It seems like forever since I've seen a movie directed by Jonathan Demme, and even longer since I've seen anything that sprang from the over-active mind of Stephen King. I did, however, enjoy Demme's last movie, "Rachel Getting Married," quite a bit, and I have "Something Wild" just sitting in my Netflix streaming queue. And now also comes word that the director, who doesn't work nearly often enough, is teaming up with King for what should be a pretty epicly fun time trip.
Demme is attached to write and direct a feature film based on King's upcoming novel, "11/22/63," which as you can perhaps guess from the title is a science fiction work that centers on the assassination of JFK. Here's the official plot description from King's website:
Jake Epping is a thirty-five-year-old high school English teacher in Lisbon Falls, Maine, who makes extra money teaching adults in the GED program. He receives an essay from one of the students — a gruesome, harrowing first person story about the night 50 years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a hammer. Harry escaped with a smashed leg, as evidenced by his crooked walk. Not much later, Jake’s friend Al, who runs the local diner, divulges a secret: his storeroom is a portal to 1958. He enlists Jake on an insane — and insanely possible — mission to try to prevent the Kennedy assassination. So begins Jake’s new life as George Amberson and his new world of Elvis and JFK, of big American cars and sock hops, of a troubled loner named Lee Harvey Oswald and a beautiful high school librarian named Sadie Dunhill, who becomes the love of Jake’s life — a life that transgresses all the normal rules of time.
Sounds like a movie trip well worth taking, so stay tuned for more on this as soon as I see it. And after that today, before a couple of videos, it's all about TV comedy, starting with a show that I was slow to pick up on, but have now become quite addicted to this summer: Psych.
Silly? Sure, but how could a show about psychic detectives be anything else? Luckily, thanks to stars James Roday and Dule Hill, it's also always fast and funny, and it wears its geek flag proudly, especially with the sublime "Twin Peaks" tribute episode "Dual Spires" (get it?), the last one I've managed to catch so far. And now comes word from USA that season six will premiere on Oct. 12 at 10 p.m. Bring it on already!
And in other potentially very funny TV news, Larry David's constant enabler and agent on "Curb Your Enthusiasm," the great Jeff Garlin, has just signed a deal with ABC Studios to write, executive produce and star in a half-hour comedy. No word yet on just what it might be about, but with Kid in the Hall Bruce McCullough on board to co-write this, I'm still betting on something very funny.
Now on to a couple of videos to wrap up an admittedly short report so that I can get some housework done before going to see "The Help," starting with the second trailer I've seen for "50/50," one of the movies I'm definitely most looking forward to for this fall. As you'll see from the trailer, Reel Fanatic fave Joseph Gordon Levitt stars in the comedy of sorts based on Will Reiser's battle with cancer, and he's joined by Seth Rogen and Anna Kendrick, who I'll watch in just about anything outside of the "Twilight" oeuvre. Enjoy the trailer, and keep an eye out for the movie on Sept. 30.
And finally today, I just bought the album "Watch the Throne" by Jay-Z and Kanye West, and though it's gonna take a little while to absorb all that ego, it sounds pretty epicly good so far. Below is the video for the first single, "Otis," which was apparently directed by Spike Jonze, though you really can't detect many signs of that. What is has, however, is a great sample of Otis' "Try a Little Tenderness" and, for some reason, Aziz Ansari failing pretty miserably at dancing. Enjoy, and have a perfectly pleasant weekend. Peace out.
There will almost certainly be more popular and more epic movie offerings this holiday season, but among the ones I'm definitely looking forward to is "A Very Harold and Kumar Christmas," and the above photo courtesy of Entertainment Weekly should tell you exactly why. And actually, we won't have to wait until Christmas for this madness, since it's due out Nov. 4. Bring it on!
And in movie news, the world is certainly a little better place when Charlie Kaufman's making movies in it, especially when he's set to direct another one. I have to admit that his first directing effort, "Synecdoche, New York," lost me a bit in the third act, but it was still a wild trip that I thoroughly enjoyed taking.
This time out, of course directing a script he also wrote, "Frank and Francis" will be about a film director (Frank) who gets into a war of words with an online blogger (Francis) who trashed his cinematic sensibilities. Sounds thankfully like an "Adaptation"-style mindbender, and it's now set to star Nicolas Cage, Jack Black and Steve Carell, though who would play which role is yet to be determined (my bet is on Cage as Frank and Black as Francis, but stay tuned.)
Kaufman is also working again with Spike Jonze (who really needs to work a bit faster) for an as-yet-untitled political satire set to begin shooting in March or so with Joaquin Phoenix starring. Here's a brief plot description for that:
A satire about how world leaders gather to figure out all the seismic events that will take place in the worlds, from oil prices to wars that will be waged.
Nothing but cool there, and a very active Charlie Kaufman is just great news all around.
And now, as promised, though there were a ton of things going on at Comic-Con this week, there's no way I could log them all (especially since I wasn't there), but here a few things that have caught my eye.
First up, even though I was pretty thoroughly burned by "Your Highness" (even by stoner comedy "standards," just a wretched movie), I still can't help but get geeked up by the trailer for "Knights of Badassdom."
So, why should this one be any different? First off, the comedy cast is pretty first-rate, including the HBO trio of Steve Zahn ("Treme"), Ryan Kwanten ("True Blood") and the Emmy-nominated-and-should-be-winning Peter Dinklage ("Game of Thrones"), plus Summer Glau of "Firefly" among many other things , Danny Pudi of "Community" and Jimmy Simpson of "It's Always Sunny in Philadelphia." Not exactly A-list talent, but all people I like watching, and add to that that this is a flick about live action role playing gone way wrong (as in conjuring a rather evil demon bad), and I'm convinced that this Joe Lynch movie will deliver plenty of funny whenever it comes out. Enjoy this trailer from Comic-Con.
OK, after that today, it's all about TV, starting with word from Comic-Con about what's ahead for one show that - though I still love it - probably should have ended already: "Chuck." With the firm end now in sight after this next season, however, instead of hanging each year over the heads of creators Chris Fedak and Josh Schwartz, it should at least allow the show to go out on a fun note.
As everyone who watches the show knows (BIG SPOILER HERE IF YOU SOMEHOW MISSED LAST SEASON'S FINALE), the Intersect has now moved from Morgan to Chuck (yes, really), and the gang has formed their own spying agency. Here's what Fedak had to say at Comic-Con about what else is ahead when the show returns - on Friday nights rather than Wednesdays - for its final, 13-episode arc:
Now that Chuck owns the Buy More and his own spy company, the big challenge will come in an opposing spy business and its owner may present a romantic connection for Adam Baldwin’s Casey.
Someone won’t survive Season 5 and it’s going to be a big loss!
We will see Jeffster break up and the two will wage major war against each other.
If I were still a betting man (and when I briefly was, I was never any good at it), I'd put my money on Morgan dying (not anything I know, just a hunch), and the implosion of Jeffster alone should make this go out with a big blast of fun this fall on NBC.
The show I'm probably most looking forward to this fall, however, is season two of AMC's "The Walking Dead." The first season was only six episodes, but the zombie series from Frank Darabont was as terrifying as it was just addictive. Now, it's getting 13 episodes for a second season, and returning two weeks earlier than expected, Oct. 16 rather than around Halloween. Enjoy this five-minute trailer from Comic-Con, and definitely tune in for the return of "The Walking Dead."
