very claustrophobic feel.

And that, in short, is why Roman Polanski's "Carnage" is definitely a movie to keep an eye out for when it opens hopefully wide enough to reach even my little corner of the world on Nov. 18. And I'll leave you today with, courtesy of collider, eight or so short clips from another movie I'm certainly looking forward to, "The Help," the movie based on Kathyrn Stockett's insanely popular novel and starring Emma Stone and Viola Davis, set to come out as some relief from the usual August slog on the 10th. Enjoy, and have a great Sunday. Peace out.

Thursday, July 14, 2011

Quick hits: The funniest thing I've seen today, and then the creepiest, too

I really have nothing at all against Adam Sandler. The man's clearly having a lot of fun, and his movies entertain many, many people who aren't me, so bully.

That said, I couldn't even have brought myself to watch the trailer for his next movie, "Jack and Jill" (he plays both parts, natch) unless some clever soul hadn't managed to splice it together with this clip of George C. Scott from the 1979 movie "Hardcore." This treatment is sure to be given to tons of trailers after this, but this is the first time I've seen it, and it's a hoot. Enjoy, and if "Jack and Jill" is your kind of thing, keep an eye out for the movie Nov. 11.



And secondly today, I just find Steven Soderbergh one of the most maddening of directors. He's clearly a very talented man, and has made some movie I adore ("Out of Sight" and "The Limey" are just a couple that come to mind), but the cool detachment that proved so fitting for those flicks doomed other to be simply unwatchable (if, like me, you sat through all five hours or so of his "Che" movie, which I conned mi hermano into doing with me, you have my condolences.)

You do have to give him credit, however, for trying all kinds of things, and next up will be the rather epic horror movie with a very self-explanatory title: "Contagion." And the trailer for this outbreak flick coming out Sept. 9 is indeed thoroughly creepy, at least to me. As you'll see below, the rather star-stocked flick stars Matt Damon, Gwyneth Paltrow, Kate Winslet, Laurence Fishburne, Jude Law, Bryan Cranston and even Reel Fanatic fave John Hawkes, too. Enjoy the trailer, and have a great weekend. For me, it will mean seeing both "Harry Potter and the Deathly Hallows: Part 2" and probably "Winnie the Pooh," too. Peace out.

Friday, March 25, 2011

What the #$%&@ does F/X have to do to have a successful show?


What in the world does F/X have to do get people to watch its shows? In the past year, the network has aired easily the two best new shows in my book, "Terriers" (R.I.P) and "Lights Out," and in each case they've been rewarded with one-season wonders.

Not that that's all that odd, or even surprising. Many of the best TV shows of the last 15 years or so, "Freaks and Geeks" and "Firefly" in particular, have failed to catch on with enough people to please the bean-counters. That doesn't, however, make it any less maddening.

In the case of "Terriers," I could at least understand it. That show was a true oddity, a P.I. comedy-drama of sorts that ambled at its own pace and just had a skewed sense of humor that was never going to be everyone's viewing choice. But with "Lights Out," which officially got its cancellation order last night, I just don't get it.

Not only is it easily one of TV's best dramas on the air right now, but what else has even been on until this week or so with new episodes at all? I was hooked on the show from the start because I'm just a sucker for good boxing stories, and this was certainly one. Starting out with the tale of a former champ trying to make an unlikely (mi hermano says impossibly unrealistic given the age of star Holt McCallany) comeback against the fighter who knocked him out five years earlier, the show added to that a seedy family saga that somehow manages to make even the real world of boxing seem honest and upright by comparison.

And it contained the two best short-run performances I've seen on TV dramas in the past year. First up came Eamonn Walker (who it took me a long time to remember played Howling Wolf in the truly great little flick "Cadillac Records"), who completely took over two episodes as the mystic trainer Ed Romeo. And just this week, the always-welcome David Morse took a tragic turn as a truly punch-drunk former champ.

I don't think "Lights Out" will have the cult following of the one-season wonders mentioned earlier, but I'll certainly miss it, and will buy it when it comes to DVD. Looking at the numbers, however, it's really hard to get too mad at all at F/X. Here, courtesy of AICN, are the numbers for Tuesday nights from Jan. 11-March 22 (this week):

3.8 (2.2) (2.3) (3.8) (4.4) (3.6) (4.2) (4.6) (2.3) (4.1) (4.5) NCIS
3.2 (2.2) (2.6) (3.2) (3.9) (3.3) (3.5) (3.8) (---) (3.3) (3.7) NCIS LA
3.0 (2.7) (2.9) (2.4) (2.7) (2.7) (3.0) (3.3) (3.2) (2.9) (3.2) Biggest Loser
2.5 (2.5) (2.0) (1.9) (2.2) (2.1) (1.8) (2.1) (2.3) (2.1) (1.9) Teen Mom
2.1 (1.2) (1.3) (2.2) (2.0) (2.0) (2.2) (2.2) (---) (2.1) (2.3) Good Wife
2.0 (4.2) (4.6) (---) (4.4) (4.2) (4.6)(11.1) (1.5) (1.5) (1.7) Glee
1.8 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) Best In Film
1.7 (1.7) (2.2) (1.8) (1.9) (2.4) (2.2) (2.4) (2.3) (2.8) (3.6) The Game
1.5 (0.9) (1.0) (1.2) (1.4) (1.5) (1.5) (1.1) (1.1) (1.8) (1.5) No Ordinary Family
1.4 (2.2) (2.7) (3.3) (2.4) (2.2) (2.7) (---) (---) (---) (---) Raising Hope
1.4 (---) (1.5) (1.1) (1.2) (1.0) (2.2) (---) (1.3) (1.6) (---) Let’s Stay Together
1.0 (---) (1.2) (1.9) (2.1) (1.9) (1.9) (2.2) (---) (2.1) (2.2) Parenthood
1.0 (1.5) (1.5) (---) (1.6) (1.4) (1.9) (---) (---) (---) (---) Traffic Light
1.0 (0.8) (1.0) (---) (0.8) (---) (1.0) (---) (---) (---) (---) Top Shot
1.0 (---) (0.8) (0.7) (0.8) (1.0) (0.9) (0.8) (0.8) (0.9) (1.1) Hardcore Pawn
0.9 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) NBA Basketball
0.6 (0.5) (0.7) (0.6) (0.6) (---) (---) (---) (---) (---) (---) Real Housewives Miami
0.5 (0.4) (0.5) (---) (---) (---) (---) (---) (---) (---) (---) Million Dollar Listing
0.3 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) Destination Truth
0.3 (0.2) (0.5) (0.6) (0.6) (0.7) (0.7) (0.8) (0.9) (0.3) (0.4) Hellcats
0.3 (0.3) (0.4) (0.4) (0.3) (0.3) (0.4) (0.4) (0.4) (0.4) (0.6) Lights Out
0.3 (---) (---) (---) (---) (---) (---) (---) (---) (---) (---) Marcel’s Quantum Kitchen
0.3 (0.3) (0.4) (0.7) (0.9) (0.8) (0.7) (1.2) (0.9) (---) (0.4) One Tree Hill

