Funny Girl(s): Truly funny female movie characters

Actually, putting this together was harder than I anticipated, and certainly not because I don't find women funny or because there aren't a lot of very funny women in Hollywood.

That's not the problem. Instead, it's that when you browse any list of the truly great comedic roles, the sad fact is that most of them are played by men (the reverse, at least right now, is true on TV, but that's a different subject for a different day). It's just a fact, and one that we (or at least I) can't change, so instead of lingering on it, in honor of the funny women of "Bridesmaids," here are six very funny female roles from my movie shelf that I go back to often:

Tracy Flick, "Election"
Not exactly the cute Reese Witherspoon we know now, but her role in this high school battle of wits with the outmatched but game Matthew Broderick is her funniest one, and every time Tracy scrunches up her face in righteous anger, I still laugh out loud.

Marge Gunderson, "Fargo"
Not surprising, I suppose, that Joel Coen would write (along with his brother, of course) the best female character he's ever come up with for his wife, Frances McDormand. Marge, the very pregnant and just as clever police chief played by McDormand, gives the movie much of its sense of place, its strongest suit, and is just extremely funny along the way.

Annie Hall, "Annie Hall"
You can argue that even when he played opposite women his own age, Woody Allen didn't necessarily think much of them, because he made Annie Hall as hippie and dippy as possible, but thanks to Diane Keaton, hilarious, too.

Patricia Franchini, "Breathless"
Her French was truly atrocious (which provided much of the humor), but Jean Seberg goes toe to toe with Jean Paul Belmondo in Jean-Luc Godard's lighter-than-air gangster flick of sorts, and their flirting is just pure comedic bliss.

Poppy, "Happy-Go-Lucky"
The real charm of Sally Hawkins in this infectious Mike Leigh movie is that her Poppy is so thoroughly upbeat throughout that you want to either cheer for or choke her, depending on your outlook. In the end, it's a role so great it can melt even the most cynical of hearts, even mine.

Enid, "Ghost World"
Whatever happened to Thora Birch? Before she seemingly disappeared completely, she played Enid in this movie based on the comic book by Daniel Clowes, a character who savagely skewers everything that's wrong in her world even as she searches for her own place in it.

And there you have it. A brief list, I know, but please feel free to add any I may have snubbed (there are many, many I'm sure) and go see "Bridesmaids" this weekend if you like to laugh with truly funny women.

The return of Alan Partridge, to a big screen somewhere near you?

Actually, before I get into any of that, there's great news out there this morning about Daniel Clowes, easily one of my favorite funnybook authors.

Two of Clowes' works have hit the big screen so far already, and I'd say he's now one for two. "Ghost World" is simply sublime, and easily one of my favorite comic book flicks (what in the world happened to Thora Birch, anyway? ... I just might have to IMDB that.) Unfortunately, that was followed by the uneven at best "Art School Confidential," though not having read the original source material for that one, I suspect it may have been weak right from the start.

That, however, is certainly not the case with "Wilson," which is now being eyed as a directing vehicle for Alexander Payne and, on paper at least, is at least as funny as "Ghost World." Perhaps that just because I look at the world just about the same way as the hero of "Wilson," but I loved the book. Here's the Amazon synopsis.

Meet Wilson, an opinionated middle-aged loner who loves his dog and quite possibly no one else. In an ongoing quest to find human connection, he badgers friend and stranger alike into a series of onesided conversations, punctuating his own lofty discussions with a brutally honest, self-negating sense of humor. After his father dies, Wilson, now irrevocably alone, sets out to find his ex-wife with the hope of rekindling their long-dead relationship, and discovers he has a teenage daughter, born after the marriage ended and given up for adoption.Wilson eventually forces all three to reconnect as a family—a doomed mission that will surely, inevitably backfire.

Believe me, it's all as misanthropically hilarious as that sets it up to be, and assuming that Clowes has a hand in the screenplay for this, it should certainly be one to keep your eyes on.

