In Macon, great movies upcoming all around

January is always a notoriously bad month for movies - at least if you stick with what's new in theaters.

Luckily, here in Macon, there's a lot more on the menu if you look a little closer. Here are several examples in the coming weeks that are all well worth checking out.

First up, Mercer University will be hosting a truly special event with its inaugural Freedom Lecture on Monday night, and will be screening two movies related to it. Sister Helen Préjean, who has devoted much of her life to ministering to death row inmates and become a leading advocate for the abolition of the punishment, will be speaking at 7 p.m. at Mercer's Willingham Auditorium.

Préjean will be signing copies of her book, "Dead Man Walking," following the lecture, and the movie it inspired will be screened earlier in the day, at 2 p.m. at the Cox Capitol Theatre downtown. Additionally, the documentary "At the Death House Door," which focuses on the career of a chaplain for the Texas prison system and his change of heart about the death penalty, will be screened at 1:30 p.m. Sunday in the Social Hall of St. Joseph Catholic Church.

An all-around unique series of events, and best of all, they're all free.

And, this being a great college town, it's not just Mercer that gets in on the movie action. Mercer, Wesleyan College and Macon State College are teaming up once again for the 2011 CollegeTown Film Series beginning Thursday, Jan. 20, with all movies being screened at the Douglass Theatre downtown, a great venue for movies if you've never checked it out.

Previous CollegeTown Film Series themes have included "City Life," "Films of the Fabulous Fifties," "Social Justice in the 20th Century," "The New Millennium: The Past as Prologue" and "Civilization and Its Discontents," and this year the focus is on "End Times," with three movies related to that rather ominous proposition being presented.

First up, Jan. 20, will be "Last Night," a 1998 movie by director Don McKellar which brings together a diverse group of people - played by Sandra Oh, Sarah Polley and director David Cronenberg, among others - with the world expected to end in six hours at the turn of the century. I haven't seen this one, but it sounds fascinating, so I suspect that's about to change.

The final two movies in the series, however, are among my favorites, and in their own way take interesting looks at the series' theme. Jim Jarmusch's "Ghost Dog," which stars Forest Whitaker as a hitman who models his life on that of the Samurai and turns against the mafia thugs who are usually his employer, will be screened Jan. 27. And finally, Alfonso Cuaron's "Children of Men," a riveting dystopian film starring Clive Owen which tied with "Pan's Labyrinth" for my favorite movies of 2007, will be screened Feb. 3.

Immediately following each movie, a professor from one of the presenting colleges will lead a discussion: Tom Ellington of Wesleyan College following "Last Night," Craig Coleman of Mercer University after "Ghost Dog" and Patrick Brennan of Macon State College after "Children of Men." All movies start at 7 p.m. at the Douglass, with admission being free for faculty and staff of the presenting schools, and $5 for others, which includes a snack pass. Bully. Definitely turn out for at least one of these if you can.

And not to be left out of all the movie fun, the Macon Film Guild is supplementing it's once-monthly offering of fantastic films from the edge of the map with a new quarterly documentary series, with "The Tillman Story" next up at 7:30 p.m. Tuesday night, also at the Douglass.

The movie examines the life and death of Pat Tillman, the American hero who turned his back on a pro football career to join the military after the terrorist attacks of 9/11. His death in the line of duty, how it was exploited by the military and his family's search for the truth about it all are explored by director Amir Bar Lev. Admission is $5.

So, we may have had least a smattering of snow this week in Macon, but great movies are still blooming all around - if you know where to look.

For Wednesday, just a slew of movie news, good, bad and simply silly

There's just a ton of news out there today (or perhaps yesterday, but it's new enough to me), but let's just start with the worst of all and get it over with: George Lopez has signed on to star in a big-screen version of "Speedy Gonzalez." Just take that in for a second before moving on.

Now, I understand that Hispanics need to get all kind of roles and want that to happen all the time, but can you have a worse comedic role model than the very obnoxious Lopez or a more stereotypical role for him to jump into? Sheesh.

Just in case you're curious about the "plot" of this monstrosity, it will be a live-action/CGI animation hybrid from the director of "Garfield" (this just keeps getting better and better, doesn't it?) about how Speedy becomes a race car driver.