Yes, you really did have to dig pretty far to find "Lights Out," and by the way, what in the heck is "Marcel's Quantum Kitchen"? So, R.I.P., "Lights Out," and if you like the show as much as I did and do, tune in for the final two episodes to see if Lights finally gets his rematch with Death Row.

OK, enough of that depressing stuff. Starting this Sunday (of course) for you folks like me who get HBO is "Mildred Pierce," and you can certainly count me as psyched for it. A five-part miniseries based on the novel by James M. Cain and directed by Todd Haynes, it stars one Kate Winslet in the titular role. The story, already made into a 1945 movie I haven't seen, is about a working mother who separates from her cheating husband during the Great Depression (0r at least, the first one) and tries to keep her family together as she eventually goes on to open three restaurants and a pie-selling business. It's most certainly a whole lot more epic and just better than I'm making it sound here. Keep an eye out for Guy Pearce as Mildred's wealthy playboy lover Monty Beragon, and enjoy these two clips to whet your appetite, the first an episode one preview and the second a 30-minute making-of special. As for me, I'm off to work and then to see Zack Snyder's "Sucker Punch" this weekend, and frankly hoping it doesn't just make my eyeballs melt. Peace out.



Wednesday, October 20, 2010

A cool Wednesday cache of clips

Before we get in to that, however, there are some bits of good news out there this morning, and it all starts with "Chuck."

With the still fairly great spy comedy premiering in the fall this year, I just assumed that a full fourth season had already been booked, but silly me. It apparently had to earn that right, and NBC has just announced that that will indeed happen (along with, unfortunately, a full season of "Outsourced" - who the hell watches this crap? And if this means something bad for the return of "Parks and Recreation," well, I of course won't be able to do anything about that, but I will be rather friggin pissed about it.)

As for "Chuck," this season had gotten off to a bit of a rough start in my book, with the show really unsure how to deal with Chuck and Sarah as a couple, but Monday's episode with Casey's "funeral" was a real winner, so here's hoping the show is back on track for its full 22-season run.

In movie news, if you didn't see Roman Polanski's "The Ghost Writer," I highly recommend a rental. It was a whipsmart political thriller until the ending is wrapped up way too neatly, and any movie that has that much Ms. Cross - a.k.a. Olivia Williams - definitely can't be all bad.

And now comes word that he's assembled a first-rate cast for his next directing project, "God of Carnage." John C. Reilly, Jodie Foster, Christoph Waltz and Kate Winslet will play the leads in the movie based on the Tony award-winning play by Yasmina Reza, about two sets of parents who meet after their kids brawl in the schoolyard, and they get along worse than the kids did.

Reilly will play Michael, the role originated onstage by James Gandolfini, and Foster plays his wife, so by force I would have to assume Waltz and Winslet (what a pair) play the other couple. Filming for this begins in January in Paris, so definitely keep your eyes on it.

And finally, before we dive into the clips today, it seems that Ben Affleck may be closing in on his directorial followup to "The Town."

Speaking of that flick, I know I'm in the minority, but the more time and space I get removed from it, the more it just leaves me cold. Sure, an expertly directed crime thriller with a great cast in top gear, but the story was just so familiar to the point of being tired.

But I digress a bit. Despite my unheard reservations about "The Town," Affleck found himself more than a bit of a hot property after its release, being courted for and turning down the next "Superman" flick (which went to Zack Snyder) and a movie called "Tales from the Gangster Squad," about the police force who cracked down on Jewish mobsters in 1940s Hollywood.

Now, however, he seems to be circling something that he's actually interested in, and thankfully it would pull him out of his Boston crime rut. Warner Bros. wants him to direct a movie based on the Ken Grimwood novel "Replay," about a 45-year-old man who has a fatal heart attack while trying to prevent the murder of a jogger in New York's Central Park. Instead of dying, however, he is stuck in a "replay" of his life beginning at age 18 in Brooklyn. With his knowledge of the future, he changes his life and builds a financial empire, only to die again at age 45. The "replay" continues, however, as he and the murdered jogger fall in love and struggle to break the cycle of their repeating lives.

Despite the rather "Groundhog Day" nature of its premise, that actually sounds pretty intriguing, and despite my reservations about "The Town," Affleck is a genuinely great director in the making, so stay tuned for more on this as soon as I find it.

