Three crazy - and potential great - things that caught my eye this morning

Actually, I should probably make that four, since the rather sweet photo above is one of a series at NextMovie to welcome in the new season of "South Park," actually the second half of - amazingly - season 15, which opens tonight.

Never ones to shy away from anything, if I have things right, tonight's episode, titled "Ass-burgers," will indeed poke fun at something no one ever should, Asperger's syndrome, and almost certainly with no mercy. I can't wait.

And, being of course a tribute to the Dude, it's also a segue into the first wild and potentially great thing I noticed this morning, the Coen brothers making the trip into TV. I'd probably just dismiss this as a waste of their time and considerable talents, but the project sounds just about perfect for them and apparently won't really take up too much of their time.

The duo has collaborated with "Cedar Rapids" scribe Phil Johnston to co-create "HarveKarbo," an upcoming hourlong comedy for Fox on which the Coens will serve as executive producers. The show, which will be written by Johnston, will follow the title character, an ill-tempered LA private investigator whose cases frequently involve the depraved doings of the Hollywood elite, and his deadbeat friends in Los Angeles’ El Segundo.

That certainly sounds like it has some Dude-esque potential, and if you've never seen "Cedar Rapids," I count it as one of the better big-screen comedies of this year, a sweet little flick starring Ed Helms and John C. Reilly that had just enough funny and knew exactly when to quit. This is definitely one to keep your eyes on.

And speaking of potentially great TV, but something I still think is much less likely to happen, there's a new development in the "Arrested Development" saga, aka "The Longest Tease."

After Jason Bateman once again relit the movie/return to series fuse on Sunday at the New Yorker Festival's "Arrested Development" full cast reunion, there was word that Netflix and Showtime were both at least slightly interested in bringing the show back for 10 episodes or so to lead in to a movie.

You can still count me as a doubter, but what would make this more likely than a good, old-fashioned bidding war, right? Well, we may just get one, according to the always-reliable Vulture, as Netflix and now streaming rival Hulu are apparently very interested in at least the new episodes.

I promise not to bring up every single tiny development in this already rather ridiculous tale, but this one sounds promising, so stay tuned ...

And thirdly (or fourthly) today, the best album I've heard this year (at least in Adele's considerable wake) has to be "Rome," by DJ Danger Mouse and the Italian composer Daniele Luppi. The album, which just trust me is fantastic, is a tribute to the music of spaghetti westerns, and features vocals from Jack White and Norah Jones. Now comes word that video director Chris Milk, who has done great work with Arcade Fire, among other bands, wants to turn the album into a movie somehow. More on that in a sec, but first enjoy this audio-only clip from "Rome," "Season's Trees" featuring Norah Jones.



I love that song, and the whole album is just the perfect thing for a lazy Sunday morning. As for the movie itself, while apparently at least underpinned and inspired by the album, it will also be based on the science-fiction/horror novel "The Reapers Saw the Angels" by Alden Bell, which I have not read but is apparently about a girl living in a post-apocalyptic world.

I've frankly had enough of those types of flicks, but the involvement of the Danger Mouse stuff in this somehow makes me think this could turn into something fantastic.

And, finally today and as a little treat for anyone who made it this far (and because still being almost a thorough Luddite, I'm still amazed that it's legal to put complete movies on the Internet), enjoy the full movie "Synecdoche, NY," embedded here for the pleasure of anyone who happens to find it. The Charlie Kaufman oddity is really just the perfect thing for a Wednesday, and it looks great imbiggened to full screen, so enjoy. Peace out.

Arrested Development ... the rumor that still won't die gets new life

'It's true. We will do 10 episodes and the movie. Probably shoot them all together next summer for a release in early '13. VERY excited!"

Jason Bateman sets things in motion this weekend with that comment at a full-cast "Arrested Development" reunion arranged by the New Yorker Festival, but why in the world should fans of the show, who have been let down so many times in the past, believe any differently this time?

Well, we probably shouldn't. but this is the first time that I've heard talk of both an "Arrested Development" movie and some new episodes, too, so we should perhaps look a little closer. And in doing so, it seems there's some interesting financial backing, according to Deadline, that could really make it happen.

Per the website, which granted isn't always right, 20th Century TV, which co-produced "Arrested Development", has had talk with both Netflix and Showtime about bringing back the show, as Bateman teased, for 10 episodes that would eventually lead into the long-promised movie.

Still a remote possibility, but lord knows Netflix could use the good publicity along with some original programming, so we can at least file this in the keep-hope-a-little-more-alive file and keep our fingers crossed.

Except for that today, there's news about two of my very favorite directors, so let's just get right to it.

Actually, it's probably a bit strong to call Martin McDonagh one of my favorite directors since he's only made one movie I've managed to see (and two in total), but when that movie is "In Bruges," I think it's a fair leap to make.

If you haven't seen that extremely dark and equally funny little gem, I really can't recommend rentals much higher. The tale of two hitman uncomfortably hiding out on vacation stars Colin Farrell and Brendan Gleeson, and "In Bruges" is the first movie I bought on Blu-ray.

And now comes word that CBS Films is in negotiations to co-finance and distribute another McDonagh film that would also star Farrell, "Seven Psychopaths," which sounds like it should be a lot of wicked fun.

Per Comingsoon.net, in the film, Marty (Farrell) a screenwriter struggling for inspiration for his script, 'Seven Psychopaths,' gets unwittingly drawn into the dangerous dog kidnapping schemes of his oddball friends Billy (Sam Rockwell) and Hans (Christopher Walken). And once the beloved Shih Tzu of the psychopathic gangster Charlie goes missing, Marty finds he's going to get all the inspiration he needs, as long as he can live to tell the tale...

I'm laughing at that already. Sounds like it's got more than a little Elmore Leonard thrown in, and with shooting apparently set to start this fall, definitely stay tuned for more on this as soon as I can find it.

There's also news about another of my favorites who's putting together his second film as a director, Charlie Kaufman. The first for which he didn't have Spike Jonze or Michel Gondry as a counterweight, "Synecdoche, NY," was a wonder that spun way out of control by the end, but still managed to be spellbinding.

This time out, he's just added Kevin Kline to a cast that already included Jack Black, Steve Carell and Nicolas Cage for "Frank or Francis," which definitely plays on themes of "Adaptation," for which Kaufman wrote the script.

This time out, per Variety, the "satire of Hollywood set to music" will "chronicle the back-and-forth between a movie director and an online blogger who delights in berating his cinematic talent."

Also per Variety, Black will play Francis, a blogger who reviews movies online. Carell is playing Frank, a filmmaker who is cheating on his wife, while Cage plays The Emcee, an actor famous for "commercial, high-concept films." Kline will play both Richard Waller, the brother of director Jonathan Waller, whose fictional film Hiroshima is the highest-grossing movie of all time, as well as Richard's Head, an animatronic head that helps Jonathan make a product that will have "the broadest possible appeal and zero artistic integrity."

Charlie Kaufman's mind is exactly my kind of twisted, and it seems like this time out he's keeping it slightly more conventional but probably more fun than with "Synecdoche," so I'm in for sure. Shooting for this starts in January.

And I'll leave you today with two tv-related videos, the first being the first five minutes of "American Horror Story," the new FX series from "Glee" creator Ryan Murphy that's set to premiere Wednesday at 10 p.m. The almost certainly campy haunted house tale stars the truly great Connie Britton (aka Tami Taylor), Dylan McDermott and somehow Jessica Lange too. I'm on the fence about whether or not to watch this one, but I'll at least watch the pilot, and perhaps like a few people who happen to stop by here today, will watch the first five minutes as soon as I finish this post. Enjoy.



And finally, here's the best clip from the first episode of "Saturday Night Live" I've bothered to stay up for and watch live in at least 10 years, starring Melissa McCarthy. They came up with several skits in which she shined, but this TCM spoof in which she played vaudeville bombshell Lulu Diamonds was the best. To say any more would just spoil it in case you haven't seen this yet, so I'll just say it's comedy bliss and leave it at that. Peace out.