OK, enough bile to start the day. It can only get better from here, I promise.

Freida Pinto to join forces with Tarsem

It really seems like every other movie coming out nowadays has something to do with Greek gods, and I'll probably skip just about all of them except for this one, because I'll see just about anything directed by Tarsem.

If you have seen "The Fall" (and if you haven't, why the heck not?), you know he's as capable of telling a great story as he is of delivering something visually stunning, and now he's got a great leading lady for his next project, "War of the Gods."

The story follows a young warrior Theseus as he leads his men into battle with the immortal Greek gods to - of course - save mankind. Freida Pinto is set to play Phaedra, an oracle priestess who joins Theseus on his quest.

Like I said, these movies quickly all run together for me, but Tarsem is without exaggerating a genius, and Freida Pinto is the kind of beauty I'd probably pay to watch eat a bag of chips, so I'll definitely be keeping my eyes on this one.

The Coens find their young leading lady

Remakes usually make me cringe as much as anyone, but these next two are just so crazy that I can get behind them unconditionally.

First up is the Coen brothers' take on "True Grit," set to come out in December and almost certainly net them another Best Picture nomination in the next field of ten.

Why a remake of "True Grit"? Well, the original movie is great in itself, but the novel by Charles Portis is even better, with a lot of humor to mine that the Coens should take full advantage of.

Already announced for the stellar cast are Jeff Bridges, Matt Damon and Josh Brolin, and now its just been announced that newcomer Hailee Steinfeld has been cast in the essential role of Mattie Ross, the 14-year-old who, along with an aging U.S. marshall and another lawman, tracks her father's killer in hostile Indian territory. I've included a picture of her since I really had no idea who she was, but the Coens' take will apparently focus much more on Mattie's view of the story, so this really is the key part. Count me as thoroughly jazzed for this.

Stephen Chow to channel Bruce Lee

I'd normally greet any news of a Bruce Lee movie remake with nothing but a sneer, but Stephen Chow is both certifiably insane and just as fun, so I'll give him the benefit of the doubt on this.

Chow has just signed on to make his Hollywood acting/directing debut with something called "Tai Chi," which is at least loosely to be a remake of sorts of Lee's "Way of the Dragon."

Like the original, it will tell the story of a Chinese immigrant (Chow, natch) working as a dishwasher in Chinatown who also just happens to be a Tai Chi master. He hides those skills until he's forced to stand up to gangsters who oppress his fellow immigrants.

This sounds like nothing but fun to me, and the kind of flicks Jackie Chan used to make before he joined ludicrous projects like the "Karate Kid" remake coming fast (and, don't say I didn't warn you, there's more coming on that later today.) Definitely keep an eye on this.

A pair of biopics in the pipeline

When I saw this this morning, I tried to think if there's been a Robert F. Kennedy biopic made yet, but couldn't think of one (if I'm wrong, let me know.) He's certainly a ripe subject, and by far the most fascinating of the Kennedy clan in my book, so word about a biopic is certainly welcome.

And Bostonian Matt Damon would certainly seem to be natural choice to play him, as he will for director Gary Ross from a Steven Knight script.

We all know the tragic story, but my favorite RFK moment of all would have to be the speech he gave in the streets of Indianapolis announcing the assassination of Martin Luther King Jr. Incredibly stirring stuff that should be great to see envisioned on the big screen.

And in even better biopic news, Forest Whitaker let slip in an interview with the indispensable Blackfilm.com that he is directing and starring in a biopic about Satchmo himself, Louis Armstrong. Whitaker certainly has the look for it, and he's becoming a first-rate director too, so this should be nothing but fun.

And there's some great casting news, too

Of all the comedy fronts out there, the best one in my book is what's coming from my adopted South from the mob of Jody Hill, Danny McBride and David Gordon Green. They just view the world with an extremely jaded eye, and deliver their stories, thankfully, without an ounce of sentiment (but often plenty of silliness.)

And now comes word today that Green is about to sign on to direct something that should be the epitome of said silliness, something called "The Sitter," to star Jonah Hill. You've at least got my attention when you describe your flick as a cross between "Superbad" and "Adventures in Babysitting," and this one will be about Hill being forced to babysit three wild kids.