OK, getting into the clips today, where in the world else would you start than with the teaser trailer for what could quite possibly be the funniest movie of 2011, Greg Mottola's "Paul." As you'll see from the trailer, it stars dynamic duo Simon Pegg and Nick Frost as two geeks on their way to Comic-Con in a Winnebago when they - naturally - encounter the titular extraterrestrial, voiced by Seth Rogen. With "The Daytrippers," "Superbad" and "Adventureland" under his belt, Mottola has yet to direct a movie I didn't like quite a bit, so enjoy the trailer, and definitely keep an eye out for this to come out March 18.



It seems like forever since Alejandro Gonzales Inarritu last directed a movie, and it has indeed been four years since "Babel," which I loved almost unconditionally, though I know many people who didn't. Soon to come out will be his new flick, "Biutiful," starring one Javier Bardem. Here's the synopsis, courtesy of The Playlist:

Biutiful is a love story between a father and his children. This is the journey of Uxbal, a conflicted man who struggles to reconcile fatherhood, love, spirituality, crime, guilt and mortality amidst the dangerous underworld of modern Barcelona. His livelihood is earned out of bounds, his sacrifices for his children know no bounds. Like life itself, this is a circular tale that ends where it begins. As fate encircles him and thresholds are crossed, a dim, redemptive road brightens, illuminating the inheritances bestowed from father to child, and the paternal guiding hand that navigates life's corridors, whether bright, bad - or biutiful.

Rather heady stuff that. Enjoy this, the first full trailer I know of, and keep an eye out for this in surely limited release starting Dec. 29.


Biutiful Trailer
Uploaded by ThePlaylist. - Check out other Film & TV videos.

The first trailer for David O. Russell's "The Fighter" really didn't seem to promise much more than an average sports underdog flick starring Mark Wahlberg, but Sunday's fuller look that came with the finale of "Mad Men" (I miss it already!), had a lot more of Amy Adams and Christian Bale in it, and just made it look like a much more intriguing flick. Here's a look, and keep an eye out for the movie itself Dec. 10.



So, what can fill the Sunday void left by "Mad Men"? Well, nothing really, but "Sherlock," coming to PBS' Masterpiece Theatre (or whatever the heck its called now) for three installments beginning this Sunday, should at least be small solace, and I'll definitely be tuning in. As you'll see from the promo below, someone named Benedict Cumberbatch (yes, really) plays Sherlock himself, and the great Martin Freeman (of the UK "Office" fame and apparently the new Bilbo Baggins in Peter Jackson's "The Hobbit") plays Watson. Enjoy the clip, definitely tune in for this, and have a perfectly passable Wednesday. Peace out.

Tuesday, February 09, 2010

Tuesday tidbits, a visit from Wallace & Gromit, and why today should be a national holiday

Actually, let's start with the latter, because this is indeed a day so glorious that I should get the day off: After tonight, Jay Leno will no longer be polluting the airwaves at an hour when I'm still awake.

I suppose it's rude to kick a man when he's down, but what he and NBC tried to do to prime time was so atrocious, there's really nothing else to do but celebrate its demise. And though I realize he comes out of it as kind of a winner, since he gets to return to the wounded and almost dead duck that is "The Tonight Show," at least it will be at an hour by which I'm almost always fast asleep.

And though Time magazine actually hailed him as "the future of television" on a serious cover (and I have yet to see any apology for that), this Entertainment Weekly cover sums up the situation much more accurately (and is much, much funnier too), so I'll just let that speak for itself. Enjoy, and even though you surely have to work today, take some solace from the fact that today is V-JL Day (Victory over Jay Leno, of course, and I can take credit for that bit of silliness.)

And what I have after that today is news about three directors I like to varying degrees, in order of just how much I like them, and two videos, one the promised "Wallace & Gromit" bit and the other some madness about Colin Farrell and a mermaid (yes, really.)

First up is Thom McCarthy, who is easily one of my favorite directors working today. He's also an actor, and you may recognize him from his work on "The Wire" and various movies (including somehow, if I'm not mistaken, "2012"!)

As for the movies he's directed himself, there are two that I know of, and I love them both. "The Station Agent" is a sublime little movie, but even better is "The Visitor," easily one of my favorite movies of 2007 and featuring a well-deserved, Oscar-nominated turn by Richard Jenkins (who will somehow now be appearing in the thoroughly unnecessary American remake of "Let the Right One In" - Ack!) If you've never seen this one, I highly recommend it, because you'll find few better stories about immigration in America and the human face of it we so often strive to simply ignore.

And now it seems McCarthy is amping up to direct again, though this time with something completely different and much lighter.

In a tale apparently drawn directly from his own experiences, and in what sounds slightly like a white version of "The Blind Side," McCarthy is now working on a "light-hearted comedy" called "Win Win," which will be "about how a rough-and-tumble runaway changes the lives of a suburban New Jersey family and turns around the luck of a high school wrestling team," according to the always reliable The Playlist. The runaway wasn't McCarthy, but instead one of his childhood friends.

That certainly sounds like it has the potential for mawkishness, but I have full faith in McCarthy, and as someone who at least tried to wrestle in high school, the subject itself intrigues me. Paul Giamatti is apparently on board, presumably as the wrestling coach (perfect), and he and McCarthy are now out scouting unknown actors for the lead role, with an early March start to filming in New York and New Jersey. I can't imagine too many aspiring high school wrestlers read this, but if so, now is your big shot, I guess.

When I saw this next bit about the return of Peter Bogdanovich, I had to visit the IMDB to see when he had last a) made a feature film and b) made one that I've seen. The answers are: a) in 2001, which something called "Cat's Meow" and b) in 1973 and '74 with, respectively, "Paper Moon" and "Daisy Miller."