Wish I was there: Docs that are rocking the TIFF

Actually, before we get into any of that, and trying to stick to some kind of theme after taking more than a week off (living without the Internet, no matter what you might be thinking, really isn't a return to some kind of low-tech paradise, believe me), let's start with news about three things that, at least in my mind, "rock."

First up, a pipe dream, but as with diehard fans of "Arrested Development," the small cult of people who thoroughly appreciated Starz's equally short-lived "Party Down" (of which I'm certainly a member) are new being teased occasionally with the promise of some kind of movie to wrap things up. And though I'm hesitant to get in on that cruel game, I love "Party Down" enough to pass on what the great Adam Scott had to say about the possibility while promoting "Friends with Kids" at the Toronto International Film Festival:

"We're like 90% there, we're hoping to do it maybe next summer, if everyone's schedules work out and the guys get time to write a script. They have kind of a skeleton of a story worked out so we know where it's going to go but we just have to kind of cross the t's and dot the i's, or something. But Starz are being super cool and they're going to let us do it, and we're all excited, we all want to do it."

Like I said, not holding my breath too hard, but I can't imagine Starz has much else to do, so let's just keep hope alive. And moving on to the next thing that caught my attention this morning, and about something much more likely to happen, there's news about Quentin Tarantino's next flick, "Django Unchained."

The latest is that Samuel L. Jackson and Gerald McRaney (Major Dad, yes really) have officially joined the cast, and in even better news, Jackson let slip that filming will begin in January in New Orleans. The movie itself is set to drop as a Christmas day gift in 2012.

And having read the script for this (it's the Internet, folks, you can easily find it), I can say that on paper it's easily Tarantino's most challenging movie, and possibly his best yet, too. The story is about a German bounty hunter (Christoph Waltz) and a freed slave (Django, Jamie Foxx, odd) who join forces to take revenge on slave owners and liberate Django's wife, Broomhilda (again, yes really, and to be played by the truly great Kerry Washington, hopefully). Broomhilda is owned by mandingo fighting ranch owner Calvin Candie, to be played by one Leo DiCaprio.

Sound crazy? It surely is, and thoroughly incorrect in every way, but what else would you expect from QT? Due to the content, I still have some doubts that he can really pull all this off, but here's hoping for sure. Stay tuned ...

And finally, before we get to the TIFF trailers, there are few people I'd rather see return to TV than "Pushing Daisies" creator Bryan Fuller, and it seems he's hard at work on a comeback that should be just about perfect.

The hourlong show would examine the relationship between one Hannibal Lecter and FBI profiler Will Graham, with the action taking place before the story in the "Red Dragon" novel. No idea who would play the roles or what network wants this (I foresee a bidding war if it's not yet settled), and it would certainly be just about the polar opposite of the wonder-filled and wonderful "Pushing Daisies," but I can still only say bring it on!

OK, now on to the main attraction today, with a final clip of what should be the craziest movie at this year's TIFF, and possibly the best thing too for people like me.

Though I've yet to see any of them, given the quantity and potential quality of the rock docs coming out now, we certainly seem to have entered a golden age of sorts. Martin Scorsese, no stranger to the genre, has a new one on George Harrison, and Cameron Crowe is beginning his comeback with a look at the career of Pearl Jam (always much too earnest for my tastes, but I'd still love to see the movie as soon as I can.)

And at the TIFF, there are at least three others that look very promising. First up, from "An Inconvenient Truth" and "It Might Get Loud" director Davis Guggenheim comes "From the Sky Down," about a certain band known as U2. Heresy, I know, but those guys have never been among my favorites either. The movie, however, judging at least from this trailer, looks to be a lot more fun than the band itself often is. Enjoy.



Next up comes, I believe, Jonathan Demme's third movie about the truly great Neil Young. For this one, "Neil Young Journeys," Demme (coincidentally enough, the director of the Lecter movie "Silence of the Lambs"), followed Young as he returned to his hometown of Toronto for a concert. One I really want to see, so enjoy the trailer.



And last on the strictly rock menu, though Paul McCartney is clearly just a pop kind of guy, comes "The Love We Make," in which McCartney offers his own reflections on 9/11, a day on which he happened to be in NYC. Kinda heavy for a rock doc, but since this comes from the great Albert Maysles, I'm betting on something worth catching if you can. Enjoy the trailer.



And finally, clearly saving the oddest for last, the title of this next one, "Juan of the Dead," obviously gives away what it's about. A Cuban zombie movie that looks as funny and simply wild as that notion should be, this is one I want to see ASAP. And on a slightly different subject, mi hermano and I managed to catch "Attack the Block" while on vacation recently in Charm City, and I can't recommend any movies that have come out this summer higher than that gem produced by Edgar Wright. And with that, I say thanks to anyone who happened to stop by for this return to my vanity project, enjoy the "Juan of the Dead" trailer, and have a perfectly endurable Wednesday. Peace out.

Muppet mania, the cover song edition, plus lots more fun stuff

A free preview of the Muppets-inspired "Green Album" is indeed the highlight around here today, but before that, there's a lot of fun news out there this morning, so let's just get right to it.

To start, no one I can think of is in more need of a genuinely funny comedy than Jason Bateman. Well, to be fair, I suppose there's at least a slight chance that it's "The Change- Up," but so far I've managed to avoid that, so I'll never know.

Much more likely should be something he's just signed up for with veryfunnywoman Melissa McCarthy, who's become one of the summer's true breakout stars with her rather outrageous (and sublimely funny) performance in "Bridesmaids." The two are set to star in "The ID Theft," and all I really know so far is that Bateman will play the victim of the titular ID theft by McCarthy's character. Stay tuned for more when I find it ...

And in other movie news, if I'm not mistaken, there are at least two Jeff Buckley biopics in the works, and now one of them has found its leading man.

Actor/singer-songwriter Reeve Carney, Broadway's Peter Parker in "Spider-Man Turn Off the Dark," has signed on to play Buckley in the as-yet-untitled biopic being directed by Jake Scott. The movie would certainly have to go better than that "Spider-Man" debacle has so far, and they apparently have full rights to Buckley's memoirs and music, so here's hoping something good springs from this.

After that it's almost exclusively about TV news before we finally get to the promised Muppets goodness, starting with a taste of what's to come on "The Office," courtesy of the seriously TV-obsessed James Hibbert of Entertainment Weekly.

With Steve Carell now gone, "The Office" should probably just be shuttered for good, in my opinion, but it does at least sound like they're trying to come up with some fun stuff for when James Spader takes over as the new boss. Here's a somewhat-spoilery taste:

* An established character will be promoted from within to take over as permanent Scranton branch manager subsequent to Robert California’s (Spader) promotion to CEO.
* Dwight will build a Productivity Machine that will evolve into something of a Doomsday Device.
* Riddled with hormones thanks to a second pregnancy, Pam will grow so paranoid she will come to rely on Dwight as the only individual she can trust to be honest with her.
* The entire Scranton warehouse staff will win the lottery and quit. (Something tells me somebody forget to offer Daryl his usual stake now that he’s no longer working in the warehouse.)

The Pam and Dwight stuff in particular should be a treat, so if you're interested, tune in again to find out how this all pans out on Sept. 22.

In other TV news, it's not terribly surprising that HBO is keeping its hands on director Todd Haynes, since it always holds on to talented people and his first HBO project, "Mildred Pierce," was just an Emmy nomination magnet (and awfully entertaining, if you haven't yet seen it.)

Now it seems he's signed for a full series, and one that could possibly reunite him with Julianne Moore. "Dope," based on the novel by Sara Gran, is about a recovering heroin junkie in 1950s New York, and certainly seems like material that's suited to Haynes' usually fully trippy style.

OK, I've buried this last TV bit at the end not just because it comes full circle with Jason Bateman news, but because as with all talk of an "Arrested Development" movie, it should be believed at your own peril. Screen Rant, however, has what it says is the plot line for an "AD" movie, so here goes.