Just about nothing makes me laugh more than children being unleashed as their truly wild and hopefully profane selves, so here's hoping this turns into something genuinely hilarious.

And in semi-related news, fellow Judd Apatow protege Jason Segel is joining something that sounds just raunchy enough to suit him perfectly. Along with the alwaysveryfunny John Michael Higgins (if you don't know who he is, watch "Best in Show" and then get back to me) he's joined something called "Bad Teacher" being directed by Jake Kasdan (as an aside, if you haven't seen Kasdan's "TV Set," do yourself a favor and rent it immediately.)

The flick follows a foul-mouthed, gold-digging seventh grade teacher (Cameron Diaz, somehow) who, after being dumped by her boyfriend, sets her sights on a colleague (Lucy Punch) who is dating the school's model teacher. Add into this mix Segel as a gym teacher and Higgins as the school's principal, and you've got the makings of something that should be nothing but very funny.

And in clearly much classier news, Angelica Huston and Philip Baker Hall are joining James McAvoy, Seth Rogen and Reel Fanatic crush Anna Kendrick in the now-untitled cancer comedy which used to be known as "I'm With Cancer."

The flick, which director Jonathan Levine starts shooting later this month in Vancouver, stars McAvoy as a 25-year-old who learns he has cancer. I have no idea what anyone else will do in this flick, but with a cast like that, it's certainly one to watch out for. Hall, in particular, is a favorite around here who should be a much bigger star by now.

And, finally, a trio of videos

You know, this has already gone a lot longer than I intended when I woke up this morning, but that's what happens when I start the day with a big bowl of coffee.

And for my money, there isn't a funnier (or, not coincidentally, crazier) dude out there today than Aziz Ansari. You can see him on "Parks and Recreation," but thankfully he's also taking his Raaaaandy character from Apatow's "Funny People" to ridiculous extremes. After making a mini-documentary about the Andrew Dice Clay-type comedian (which you can watch in installments on YouTube, highly recommended), Ansari has now teaamed up with TV on the Radio's Dave Sitek to make a Raaaaandy rap album. Yes, really.

And judging from the first single, "Aaaaaaaangry," which you can listen to here, the as-yet-unfinished "mix tape" should just be insanely fun. On this track, he disses everyone from Dr. Dre (first name slowest, last name ever) to the Clipse, and it's just a hoot. Below is a clip of Ansari in character annoucing that the mix tape will be delayed but coming soon, and will certainly be purchased by me whenever that actually happens. Enjoy.



OK, now remember, I did warn you earlier. Next up comes quite possibly the most intelligence-insulating trailer of all time. I'm really not sure where to start with this, but ripping off the "wax on, wax off" bit is probably the worst of all. "Enjoy" the first trailer I know of for the "Karate Kid" remake starring Will Smith's kid, if you dare.



And finally, if for nothing else than to watch out the taste of that monstrosity, here's a promo for "Chuck," which is thankfully finally set to return to NBC on March 1. Since you've got Superman of a sort, Brandon Routh, why not make a "Superman" style promo? Enjoy, and have a perfectly bearable Wednesday. Peace out.

Muppets, Wild Things and other news that just makes me smile

Anyone who's been here before (and there are, amazingly, a few of you) knows that I have a serious thing for children's stories meant to equally entertain young-at-heart "adults," and on that front there's two bits of good news to share.

Starting with Spike Jonze and "Where the Wild Things Are," there wasn't a bigger Oscar snub in my mind than the fact his take on the classic children's story by Maurice Sendak didn't get a Best Picture nomination, even with the field this year expanded to 10 flicks.

Heck, I loved the movie so much that I would have also certainly given nominations to James Gandolfini for his voice work as Wild Thing Carol and also to Dave Eggers for his wildly original adapted screenplay (Eggers' novelization of the script, "Wild Things," is also just a great read.)

Now comes word about both the DVD release of "Where the Wild Things Are" and something else fun that's coming with it (and, frankly, hopefully packaged together so I can afford them both.)

First up, if you buy the "Where the Wild Things Are" DVD on March 2, there will be a rather sweet bonus in the form of an animated short based on another Sendak story, "Higglety Pigglety Pop! or There Must Be More to Life," featuring the voices of Meryl Streep and Wild Thing (the Bull, if I recall correctly) Forest Whitaker. Bully to that, although I didn't really need any more motivation to buy this one.