OK, now on to the main event, which was brought to my attention by fellow Alan Partridge devotee bob Connally, who compiles his always insightful movie reviews here. Steve Coogan has reincarnated the character in a so far very funny set of webisodes as the host of the "Mid Morning Matters" radio shows. Foster's Funny, which puts this together, has put some kind of U.S. block on it, but some kind person always seems to Youtube them quickly again anyway.

But the real Steve Coogan/Alan Partridge news is that the character is apparently returning to the big screen (though it will probably be the little screen of DVD by the time it reaches me), and he's bringing the extremely funny Armando Iannucci (writer and director of the scathingly funny "In the Loop") along with him.

Here's what Iannucci himself had to say about the movie they're working on to Digital Spy:

“We don’t want to rush it - it’s got to be right and justify itself as a film,” Iannucci said. “On the other hand, we don’t want to be unfaithful to the character. So we’re not going mad and doing an Alan-goes-to-Hollywood thing. It’s very much Alan in Norwich. Putting Norwich on the map. Well, somebody’s map.”

Putting Norwich on the map indeed, and Iannucci went on to say that this is in the script stage and the storyline is "pretty much coming along." Iannucci has also sold a satirical series to HBO, to star Julia Louis Dreyfuss as "The Veep," that being the American vice president, so it's great to hear this extremely funny many is very busy.

And all I have after that today in this admittedly brief report (hey, I am on vacation, after all) is a bit of kudos and then just one video. First the kudos. The Academy of Motion Picture Arts and Sciences has just released the short list of 15 nominees for Best Documentary Feature, and I was thrilled to see that Rob Lemkin and Thet Sambath's "Enemies of the People" is on it. The movie, which features Sambath tracking down former Khmer Rouge members to try and get to the truth of what really went down in Cambodia's killing fields, is just sensational filmmaking, so here's hoping they make it to the final cut of five and maybe even win the whole thing, because the movie is just that good.

And finally today, what Spike Jonze really needs to be doing is making a big-screen followup to "Where the Wind Things Are," but that doesn't seem to be on the books any time soon. In the meantime, at least he's using his talent for directing music videos, this time for the Arcade Fire song, "Suburbs." As for Arcade Fire, they'll never make another album as good as their first, "Funeral," which Zachary Levi correctly called an "aural aphrodisiac" in perhaps the worst attempt at seduction of Sarah on "Chuck," but this year's "The Suburbs" is still one of 2010's best albums in my book. Enjoy the video, and if you'll excuse me, I'm off to wander around the French Quarter all day and then go see the Cottonmouth Kings at the Spotted Cat. Yeah, I could get used to this. Peace out.

My (and only my) best movies of the decade: The 2001 edition

I should probably just drop the years from this thing altogether, because today's list will actually contain not one, as I had hoped, but two movies that actually came out in late 2000.

My only two excuses are that I write this very early in the morning, and well, I sometimes confuse when a movie came out with when I actually got to see it. And, to paraphrase the great Lewis Grizzard when people complained about errors in the Atlanta Constitution, "hey, it don't cost but ... well, nothing."

Anyways, here are the nine movies that made today's list, and though that's only seven actually from 2001, I really love all of these, so enjoy, and please feel free to add any you think I may have overlooked.

"O Brother Where Art Thou"
I fluctuate from week to week as to whether this or "The Big Lebowski" are my favorite Coen brothers flick, but for now let's just put them both on top as co-conspirators. Thanks to Bob for politely pointing out this should have been on my 2000 list, because no other Coen brothers flick better combines their talent for establishing a strong sense of place with simply wicked (and in this case delightfully silly) humor. It's a major strength of this flick that, although it clearly pokes fun at Southerners, I have yet to meet one who doesn't look back on it with love.

"Memento"
Nothing like getting your errors out of the way right up front, so here's another one that was apparently released in late 2000 but was misplaced by me (though, in my defense, it didn't get its U.S. debut until the 2001 Sundance Film Festival.) You can trace all the themes from Christopher Nolan's "The Dark Knight" to this mindbender starring Guy Pearce. I love a movie that I have to watch more than once just to make sure it all adds up (and there's another one coming later on this list), especially when it's good enough - like this gem - to make you want to invest the trouble of watching it again.