According to the site, the movie follows the Bluth clan's attempts to make their own movie about their lives to compete with one narrator Ron Howard is working on. That said, it of course perfectly matches up with where the show itself left off, so this could just be another false start. Keep hope alive ...

Whew. This really has gone long enough already, I suppose, but there's at least one very funny video out there this morning, so I'll share it with you before we finally get to The Muppets. A YouTube user with the handle of pleatedpants and clearly enough time on his or her hands to match the imagination, has created this video that compiles scenes from "25 Actors Before They Were Famous in Three Minutes." It's pretty much as fun as that title implies, and definite highlights include Sarah Jessica Parker on "3-2-1 Contact" (huzzah!) and Joseph Gordon-Levitt on "Roseanne." Enjoy.



OK, I really do have some things to do before work today (including voting and swimming), so we're almost finished. To introduce the Muppets tribute album, there's first some fresh news about something the Jim Henson Company is cooking up with reality TV pioneers Bunim/Murray. And it sounds like a heck of a lot more fun than any reality TV show I've ever heard of.

"History Of," which as far as I can tell has yet to find a specific TV home, would have pop culture events re-enacted by Henson puppets, not necessarily, but possibly, including Muppets. According to The Wrap, Chris Regan, a former writer for "The Daily Show With Jon Stewart," has signed on to be showrunner and the show will feature surprise celebrity cameos.

Not terribly surprising, since the Muppets and their friends will be everywhere in advance of the November release of "The Muppets," the new movie starring Jason Segel, Amy Adams and all their little friends. One other arm of the marketing machine is "The Green Album," a collection of Muppets favorites covered by popular artists of the day. There are hits (Weezer's faithful but fun "Rainbow Connection" and Andrew Bird's "Bein' Green"), and a few misses, but the whole things wraps up in around a half hour, just like an episode of "The Muppet Show."

NPR is streaming the album, due for release Aug. 23, now, and I've embedded their player below. First, the track listing, followed by the streamer itself, so enjoy, and have a perfectly passable Tuesday. Peace out.

1. Muppet Show Theme Song OK Go
2. Rainbow Connection (feat. Hayley Williams) Weezer
3. Mahna Mahna The Fray
4. Movin' Right Along Alkaline Trio
5. Our World My Morning Jacket
6. Mr. Bassman Sondre Lerche
7. Halfway Down the Stairs Amy Lee
8. Wishing Song The Airborne Toxic Event
9. Night Life Brandon Saller
10. Bein' Green Andrew Bird
11. I Hope That Something Better Comes Along Matt Nathanson
listen 12. I'm Going to Go Back There Someday Rachael Yamagata

The art of the funny, with "Bridesmaids," "Party Down" and, yes, a sneezing panda

Actually, to start things off, there's nothing at all funny about the above trailer, which is for "Let the Right One In" director Tomas Alfredson's "Tinker, Tailor, Soldier, Spy," which is certainly right near the top of the list of movies I want to see for the rest of this year.

The flick, based on the novel by John Le Carre, stars Gary Oldman as George Smiley, the spy charged with uncovering a Russian mole who has infiltrated the ranks of British intelligence. It also rather remarkably stars Colin Firth, Tom Hardy, Mark Strong, Benedict Cumberbatch and Ciarán Hinds, among others, so definitely keep an eye out for this when it drops in the U.S. of A. hopefully very wide on Nov. 18.

After that today, it's all about laughs, starting with the I suppose inevitable movie to be based on quite possibly the cutest YouTube clip of all time (I wouldn't be the right judge of that).

If you haven't seen the clip of the sneezing baby panda by now, I just have to assume you've also never seen a computer. It is indeed just about the cutest thing you'll ever see, and has been on "South Park" and "30 Rock," among countless other places. Now, it seems that the folks responsible for filming it are making a hopefully very funny mockumentary, "The Life and Times of Sneezing Baby Panda."

Australian wildlife documentarians Lesley Hammond and Jenny Walsh came across the panda while making a 1999 film about the giant pandas of China. And now, for this potentially very fun project, they've got some grand plans.

The $1.3 million co-production, set to start shooting in China in October with Zhejiang Roc Pictures of Hangzhou, will follow an Australian zoologist whose zoo faces financial difficulties she thinks she might solve if she travels to China to save the real-life sneezing panda.

And Hammond has some big ideas for telling the family story of her adorable meal ticket. Per the director:

“One panda’s a terracotta warrior. Another’s on the Long March. You know the famous photo of Nixon sitting with Mao? Using visual effects, we’ll replace the woman interpreter sitting between them with a panda.”

Sounds like nothing but potentially very mawkish fun to me, but now on to some actual good news, this about the summer smash "Bridesmaids," which I'm far from alone in having big love for. And now, not only is it a big comedy hit this year, it also has just become the biggest movie from the directing/producing cult of Judd Apatow, and that's really saying something.

Here are the numbers: Through Tuesday, the domestic take for "Bridesmaids" was 148.1 million, putting it right behind big Apatow hits "Knocked Up" ($148.8 million) and "Talladega Nights: The Ballad of Ricky Bobby ($148.2 million), and well within sight of passing them both last night.

And it's all well-deserved. The movie is almost as insightful as it is just fall-down funny, especially when Melissa McCarthy is the center of attention. In fact, I might just go see it again this weekend before it disappears from theaters.

OK, moving on quickly to the clips, one of the real shames about being such a rapidly aging dude is that I'm rarely up late enough to watch Jon Stewart's "Daily Show." Which means I miss gems like this: Louis CK breaking down, in perfect detail, the allure of the fart joke. If you missed the season two premiere of his FX show "Louie" last week, it did indeed include a rather epic bit of flatulence from the guest star who played his pregnant sister, and it was very, very, very funny. Tune in for episode two tonight at 10:30, after "Wilfred," and in the meantime enjoy this clip of him on "The Daily Show."

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And to close today with a bit about a TV show that was even funnier, the cast and creators of "Party Down," the much-missed (at least by me) Starz comedy about a catering company populated by wannabe actors and writers, had a reunion recently at Austin's Alamo Drafthouse. I would have loved to have been in the room for the whole thing, but here's just a tantalizing tidbit in which they tease the unlikely prospect of a "Party Down" movie. That's even more unlikely, of course, than an "Arrested Development" movie, but enjoy the clip anyway, and have a perfectly pleasant Thursday. Peace out.

A trip to "Cedar Rapids"

I was genuinely excited when the midstate got its third and fourth first-run theaters with the Houston Lakes Stadium Cinemas 10 in Warner Robins and the Edge 14 replacing the former Regal Rivergate 14 here in Macon. After all, more theaters means more movies, right?

It really hasn't worked out that way too often yet, but now at the Galleria Mall Stadium Cinemas 15 in Centerville (or at least if it lasts more than one week), we've got in "Cedar Rapids" a low-key but genuinely likable comedy worth checking out before it disappears.

Director Miguel Arteta's fish-out-of-water comedy stars Ed Helms of "The Office" as a small-town Iowa insurance salesman who gets his big break when he gets to attend the big annual conference in the titular "Cedar Rapids" (what happened to the guy he replaces is something I won't go into in this column that also appears in a family newspaper - let's just say its one of the many ways that Arteta mixes in some raunch in this generally and genuinely otherwise sweet tale.)

From the outset, Arteta and screenwriter Phil Johnston, a native Iowan, both embrace the oddity of the American Midwest and at the same time poke fun at it consistently, starting with the thrill that Helms' Tim Lippe gets from simply going through airport security. Once he reaches the "big city," Helms does what he does best on "The Office," mainly react to others. And "Cedar Rapids" is full of funny folks for him to bounce off of, starting with John C. Reilly's Dean Ziegler, who steals every inch of screen he's given.

He's so natural a comedian now that it's easy to forget Reilly was once a fairly serious character actor, even garnering an Oscar nomination for his portrayal of "Mr. Cellophane" in "Chicago." Since then, however, he's buddied up with one Will Ferrell, and has adopted many of Ferrell's best comedy touches and combined them his own hangdog appeal. He gets his best character yet here in Dean Ziegler, the ultimate buffoon-with-a-big-heart, and as much as he'll make you cringe (stick around through the closing credits for another joke so tasteless there is, again, no way it can be repeated here), he also makes you cheer as he and Helms make a mismatched buddy team of sorts.