And finally today, I've been enjoying the return of Larry David's "Curb Your Enthusiasm" to HBO this summer. It's not his best work (for me still seasons three and four when, respectively, Larry tries to open a restaurant and then co-stars with David Schwimmer in "The Producers" on Broadway), but the show's enjoying a resurgence in popularity, and a summer with any Larry David is better than one without him. Tonight's episode will, thankfully, be very Marty Funkhauser-centric, because the character played by Bob Einstein/Super Dave Osborne has always been my favorite "Curb" creation.
Tonight, just as Funkhauser is embracing his Judaism, a popular Palestinian chicken restaurant opens next to his beloved kosher deli. Larry, of course, comes to the Palestinians' defense, and it should just be a hoot. Enjoy this short preview, and tune in for "Curb Your Enthusiasm" tonight if you get HBO. Peace out.
Actually, the photo above is one of six or so album cover creations by Next Movie in honor of the release of "Harry Potter and the Deathly Hallows: Part 2," which you may have heard of by now. You can see them all by clicking here, but I just chose the Snape/Elvis because it's an easy classic and Alan Rickman just rules.
And before we get into the aforementioned great things for kids, both in spirit and in actuality, there's some news out there today from 24 Frames that, while it does involve Santa Claus, really couldn't have less to do with younguns. And if you've seen the original movie, you already know what I'm talking about.
We've been on a pretty solid winning streak for R-rated comedies lately ("Bridesmaids" and "Bad Teacher" have been my favorites this summer), but for me, "Bad Santa" is really just about the best one of the last 10 years or so, mostly because of its joyously unfiltered and thoroughly funny filth, with a genuine holiday spirit somehow still running through the whole thing.
And now, this morning, comes word that Dimension Films has commissioned two competing scribes, Johnny Rosenthal and John Phillips (neither of whom I know anything about), to pen scripts for a "Bad Santa 2," with the winner hopefully getting made and the other one, if it's not just horrible, possibly saved for a "Bad Santa 3." Sequels can often turn my stomach as much as anyone, but I'm a true "Bad Santa" believer, so I can just say bring it on. And every day is really a little bit better with a little "Bad Santa," so here's just a taste of veryfunnylittleman Tony Cox and the late, great Bernie Mac (in, don't say I didn't warn you, a truly and blissfully foul-mouthed clip) before we move on to today's main courses. Enjoy.
OK, moving on to today's main clips (and just about as far away from "Bad Santa" as you can get), the honor of following up that truly foul bit goes to Martin Scorsese, who has really delivered a winner with this first trailer for "Hugo," even if he has obnoxiously shortened the title of one of my favorite books from "The Invention of Hugo Cabret" (was that really too long? Sheesh.)
I'm hardly a moralist, even when it comes to kids' movies, and I wouldn't be a very good one if I ever wanted to be, but along with less fart jokes, what they could really use is much less product placement and more of the three W's, wonder, whimsy and wacky. Well, when it comes to the first two, I haven't been as psyched for a young folks' movie as I am for "Hugo" since Spike Jonze's "Where the Wild Things Are," which I still watch a couple of times a year and will never tire of. Except for the awful music, this trailer for Scorsese's Thanksgiving flick starring Asa Butterfield, Chloe Moretz, Jude Law and Sacha Baron Cohen gets just about everything else right, and I can promise it will be the only time in the foreseeable future that I'll spring for anything in 3-D. Enjoy.
And when it comes to the wacky, it really doesn't get much better than the claymation offerings from Aardman, best of all the "Wallace & Gromit" collection. For anyone who may not know, a fire struck the main warehouse storing most of Aardman's best stuff in 2005, wiping out, as Nick park put it at the time, the studio's "entire history."
Since then, however, and with a big assist from Sony Pictures Animation, Aardman has rebounded in a big way, and soon (well, March 12 in the U.S. of A., so fairly soon) will be back on the big screen with "The Pirates! Band of Misfits." As you'll see from the first trailer below, it's as loopy as ever, and somehow stars Hugh Grant as the voice of Pirate Captain. Enjoy, and have a great weekend. And if you'll excuse me, I'm off to do some swimming and then try to squeeze into a matinee of that "Harry Potter" flick. Peace out.
On the surface the idea of ESPN producing a series of short documentaries (30- of them, so far) wouldn't seem like the recipe for greatness, but if you pick and choose wisely among them, some surprisingly entertaining moments can be found in its "30 for 30" series.
The movies, in fact, are much like sports itself: If all you did was watch sports all day, you wouldn't have much of a life at all, but picking out what appeals to you - which for me this time of year means Braves' and, when I can find them, Orioles' games - certainly makes life a little more sweet.
And this week on DVD, ESPN has released the second collection of "30 for 30" films, making them now available in two volumes or as individual titles. Or, if you're on a budget and a Netflix kind of person like me, I know the movies I've listed below are all available for rent individually.
So, with full regional and sports bias on display, here are my five picks for the best of the "30 for 30" movies, with the titles followed by their directors.
"The Band that Wouldn't Die": Barry Levinson Though most of Baltimore has moved on with the success of the Baltimore Ravens, Levinson's valentine to Charm City focuses on my kind of people, those who never gave up their love of the long-gone-but-never-forgotten Colts. The Colts band members that remained behind when the team left are a colorful bunch whose mix of anger and still-burning enthusiasm is an entertaining mix.
"The Two Escobars": Jeff and Mitchell Zimbalist The 1994 FIFA World Cup should have been a grand celebration of the game and our country, and it was, except for one black mark: The appalling death of Colombian player Andres Escobar after his own goal in a match against the host team. The Zimbalists' movie looks at his life and that of drug kingpin Pablo Escobar, and the connections between the murders of both men. The best movie of the bunch.
"Without Bias": Kirk Fraser There were certainly more important historical events that happened during my childhood, but few hit me harder than the death of Len Bias (hey, when you're 16 years old, these things do lose a bit of perspective.) Fraser's movie, before it drifts off into an unfortunate and tangential segment about legalizing drugs, re-creates that awful night with Maryland players who were there, and it's often chilling to watch.
"The Legend of Jimmy the Greek": Fritz Mitchell The life of Jimmy "the Greek" Snyder, from his career as a Las Vegas bookmaker to his time on "NFL Today," is certainly great fodder for a movie, and Mitchell almost succeeds at making it work, except for one big flaw: a voice over that's clearly not from Snyder but, I guess, is supposed to represent his voice. It really takes away from the story, but if you can get past that (or even try to ignore it), this is an engaging tale of a man who lived life very large.
"The Birth of Big Air": Jeff Tremaine, Johnny Knoxville and Spike Jonze There's nothing I love more in movies than big, beautiful dreamers, and you won't find many as gloriously goofy as BMX rider Mat Hoffman, whose singular pursuit of catching "big air" from a bike ramp, and its effects on all aspects of his life, is lovingly documented here by three of his friends and co-conspirators. Easily the most fun of the "30 for 30" movies, and really, what more can you ask for from a movie like this?
And there you have it. Please feel free to add your picks of any I may have snubbed, and since this a free-form kind of forum, any sports documentaries you love, since I'm always looking for rental ideas (in that broader category, my choice is still Aviva Kempner's "The Life and Times of Hank Greenberg" - perfection), and have a perfectly passable Tuesday. Peace out.
Few movies have stuck longer in my mind and just gotten better and better with age recently than Spike Jonze's "Where the Wild Things Are." It's just one of those movies I watch once a year or so, and always find something new and magical in it each time.
So, it's certainly good news that the man is finally ready to get back to work again, and even better that he's working with "Being John Malkovich" and "Adaptation" co-conspirator Charlie Kaufman. The duo is apparently having some trouble locking down the exact financing for their next project, but given what it's about, here's certainly hoping it happens: Per Deadline, it will be "a satire about how world leaders gather to figure out all the seismic events that will take place in the worlds, from oil prices to wars that will be waged."