Even so, when you add to those "The Last Picture Show" and the perfectly silly "Targets," I think you can certainly list Bogdanovich as a great American director, so news of his potential return to the big screen is worth noting.

According to Variety, he's writing and directing an adaption of Kurt Andersen's novel "Turn of the Century," which I can't say I've read. Set in February 2000, it apparently focuses on a Manhattan power couple and their three private school kids. As details go, that sounds pretty far from exciting, but I'm betting Bogdanovich will turn this into something worth watching when filming starts in New York in spring 2011 (though with actual filming that far away, I suppose I should say "if" it starts.)

And finally, in something that's coming together very quickly, it seems that Steven Soderbergh is moving forward with "Contagion," a deadly virus outbreak thriller which is already somehow set to star Matt Damon, Kate Winslet, Jude Law and Marion Cotillard, even though so far at least there is no studio attached.

When Soderbergh is genuinely engaged and having fun, I do too, which was certainly the case with "The Informant" this year. And if I can digress just a bit, I didn't see "Invictus," but no matter how good Damon may have been in that, there's no way he shouldn't have been nominated instead for his amazing role in "The Informant" at this year's Oscars instead.

Here's hoping "Contagion" turns into a fun ride rather than the star-studded disaster it certainly could very easily become.

OK, it's probably time to start wrapping this up, but there's also a bit of very good casting news out there too. Danny Boyle's next movie, "127 Hours," is already set to star James Franco as Aron Ralston, a mountaineer who was forced to amputate his own arm in order to escape entrapment under a fallen boulder. And now it seems that Amber Tamblyn, who presumably can no longer talk directly with God, has joined the flick as his girlfriend, with the relationship apparently played out in a series of flashbacks in his mind.

I'm not sure how far along this is, but I love me some Danny Boyle, so this is one certainly worth keeping your eyes on.

And now, for the real ending, does anyone remember "The Secret of Roan Inish"? I love that John Sayles movie about selkies, mysterious Irish creatures of myth that can turn from seals into humans. Well, it seems Neil Jordan did too, and now he's made "Ondine," which stars Colin Farrell as an alcoholic Irish fisherman whose life is turned around when he encounters what he thinks is a mermaid (the simply stunningly beautiful Alicja Bachleda, his actual wife.) What will hopefully be a magical fairy tale of sorts has been picked up by Magnolia Pictures, and with Farrell in it, I suppose it might even play wide enough to reach my little corner of the world when it drops June 4 in the U.S. Enjoy the trailer.




And finally, as promised at the outset, there is indeed a visit from Wallace & Gromit today, thanks to a heads up from my fellow cubicle slave Randy Waters. Nick Park is nominated for an Oscar this year in the short film category for "Wallace & Gromit in A Matter of Loaf and Death," and I'm certainly rooting for him. But here today, all we get is a little snippet of the duo in action, with poor Gromit of course subjected to another of Wallace's disastrous inventions, the "Turbo Diner." Enjoy, and have a perfectly passable Tuesday. Peace out.

Tuesday, December 01, 2009

My (and only my) best movies of the decade: The 2004 edition

Before I get into any kudos for movies that came out five years ago, the first (I believe) salvo in this awards season has been fired, and it has landed majorly in Kathyrn Bigelow's corner.

Her "The Hurt Locker" was the big winner at the Gotham Independent Film Awards, taking home the Best Picture award and, even more appropriately, the Best Ensemble award. I can certainly support that, because there's only one movie I've liked more than "The Hurt Locker" this year - Quentin Tarantino's "Inglourious Basterds" - and Jeremy Renner and Anthony Mackie did indeed lead an excellent cast in this flick that looks at war through the eyes of bomb squad soldiers.

But back to the game. 2004 was a good year for quirk, which I indeed like most of the time, but as you'll find out, also the first year of the oughts in which two of the year's box office champs made the final cut.

First off, the runners-up are: "The Ladykillers", "Hellboy", "Coffee and Cigarettes", "Garden State", "Harold and Kumar Go to White Castle" and "The Spongebob Squarepants Movie" (and yes really on the last two, but I really like to laugh.)

OK, here goes with the big 10, and as usual, please feel free to add any you think I may have snubbed.

"Eternal Sunshine of the Spotless Mind"
Going in, this mindbendingly sweet romance from the skewed minds of Michel Gondry and Charlie Kaufman was certainly the favorite for movie of the year, but as you'll find out shortly it was edged out by a director who still has - rather sadly - only managed to make very few movies. Still the only movie in which Jim Carrey is entirely enjoyable - in large part because of how well he plays off of Kate Winslet - this flick tackles big questions about love, life and memory with out a whiff of seriousness, but instead the dreamy feel that envelops Gondry's best flicks. (And yes, Kirsten Dunst dancing around in her underwear certainly is a delight.)

"The Agronomist"
Though Jonathan Demme has made many great fictional movies, his documentaries stand up just as strong, and one of the best is this flick about the late Haitian journalist and human rights activist Jean Dominique. Through interviews with Dominique and the people who loved him, you get a thorough portrait of the man that just gets more insightful but also depressing as it leads up to Dominique's assassination.

"Napoleon Dynamite"
You either love it or hate it, I guess, and I'm certainly in the former category. I even stuck with Jared Hess through "Nacho Libre," which though far from anything approaching a great movie, was still almost as sublimely silly as "Napoleon Dynamite." I seriously doubt that Jon Heder will ever get a good part again, but he was just hilarious as Napoleon, and you can still quote this movie to me when I'm having a really bad day and get a smile every time.