The main ensemble is rounded out by Anne Heche, funnier than she's been in years as a married woman on the prowl, and Isaiah Whitlock Jr., who played sleazy pol Clay Davis on "The Wire" and gets plenty of mileage here out of subverting the expectations for his character by channeling one of that show's other most beloved (and extremely violent) characters. Very good in supporting roles are the always-welcome Stephen Root as Lippe's boss and mentor, and Alia Shawkat of "Arrested Development" as a hooker who bonds with Lippe as she works the convention crowd.

In all, the movie could use a little more edge, never really reaching the satiric level of the best movies of Alexander Payne, who is one of the producers of "Cedar Rapids." But it does have a real heart and humanity that's sorely missing in most of what passes for comedy nowadays, and like the best of Arteta's movies ("The Good Girl," "Chuck & Buck" and "Youth in Revolt"), it's packed with genuine characters that he embraces even as he ridicules them.

And for that, plus plenty of low-key laughs, it's well worth the 20-minute-or-so drive down the road for Maconites to check out "Cedar Rapids" in Centerville while you still can.

DVD review: "Community" season one

While watching the sometimes uneven but often very hilarious first season of NBC's Community on DVD, I had to wonder: Why don't more TV shows aiming for the funny take on college?

Teen shows often avoid it like the plague. Judd Apatow and his crew found gold - if for only one season - with Undeclared, the natural successor to Freaks and Geeks. But not until Joel McHale and his Spanish study group at Greendale Community College entered NBC's Thursday night lineup last fall has a show so successfully tapped into the contradiction that our four years or so of "higher learning" are often the silliest and most hedonistic time of people's lives.

Watching the first six or so episodes of Community, last fall and again back-to-back on DVD, I really wasn't sure NBC had a winner on its hands. One of the show's biggest assets on paper was also - at least to me - its biggest early problem: A little Joel McHale goes a long way.

His character, a former lawyer booted from his profession because he had a fraudulent college degree, has all the often-misplaced ego that he should have, but McHale just doesn't have the comic chops to make his Jeff Winger much more at all than a one-dimensional wise ass. The character would be much funnier if, like Jason Bateman's Michael Bluth on Arrested Development, he were more comically unaware of the fact that he's the king of crazy in a group that has tons of it.

It's when Community really became more of an ensemble production and tapped into all of its comedic assets - and the genuine geek bona fides of at least two of its stars - that the show really got into its groove. By the time Abed's (Danny Pudi) Dark Knight rescues McHale and a rather disastrously high Chevy Chase (dressed, naturally, as the Beastmaster) from a collapsing fort of tables and chairs at Annie's (Alison Brie) Halloween/Day of the Dead party in episode six ("Introduction to Statistics"), you knew this was like nothing else on TV right now in all the best ways.

From this turning point, Pudi's Abed and Donald Glover's Troy get a lot more screen time, and are naturally just very funny together. They also give the show its genuine geek appeal, making its frequent pop-culture spoofs hit their target much more often than they miss. It all comes together perfectly in season one when the two of them are serenading their rogue lab mouse, naturally named Fievel, to the strains of "Somewhere, Out There," as Senor Chang (the riotously funny Ken Jeong) is trying to salsa dance his way back into his ex-wife's heart to the Celtic sounds of Greene Day. This close to episode 10, "Environmental Science," is pretty much comic perfection.

And the women of Community more than hold their own in all this madness. Brie's Annie plays up her young eagerness, and finds a natural counterpart in Gillian Jacobs' prematurely jaded Britta, while Yvette Nicole Brown's Shirley turns what could have been a stock character - the overly religious black woman - into one who gives as good as she gets when the barbs really start to fly.

As the show progressed, creator Dan Harmon kept injecting it with more and more genuine political incorrectness, giving it an edge sorely missing from so much of what passes now for situational comedy. That reaches its height in the "Basic Genealogy" episode, in which Abed's darkly veiled Muslim sister gets called, in short order, a black ghost and then Phantom Menace (it's OK to admit, that's very funny), and later, in a game of Pictionary, Pierce (Chase) draws about the most offensive thing you can think of for the word "windmill." It's all so incredibly wrong that it works just right.

Community hit its real season one peak, however, with the "Modern Warfare" episode, which manages to sharply skewer just about every sci-fi/action movie cliche you can think of in the space of 22 minutes or so. From the early moment when Pudi utters the line, "Come with me if you don't want paint on your clothes," you know (or at least I did) this will be the funniest prime time moment of the 2009-10 TV season. If you've never seen this show, which has risen to the top of NBC's Thursday lineup in my book, this one episode would make the perfect introduction.

Chief among the extras in this set are the commentaries featuring cast members for every single episode, only a few of which I've had the time to get through so far. Another feature that works very well is the outtakes featured on each disc. Rather than the usual clips of characters breaking out in giggles in the middle of their lines, they spotlight the natural give and take of some truly funny people and what most makes Community a real winner: What NBC has on its hands, for as long as it wants to keep it on the air, is a genuine comedy troupe on top of its game.

And does the mojo continue into season two? So far, solidly yes. The show bagged the quickest and perhaps biggest laugh of the new season by having Glover wake up in his Spider-Man pajamas to open the season, and last week's zombie episode "Epidemiology" was as fall-down funny as the pilot for Frank Darabont's The Walking Dead was utterly terrifying (and watching them back to back, as I did on the DVR, is a real trip.) The bottom line: Community is much more fun than I ever remember college being, and well worth tuning in for every Thursday night or on DVD.

Catching up with some news and clips

Many of these things may have indeed happened while I was on vacation with mi hermano in New York and Philly, but they're all fascinating to me, so if you want to, please feel free to read on.

Easily the best news, and fresh I think, is that HBO has set the return dates for two of my favorite TV comedies, and is in fact packaging them back to back this September. "Bored to Death" and "Eastbound & Down" will indeed premiere as a block beginning at 10 p.m. Sept. 26, and I can only say bring it on.

If you've never seen "Bored to Death," and I'm sure there's many more than a few of you who haven't, I really can't recommend many TV comedies higher. The show from novelist Jonathan Ames (if you haven't read his "Wake Up, Sir!", do so right away) is about a struggling writer (Jason Schwartzman) who decides to list himself as a private eye on Craig's List. As he goes on various misadventures in New York City, he's often joined by co-star Zach Galifianakis and, even better, Ted Danson, who steals every minute he's in as a crazed magazine editor.

"Eastbound & Down," from the Southern-fried comedy shop of Jody Hill and friends, is a more bitter pill to swallow, but in its own way almost as funny. At the end of season one, Danny McBride's Kenny Powers had burned all his bridges in his pathetic attempt to return to the big leagues as a pitcher, and if I'm not mistaken, the new season will at least in part have him hurling in Mexico. That should be a hoot, so if you've never seen this little odd show, give it a chance.

In another bit of TV news, though I'm now thoroughly convinced there will never be an "Arrested Development" movie, two of its funniest actors will be reuniting on creator Mitch Hurwitz's new show, "Running Wilde," starting Sept. 20 on Fox.)

In the show, Gob Bluth plays a rich callow dude (sound familiar?) who falls in love with a crusading environmentalist played by Keri Russell. And now comes word that in a casting change, the extremely funny David Cross will play a radical environmentalist who competes for her affections for at least seven episodes. Nothing but funny there (or at least here's hoping, because Hurwitz's last show, "Sit Down, Shut Up," was just a flaming turd.)

And finally, both because this is nominally supposed to be about movies and because I love Sam Raimi at his best, he's attached to direct something that could be all kinds of fun (and I'm not talking about that "Oz" prequel, which even with Robert Downey Jr. as the wiz himself should just be terminated with extreme prejudice.)