Wow. Imagine all that filtered through the warped mind of Kaufman. Whenever this happens, I'm in.
And although the Oscars were an entirely predictable and somewhat surprisingly, at least to me, rather boring affair this year, there was some very good news that broke out afterward. Quentin Tarantino's "Inglourious Basterds" was my favorite movie of 2010, and if the man's to be believed (and he usually is), it seems he's at least finished the script for his next movie. All that's known for sure so far is that it will be a "Western" (who knows what could really mean from QT?), but that's enough to get me intrigued, because the man has yet to steer me wrong so far.
Finally, to close out the news portion of this before we get to some videos, I'm certainly looking forward to Tomas Alfredson's follow-up to "Let the Right One In," and now that Universal has picked it up for a late fall this year release, I should even be able to see it in theaters in my little corner of the world.
What he's cooked up is a big-time take on John Le Carre's classic Cold War spy novel "Tinker Tailor Soldier Spy," which has already been made into a British miniseries starring Alec Guinness and the late, great Ian Richardson, among many others. Not to be outdone, for his big-screen version, Alfredson has recruited Gary Oldman, Colin Firth, Tom Hardy, Mark Strong and Ciaran Hinds. Oldman plays George Smiley, the spy called out of retirement to root out a Russian spy who has embedded himself in the ranks of Britain's MI6.
Great book, great cast and great director, on a flick to open everywhere? Perfection.
OK, on to the videos portion quickly, because I still want to go swimming before work today. I really think "Rango" is going to be a lot of fun, so I'll be at my local multiplex to see it Saturday afternoon. As reviewer Roger Moore (and probably others) rightly asked, however, just who is a movie with truly odd characters who smoke and (at least occasionally) swear exactly intended for? It's a valid question, and while I can't speak to whether or not it's appropriate for kids, the animated Western featuring the voices of Johnny Depp and the great Bill Nighy looks like it's just right for me. Enjoy this collection of clips/behind the scenes mini featurette.
Next, though the "Toy Story" characters may have retired from feature-length films with "Toy Story 3," it's no secret that they will be in the short that precedes "Cars 2" this summer,"Toy Story: Hawaiian Vacation" (and I'm betting the short will be a damn sight better than the main attraction.) Enjoy this very short clip of Ken and Barbie arriving in what they think is the island of dreams, and then stick around for the one thing guaranteed to make this possibly dreary Wednesday much better, a free Buster Keaton movie!
I know that no matter how long I use it, I'll always be more than a bit of a Luddite when it comes to the Internet, and I'm constantly surprised by the array of what's available on YouTube. For example, what could be better than Buster Keaton's "The General," in its glorious entirety? I doubt anyone really has 105 minutes to spare during this workday, but even in pieces, this is an indisputable gem, and this looks great full screen. Enjoy, and have a perfectly passable Wednesday. Peace out.
Actually, before I get into any of that, there's great news out there this morning about Daniel Clowes, easily one of my favorite funnybook authors.
Two of Clowes' works have hit the big screen so far already, and I'd say he's now one for two. "Ghost World" is simply sublime, and easily one of my favorite comic book flicks (what in the world happened to Thora Birch, anyway? ... I just might have to IMDB that.) Unfortunately, that was followed by the uneven at best "Art School Confidential," though not having read the original source material for that one, I suspect it may have been weak right from the start.
That, however, is certainly not the case with "Wilson," which is now being eyed as a directing vehicle for Alexander Payne and, on paper at least, is at least as funny as "Ghost World." Perhaps that just because I look at the world just about the same way as the hero of "Wilson," but I loved the book. Here's the Amazon synopsis.
Meet Wilson, an opinionated middle-aged loner who loves his dog and quite possibly no one else. In an ongoing quest to find human connection, he badgers friend and stranger alike into a series of onesided conversations, punctuating his own lofty discussions with a brutally honest, self-negating sense of humor. After his father dies, Wilson, now irrevocably alone, sets out to find his ex-wife with the hope of rekindling their long-dead relationship, and discovers he has a teenage daughter, born after the marriage ended and given up for adoption.Wilson eventually forces all three to reconnect as a family—a doomed mission that will surely, inevitably backfire.
Believe me, it's all as misanthropically hilarious as that sets it up to be, and assuming that Clowes has a hand in the screenplay for this, it should certainly be one to keep your eyes on.
OK, now on to the main event, which was brought to my attention by fellow Alan Partridge devotee bob Connally, who compiles his always insightful movie reviews here. Steve Coogan has reincarnated the character in a so far very funny set of webisodes as the host of the "Mid Morning Matters" radio shows. Foster's Funny, which puts this together, has put some kind of U.S. block on it, but some kind person always seems to Youtube them quickly again anyway.
But the real Steve Coogan/Alan Partridge news is that the character is apparently returning to the big screen (though it will probably be the little screen of DVD by the time it reaches me), and he's bringing the extremely funny Armando Iannucci (writer and director of the scathingly funny "In the Loop") along with him.
Here's what Iannucci himself had to say about the movie they're working on to Digital Spy:
“We don’t want to rush it - it’s got to be right and justify itself as a film,” Iannucci said. “On the other hand, we don’t want to be unfaithful to the character. So we’re not going mad and doing an Alan-goes-to-Hollywood thing. It’s very much Alan in Norwich. Putting Norwich on the map. Well, somebody’s map.”
Putting Norwich on the map indeed, and Iannucci went on to say that this is in the script stage and the storyline is "pretty much coming along." Iannucci has also sold a satirical series to HBO, to star Julia Louis Dreyfuss as "The Veep," that being the American vice president, so it's great to hear this extremely funny many is very busy.
And all I have after that today in this admittedly brief report (hey, I am on vacation, after all) is a bit of kudos and then just one video. First the kudos. The Academy of Motion Picture Arts and Sciences has just released the short list of 15 nominees for Best Documentary Feature, and I was thrilled to see that Rob Lemkin and Thet Sambath's "Enemies of the People" is on it. The movie, which features Sambath tracking down former Khmer Rouge members to try and get to the truth of what really went down in Cambodia's killing fields, is just sensational filmmaking, so here's hoping they make it to the final cut of five and maybe even win the whole thing, because the movie is just that good.
And finally today, what Spike Jonze really needs to be doing is making a big-screen followup to "Where the Wind Things Are," but that doesn't seem to be on the books any time soon. In the meantime, at least he's using his talent for directing music videos, this time for the Arcade Fire song, "Suburbs." As for Arcade Fire, they'll never make another album as good as their first, "Funeral," which Zachary Levi correctly called an "aural aphrodisiac" in perhaps the worst attempt at seduction of Sarah on "Chuck," but this year's "The Suburbs" is still one of 2010's best albums in my book. Enjoy the video, and if you'll excuse me, I'm off to wander around the French Quarter all day and then go see the Cottonmouth Kings at the Spotted Cat. Yeah, I could get used to this. Peace out.
There's indeed a whole lot of fun stuff out there today, but the best and oddest of all just might be that there's a horror remake opening this weekend that I'm gonna take a chance on seeing.
"The Crazies" is at least slightly intriguing because it was shot about 20 minutes from my house, but that's really not enough to snag me. Two good reviews from sources I trust, however - Collider and HitFix - are, so I'll be there Saturday afternoon, 'cause I just love smart horror.