"Spider-Man 2"
When Sam Raimi has fun, as he surely did in 2009 with "Drag Me to Hell," the audience does too, as I certainly did with this, still my favorite superhero movie of all time. Though the first "Spider-Man" was a good enough flick (with some of the cheesiest CGI ever), the second installment is better in every way: The Peter Parker/Mary Jane (yes, Kirsten Dunst again) romance is truly heartbreaking, the bad guy (Alfred Molina's Doc Ock) is a superbly complex villain, and it was just the best blockbuster of 2004.

"Maria Full of Grace"
This little gem from director Joshua Marston is indeed my favorite movie from 2004, and it would stand up well in any year since. Catalina Sandino Moreno (who really should be a very big star by now) is just thoroughly charming as a pregnant Colombian teenager who - out of complete desperation - becomes a drug mule running cocaine to the U.S. in her stomach. The movie manages to put a human face on the drug trade and just gets better as we see Maria finally start to work her way out of it, and Moreno was absolutely hosed in not winning the Best Actress Oscar she was nominated for.

"Shaun of the Dead"
Every thing I've seen about Edgar Reitman's next flick - "Scott Pilgrim" - just hints that it's going to be epicly good, but I certainly miss the days that he, Simon Pegg and Nick Frost made an unholy trio. This, their best flick, is a first-rate mix of humor and horror, and though "Zombieland" was a solid entry this year, it lacked both Pegg - who made the perfect antihero - and the blackest humor that made "Shaun" work so well. And that scene at the pub is still just wickedly funny.

"Infernal Affairs"
The source material for Martin Scorsese's Best Picture breakthrough is actually superior to his remake in almost every way. The original flick from directors Wei-keing Lau and Alan Mak keeps the intensity up much better than Scorsese did (though I like me some "The Departed" too), and the lives of our two heroes, a police officer who has infiltrated the Triads and a Triad mole who has infiltrated the police force, intertwine in more interesting ways. Rent this one immediately if you haven't seen it.

"Sideways"
I almost put "Garden State" in this spot instead, but Alexander Payne's flick (the last one he managed to make before moving on to HBO's show about the guy with the humongous unit) makes for an engaging road movie through the California wine country and just features first-rate performances from Paul Giamatti and Virginia Madsen. I still like this one as much as I just detest Payne's previous flick, "About Schmidt."

"The Incredibles"
My second-best Pixar flick ("Ratatouille" will always be the king in my corner of the world) had a much more innovative story than most animated offerings for kids as it looked at what happens when the world turns against superheros, and just about the best message (don't be afraid to let your talents shine) you could possibly give to a kid. There is, however, one animated movie from director Brad Bird that's better, "The Iron Giant."

"Hotel Rwanda"
Don Cheadle was just as screwed as Moreno in the Oscar voting for this year, because he told more with simple facial expressions in Terry George's movie about the Rwandan genocide than most actors do with longwinded speeches. The story about how a hotel manager saved thousand of Tutsi refugees from almost certain slaughter also introduced the world (or at least me) to Sophie Okonedo, who almost manages to steal Cheadle's show here and was the star of a flick I just saw at the Rehoboth Beach Independent Film Festival, "Skin," about the racial complexities of South Africa (too heavy-handed for my tastes, but she's great in it and it was an audience favorite, so check it out on DVD soon.) George also directed my favorite of the '90s IRA movies, "Some Mother's Son."

So, there you have it. Please feel free to add any of your 2004 favorites, and to check back tomorrow for a look at 2005, the year I actually started writing all this mess. Peace out.

Wednesday, January 21, 2009

Oscars predictions? Why not?

"George Bush is NOT the president ... we're alive! ... we actually made it!"
- Chris Rock

I certainly couldn't put it any better myself, so I'll just move on to something much, much more trivial. Along with the Oscar nominations coming tomorrow morning, there's evidence (though I can't yet call it proof) that Joss Whedon's horror movie might actually get made.

So, what is it? Well, it's called "Cabin in the Woods," and it was written (note, written, not will be written by Whedon and "Buffy the Vampire Slayer"/"Angel" veteran Drew Goddard, who penned my most surprisingly entertaining movie of 2008, "Cloverfield" (please note, that designation is far from best, as we'll get into soon; I simply mean the premise sounded simply awful but the flick is pretty darn good.)

And, not only will "Cabin in the Woods" most likely get made, it's even luring some quality inhabitants. Bradley Whitford, star of "The West Wing" and, unfortunately, "Studio 60 on the Sunset Strip," and even better, "The Visitor" and "Six Feet Under" star Richard Jenkins are on board for the project.

As for what it's about, details are scant, but Whedon did tell Variety that Whitford and Jenkins will play two white collar workers who visit the cabin, where I can only assume not terribly pleasant things will happen. Stay tuned to this.

Now, however, on to the main order of the day. The big question is: Will "The Dark Knight" get a nomination for Best Picture? I'll tackle that and the four acting categories (I simply don't have time to do the 10 categories that will be announced at 8:30 EST Thursday morning.)

I thought about just waiting until just before these are announced tomorrow or just saying "Who cares about the Oscars?" and moving on, but I still care about them, so here goes:

Best actress:

If I were a betting man, I'd say the nominees will be:
Cate Blanchett: Easily the best thing about "The Curious Case of Benjamin Button," even though that makeup they put on Brad Pitt was pretty cool too. This one's a lock.
Kate Winslet: Well, her name rhymes with weight, and she won two Golden Globes, so just pencil her in here for "Revolutionary Road," which is somehow finally playing in my little corner of the world this week.
Meryl Streep: I read an interview with Philip Seymour Hoffman in which he said Streep approaches acting like it's hand-to-hand combat, and you can certainly see that in "Doubt." I had no desire to see this one, but it's surprisingly good, and she is great in it.
Sally Hawkins The other Golden Globe-winning actress has the honor(?) of playing easily the most annoying role of the year in Mike Leigh's "Happy-Go-Lucky," and doing so with style. My pick for the deserved winner.
Anne Hathaway: I have yet to see "Rachel Getting Married," but my parents went into it expecting more of a comedy after hearing an interview with director Jonathan Demme on Fresh Air and were of course surprised by what they found. My pick for the actual winner.
Biggest snub: Hiam Abbass certainly deserves recognition for her performance as a mother trying to get her son out of prison in "The Visitor," but I can't really see it happening.