After that, I suppose, Raimi has set his sights on adapting the graphic novel "Earp: Saints for Sinners," from a script by the novel's author, Matt Cirulnick. As the title implies, this would indeed be about the Western hero Wyatt Earp, but transport him into a future in which he takes on outlaws in a ravaged society where the only boomtown left is Las Vegas. Now, having sat through "Spider-Man 3" I know Raimi can fall as much as anyone, but this just sounds like fun to me.

OK, from here on out it's all about clips, the first two of which come directly from Roger Ebert's newsletter, which really is a must-read if you love movies (and at $4 a year, it's a real steal too.)

First up comes the first proof that this fall and winter are going to be all about James Franco, and as a devoted "Freaks and Geeks" fan, that's just fine by me. Later, in December (I think), he'll star in Danny Boyle's next flick, "127 Hours," as mountain climber Aron Ralston, who became trapped while climbing in Utah and had to go to desperate measures to survive. You can count that as one of the very few flicks I'm most looking forward to for the rest of the year, but before that, on Sept. 24 if you live in one of America's bigger cities, you'll be able to see him as the poet Allen Ginsberg in "Howl." Here, courtesy of the Ebert crew, is the first trailer I know of. Enjoy.



I thoroughly enjoyed Ben Affleck's directing debut with "Gone Baby Gone," so you can certainly count me as psyched for his sophomore effort, "The Town," based on the novel "Prince of Thieves" by Chuck Hogan and set to come out Sept. 10. The rather stellar cast includes Gossip Girl Blake Lively, Jeremy Renner, Reel Fanatic fave Rebecca Hall, Jon Hamm and Chris Cooper in a Boston flick about a bank robber and his contacts with the FBI, amorous, contentious and otherwise (sounds more than a little like "Out of Sight," which is fine with me.) Enjoy the first trailer I know of.



Next up comes the first American trailer for Woody Allen's "You Will Meet a Tall Dark Stranger," which, even with the awful narration that also was the only blemish on his sublime "Vicky Cristina Barcelona," looks like it should be another winner. The cast includes, Josh Brolin, Naomi Watts, Anthony Hopkins, Antonio Banderas and the simply stunning Freida Pinto, so we at least know there will be a lot of pretty people, hopefully doing very funny work when this comes out (and hopefully everywhere) Sept. 22. Enjoy the trailer.

And where better to finish up today than with more silliness from the Muppets? We'll have to wait until Christmas 2011 for the new Muppet movie, "The Greatest Muppet Movie Ever Made," being cooked up by Jason Segel, Nicholas Stoller and James Bobin. In the meantime, thankfully, Jim Henson's creations keep popping up in new YouTube creations like this latest clip of the Swedish chef cooking up some popcorn shrimp, with predictably disastrous results. Enjoy the clip, and have perfectly passable Wednesday. Peace out.

Chuck vs. a fourth season: We all win

OK, I've seen it from enough sources now, but first at the Hollywood Reporter, that "Chuck" will in fact be back for a fourth season that I'm just gonna accept it as the truth and smile about it.

Details are still sketchy, but it looks like a fourth season will have 13 episodes, and that sounds about right to me. No word yet on when exactly we might see this, but I'd imagine next January would make sense.

The official word won't come until Monday morning, I think, when NBC unveils its upfront, but like I said, take this at least as a done deal. And now that NBC and the fans have shown "Chuck" the love, like I've said here once before, it's time for the show's creators to give us something in return: An epicly good, over-the-top big bad for season four.

Though the show has been as funny as ever this year, with only 13 episodes coming in the next season (and precious few left this year!), the opportunity is certainly there for some focus when it comes to the storytelling and a proper villain for Team Bartowski to set its sights on. Is that really too much to ask?

But enough quibbling on what is, after all, a great day. In the bigger picture, I think I can perhaps take my extremely tiny bit of credit now that my strategy of not watching one single network reality show since the first season of "The Real World" has finally paid off.

The big four are still gearing up, but what I've seen so far is a lot of scripted series ("Wilde Kingdom" from "Arrested Development" creator Mitch Hurwitz at Fox, Michael Chiklis in ABC's superhero show "No Ordinary Family" and NO ROCKFORD FILES at NBC) and not much reality TV at all. I'm probably dreaming here, but if that cancer is indeed finally starting to go into remission, it's a banner day for us all.

And in just a bit of movie news, there are a couple of tidbits out there today that are truly delightful for fans of animation and good comedy.

"Kung Fu Panda" was already my favorite animated movie of 2008 (yes, better than "Wall-E"), and now the 2011 sequel "Kung Fu Panda: The Kaboom of Doom" is getting some script touching up from ... Charlie Kaufman?

Yes, really. He's apparently put about two weeks into reworking the script, probably not enough to turn it into "Being Kung Fu Panda," but hopefully still enough to make it at least a bit of a trip.

And after directing the severely underrated "Role Models" (rent that already and be ready to laugh) and originating with "The State," Ken Wain is now reuniting with Paul Rudd and even bringing Jennifer Aniston along too for his next comedy, "Wanderlust."

In a story that sounds a heck of a lot like "Lost in America," the duo will play a married couple who flee the big city for life on a hippie commune, or something like that. Rudd is always money when it comes to funny, and I can certainly take Jennifer Aniston when she picks smart comedies, and this one written by Wain and fellow "The State" vet Ken Marino (the duo behind "Role Models") certainly should be. Stay tuned ...

And with that, I'll cut it short today, because I've started to at least slightly take on the clutter in my living room by offering some of my books for sale at Amazon. I've sold three since Wednesday, but that of course means I know have to actually send them out. I'll leave you with this prediction: "Iron Man 2" will win the box office this week, and by a pretty wide margin over "Robin Hood." Just a hunch. Have a perfectly great weekend. Peace out.

Twin Peaks 2.0? Not hardly, but not awful either

ABC has indeed released the first 14 minutes of its upcoming take on oddity called "Happy Town," and while it is truly more than a little insulting to release this on or very near to the 20th anniversary of David Lynch's TV masterpiece, it's actually better than I thought it would be.

But more on that at the end. First up comes news from David Cross that's sure to upset "Arrested Development" fans, but considering all the bulls*** we've been fed about an "AD" movie, I really don't think you can blame him for being probably the much more realistic messenger. Here's what he had to say to TVsquad.com:

"(I)t's not going to happen. Way too much time it's been (since the show ended). I mean, there's so many people involved. Everyone's doing their own thing, you know. And everybody's aged. It's just not going to happen. I'm sure I speak for everybody when I say we'd love for it to happen, we'd love to work on it, but just I don't think ... not going to happen."

Unfortunately, everything he had to say there makes a lot of sense. So consider the idea dead at least for now, but in the meantime remember that series co-creators Mitch Hurwitz and James Vallely are set to return to Fox (I believe) next fall, with Gob Bluth in tow. Will Arnett is indeed to co-star in "Wilde Kingdom" as what sounds a whole lot like his "Arrested Development" character, a dude who falls for a do-gooder played by Felicity herself, Keri Russell. Even though "Sit Down Shut Up" was just the epitome of awful, I'm still betting this will be a winner.

After that today, it's all about stylish horror, both in the form of a new film from Juan Carlos Fresnadillo and a truly creepy visit from Werner Herzog.

First up the Fresnadillo news. If you saw what he did with "28 Weeks Later," a far more visceral affair than its predecessor, "28 Days Later," you know the man has a talent for directing great horror flicks. And now comes word that he's signed on to direct something called "Intruders," which will star Clive Owen and Daniel Bruhl, a.k.a. the "Nation's Pride" from Quentin Tarantino's "Inglourious Basterds."

All that's known so far about the story is that it will be about an 11-year-old girl who is battling demons of some kind, but given the man's track record (he also directed the seriously satisfying Spanish thriller "Intacto"), this is definitely one to keep your eyes on.

And in something more immediate but at least as creepy, director Werner Herzog has taken a little time to put his own twisted spin on "Curious George," and since it was easily the funniest thing I found this morning, it's well worth a listen. If you like this, I believe he does his own take on "Madeline," too, which should be easy enough to find. My favorite line here has to be "George quickly learns a hard lesson about desire," but it's really all good. Enjoy.