OK, in news that might just impact somebody besides me, easily the best of all is that Angelina Jolie has bailed on a "Wanted 2" (did the world really need that?) and instead signed on for something much, much better - an Alfonso Cuaron sci-fi movie (huzzah!)
"Gravity" will be about a woman (Jolie, natch) who is the sole survivor of a space mission, desperately trying to get home to Earth and her daughter. Sounds a bit like Duncan Jones' "Moon" (for which Sam Rockwell certainly should have gotten an Oscar nomination), but anyone who's seen Cuaron's "Children of Men" knows he can work wonders with good sci-fi, so definitely keep your eyes on this on.
Before that, however, I seem to remember reading something about Cuaron making an odd road movie of sorts starring Daniel Auteil and Charlotte Gainsbourg (a definite crush around here.) Indeed, IMDB lists him also working on that flick, "A Boy and His Shoe," but with only a vague 2012 release date so far.
Will there really be a funny Farrelly brothers movie?
I certainly have my doubts about that, but there's no question that they've somehow assembled a first-rate cast for "Hall Pass," which is shooting this week in Atlanta, if I'm not mistaken.
Starting with a base of Owen Wilson and someone named Jason Sudeikis, they've this week or so added HBO vets Stephen Merchant and J.B. Smoove, and even more recently Alyssa Milano and Christina Applegate. The latter two certainly need no introduction, but comedy fans will know Merchant as Ricky Gervais' comedic partner in crime, and Smoove played Larry David's brother-in-law, Leon Black, on "Curb Your Enthusiasm."
But what in the world is this all about? Well, Wilson and Sudeikis play two lucky dudes whose wives (Milano and Applegate, perhaps) give them passes to engage in extramarital shenanigans. Merchant and Smoove will play two of their buddies.
Not the most promising of premises, but with that cast I'm relatively optimistic about a winner here.
Farina joins Mann pilot at HBO
Although I'm most excited about the return of "The Wire" creator David Simon (with the N'Awlins series "Treme," coming in April, when I'll return to HBO too), what Michael Mann and David Milch ("Deadwood") have cooking up for the station sounds like an awful lot of fun too.
Dennis Farina has now signed on to star in "Luck," which Mann is directing at least the pilot of from a script by Milch. The show centers on a man who, after just getting released from prison, teams with his longtime chauffeur and muscle (Farina) to craft a complex plan with a crooked jockey (John Ortiz) to fix races at a racetrack.
I love the ponies, and Mann has a real talent for developing a seamy sense of place, so I'll definitely be tuning in for whatever comes of all of this.
Demme to head back to Haiti
Though Jonathan Demme makes usually-great movies of all kinds, I think his documentaries are the best of all. And since the single best of those is "The Agronomist," about slain Haitian activist Jean Dominique, it only makes sense that he would turn his thoughts and camera to the country at this troubled time.
Actually, his route back to the country this time intersects with one of his other documentary passions, music. Demme had been planning a documentary about Arcade Fire (new album coming very soon, huzzah!), whose founding member Regine Chassagne is Haitian. He and the band were set to head to Haiti to shoot something music-driven the very morning the quake struck, which of course changed his plans entirely. Here's what Demme had to say about his new course of action.
"My personal feeling was, those who go down two months or three months from now, with a specific mission in mind, will be valuable in their own way, as the people that are going now. So I'm gonna go. I'm gonna go within the next six months, but I haven't been yet."
He's certainly right, there. Though the people of Haiti needs just about everything, what they'll need months from now is continued attention from the rest of the world, so here's hoping Demme follows through on this and even makes a movie about it too.
And a bit closer to home, Demme is apparently now working on the documentary "Right to Return: New Home Movies from the Lower Ninth Ward," about the most devastated neighborhood in New Orleans after Katrina.
Broken Lizard signs Universal deal
Though the juvenile antics of the Broken Lizard comedy troupe certainly aren't for everyone (Nell Minow knocked me, perhaps correctly, for including "Super Troopers" in my list of the 100 best movies of the '00s), they just make me laugh almost every time they put something out.
Their latest flick, "Slammin' Salmon," didn't manage to play anywhere near me, so I'll have to just watch it on DVD, but now comes word that the guys have signed on for two movies that will hopefully play a lot wider with the help of Universal.
The studio has picked up "Rogue Scholars," a college comedy revolving around five unruly professors played by the members of the troupe, plus an additional as-yet-untitled Broken Lizard flick to follow. Like I said, I'm a devoted fan of "Super Troopers" - for which they are still promising a sequel someday - so I'll follow these guys just about anywhere.
A new flick for Ed Helms
Though he's surrounded by plenty of very funny people. Ed Helms has slowly and steadily developed into the best character on "The Office" with the Nard Dog, so any word of him appearing on the big screen is welcome in this little corner of the world.
He'll next be seen hopefully everywhere as an insurance salesman in Miguel Arteta's "Cedar Rapids," due out this year. And now comes word that he's signed on to star in something called "Central Intelligence" for director Dean Parisot (who, yes, really did direct "Galaxy Quest" back in the day.)
The flick is about an accountant (Helms) who reconnects with an old friend via Facebook and finds himself sucked into a world of espionage (I always knew that Facebook was nothing but evil, but yes, I'm on it.)
That sounds like nothing but funny to me, so definitely stay tuned to this one.
And finally, what in the world is "Harold and the Purple Crayon"?
Though I had never heard of it until about a year or so ago, it's apparently a fairly classic children's tale by Crockett Johnson, and has already been made into a movie and short TV series.
The first I had heard of it, however, was in a New York Times magazine profile of Spike Jonze in which he revealed he was at work on another movie version of this when he thankfully got sidetracked by "Where the Wild Things Are" (I still say the single biggest Oscar snub this year is that even in the field of 10, that didn't get a Best Picture nomination. Criminal.)
Now comes word that the book is coming to movie life again, this time with the help of "Where the Wild Things Are" author and national treasure Maurice Sendak as a producer.
The story apparently follow our hero Harold as he uses his magic purple crayon to retreat into his own fantasy world, but soon realizes that he’s been selfish with his crayon and so uses it to help his parents and others, and even go on a mission to Mars.
This will be a CG-animated affair, with no director attached yet, but why not Mr. Jonze himself? Sounds like it would be world of fun for him, and I know for sure he'd love to work with Maurice Sendak again.
OK, this has certainly gone on long enough today, so I'll just wrap it up with a couple of clips. The first is for a flick called "The Good Heart," set to come out in at least some urban portions of the world on April 30. It caught my eye because it stars Reel Fanatic favorites Brian Cox and Paul Dano. The flick tells the story of Lucas (Dano), who attempts suicide and meets bar-owner Jacques (Cox) while in the hospital. The two quickly form a friendship and Lucas starts to work in Jacques' bar. Enjoy the trailer.
Actually, make that only one clip, because although there's a new international trailer out there for the "Karate Kid" remake starring Jackie Chan and Will Smith's offspring, I've decided to just ignore that monstrosity from here on out. Peace out.
You know, as those "Pirates" movies keep getting weirder I just lose more and more interest, but Rob Marshall, director of the upcoming "Pirates of the Caribbean: On Stranger Tides," has at least come up with one thing to get me intrigued.
Ian McShane, Al Swearengen himself, is about to sign to to play Blackbeard, the legendary pirate who piloted the ship Queen Anne's Revenge. With Penelope Cruz already on board as a definite case of trading up from Keira Knightley, I think that just might be enough to get me to buy a ticket for this.
And in another bit of news that interests me (and life's frankly just too short to spend any time on things that don't), details are starting to emerge on just what "Gilmore Girls" creator Amy Sherman-Palladino is cooking up now for the CW.