In even better news, on the same day, Beastie Boy Adam Yauch's Oscilloscope Laboratories will release the doco "Tell Them Anything You Want: A Portrait of Maurice Sendak," directed by Lance Bangs and Jonze, on DVD as well. Jonze and Sendak bonded quite a bit on the set of "Where the Wild Things Are," and as you see from the clip below, it became a genuine mutual admiration society. Enjoy.



And in a final bit about Mr. Jonze, a Web site has been just unveiled for his short film "I'm Here," which recently made its debut at Sundance. Best as I can tell, it's a 30-minute movie that's a love story involving two robots (why not?). You can watch the trailer at the site here, and according to the site itself, the movie will be released on it in March. Stay tuned for more on this very soon.

OK, except for that today, everything else will be about another subject that just fascinates me, the new Muppet movie being cooked up by Jason Segel and Nicholas Stoller for Disney. Being both a Marylander and a child of the '70s, I of course grew up on the Muppets, and certainly have never outgrown their appeal.

Well, now details about the movie itself are coming out quickly. "Flight of the Conchords" co-creator James Bobin has been officially attached to direct the project (a perfect choice in my book), and now early word about the script has emerged on The Playlist (a daily must-read here.)

According to their source, the movie's name has also changed from "The Cheapest Muppet Movie Ever Made" to now "The Greatest Muppet Movie Ever Made." Even with tongue firmly in cheek, you'd better deliver something solid with a title like that, and here's what the source had to say about the movie's synopsis:

" (The script) is about Gary, Mary, and Walter (a man, his girlfriend, and the man's life-long nondescript, brown puppet best friend) getting the old Muppet gang — now retired entertainers known for the same Muppet show we know them from — together to save the TV studio that the original show was shot in. A villain, Tex Richman (nice name, on par with Doc Hopper), bent on drilling for oil underneath the studio, is due to take over the studio in weeks and the only way to stop him? Putting on a show that draws ten million viewers (see also "Heartbroken: The Conan O'Brien Story").

I'm not sure what that last CoCo bit was all about, but although that synopsis perhaps lacks an original spin on the Muppets story, it at least fits firmly in the tradition of what they're all about, so I'm very confident this is in the right hands. Here's some more of what he or she had to say:

It's a fresh, younger approach. Stoller and Segel have fun with the characters, are aware of what made the Muppet early years so great (winks to the audience, friendly musical numbers, single gag repetition, friendship and togetherness being the answer to everything), and hit the mark 65% of the time.

Again, that all sounds great to me, but the key to any great Muppet movie is the music, none of which The Playlist's mole could get his or her hands on. The only proof we have so far of Segel's and Stoller's skills in that department is that blissfully silly Dracula puppet show at the end of "Forgetting Sarah Marshall" (easily the best thing about that very easily forgettable movie.) Here's a clip of Segel performing "Dracula's Lament" on Craig Ferguson's show (I think) to brighten your day.



Finally today, the world is certainly a better place now that the Muppets have their own YouTube channel (trust me, it's a seriously good time-waster), and here's the newest clip. Beaker sets out to meem his way through Kansas' "Dust in the Wind," but as you can probably imagine, the results are somewhat short of perfect. Enjoy, and have a perfectly bearable Wednesday. Peace out.

A free flick from Wayne Wang? Enjoy it while you can

Until this morning, I knew nothing at all about the movie "Twilight" except that it's about young pretty vampires and is intended for many people in the world who aren't me. But now I know that it stars in some capacity Broadway vet Anna Kendrick, who utterly charmed her way through one of my favorite 2007 movies, "Rocket Science." Probably not enough to make me go see it, but it made me smile for a second anyway.

Much better is that with a visit to YouTube (or by simply clicking below) you can view until Thursday a new feature film from director Wayne Wang for free. Who's Wayne Wang? For much of the world, that's a perfectly understandable question.

For years the Hong Kong director has largely trafficked in some pretty schmaltzy crap ("Maid in Manhattan" and "The Heart of Winn Dixie" come to mind), but he also managed to direct easily one of my favorite flicks in "Smoke." If you haven't seen this little movie about the power of storytelling and starring Harvey Keitel, William Hurt, Stockard Channing, Forest Whitaker, Ashley Judd and Harold Perrineau of "Lost" fame, Netflix it immediately and thank me later.