OK, finally, though nothing can really properly follow that, ABC has indeed put the first 14 minutes of its upcoming series "Happy Town" online, and if the purpose was to get me to keep watching, mission accomplished, I suppose. It's not great, but it will apparently star "Angel" vet Amy Acker, never a bad thing, and the story about a mysterious killer does seem to hold some promise, even if the obvious attempt to emulate the magic of "Twin Peaks" is most likely going to be a constant annoyance. Anyways, enjoy, and have a great weekend. Peace out.

Three or four things that hopefully bring the funny this morning

You know, I get a lot of movie reviews that cross my desk (well, appear on my computer, anyway), but rarely these days do I get one that surprises me as much what we got re "Date Night."

It was about noon Tuesday, and there were so far no reviews, never a good sign. But then exactly one showed up, from McClatchy Newspapers critic Christopher Kelly, and he gave it three-and-a-half stars. Exaggerating? Surely, but he made a good case, and I still have enough faith in critics that, even though I was on the fence about this one, I'm now gonna give it a couple hours or so of my Saturday afternoon. And later today, courtesy of Collider.com, come eight or so clips that show the movie starring Tina Fey and Steve Carell (and somehow James Franco, J.B. Smoove and even Taraji P. Henson, a definite Reel Fanatic favorite, too) should have more than a little funny going for it.

But before that today, there were a few other things that caught my eye this morning or perhaps yesterday (speed has never been all that important to me.) First up, what has to be the best premise for a movie I've heard in the last few years or so.

Though mi hermano lives in the land of 10,000 (or however many there actually are) lakes, I have never had the pleasure of going to the Minnesota State Fair or any other such Midwestern variant, and so have never experienced firsthand the glory of butter sculpture, but it has always fascinated me. I would not, however, have been clever enough to somehow tie it to the 2008 presidential election, as a screenwriter named Jason Micallef has apparently done.

The movie, "Butter," will star Jennifer Garner as the wife of a reigning butter-sculpting champion who attempts to follow in his footsteps after he steps down, only to have her path to power blocked by a young black girl with prodigious butter-sculpting talents (I'm laughing at that already.) The rival will be played by a young lady named Yara Shahidi, and Kate Hudson and funny guy Rob Corddry will factor into this somehow too.

Genuine political satire, which this certainly seems to be, is a rapidly dying art, so definitely keep your eyes on this flick set to begin filming later this month. (And for a pitch-perfect recent example of the genre, rent "In the Loop" if you somehow haven't seen it yet.)

And next up today comes up the first trailer I know of for "Dinner for Schmucks," which, given the Steve Carell connection, I have to presume will debut this weekend before "Date Night." The French movie it's based on "Le Diner De Cons," has sat near the top of my netflix queue for many months now, and having just checked, I find it's now actually No. 1, so I'm gonna return something today in hopes of getting it back in time for that to arrive in my mailbox Saturday afternoon. In the meantime, the remake starring Carell and Paul Rudd is set to drop in July, and judging from the trailer, the Jay Roach flick should deliver some pretty serious funny. Enjoy the trailer.



And coincidentally enough, George Lucas has apparently given Seth Green and Matthew Senreich, creators of "Robot Chicken," the green light to pen some further "Star Wars" adventures with a comic touch. That's pretty amazing news given that I just assumed Lucas had no sense of humor at all (or rather the kind that found Jar Jar to be funny), but in the meantime, I laughed right out loud at this "Star Wars"/"Arrested Development" mashup, and hopefully you will too. The best thing about this poster created four years ago or so to promote the Fox show when it was actually still on the air instead of just a constant reunion rumor has to be David Cross, but it's all pretty darn funny. Enjoy.

To wrap things up today, why not something from a movie that actually comes out this week, rather than a show that sadly died quite a while ago? As promised, here are about 7 minutes or so of "Date Night," which will be getting my $6.50 or so Saturday afternoon. Enjoy, and have a perfectly pain-free Wednesday. Peace out.

For Friday, a bunch of fun movie news

Due to people and their relations being sick, it's just been a tough week for me and my co-workers, but when I saw this yesterday I immediately told everyone within talking distance, because whose day isn't at least a little bit better with news about Harold & Kumar?

It seems that Collider.com, for which I occasionally contribute, had an interview with John Cho, and along with a lot of news I skipped over about his TV show "Flash Forward" (which I do watch), he revealed the blissfully silly news that filming on "A Very Harold & Kumar Christmas" will indeed begin in June, with the movie set for release in time for Jesus' next big day.

Neil Patrick Harris will apparently be back, and even though he as far as I know might still work for Barack Obama, I'd have to assume Kal Penn will too (otherwise, why watch?) That's easily the news that just made my rather mundane Thursday.

And in easily the craziest news out there this morning, it seems that we can get used to seeing "Avatar" in some form in our movie theaters for a very, very long time to come. It seems the box office king of the world is now adding new scenes (to what was already a pretty freakin' long movie) for a theatrical re-release this fall. You know, I call it crazy, but then again, I just might spring for this, 'cause it was an awful lot of fun.

In other James Cameron news that doesn't interest me in the least but will surely intrigue other folks, he also let it spill that "Titanic" is getting its inevitable 3-D upgrade, and will probably be out in its shiny new form in 2012. I'll admit it: Not only did I just not think the movie was all that great, but the thought of all that water raging toward me in 3-D just gives this wimp the heebie-jeebies.

Noyce books more spy games

If I had to pick a single favorite director, it would probably be Alfonso Cuaron, but if I ever made a list of 10 (and may just do that soon), these next two guys would certainly make the cut.

Phillip Noyce nets this distinction largely on the strength of two fairly recent movies, his sublime remake of the Graham Greene novel "The Quiet American" and the even better South African movie "Catch a Fire."

His next movie will be the spy flick "Salt," starring Angelina Jolie as a CIA spook accused of working for the Russians. I predict that will be the at least slightly surprisingly monster hit of the summer when it comes out July 23, and it seems that Noyce himself is already booked for more spy games.

He's been tapped to helm the spy thriller "Wenceslas Square," based on the short story by Arthur Phillips. It's set in Prague in the late Cold War era and revolves around a young CIA officer and a beautiful Czech spy.

What I'd really like to see him direct is that adaptation of Philip Roth's "American Pastoral," but that seems to be on hold, perhaps forever. In the meantime, I love me some spy games, so bring all this on.

McCarthy rounds out cast for "Win Win"

Another definite directing favorite around here is Thomas McCarthy, who along with starring in the final season of "The Wire" has helmed the great little flicks "The Station Agent" and the even better "The Visitor." He's booked his next project as "Win Win," and it's taking shape very quickly.

With shooting set to start Monday in New York (not, apparently, in Atlanta, as I somehow was led to believe), Fox Searchlight has announced that Melanie Lynskey, Bobby Canavale and, yes, even "Arrested Development" vet and extremelyfunnyguy Jeffrey Tambor will join the already unveiled Paul Giamatti and Amy Ryan in the flick.

So, what's it about? Well, written by McCarthy in an at least semi-autobiographical tale, it's about a struggling attorney (Giamatti) who moonlights as a high school coach. He becomes the legal guardian of an elderly client, and when the old man's teenage son runs away, Giamatti's character's family ends up taking him in. The lad goes on to join the wrestling team and, well, you can imagine it will get pretty uplifting from there.

But, in the hands of McCarthy, I'd imagine pretty darn entertaining and insightful too, so definitely keep your eyes on this one.

Franco brothers set their sights on Bukowski tale

Anyone who'd been here before knows that I have a more than slight hetero man-crush on James Franco, and admit it, who in the world doesn't? The dude's just cool, and even though I think he's still an NYU student of some kind, he doesn't seem to ever stop working.

Among his latest projects will be adapting the Charles Bukowski semi-autobiographical novel "Ham on Rye" as a feature film with the help of his brother, Dave. Word so far is only that they're writing this, but I wouldn't be at all surprised to hear that James Franco will also play Bukowski's alter ego, Henry Chinaski, and maybe even direct the movie too.