Yes, I realize I'm far too old to watch this stuff, but at its rare and best (as with "Gilmore Girls"), the station occasionally offers shows that cater to folks over the age of 15, which will hopefully be the case with this. "The Wyoming Project," which needs to start by getting a better name very soon, will star someone named Sean Faris as a 22-year-old dude who inherits a Wyoming ranch and the custody of his three younger sisters. What made "Gilmore Girls" so great was the keen eye for familial relations combined with a genuinely quirky sense of place, so here's hoping she can do at least something close to that magic this time around.
And after that today, all I have left is the first episode, in its entirety, of something Spike Jonze and David Cross teamed up to create for British TV. If that sounds like a dream team to you, than you're with me, and as you'll see from this trio of YouTube clips containing the first episode of "The Increasingly Poor Decisions of Todd Margaret," they don't disappoint.
I'm not sure what British network this is on, but be warned, whichever one it is certainly isn't afraid of profanity, which spews from the mouth of Will Arnett, who also stars in this, almost as freely as it did from Peter Capaldi's Malcolm Tucker in "In the Loop." Definitely watch this with headphones if you're at work, and have a perfectly pleasant Tuesday. Peace out.
Anyone who's been here before (and there are, amazingly, a few of you) knows that I have a serious thing for children's stories meant to equally entertain young-at-heart "adults," and on that front there's two bits of good news to share.
Starting with Spike Jonze and "Where the Wild Things Are," there wasn't a bigger Oscar snub in my mind than the fact his take on the classic children's story by Maurice Sendak didn't get a Best Picture nomination, even with the field this year expanded to 10 flicks.
Heck, I loved the movie so much that I would have also certainly given nominations to James Gandolfini for his voice work as Wild Thing Carol and also to Dave Eggers for his wildly original adapted screenplay (Eggers' novelization of the script, "Wild Things," is also just a great read.)
Now comes word about both the DVD release of "Where the Wild Things Are" and something else fun that's coming with it (and, frankly, hopefully packaged together so I can afford them both.)
First up, if you buy the "Where the Wild Things Are" DVD on March 2, there will be a rather sweet bonus in the form of an animated short based on another Sendak story, "Higglety Pigglety Pop! or There Must Be More to Life," featuring the voices of Meryl Streep and Wild Thing (the Bull, if I recall correctly) Forest Whitaker. Bully to that, although I didn't really need any more motivation to buy this one.
In even better news, on the same day, Beastie Boy Adam Yauch's Oscilloscope Laboratories will release the doco "Tell Them Anything You Want: A Portrait of Maurice Sendak," directed by Lance Bangs and Jonze, on DVD as well. Jonze and Sendak bonded quite a bit on the set of "Where the Wild Things Are," and as you see from the clip below, it became a genuine mutual admiration society. Enjoy.
And in a final bit about Mr. Jonze, a Web site has been just unveiled for his short film "I'm Here," which recently made its debut at Sundance. Best as I can tell, it's a 30-minute movie that's a love story involving two robots (why not?). You can watch the trailer at the site here, and according to the site itself, the movie will be released on it in March. Stay tuned for more on this very soon.
OK, except for that today, everything else will be about another subject that just fascinates me, the new Muppet movie being cooked up by Jason Segel and Nicholas Stoller for Disney. Being both a Marylander and a child of the '70s, I of course grew up on the Muppets, and certainly have never outgrown their appeal.
Well, now details about the movie itself are coming out quickly. "Flight of the Conchords" co-creator James Bobin has been officially attached to direct the project (a perfect choice in my book), and now early word about the script has emerged on The Playlist (a daily must-read here.)
According to their source, the movie's name has also changed from "The Cheapest Muppet Movie Ever Made" to now "The Greatest Muppet Movie Ever Made." Even with tongue firmly in cheek, you'd better deliver something solid with a title like that, and here's what the source had to say about the movie's synopsis:
" (The script) is about Gary, Mary, and Walter (a man, his girlfriend, and the man's life-long nondescript, brown puppet best friend) getting the old Muppet gang — now retired entertainers known for the same Muppet show we know them from — together to save the TV studio that the original show was shot in. A villain, Tex Richman (nice name, on par with Doc Hopper), bent on drilling for oil underneath the studio, is due to take over the studio in weeks and the only way to stop him? Putting on a show that draws ten million viewers (see also "Heartbroken: The Conan O'Brien Story").
I'm not sure what that last CoCo bit was all about, but although that synopsis perhaps lacks an original spin on the Muppets story, it at least fits firmly in the tradition of what they're all about, so I'm very confident this is in the right hands. Here's some more of what he or she had to say:
It's a fresh, younger approach. Stoller and Segel have fun with the characters, are aware of what made the Muppet early years so great (winks to the audience, friendly musical numbers, single gag repetition, friendship and togetherness being the answer to everything), and hit the mark 65% of the time.
Again, that all sounds great to me, but the key to any great Muppet movie is the music, none of which The Playlist's mole could get his or her hands on. The only proof we have so far of Segel's and Stoller's skills in that department is that blissfully silly Dracula puppet show at the end of "Forgetting Sarah Marshall" (easily the best thing about that very easily forgettable movie.) Here's a clip of Segel performing "Dracula's Lament" on Craig Ferguson's show (I think) to brighten your day.
Finally today, the world is certainly a better place now that the Muppets have their own YouTube channel (trust me, it's a seriously good time-waster), and here's the newest clip. Beaker sets out to meem his way through Kansas' "Dust in the Wind," but as you can probably imagine, the results are somewhat short of perfect. Enjoy, and have a perfectly bearable Wednesday. Peace out.
You know, just because this January has been just about the worst movie month on record (though "Edge of Darkness" was a surprisingly taut and entertaining thriller) doesn't mean there's not a lot of movie news out there (even if I wasn't there to read it.)
This was intended as a list of the 10 best or simply oddest things I had missed in the last month or so, but there's something new too, and it's definitely good news.
At Saturday's Director's Guild of America awards ceremony, Kathyrn Bigelow beat out the biggest box office champ of all time and three other competitors to take home the group's top prize for "The Hurt Locker," and it's well-deserved. Though my personal favorite would still have been Quentin Tarantino's "Inglourious Basterds," Bigelow's movie was a close second in my book, and a very worthy winner.
She becomes the first woman to win the DGA's top prize. The other competitors this year, all very good films, were Jason Reitman's "Up in the Air," Lee Daniels' "Precious" and a little movie you may have heard of called "Avatar." Here's hoping this at least mild upset of "Avatar" means the Oscars are a wide-open race rather than simply Avatar's to claim in a runaway.
OK. Now, here are the 10 best or oddest things I missed in the last month, though not really in any order except for that the first item is certainly the best news in my book.
1. "Conchords" ' Bobin to direct Muppet movie
It seems like forever since the news first broke that Jason Segel and Nicholas Stoller were writing a new Muppet movie for Walt Disney Pictures, but little seemed to be happening in the way of progress until last week or so, when the project finally landed what I think is the perfect director.
James Bobin, co-creator of HBO's delightfully dippy "Flight of the Conchords," has signed on to direct the new Muppet movie, with production set to start in late summer of this year.
Apparently now a man in high demand, Bobin at the same time turned down directing "Bridesmaids," a comedy from the Judd Apatow camp and written by veryfunnywoman Kristen Wiig. Since, like Segel, you can call me a certified "Muppet freak," I can certainly say he made the right choice here.