But the new news about Mr. Wang is that he's recently released two feature films, "A Thousand Years of Good Prayers" and "Princess Nebraska," the latter of which has been released for free on YouTube. All I know about it for sure is that it's about a Chinese woman who is four months pregnant and going to college in Nebraska. Abortion and San Francisco factor in here somehow, but to find out anymore you'll just have to watch for yourself, as I will very soon.



R.I.P. Dolemite

The most amazing thing about Rudy Ray Moore dying is that he managed to stay alive so long in the first place. The rather rude but usually very funny comedian died Sunday night in Toledo of complications of diabetes at the age of 81.

I can't say his act was ever my favorite thing to watch, but there's no denying he had great influence over hip-hop music, and for that I can only say thanks.

About four or five years ago, Mr. Moore was scheduled to play a show in Macon, and our former entertainment writer Greg Fields was tasked with interviewing him. I laughed for about three minutes straight as Greg tried multiple times to call Mr. Moore, only to be hung up on and swore at because he was mistaken for a bill collector. I still don't know if that was a joke on Mr. Moore's part, but it certainly made my day.

Enjoy this extremely profane (remember, I did warn you) clip of him telling the story of the signifying monkey from "Dolemite." R.I.P. Mr. Moore.

Wherefore art thou, David Cronenberg?

When his movies are so uniformly entertaining, I guess you really can't begrudge David Cronenberg the right to make flicks at his own pace, but I can certainly selfishly say the world would be a much better place if he indeed chose to work more often than every two or three years or so.

Since the 2007 thriller "Eastern Promises," which was made by a seriously chilling performance from Viggo Mortensen, I think he's been toying with making an opera of "The Fly." I can't even picture what that might look like!

Thankfully for the rest of us who don't live in Canada and get to see this madness, he's also now ready to get back into movies in a rather big way. Word comes today that he's managed to recruit no less than Denzel Washington (heard of him?) to star in a political thriller from "Bourne" author Robert Ludlum.

Set against the backdrop of the Cold war, "The Matarese Circle" revolves around two men — one American, one Soviet — who must cooperate in order to foil a sinister plot to topple the world’s governments. Michael Brandt and Derek Haas, who crafted the mostly satisfying "3:10 to Yuma" remake, are writing the adaptation.

Oscar alert for Forest Whitaker

I guess maybe this is Forest Whitaker's way to make up for missing out on the role of Notorious B.I.G. (which in all seriousness, of course, I doubt he was ever up for). Getting back on track in his quest to play every heavyset, famous black man on the big screen, he's next set his eyes on directing and starring in "What a Wonderful World."

All kidding aside, this should be a lot of fun, and perhaps more importantly it's actually being filmed in New Orleans for the French company - Legende - behind "La Vie en Rose."

The flick will kick off during Louis Armstrong’s impoverished early years in New Orleans and primarily chronicle his career as a trumpet virtuoso and improvisational singer. Since Mr. Whitaker's last directing effort was with Katie Cruise in "First Daughter," which I admittedly haven't seen, I'll still confidently bet this will have to be much, much better.

Julie Taymor creating a "Tempest"

I really should have given Julie Taymor's "Across the Universe" a chance when it finally came here for one week last year, but I just couldn't bring myself to do it. Thankfully, the Macon Film Guild is gonna screen it sometime in the next couple of months, so I'll certainly make up for that oversight when it comes again.

And Ms. Taymor is now back at it to create another oddity, this time with Dame Helen Mirren in tow. She's assembling a rather stellar cast for "The Tempest," and has already flipped the gender roles to make Prospero a Prospera for Mirren to play.

All I can really remember about "The Tempest" is that the sorcerer Prospero (Prospera), the former Duke of Milan, has been stranded on an island with a lot of his books and his 3-year-old daughter Miranda. From there I'm sure it will get very dreamy in Taymor's hands with help from a cast that will include Jeremy Irons, Djimon Hounsou, Russell Brand, Alfred Molina, Ben Wishaw, Felicity Jones and Geoffrey Rush.