Best actor:

Mickey Rourke: I was hoping that Oscar nom week would bring - shocking idea - a movie about professional wrestling to the American South, but apparently not in my little corner of the world (but we do, thankfully, finally get "Frost/Nixon.") If you get to see this, you'll see what I think is the performance of the year because I simply couldn't see anyone else playing the role of Darren Aronofsky's wounded warrior in "The Wrestler." My pick for the deserved winner.
Sean Penn: Though Rourke took home the Golden Globe, I can't imagine Oscar voters in the end won't give their vote to Penn for his portrayal of Harvey Milk, and why not? Penn finds all the quirks of Milk's personality that made him such an odd choice for a civil rights pioneer, and delivers a remarkable performance.
Frank Langella: I'll be seeing "Frost/Nixon" finally Saturday afternoon, and I expect to see a commandingly creepy turn by Langella as Richard Nixon. 'Nuff said.
Richard Jenkins: Seeing Thomas McCarthy's "The Visitor" get any recognition at all would be great, and this is easily its best shot. Jenkins is a joy to watch as he slowly lets his Walter Vale re-engage with the world.
Brad Pitt: The weak link in this chain by far. He was certainly a marvel to watch as the young boy trapped in the body of an old man, but the more and more he just looked like a slightly confused Brad Pitt, the less engaged I became with "The Curious Case of Benjamin Button."
Biggest snub: If I had a vote, I'd give it to Jeffrey Wright for his sly and fierce turn as Muddy Waters in director Darnell Martin's "Cadillac Records," but I can't see that happening unless a lot of people look at their ballots just before submitting them and say, "geez, where are the black folks?"

Best supporting Actress:

Penelope Cruz: My pick for runner-up, Cruz is just manically funny and more than a little terrifying in Woody Allen's "Vicky Cristina Barcelona."
Viola Davis: My vote for the actual winner and should-be winner coincide here. No one took over a movie better than Ms. Davis did for the 10 minutes or so she was in "Doubt," and that's the definition of a supporting role. Simply stunning.
Amy Adams: Actually, what I want to see Amy Adams in is "Sunshine Cleaning," for which I've seen the trailer at least three times now. In "Doubt," she plays the young nun caught in the middle between Streep's accuser and Hoffman's accused, and just keeps us in the titular "Doubt" throughout the movie.
Marisa Tomei: If it weren't for Ms. Davis, I'd predict Tomei would be taking home her second Oscar this year for her performance as the not-yet-beaten-down dancer who befriends "The Wrestler."
Taraji P. Henson: Judging from all the trailers and some movies I've seen, Henson is turning into the "It" woman (not girl, of course) for black directors, with roles in Tyler Perry's "The Family that Preys" and the Tyler Perry rip-off "Not Easily Broken," directed by Bill Duke. She'll be nominated here for being one of the bright spots in "The Curious Case of Benjamin Button."
Biggest snub: In case any one's wondering, yes, I'm well aware that I repeat myself, but I'd vote for Beyonce as Etta James in "Cadillac Records." Yes, Beyonce.

Best supporting actor:

Heath Ledger: The definite winner, and deservedly so, for his chaotic takeover of the role of The Joker.
Robert Downey Jr.: Why in the world not a vote for comedy? I can't see Tom Cruise getting in here for "Tropic Thunder" like he did at the Golden Globes because, well, he just wasn't that funny. Downey, however, as mega-actor Kirk Lazarus, certainly was, so huzzah to that.
James Franco: The former "Freak" got a Golden Globe nomination for his delightfully goofy role as Saul the friendly pot dealer in "Pineapple Express," but he'll be nominated here for his work as Harvey Milk's lover Scott Smith. It's been quite a year for the former reluctant member of the McKinley High A.V. club.
Josh Brolin: I'd like to see him get a Best Actor nod for "W.," but the field is just too crowded. Instead this will be for his portrayal of troubled killer Dan White in "Milk," which just left us appropriately confused about what really drove White to commit his heinous acts.
Michael Shannon: To be honest, I know nothing about this, but there have to be five, so why not Mr. Shannon for "Revolutionary Road"?
Biggest snub: Eddie Marsan is just a simmering pot of rage in "Happy-Go-Lucky," and once he boils over its unforgettable, so his name should certainly be called tomorrow morning, but won't.

Best Picture:

OK, here it is. I'd say the best predictor is to look at the Director's Guild nominees, which were: Danny Boyle for "Slumdog Millionaire," Gus Van Sant for "Milk," Ron Howard for "Frost/Nixon," Christopher Nolan for "The Dark Knight," and David Fincher for "The Curious Case of Benjamin Button."

Is that right? I'd say almost. Although I'd certainly like to see it, I don't think "The Dark Knight" will make the cut. The Academy, as a rule, doesn't usually anoint more than one movie that's at least as fun as it is "good," and I think that slot goes to "Slumdog Millionaire."