2. "Scott Pilgrim" set to take off Aug. 13
Did any one in the world except me see "Youth in Revolt"? Though it failed to quite capture the anarchic spirit of C.D. Payne's book, it was still very funny, even if Michael Cera was clearly - even with his baby face - way too old to play the lead.
I'd have to imagine Edgar Wright's "Scott Pilgrim vs. the World" will do a whole lot better when it finally drops on Aug. 13, a good, usually slow spot for his follow-up to "Hot Fuzz." The flick, based on the funnybooks by Bryan Lee O'Malley, will also star Cera as the titular hero, who just wants to win back the heart of Ramona Flowers (Mary Elizabeth Winstead), but must battle her seven exes to do so.
The movie, which will surely be a lot better than I'm making it sound here, also stars Anna Kendrick, a definite favorite around here, as Scott Pilgrim's sister, and for further proof it will be good, take this hint from Wright himself:
"When I hired [cinematographer] Bill Pope to be DP — amongst his many films and TV shows he's done [are] "Freaks and Geeks" and "The Matrix." And I said to Bill: Imagine this film is equidistant between those two projects. Imagine the film is slap-bang in the middle of "Freaks and Geeks" and "The Matrix"." Here's hoping it's more of the former than the latter, but either way it should just be a fun mix to behold.
3. "Parks and Recreation gets third season"
Though it is the lowest-rated entry in NBC's stellar Thursday comedy lineup, "Parks and Recreation" is the first one to get another season pickup. The others - "Community," "The Office" and "30 Rock" - are sure to be picked up very soon also, but P&R got the early nod simply because NBC had to lock up the actors' contracts. I mean, does anyone really think NBC would ever get rid of "30 Rock" unless Alec Baldwin finally actually quit?
Personally, I like "Parks and Recreation" as much as "Community," and almost as much as I do the other two. It's even drier than "The Office," but often sweeter too, and everyone in the cast is very funny (especially Aziz Ansari, and Amy Poehler in the lead just keeps getting better too.)
4. Fincher headed to HBO for crime pilot
When I was compiling my best movies of the past decade (which you're certainly welcome to go back and read), I came very close to naming David Fincher's "Zodiac" as the best movie of 2007, but it lost out by just a nose to Sean Penn's "Into the Wild" (which just keeps getting better and better with age.)
So it's certainly good news that Fincher is about to get back in the crime game to direct at least the pilot of a potential new HBO series called "Mindhunter," with a script from "Dexter" scribe Scott Buck. Set to star Charlize Theron (I guess I sort of buried the lead there), the series would be about the FBI's elite serial crime unit.
I recently canceled my HBO to pay the power bill instead (you gotta have priorities, I guess), but I'm certainly gonna re-up as soon as either Martin Scorsese's "Boardwalk Empire" or David Simon's "Treme" finally hit the air, so with another "True Blood" season coming in June and possibly this Fincher work too, I guess I'm gonna be hooked again for quite a while.
5. "South Park" creators off-Broadway bound
Anyone who has seen "South Park: Bigger, Longer and Uncut" knows that Trey Parker and Matt Stone are a surprisingly natural fit with musicals, so I guess this news isn't quite as odd as it seems on the surface.
It seems the duo are teaming up with "Avenue Q" composer-lyricist Robert Lopez on a new musical set for the 2010-11 season at the New York Theater Workshop. Though details so far are scant, speculation is that the subject matter will be Mormons, who have been fairly frequent targets for Parker and Stone already.
If that's the case, it's the only thing about this that sounds like a bad idea to me. The Mormon jokes on "South Park" are very mean but not funny, and mean by itself just doesn't work in my book. That said, I've seen "Avenue Q" and loved it, so definitely keep your eyes on this.
6. George Lucas producing musical ... with fairies?
Anyone who endured the agony of George Lucas' "The Phantom Menace" and "Battle of the Clones" surely knows that when it comes to CGI shenanigans, the man really knows neither limits or shame, but this next nugget still seems to be a special brand of crazy.
It seems that for past few months at Skywalker Ranch, "TMNT" director Kevin Munroe is busy directing a CGI-animated musical about ... wait for it ... fairies. Believe me, I can't make this stuff up, because if I could I'd probably be getting paid a whole lot more than the zero I do now to do this.
There's always the chance, I suppose, that something spectacular will come out of this madness, but for now let's just chalk it up as pending further proof that George Lucas is sorely in need of occasionally hearing the word "no."
7. Sarah Polley books next flick
OK, for at least a little while, you can call this the end of the crazy section of this post, 'cause here's some genuinely good news. Along with all the movies being shown at Sundance, it's of course also a site for making deals, and it seems that's where Sarah Polley locked down the cast and financing for her sophomore writing/directing effort, called "Take This Waltz."
It took me a long time to see Polley's first directing project, the nearly flawless "Away from Her," but I'm glad I finally did, because it's sublimely entertaining. She's also known as the star of Atom Egoyan's "The Sweet Hereafter," a role that I still have burned on my brain.
Her new movie will star Michelle Williams and Seth Rogen and start shooting in Toronto in July. Williams will star as Margo, a 28-year-old married woman who just happens to meet the man who lives across the street from her while on a business trip. I'd have to imagine sparks will fly, and that Rogen will play the neighbor (especially since the character is apparently named Seth.) The Playlist blog, a must-read around here, says the script starts off on some wrong notes, but eventually turns into the kind of sad/sweet romantic drama that should fit Polley - though perhaps not Rogen - perfectly.
8. John Carney lands new flick and has one already in can
Since his little flick "Once" was easily one of the best - and the single most charming - movies of 2006, it's certainly good news that John Carney is directing a movie that might actually play wide enough to reach my little corner of the world in its theater run.
According to the Irish Times, he'll direct the comedy "Town House," set to start shooting in August with stars Amy Adams and Zach Galifianakis. Based on the book by Tish Cohen, it's about a man who "lives with his teenage son in a historic Boston townhouse that he inherited from his rock star father. With royalties from his father's work dwindling, the man is forced to come to terms with his life ... and a call girl strikes up a friendship with the man."
The Adams/Galifianakis news is a bit old and may change, but this certainly seems like the kind of relationship flick that should fit Carney perfectly. And in even better news for DVD, it seems that Carney has also already shot another flick in Ireland.
Co-written with his brother Keiran, the low-budget comedy "Zonad" is about a man who visits the town of Ballymoran and is thought to be an extraterrestrial. Variety has described the '50s set film as equal parts "Pleasantville," "The Quiet Man" and old "Carry On" films, which all sounds good to me. It's set to open in Ireland on March 19, but here in the U.S., it sounds like a pretty quick straight-to-DVD affair, and I'll certainly let you know when I know more.
9. Tim Burton chosen to head the Cannes Grand Jury
That one speaks for itself, but to make the next two items very New York-centric, I can report that the Tim Burton exhibit on display at the Museum of Modern Art into April is well worth a visit if you can stand the company of many excitable children (they really tried the patience of this known curmudgeon.) If you can, it's a really cool show, featuring sketches and props from many of his films, along with other paintings by the filmmaker. And by the way, if you can find Avril Lavigne's truly god awful song from Burton's upcoming "Alice in Wonderland," its worth a listen just to see how truly awful it is, but don't try and say I didn't warn you.
10. Original "Red Riding" trilogy premiering in New York
Though sitting through all five hours of Steven Soderbergh's "Che" at the IFC Film Center last year was a truly agonizing experience I never need to relive, this IFC movie marathon sounds like one I would truly dig.