"Spy Kids"
Yes, really. Though the franchise got worse and worse with the subsequent movies in this series, the original from Robert Rodriguez was just great escapist fare for kids and adults - like me - who like to act like them fairly often. I haven't seen "Shorts" yet, but I will on video, because I just appreciate that Rodriguez - when he's not grindhousing out gloriously gross fare like "Planet Terror" - makes movies he thinks his own kids will enjoy.

"Amelie"
You can count Jean Pierre Jeunet as one of my very favorite directors in the world, and I was just a sucker for this lighter than air romance starring a simply adorable Audrey Tautou. I'm really hoping Jeunet's "Micmacs à tire-larigot," as best as I can tell a goofy tale about a group of misfits who band together to take on a weapons manufacturer, is somehow playing at the end of the year when I make it to New York City, because when he's on top of his game - as with "Amelie" - Jeunet just makes movies that look like nothing else you can find in theaters, and you really can't say that about very many directors.

"Hedwig and the Angry Inch"
I love movies in which the music is at least as good as the movie itself, which is clearly the case with this flick that John Cameron Mitchell wrote, directed and starred in - as the truly unforgettable creation Hedwig. Yes, if there's a scale of somewhat gay to extremely gay, this flick clearly belongs on the latter end, but it's also just a giddy punk-rock romp and tons of fun.

"Ghost World"
This has developed - along with "Office Space" and "Super Troopers" - into one of those movies I can pop into the DVD player after a nightmarish day at work to make it all float away. What in the world ever happened to Thora Birch, who as Enid just made the perfect (anti-?) heroine? I love that, to this day, if I find the right person to talk to, we can still debate just what happened to her at the end - AND IF YOU HAVEN'T SEEN THIS FLICK BASED ON THE GRAPHIC NOVEL BY DANIEL CLOWES, PLEASE SKIP TO THE NEXT PARAGRAPH SO I WON'T SPOIL IT FOR YOU - in which I've always thought Enid commits suicide. No matter how you read it, this is just a bittersweetly askew view of the world, and easily one of my favorite flicks.

"Devil's Backbone"
I watched this Guillermo del Toro movie again this year for Halloween when I was petsitting for a friend of mine (yes, I have a rather boring life sometimes), and though it takes its time telling the tale, it's just a wickedly entertaining ghost story. On a side note, if you want to see a more recent horror flick endorsed by del Toro, please see Juan Antonio Bayona's "The Orphanage" ("La Orfanato") on DVD before it gets the inevitable English-language remake next year.

"Donnie Darko"
Will Richard Kelly ever make a great movie again? I sat through all of "Southland Tales" and this year's "The Box" simply out of love for this flick, but they were both just serious duds. "Donnie Darko," however, took me multiple viewings to truly appreciate, but as twisted tales go, this one about Donnie (Jake Gyllenhaal) and his giant furry friend Frank is as good and ultimately absorbing as the best work of David Lynch.

"The Royal Tenenbaums"
Nothing like saving the best for last. Though all these flicks are winners for me, the best movie of 2001 was also Wes Anderson's best (though by just a nose over his first two, "Rushmore" and "Bottle Rocket.") No other of his movies better combines his artist's eye for detail with a great knack for storytelling, here about the Tenenbaums, a family of doomed geniuses who live in some kind of alternate vision of New York City. From all I've heard, he and co-writer Noah Baumbach have recaptured this magic with "Fantastic Mr. Fox," which I can't wait to see this weekend. In the meantime I'll leave you today with one of the funniest things I've ever seen in a movie, Royal Tenenbaum's epitaph.

"Died tragically rescuing his family from the wreckage of a destroyed sinking battleship."