So, if "The Dark Knight" is out, what's in? I see four contenders: Sam Mendes' "Revolutionary Road," Darren Aronofsky's "The Wrestler" (huzzah!), Andrew Stanton's "Wall-E," or Clint Eastwood's "Gran Torino." Of those, I predict Clint's movie will be the dark horse that just sneaks in the gate, so the big five will be:

"Slumdog Millionaire"
"Milk"
"The Curious Case of Benjamin Button"
"Frost/Nixon"
"Gran Torino"


If I had to pick a winner today, I'd say "Milk," and I'd certainly be OK with that. Here, if I had a vote, would be my top five for the year:


"Slumdog Millionaire": I threw up a little in my mouth when I read this morning about how Mr. Boyle had to defend his movie in Mumbai after some idiot called it "poverty porn." I don't even know what that could possibly mean, but Boyle's movie is lively, fun and thoroughly enchanting, and that's enough for me.
"Let the Right One In": Please, please, please see this in its original form when it comes to DVD instead of waiting for the American version. This Swedish gem is as much a coming of tale as it is a suitably scary vampire flick, and just an all-around winner.
"Milk": Gus Van Sant's movie deals a lot more with the small details of San Francisco politics than I expected, and therefore could have been a real snooze, but it certainly never is. Instead, it's a celebration of Harvey Milk's life that's full of warmth and, of course, tragedy.
"Tell No One": I want to resist saying "they just don't make them like this anymore," but I'm afraid I have to. Guillaume Canet takes what easily could have been another by-the-numbers thriller and instead turns Harlan Coben's novel into the best mind-bender of the year.
"The Wrestler": Darren Aronofsky's flick sticks to the structure of the sports underdog flick but gives its hero a truly scary foe: Any semblance of an actual life. A professional wrestling movie as one the year's five best? Believe it.

So, there you have it. Tune in for the Oscar nominations tomorrow morning at 8:30 EST, and please feel free to tell me if I've snubbed any actor, actress or movie in particular. Peace out.

Monday, January 12, 2009

The Golden Globes get it just about right, but when will we all get to see these?

A hearty congrats at the start to who I would have to say was the real surprise winner at last night's Golden Globes, "In Bruges" star Colin Farrell. I would have cast my vote in the Best Actor/Comedy or Musical category for his co-star Brendan Gleeson, but it's still a well-deserved win for a smart role in Martin McDonagh's wickedly funny little flick.

The overall movie winner at the 66th awards show, however, was Danny Boyle's "Slumdog Millionaire," and a hearty huzzah to that as well. If that sets him up for a Best Picture (and hopefully that means best director, too, as it did at the Globes) victory, I'd be happy with that, since he made one of the most inventive flicks of the year that tells a warm and engaging tale.

My best five for the year, by the way: "Slumdog Millionaire", "The Wrestler", "Milk", "Let the Right One In" and "Tell No One". If I had to pick a single favorite right now, it would be Darren Aronofsky's "The Wrestler" by just a nose over Gus Van Sant's "Milk".

But, in what might the real predictor, what does the Director's Guild of America have to say? "The Curious Case of Benjamin Button" — David Fincher; "The Dark Knight" — Christopher Nolan; "Frost/Nixon" — Ron Howard; "Milk" — Gus Van Sant; "Slumdog Millionaire" — Danny Boyle. I'm still not too confident that "The Dark Knight" really will sneak into the party, and if it doesn't, I'd look for Sam Mendes' "Revolutionary Road" to come crashing in.

In Best Feature Comedy/Musical, I was pulling for dark horse "Happy-Go-Lucky" from Mike Leigh, but I'm also content with a win for Woody Allen's little confection "Vicky Cristina Barcelona." When's the last time a major award win and Woody Allen's name appeared in the same sentence?

In the Actor/Drama category, Mickey Rourke was a well-deserving winner for his portrait of Aronofsky's wounded warrior. Likewise, kudos for the recognition of Sally Hawkins' fairly remarkable turn in "Happy-Go-Lucky" in the Comedy/Musical Actress category, easily my favorite female performance of the year, albeit a hard one to watch.

When it comes to the other actress categories, however, there's just further proof that, in Hollywood, there are apparently only two actresses deemed worthy of recognition: Kate and Cate. I like them both plenty, and will concede I haven't yet seen either "Revolutionary Road" or "The Reader", but did they really have to give Kate Winslet both acting awards? Sheesh. Of the women nominated, I would have voted for Meryl Streep in "Doubt" for the Drama category, and an extremely deserving Penelope Cruz for Best Supporting Actress in "Vicky Cristina Barcelona."

A final word about the movie winners before I move on the the greater point (and, yes, there is one buried down here somewhere.) I was extremely happy to see A.R. Rahman's victory in the category of Best Score for his soundtrack to "Slumdog Millionaire." The sweet Spanish guitar sounds that fill the background of "Vicky Cristina Barcelona" are a lot of fun too, but you can't do too much better at all than the wildly infectious Indian techno pop that provides the back beat of "Slumdog."

Isn't it time, however, that these movies finally play wide and make what is normally the Hollywood silly season (which I peg at lasting until March 6, when it looks like "Watchmen" will actually manage to come out after all) a bearable time at the multiplex?

I can only assume that the presence of Leo DiCaprio guarantees a "Revolutionary Road" wide run very soon, but having already seen the trailers for "The Wrestler" and "Slumdog Millionaire" playing in my little corner of the world, I have to wonder why they haven't played here yet, and if these wins will indeed be enough to mean they come this week.

Already, this week is shaping up to be a fairly good one for movies. Personally, I'm really looking forward to seeing what George Tillman Jr. has come up with for the Biggie Smalls biopic "Notorious." With Biggie's mother as one of the producers I'm a little worried it will be a sugar-coated affair, but with a cast featuring Angela Bassett, Derek Luke, Anthony Mackie and newcomer Jamal Woolard as Biggie himself, I really don't see anyway this one will suck.

I think Edward Zwick's "Defiance" is also widening enough to reach out this far too, but I can't say I'm as excited about that. Is it too much to ask that these (and, I'm afraid, "Paul Blart: Mall Cop," "Hotel for Dogs" and " My Bloody Valentine: 3D") be supplemented by two of my favorite movies of 2008 out here in wide-release world?