Starting Friday, Feb. 5, IFC will be showing all three installments in the UK true crime "Red Riding" trilogy back-to-back-to-back, with two intermissions and only credits at the very end.
So, what are those? well, they're based on three true crime novels by David Peace, also author of the simply fantastic "Damned United," which was itself turned into an almost-as-good flick you can watch on DVD beginning Feb. 23. Having read the first "Red Riding" installment, "1974," I can report that it's a truly gritty affair, and before it goes off the rails completely at the very end, would certainly make the basis of a great true-crime movie in the "Prime Suspect" vein.
But of course, I don't live anywhere near New York City, so I take this mostly as a hopeful sign that all three of the "Red Riding" flicks will be available sometime very soon on DVD in the U.S. Which finally gets us near the finale of this admittedly very long opus, a trio of clips. The first is the trailer for the "Red Riding" trilogy. The rather amazing cast includes Sean Bean, Rebecca Hall, Eddie Marsan and Paddy Considine, among many others. Enjoy.
Next up comes seven clips, courtesy of Collider.com (for which I sometimes contribute), from "The Wolfman," starring Benicio Del Toro and set to drop Feb. 12. I suppose there's a pretty big chance this could just suck, but I'm a sucker for horror in the classic style, so this is a remake I'll definitely check out.
And finally (yes, we're at the end, really) comes a delightfully silly and thoroughly profane mashup of James Gandolfini's work as Tony Soprano and his voicework as Carol in "Where the Wild Things Are." I love Spike Jonze's flick, and if I had a vote, I'd push Gandolfini for a Best Supporting Actor nomination at the Oscars. Here, however, as you might imagine, in this clip he's not only "not safe for work," he's about as foul as you can get, especially in the final two words, which I won't give away. If your sensibilities can take it. Enjoy.
First off, serious kudos go out to filmmaker Tina Mabry, whose "Mississippi Damned" I had the disinct pleasure of seeing at the Atlanta Film Festival 365 this year.
Now, it seems that Mabry's flick has taken home the top prize, the Golden Hugo for best film, at the 45th annual Chicago International Film Festival over the weekend, and Mabry also nabbed the best screenplay prize.
They really couldn't have gone to a much better movie in my book. Not the easiest flick to watch, "searing" doesn't really begin to convey the story she tells here, about a black family in Mississippi and how their lives become intertwined in increasingly violent ways, mentally and physically. That said, I simply loved it, and it's got easily one of the best ensemble casts of the year, so catch it if you ever can (I looked, and it doesn't seem to yet have any DVD release date I could find.)
Here today, however, it's all about this truly bizarre short film by "Where the Wild Things Are" director Spike Jonze and starring Kanye West, which comes courtesy of Vimeo. It's more than a bit long at 11 minutes, and the sound in the nightclub is often muddled and blaring, but it's still fascinating.
I have no idea if this was supposed to be some kind of music video (there's a song playing in the background that West is very happy to hear, but only being a fan of actual hip-hop, I couldn't possibly tell you if it's his), of which Spike has directed plenty. What it mostly is, before it takes an appropriately odd turn at the end, is West "acting"like a drunken, obnoxious idiot (I say "acting" only because I'd imagine this is what a night on the town with him would be like, and it would be truly be one of the circles of hell.)
I also have no idea if this was supposed to be some kind of apology of sorts from Mr. West for his recent behavior, but I can't help but think it will only reinforce people's generally negative view of him.
Anyways, it's easily the most interesting thing I could find for a Monday morning. Enjoy, and have a perfectly passable day. Peace out.
Of all the wild and raw emotions flying around in Spike Jonze's "Where the Wild Things Are," the one I hadn't counted on feeling during the flick was sympathy for all the studio suits who had to market it.
When they finally sat down to watch it, however, rather than fighting with Jonze for years and years, I'm confident that like me, most of them found that - despite the movie's often-lumbering pace - he got all you possibly could and more out of Maurice Sendak's magical book by turning it into a glimpse into a 9-year-old's troubled mind.
And it certainly helps that the 9-year-old in question was played by Max Records, though the studio fought him on that choice too. As the movie Max, young Mr. Records captures his state of mind perfectly, wanting to be - and often acting like - a savage while at the same time unable to mask the fear and doubt that cloud up his life. As he rampages through the woods with his wild creations, Jonze isn't afraid to let young Max get as sweaty and snotty (enough to match his attitude) as a kid would left to his own devices. My favorite Max moment, however, came early on as you see the perfectly reasonable horror on his face after a teacher tells him the sun is going to die. It's all around certainly the best movie performance by a youngster this year.
In fact, what I was most surprised to find about Jonze's movie is that, as magical as the realm of Max's wild things often is, the best segment is the first 20 minutes or so that take place in Max's often-cruel (at least in his eyes) real world. Jonze and screenwriter Dave Eggers deftly flesh out the details that will shape Max's fantasy world once he runs away from it all, from his sister's friends who destroy his igloo (but only after he started a snowball fight) to his sister and mother who don't pay enough attention to him. Best of all is that, though it's a small role, the writers and Catherine Keener quickly turn the mother into a harried, lonely but mostly sympathetic character (and I loved that scene where she distracted herself from the tedium of work by typing into a report the much-more-fun story she cajoles Max into telling her about the consequences of vampires biting buildings.)
But, of course, it's supposed to be all about the wild things here, and that's where the movie will lose some audience members - young and old - because of just how morose they often turn out to be. Here too, however, it's still written with a lively spirit as it is all filmed by Jonze and cinematographer Lance Acord with an inquisitive touch, always making us uninvited guests at this savage summit of creatures infused with all of Max's simmering frustrations.
What made it all work so well for me was that though there are often some complicated psychological issues being hashed out, Jonze and Eggers have enough confidence in the audience that they never tell us directly what's going on but instead just let it all unfold in front of us, often in the most beautiful ways. It's the alluring landscape (in Australia, if I'm not mistaken) juxtaposed with the consequences of the wild things acting out all of Max's most savage wishes (the snowball fight turns into a dirt clomp fight, and the igloo becomes the greatest fort of all time) that give the movie most of its power.
And though the actors who voice the wild things all do a a great job (James Gandolfini as Max's alter ego Carol and Lauren Ambrose as K.W., who embodies Max's sister, in particular), it's the CGI folks who create the facial expressions for the wild things who are some of the real stars. The thing that bugs me most about computer-enhanced animation is that, particularly with human beings, they just get more and more bizarre as animators try to make them look more "real." With the wild things, however, using giant puppet suits from the Henson shop that are inhabited with actors other than the voice stars, the emotions portrayed through computer animation are more moving and ultimately satisfying than anything ever created by the power of 3-D.
I've probably gone on long enough about all this splendid mess, but I wanted to take issue with one particularly annoying criticism that I read of the ending (but the critic will remain nameless - no name-calling here.) If you somehow don't know how the story ends and don't want to, please just skip to the next paragraph. When Max finally returns home after learning that "All Is Love" (as expressed in the often-enchanting soundtrack by Karen O and the Kids, which you can listen to here by clicking on the widget at right) and that, no matter how big a fort you build, you really can't "keep all the sadness out," he's welcomed home by a relieved Keener with a smile and a warm meal. One rather snotty and condescending review I read of this flick took big issue with this because Max is never punished for first berating his mother (and threatening to eat her!) and then, of course, running away. Well, I'm not a parent myself, but if my kid had run away like that, though I'd certainly be a little angry, I certainly hope I'd first be happy to have him back and give him the meal he so impetuously skipped out on. Punishment may surely have come, but in that instant, I thought Keener, a definite favorite around these parts, just captured the moment perfectly.