He's most recently directed a documentary about "Saturday Night Live" that will debut at this year's SXSW festival.

OK, hopefully that lived up its billing, because it was indeed about as much news as I have time to cram in this morning. I'll leave you with the first trailer I know of for "Shrek Forever After," which will be the fourth installment in the franchise when it comes out, oddly enough, on my birthday, May 21. I didn't care much at all for the second and third movies, but the first was a hoot, so I'll take a chance on this. Enjoy, fear the turtle, and of course have a wonderful weekend. Peace out.

A new Wizard of Oz? You've got to be f%$#ing kidding me! Plus, a new Drive-By Truckers album

I've been pretty much amazed by the reaction to Tim Burton's "Alice in Wonderland," with critics pretty much split right down the middle. Well, you can certainly count me in the pro category, something you can rarely say about Burton's remakes.

Unlike "Planet of the Apes," which was just a lifeless mess, and "Charlie and the Chocolate Factory," which he just made into a perverted pile of trash, I found "Alice in Wonderland" to be nothing but charming, largely because Burton restrained all his worst impulses. I was a little worried when Alice first managed to walk out into Wonderland (or, as he calls it, Underland) and there were those two little flying creatures battling, but he mostly managed to resist cluttering the world with too many oddities and just let the story tell itself.

What comes next, however, just might be way beyond the pale. This is just at the beginning of rumor stage, but when it's this bad, I feel duty bound to spread it around (as if I would really have any power to stop it.)

There really does seem to be no limits to what will be engulfed by the 3-D beast, so someday I should probably manage to stop being surprised by this lunacy, but I just assumed no one would have the hubris to think they could remake "The Wizard of Oz," right? Apparently not.

According to the Los Angeles Times, with Harry Potter set to end soon and considering the rather amazing opening weekend for "Alice," Warner Bros. is seriously eyeing jumpstarting one of two updated "Wizard of Oz" scripts knocking about to make it a 3-D spectacle. Remember, I'm just the messenger here.

One project, called "Oz," is being pushed by Temple Hill, the folks behind a little series called "Twilight," and has a script by Darren Lemke, a writer on the upcoming "Shrek Forever After." OK, bad, but maybe not awful. But wait ...

The second potential project, which seems to be paralyzing my fingers so I have trouble even writing it, skews a lot more twisted, with "A History of Violence" scribe Josh Olson penning a version that focuses on - yes, really - a granddaughter of Dorothy who returns to Oz to somehow fight evil. Not surprisingly. "Spawn" creator Todd MacFarlane, who has had a twisted Dorothy fetish for years now, would be involved in this in some kind of producing capacity.

Now, I can certainly understand the temptation here. A potential tentpole with the perfect heroine, and all that nifty 3-D to boot, but really? Where to start ...

My main beef with all of this - and believe me, I could go on for quite a while - is that the original "The Wizard of Oz," in an admittedly antiquated way, is plenty twisted itself already. It certainly doesn't need to be any darker or odder or anything else than it already is.

If anyone has a lot more power than me, please stop this as soon as possible. And from here on out today, it's all good news, I promise, including two simply sensational musical offerings at the end.

De Niro to play Vince Lombardi

If you're gonna do a grand sports biopic, you probably can't find a better match in my book than Robert De Niro and Vince Lombardi, the Green Bay Packers coach who led his team to five NFL titles. De Niro has signed on to play the role on the big screen for ESPN Films, with a script to come from Eric Roth, who wrote the screenplay for "The Curious Case of Benjamin Button."

Now, I've made clear my pretty intense dislike (not hate, note) of that David Fincher flick, but I seriously doubt Roth will be able to "Gump" this up the way he did Fincher's movie.

And as for ESPN Films, I've tuned in for their TV film series when the subject interests me. The Len Bias flick was pretty great until it veered off course at the end to proselytize about the legalization of drugs, and that little movie about the U. of Miami was nothing but fun. The flick about Jimmy the Greek was intriguing, but that ridiculous voice over that was supposed to represent the voice of the oddsmaker almost made it unwatchable.

What all the TV offerings have had in common, however, is that they're about as shallow as a half-filled kiddie pool, but I'd have to think Roth will get into a much more fleshed-out portrait of Lombardi here, and I'll certainly turn out to see it when this hits in that dead weekend before the Super Bowl in 2012 (great timing there.)

Two seriously funny ladies returning to TV

The only thing missing from the great news that Will Arnett was reteaming with "Arrested Development" co-creators Mitchell Hurwitz and Jim Vallely for a Fox sitcom to be called "Wilde Kingdom" was word of who would have the rather onerous task of being subjected to his obnoxious advances.

Well, it seems that Felicity herself, Keri Russell, is about to sign on to play the co-lead, which would be nothing but cool. In the show, Arnett would play a Beverly Hill jackass (natch) who falls in love with a charitable, tree-hugging woman (Russell) who can't stand his lifestyle or values.

Sounds like fun, and really, just the further adventures of Gob Bluth, and what could be wrong with that?

In other TV news at least tangentially related to "Arrested Development," Judy Greer has been tapped to star opposite David Krumholtz in another Fox comedy pilot, "Tax Man."

In the show, Greer is set to play a former Morgan Stanley secretary, nicknamed "the Terminator," who joins an IRS office in Fresno, Calif., staffed by enthusiastic eccentrics.

Greer is seriously funny in just about anything she does, and though Krumholtz has made a steady living for years now on "Numbers," which I've never seen, you may remember him from way back when as Neal Schweiber's big brother Barry on "Freaks and Geeks," so this is definitely one worth keeping an eye out for next fall.

New music video from She & Him

I know at least one semi-regular visitor to this site, Bob Connally, is jazzed about there being a second She & Him album out this week, and I am too.

For anyone who doesn't know, She & Him is a nifty little collaboration between Zooey Deschanel and plugged-in folkie M. Ward, and their first album, "Volume One," was just thoroughly charming, so I'm looking forward to more of the same with "Volume Two," which is due out March 23 (not yesterday, as I was hoping before an alert reader corrected me.) In the meantime, enjoy this first music video for the song "In the Sun," which with Deschanel and friends dancing their way through high school hallways is just a perfectly sweet diversion. Enjoy.



And, much better, next week will bring the release of a new Drive-By Truckers' album, "The Big To-Do." Even better than that is that it's currently streaming for free, and all you have to do to hear it is click on the player below. My first impressions? It's a solid rock record that falls somewhere between good and great. It could certainly use more Mike Cooley and less Shonna Tucker, but the Cooley song "Birthday Boy" and Patterson Hood tracks "Drag the Lake Charlie" and "The Wig He Made Her Wear" are first rate. Enjoy, and have a perfectly endurable Wednesday. Peace out.

An "Arrested Development" reunion - of sorts? Bring it on!

Just a quick report today fueled by a large cup of Jittery Joe's java, because I'm soon off to see "Shutter Island" and then go to see Jack McBrayer host a screening of "Forgetting Sarah Marshall" as part of the Macon Film Festival (crap film, but should still be fun night.)

Before all that fun, however, there are a couple of bits of intriguing news out there this morning.

Though the "Arrested Development" reunion diehard fans most want to see would have to be the tremendously long-gestating movie, any project that reunites creator Mitch Hurwitz with Will Arnett - a k a Gob Bluth, of course - on TV in the meantime has to be good news.

According to The Hollywood Reporter, Hurwitz and "Arrested Development" co-executive producer Jim Vallely are close to signing a deal to create a single-camera, half-hour series for Lionsgate TV to be aired on Fox, with Arnett to be the main star. The show, in what sounds rather suspiciously (but welcomely) like the further adventures of Gob Bluth, would be about a "rich Beverly Hill jackass" who falls in love with a charitable tree-hugging woman who can't stand his lifestyle. Come to think of it, it sounds an awful lot like "Curb Your Enthusiasm" too, but either way, it should be just insanely funny.