Watch Kevin Smith make a porno

From what little I've seen of Kevin Smith's next flick, opening hopefully everywhere on Halloween, I think it's gonna be a real winner. To build the hype for the movie starring Seth Rogen and the fabulously funny Elizabeth Banks, Smith and Co. have starting posting brief "webisodes" at his Quickstop Entertainment site.

The first one, which is up now, features Messrs. Smith and Rogen in a fairly funny discussion about how Rogen should bring more "Affleck-tion" to the set. You can watch it here, and I think it's well worth wasting three minutes or so of your work day. Peace out.

Where the Wild Things Aren't, or how to kill a movie before it's born

I really hope none of this is true, but since it comes from the almost always reliable C.H.U.D. and certainly doesn't seem to be beyond the pale of what happens in the world of movies today, I fear it is.

You may remember seeing a very rough clip of our hero, Max, playing with one of the Wild Things that spring from his mind in Spike Jonze's take on Maurice Sendak's "Where the Wild Things Are." Jonze later clarified that the clip, which you can see in one of my previous posts here, was just very early test footage.

Well, as it turns out, we might just have to savor that clip as the living record of the movie that might have been, because Warner Bros. and Legendary Pictures may be on the verge of killing the entire project and starting over from the beginning.

As crazy as that sounds, it's exactly what the suits are apparently contemplating doing with Jonze's flick, which is essentially completed now but not slated for release until 2009 (never a good sign, of course.) So what's the trouble?

Well, C.H.U.D. reports that the plan to animate the Wild Things' mouths and facial features after shooting the actors in those crazy suits was proving a little more difficult than anticipated. That, however, would be surmountable.

Much more ominously, concerns have been voiced about the boy chosen to play young Max (named, conveniently enough, Max Records.) Mind you, this concern is being voiced AFTER the movie has been shot. Even worse, and more perilous for the film's future, C.H.U.D. reports "they don't like the film's tone and want to go back to the script drawing board, possibly losing the Spike Jonze/Dave Eggers script when they do it. Apparently the film is too weird and 'too scary,' and the character of Max is being seen as not likable."

The questions this brings to my rather angry mind are almost too many to list, but I'll do my best. First of all, did anyone who finds this story "too weird" or "too scary" ever even read the book? I mean, I realize it's a Caldecott winner and one of the true classics in children's literature, but most of its appeal comes in the fact that it's more than a little off-kilter. And Max isn't likable? In the book, as best as I can recall, he's a petulant child who is punished for, among other things, donning his wolf costume and chasing the dog around the house with a fork (I don't know about you, but I'm laughing about that already.) This clearly isn't the cookie-cutter hero we find in most kids' movies today.

Secondly, and much more importantly, what in the world did they expect when they hired Spike Jonze for this? If they had seen either "Being John Malkovich" or "Adaptation," you'd think someone would have balked at the beginning and asked, "Do we really want to hand the reins of a purportedly $75 million children's movie over to this oddball?" Until hearing this latest distressing news I, at least, thought it was a great idea. Why not an "arthouse" kiddie flick, one that parents will be able to take their children to and sit through without wanting to claw their own eyes out?

Now, I haven't seen the almost-finished product (which a lucky few folks got to do in Pasadena late last year, apparently.) It's entirely possible that what Spike Jonze and scribe Dave Eggers have created, with the talents of Paul Dano, Catherine Keener, Forest Whitaker, James Gandolfini and others, is a true disaster. In case you can't tell by now, I'm gonna have to side with the auteurs until we find out more about this, if we ever will. Just a sad story all around.

To cheer myself up I've been listening to Carole King's "Really Rosie." Yes, an odd CD selection for an "adult" with no rugrats running around, but I really love that record. If you don't smile when you hear "The Ballad of Chicken Soup" or how Pierre learns to care, I just don't know if there's anything I can do to help you.

I was hoping to find a video clip from that "Really Rosie" TV special, but instead, here's an animated tribute to "Where the Wild Things Are" I found at YouTube. Enjoy that at least, and if you have the chance, do yourself a favor this weekend and go see Michel Gondry's "Be Kind Rewind" instead of the anatomy of a presidential assassination (why in the world would you put that out now?) or Larry the Cable Guy getting "Witless." Sheesh. Peace out.