And in the end, I suppose all those Warner Bros folks who fought this before ultimately giving in and putting together a rather brilliant marketing campaign certainly have to be smiling now that the flick took in $12 million on Friday alone and clobbered all its competitors. Huzzah to that, and if you haven't seen it yet, I encourage all movie fans young in body and heart to take it all in. Peace out.
Read the Twilight books on hols. Really enjoyed them in a sort of 'creepy old man reading delusional, horny, daughter's diary' way.
No, the title of this post doesn't refer to the Twilight books, which I'd never bother to read, but I just thought that tidbit from Simon Pegg was just way too funny to pass up.
What I'm actually referring is the quartet of Red Riding novels by David Peace, "Nineteen Seventy-Four," "Nineteen Seventy-Seven," "Nineteen Eighty" and "Nineteen Eighty-Three." If you're unfamiliar with Peace, he's also the author of "The Damned United," a damned fine book about football coach Brian Clough that's now been made into a feature film starring Michael Sheen, if you're lucky enough to see it.
The Red Riding novels, a different kettle of fish, sound a lot like a "Prime Suspect" kind of thing to me, and there's certainly nothing wrong with that. The books have already been made into a three-part British miniseries, which was unfortunately not yet available through my Netflix account, described as "a study of power and police corruption framed around the investigation of the disappearance of several young girls."
I'll see that as soon as I'm able, and I've already just ordered "Nineteen Seventy-Four" from the Amazon, but of course an American version (bastardization?) is also already in the works.
Ridley Scott has been hired to direct and Steve Zaillian to script a two-hour movie (shortened from the original five hours) flick which will transplant the action from the U.K. to the U.S., because I guess that's just supposed to be more palatable to us somehow. I'll keep an open mind about all that until I've at least read the four books and seen the original miniseries.
All I have after that today is a couple of fun videos, starting with this series of six clips from Wes Anderson's "Fantastic Mr. Fox," courtesy of Collider. The more I see of this stop-motion animated flick based on and expanded from the classic children's novel by Roald Dahl just makes me think it's gonna be a real winner when it comes out Nov. 25. Enjoy.
And lastly today, since my (and many other people's) most-anticipated movie of the year finally comes out tomorrow, here's a "Where the Wild Things Are" featurette showing how big a part actual kids played on the set of Spike Jonze's flick. Due to furloughs, vacations and other fun stuff, I'm gonna have to work instead of seeing this tomorrow, but I'll certainly be there Saturday morning, and I just can't wait. Enjoy, and have a perfectly pleasant Thursday. Peace out.
You know, considering that no one with any kind of power that I know of has ever actually asked, a rather remarkable number of my favorite books have already been made into movies this year: "Where the Wild Things Are" (of course), "The Damned United", "Youth in Revolt" and "Watchmen" (and yes, in case anyone has a snooty reaction to that, "Watchmen" is indeed a great novel, graphic or otherwise.)
That got me to thinking, and looking through my book shelf, for the books that I'd most like to be made into feature films, though I really can't see any of these six making any kind of serious box office coin.
Before we get into any of that, however, the program for the 2009 Rehoboth Beach Independent Film Festival has just been released, and as usual it's full of a lot of very fun stuff. I'll probably see 10 or so movies in the three days I'm there in November, and so far the highlights I've scribbled down are "The Baader-Meinhof Complex", the documentaries "It Might Get Loud" and "Youssou NDour: I Bring What I Love", and the animated film "Sita Sings the Blues," leaving me with more than a few slots to fill.
If anyone who knows more about independent and foreign movies than I do wouldn't mind looking through the program you can download here and giving me a few suggestions, I'd certainly appreciate it.
But getting back to the intended subject here today, looking through my bookshelf, here are the five or six (or seven) books I could find that I'd most like to see made into feature films:
Among the Thugs Soccer hooliganism is hardly the most appealing subject, but it's already worked very well at least once as a movie with "Green Street Hooligans" starring Frodo Baggins himself (if you haven't seen that one, it's well worth a rental.) This nonfictional work by Granta editor Bill Buford chronicles his often frightening adventures running with a rather surly band of Manchester United fans known as the "Inter-City Jibbers," most notably with a troubled trip to Turin. It's just a fascinating book I've read at least three times now.
"Reservation Blues" Given the relative success of "Smoke Signals" and how many great books have been written by the American Indian scribe Sherman Alexie, it really surprises me that more of his books haven't been made into flicks already. If I had to pick just one, it would be "Reservation Blues," probably his most accessible novel and just a great tale about what happens when bluesman Robert Johnson makes a visit to the Spokane Indian Reservation and passes his enchanted guitar along to resident Thomas-Builds-the-Fire. Adam Beach surely needs the work, and for the young ladies, why not that Taylor Lautner from those "Twilight" movies too?
The "Adrian Mole" novels Sue Townsend's series of novels about Adrian Mole (who starts out at age 13 3/4 and, of course, gets older) have already been the inspiration for three British TV series, none of which I've managed to see, and even apparently a musical of some sort. And, though I can find no evidence that it has either been ever completed or even started, there's also a listing for a "The Secret Diary of Adrian Mole Aged 13 3/4" at the IMDB for 2009, but it doesn't feature a cast, so I have no idea what's going on with any of that. Here's hoping it somehow makes to a theater somewhere near me soon!
"Member of the Wedding" OK, this one has also already been made into two TV movies and a proper 1954 feature film, but the coming-of-age story of Frankie Addams by the great Georgia writer Carson McCullers is just the definition of timeless and could certainly be done again and right. Perhaps I just have a soft spot for this one because mi hermano played John Henry West in a local theater production of this when I was growing up, and I quickly just fell in love with the story.
"Outcasts United" I really harbor no fantasies that there's ever gonna be a genuine blockbuster about soccer, but this great American story penned by New York Times reporter Warren St. John would just make a perfectly compelling movie. The nonfiction work tells the tale of coach Luma Mufleh and her band of refugee kids who band together to form a not-surprisingly-good soccer team in the town of Clarkston, Georgia. Much more than a soccer story, it's all about immigration in America and what happens when you transform a sleepy Southern town into a melting pot featuring all kinds of ingredients. Read it now if you can.
"Maggie Muggins (or Spring in Earl's Court)" and "Small World" I went through a brief period of my reading life when all I read was British novels, and these were easily two of the best. Though Keith Waterhouse's novel "Billy Liar" has been made into a great 1963 movie, the story of Maggie Muggins is just as good, and her misadventures as "a piece of urban flotsam" would certainly work as movie, sort of the anti-Bridget Jones (and please, dear God, if anyone ever really does make a movie of this, don't cast Renee Zellweger in it!) "Small World: An Academic Romance," by David Lodge, is just one of the wittiest novels I've ever read, and despite the fact that it's set in the none-too-movie-glamorous world of academic conferences, it still delivers all kinds of funny.
So, there you have it, and I believe that actually went to seven. I fully realize that none of these ideas will ever hit the screen (or at least not again) anytime soon or ever, but please feel free to add any books you'd love to see brought to the big screen to this list.
And, because I'm just psyched beyond belief to finally be getting to see Spike Jonze's "Where the Wild Things Are" this Friday, here's a clip from when Max first meets the Wild Things to get you geeked up too. Peace out.
When I was very young, my father brought home a little movie called "Spinal Tap," and I have never been the same since. Along with being a movie junkie and a devoted fan of the hapless Baltimore Orioles, I have recently returned to the town I grew up in, Salisbury, MD., to work for The Daily Times newspaper.