So there you have it. As I said, please feel free to add any movies you think I may have snubbed, and have a perfectly pleasant Tuesday. As a bonus, here's the second trailer for "Youth in Revolt," which - despite the ridiculous voiceover pitching it as a routine teen comedy - I'm hoping will be one of my 2010 favorites, because the book by C.D. Payne is just a fantastic farce. Peace out.


Youth in Revolt Trailer #2

Trailer Park | MySpace Video

An animated weekend, starring a panda and - even better - "Persepolis"

There's a lot to talk about for this upcoming movie weekend, but first and foremost I'm very happy to report there has indeed been a sighting of Thora Birch.

Sadly, my mind - while working hard to avoid work - has wandered more than a few times to the subject of what in the world had happened to the star of "Ghost World," who had seemed to just disappear. Well, now she's back, though probably not in anything I'll bother to see.

She's set to star with Brittany Murphy in a psychological thriller called "Deadline" in which the star, Murphy, is a writer who travels to an abandoned house to write a screenplay, where a bout of writer's block and other unforeseen events lead her to a psychological breakdown. Sounds pretty meh to me, but welcome back Thora all the same.

But now, on to the movie weekend. For me, it will mean two animated flicks, "Kung Fu Panda" and, even better if you're anywhere near Macon, "Persepolis" presented Sunday by the Macon Film Guild at the Douglass Theatre.

As for "Panda," it's just a lock for me. All the reviews I've seen so far say it just looks amazing, and even if the story is more than a little predictable, it's more than funny enough to sustain its 90 minutes or so, which is just about all I can ask for from a summer animated flick. And, though I can see how he's worn out his welcome with some folks, I still have a lot of time for Jack Black. And, even better, Ian McShane of "Deadwood" fame voices the villain, Tai Lung, never a bad thing in my book.

I do, however, have one request. I don't know how in the world it took animators so long to settle on pandas as just about the coolest creatures in the universe, but please, please, please don't let them become the new penguins. The world will be just fine without a movie about surfing pandas.

That's up for me Saturday morning, and then on Sunday - and apparently sort of at my request - comes "Persepolis," easily one of my favorite flicks of 2007. When I humbly reminded Macon Film Guild guru Camp Bacon that I had suggested they screen this flick a while back, he acknowledged they did indeed check it out on my advice.

I sure hope everyone likes it now, but I really don't see how they couldn't. Marjane Satrapi's flick, based on her series of graphic novels about growing up in Iran and Europe, is nearly flawless. The story finally starts to grow a little tiresome only in the closing minutes, but before you get there Satrapi and co-director Vince Paronnaud wrest an amazing amount of lasting images out of only black and white as they craft this engaging tale.

In fact, despite its low-tech approach, "Persepolis" comes even closer to creating the feeling of watching a graphic novel unfold on screen than either "Sin City" or "300" did, though I'm not knocking those flicks either. Round it all off with great voice work from actresses Catherine Deneuve, Danielle Darrieux and Chiara Mastroianni, as our young heroine Marjane, and you've got a flick well worth giving a couple of hours to Sunday at 2, 4:30 or 7:30 p.m. at downtown Macon's Douglass Theatre. Huzzah to the guild for bring this great flick to Macon (and for listening to my advice!)

So, what's missing from this list? "You Don't Mess With the Zohan," of course, though I've seen more than a few reviews that say it's not all that awful. With the names of Judd Apatow and, even better, "TV Funhouse" creator Robert Smigel on the script, I suppose there's a chance those critics are right, but I just can't bring myself to watch yet another Adam Sandler flick that would easily reach its breaking point if it were only the length of a "Saturday Night Live" skit. Here's hoping the panda kicks his ass.

And, as a final weekend treat, here's the teaser poster for Oliver Stone's "W," which frankly is more than little disappointing. Granted, our president is certainly less than a brilliant wordsmith, but isn't that just too easy of a target? Anyways, enjoy, and have a perfectly pleasant weekend (and if you live anywhere near Macon, again please go see "Persepolis" this Sunday!) Peace out.