Well, enough about that. I'll close with this "sneak peek" clip from Pixar's next flick, "Up," introduced by director Pete Docter. It doesn't reveal too much more than the little we've already seen, but there are couple of cool storyboard shots from what I'm sure will be one of my favorite flicks of next summer. Enjoy, and have a perfectly bearable Monday.

Friday, December 19, 2008

There's much to laud in the SAG nomination, but what in the world are "enemble stunts"?

It may have seemed to most critics like a big dose of silly hokum, but I really had a blast with Baz Luhrmann's "Australia," so I'm very glad to hear he's getting right back to work - and on something he should really have a lot of fun with.

Hollywood likes nothing if not a trend (don't get me started on "Cloverfield" director Matt Reeves wasting his time on an American remake of the simply sublime Swedish vampire flick "Let the Right One In"), so with David Fincher's "The Curious Case of Benjamin Button" looming as the Best Picture co-favorite (with "Milk," I'd have to guess), why not more F. Scott Fitzgerald?

Luhrmann, aiming to get back to work as soon as the awards season ends (though I can't imagine it will be a terribly busy one for "Australia"), has acquired the rights to make yet another version of "The Great Gatsby." There are certainly a lot of things the world needs more than that, but the opulence of America's Jazz Age is right up his alley.

But here today, however, it's all about the Screen Actor Guild nominations which, since actors do most of the Oscars voting, is probably a pretty good predictor of what those acting nominations will look like too. Before any more commentary from me, here they are:

ACTOR
Richard Jenkins - The Visitor
Frank Langella - Frost/Nixon
Sean Penn - Milk
Brad Pitt - The Curious Case of Benjamin Button
Mickey Rourke - The Wrestler

ACTRESS
Anne Hathaway - Rachel Getting Married
Angelina Jolie - Changeling
Melissa Leo - Frozen River
Meryl Streep - Doubt
Kate Winslet - Revolutionary Road

SUPPORTING ACTOR
Josh Brolin - Milk
Robert Downey Jr. - Tropic Thunder
Philip Seymour Hoffman - Doubt
Heath Ledger - The Dark Knight
Dev Patel - Slumdog Millionaire

SUPPORTING ACTRESS
Amy Adams - Doubt
Penelope Cruz - Vicky Cristina Barcelona
Viola Davis - Doubt
Taraji P. Henson - The Curious Case of Benjamin Button
Kate Winslet - The Reader

ENSEMBLE CAST
Doubt
Frost/Nixon
Milk
Slumdog Millionaire
The Curious Case of Benjamin Button

ENSEMBLE STUNTS
The Dark Knight
Hellboy II: The Golden Army
Indiana Jones and the Kingdom of the Crystal Skull
Iron Man
Wanted

My first question from all that was "aren't there more women out there acting today than Kate Winslet"? I mean, she's good and all, but two nominations? Sheesh.

And since I've made it my personal mission to promote the candidacy of Richard Jenkins for the nearly flawless little film "The Visitor," a hearty huzzah to that (and especially if it came at the expense of - once again - Leo DiCaprio). I would have loved to have seen Brendan Gleeson sneak in here for "In Bruges" like he did at the Golden Globes, but I knew that was more than a long shot. If these are indeed the final five, I'd have to guess I'd be happy with that (I'll know for sure next week, when I finally get to see all these flicks.)

Not surprisingly, if unfortunately, "Doubt" leads the pack with five nominations in total, though I never quibble much with any acclaim for Amy Adams. Now, I haven't seen John Patrick Shanley's flick, and if I do it will have to be with my nose closed. As a somewhat regular Catholic, I can't say that the subject outright offends me, but it certainly does just seem tired at this point.

In the category of best actress, I'm happy and more than a bit surprised to see Melissa Leo's name in the final five, probably at the expense of Sally Hawkins in Mike Leigh's "Happy Go Lucky." No offense to her, but I'm really hoping "Frozen River" is still playing somewhere in New York when I make it next week, because the "Homicide" veteran Leo is just one of my favorite actresses around today.

For supporting actor, kudos again for the inclusion of Dev Patel, which certainly bodes well for the Oscar chances of "Slumdog Millionaire." How in the world, however, can he be a supporting actor when the entire tale is framed with a love story in which he's one of the two main players? More than a bit mystifying. And thanks from the bottom of my heart for recognizing that Robert Downey Jr.'s profane but perfect turn in "Tropic Thunder" is just comedy gold.

In the supporting actress category, more love for comedy in the form of Penelope Cruz's manic turn in "Vicky Cristina Barcelona," my favorite comedy of 2008, and she'd certainly get my imaginary vote if this category didn't contain one of my very favorite actresses working today. I've been in cinematic love with Taraji P. Henson ever since "Hustle and Flow," so it's wonderful to see her nominated here for "The Curious Case of Benjamin Button," and I can't wait to watch her in it as one of my Christmas presents to myself.

This has probably gone along long enough now, but I can't leave without some bile for the ensemble category. My doubts about "Doubt" aside, the two best ensemble casts I've seen this year were in Oliver Stone's "W." and Darnell Martin's "Cadillac Records." The common denominator in those too is Jeffrey Wright, as Colin Powell and Muddy Waters, respectively, and that's certainly never a bad thing. Martin's fun flick is deserving of more love.

And finally, just what in the hell is "Best ensemble stunts"? If there is a more demeaning category name, I certainly haven't heard it. Though I'm sure it's been around for more than a few years now, it sounds like it was created just to give "The Dark Knight" some kind of seat at the table, even if it's only for scraps. Peace out.