Hurwitz and Arnett have reunited on TV once before since the end of "Arrested Development," but calling their very-short-lived animated series "Sit Down, Shut Up" a disaster would be far too courteous. Here's hoping this new project comes together and works out a lot better, but doesn't keep Hurwitz and Vallely away from that "Arrested Development" flick for too long.

There's other news this morning about Thomas McCarthy, who, if I were ever to get around to listing my 10 favorite directors (actually, sounds like fun), would definitely make the roster somewhere in the middle of the pack.

Along with starring as that seriously unscrupulous reporter on the final season of "The Wire" (reminder, David Simon's New Orleans series "Treme" premieres on HBO on April 11!), McCarthy has directed two perfectly sublime indie flicks, "The Station Agent" and the even-better "The Visitor." And now comes great word about the cast for the new project he's developing for Fox Searchlight.

Paul Giamatti and Amy Ryan (double huzzah!) have joined the cast of "Win Win," which McCarthy is writing and directing as a semiautobiographical tale about a teen runaway who is taken in by a suburban New Jersey couple and joins the local high school's wrestling team (McCarthy wasn't the runaway, but rather one of his teammates.)

If that sounds suspiciously like a white, suburban "Blind Side," so what? I'd have to assume Giamatti will play the wrestling coach and Ryan the mother who takes the kid in, and with McCarthy guiding this it all sounds great to me. Shooting is set to start in the Garden State in April.

And by the way, did you know McCarthy is an Oscar nominee, for his contribution to the screenplay of "Up"? Congrats!

All I have after that today is a slew of clips from "Cop Out," courtesy of Collider.com. I'm still not convinced that Kevin Smith's hired hand flick is gonna be any good, but it should provide the ultimate confirmation that Tracy Morgan really can be funny in anything. Enjoy, and if you're headed to the big Macon Film Festival event tonight with Jack McBrayer at the Cox Capitol Theatre, I'll see you there. Peace out.

Take the first short trip to Gervais' "Cemetery Junction"

Actually, let's start with what, at first glance, seems to be the oddest news of the day: Steven Spielberg is eying Spock himself, Zachary Quinto, to play George Gershwin in a new grand biopic.

I say on the surface, however, because it actually makes a lot of sense. Spielberg revels in movies like this, especially when it's about a rather famous Jewish American. Anyone who had to suffer through high school marching band (I played the clarinet myself) has had the pleasure of trying to play Rhapsody in Blue at least once, and it was of course used to perfection in my favorite Woody Allen movie, "Manhattan."

And, judge for yourself with the pic of Gershwin here, but I think the resemblance is there, and though I gave up on "Heroes" a very long time ago (is it really still on the air?), Quinto can really act. Anyways, something to keep your eyes on.

But here today it's really all about the first trailer (that I've seen, at least) for "Cemetery Junction." And what is that? Well, it's the first collaboration of Ricky Gervais and Stephen Merchant since "Extras," reason enough to cheer, and it's a movie that will hopefully open wide enough for me to see it when it drops ... well who knows? It's listed as April 7 for the UK and next fall for much of the rest of the world, but I can't find a release date anywhere for the U.S. Nards!

Anyways, though it's a return to the working world, it's hardly a "The Office" knockoff. Instead, though Gervais plays a role, the focus is on three young chaps who sell insurance in Reading in the early '70s. The accents are indeed a bit hard to understand when you're listening to them five minutes after waking up, but other than that, the trailer looks good to me. Enjoy, and stick around afterward for some big news about the U.S. "The Office" and a couple of more clips.



Next up comes a pretty big spoiler about the U.S. "The Office," so if you don't want to know, just skip down to the next clip. Anyone who'd been watching knows that Dunder Mifflin has been bought out, and now it seems that the buyer has been revealed.

According to movieviral.com (and, as you'll see, they have memo to prove it), Kathy Bates will very soon join the cast for at least a little while as Michael's new boss when Dunder Mifflin is bought by some entity called Sabre Corp. (and we all know he does so well with female bosses, so this should be a hoot.) Bates plays Sabre Corp. CEO Jo Bennett. The new company is apparently a printer selling company (synergy, anyone?).

Lest you doubt this, there's already a Web site for Sabre Corp. you can find here. And, because what would "The Office" be without a memo, here's the one announcing Sabre Corp.'s new acquisition:

FROM: Dunder Mifflin Management

TO: All Dunder Mifflin Employees

SUBJECT: Dunder Mifflin Joins Sabre

Dear Colleagues,

By now you have probably heard stories regarding the ownership of Dunder Mifflin. Allow us to take this opportunity to shed some light on our company's future. We are very pleased to announce that Dunder Mifflin will be joining the Sabre Corporate family. This marks a high point in our company's history. Rest assured that Sabre will do all they can to make this transition as smooth as possible.

At this time, it is important that we keep our focus on our every day activities and continue to deliver the kinds of results that have made Dunder Mifflin what it is today. It is an exciting time, and these are exciting possibilities. We are confident that you, our employees, are the best team to face the challenges and seize the opportunities that lay ahead.

This promises to be a very exciting journey for all of us.

Regards,
Dunder Mifflin Management

Like I said, Michael (Steve Carell) with Kathy Bates as his boss? Sounds like great TV to me. Stay tuned.

Except for that, all I have left today is a couple more clips. First up comes what purports to be a new trailer for Martin Scorsese's "Shutter Island," which will finally hit theaters Feb. 19. There doesn't seem to be a whole lot new here, but I'm thoroughly psyched for this flick, so enjoy the trailer.

And finally, courtesy of Collider.com come three clips from "Thankyoumoreplease," the writing and directing debut from "How I Met Your Mother" (which I believe has just been renewed for a sixth season) star Josh Radnor. The movie stars Radnor, Malin Akerman and Tony Hale of "Arrested Development," and although the clips below don't really look all that promising for this flick about six New Yorkers dealing with, well, life, this movie did just win the Dramatic Audience Award at Sundance, so what in the world do I know? Enjoy the clips, and have a perfectly passable Monday. Peace out.

Tyler Perry and Buster Bluth in Macon? Yes, really

Before I get into any of that, today, Natalie Portman, Jane Austen and zombies? Yeah, I'll be there.

When you set out to write a book called "Pride and Prejudice and Zombies," you're really setting yourself up for a fall, because, well, who can deliver on a premise that good? Well, having read the book, I can tell you that Seth Grahame-Smith - with, of course, a big assist from Jane Austen - certainly did, because the book is a hoot.

And now it seems that Natalie Portman has signed to both produce and star as our zombie-fighting heroine Elizabeth Bennet in a movie version. That makes me giddy just writing it. Now, if they just could make zombies the new vampires, the world would certainly be a much better place.

And only something that good could knock this (admittedly somewhat old, but if you live here, still intriguing) news from the lead: Tyler Perry is coming to Macon (if anything deserves an exclamation point, that's it, but I just really don't like them.)

Yes, Madea herself will be taking to the stage at the Macon Centreplex on Feb. 9 as Perry unveils a new stage play, "Madea's Big Happy Family." As is the course with his ventures, I'm sure that if the audience eats this up it will become one of his movies someday soon.

Unfortunately, the tickets are rather insanely expensive, starting at $47.50 and ranging up to $77.50 - a little too rich for my blood, especially with the tickets on sale right before Christmas. I encourage anyone who can afford to, however, to check out this opportunity. Tickets (if there are indeed any left) are available at www.maconcentreplex or by calling (478) 751-9232.

In another Macon event that's much more within my budget and just as dear to my heart, the name just sums it up perfectly: "The Best of Buster Bluth with Tony Hale."

"Arrested Development" fans (and if you're not one, why not?) will certainly know what that means. It seems that Tony's parents live in Macon, and he's agreed to host this event at the Cox Capitol Theatre to benefit the Macon Film & Video Festival. At 8 p.m. Friday, Dec. 18, he'll be screening his three favorite "Arrested Development" episodes, and then take questions from the audience (and one of them, perhaps from me, will surely be about the alluring possibility of an "AD" movie.)

And best of all, it's only $10, which doesn't count the couple of beers I'll consume during all this goodness.

And in a final bit of Macon news, the Macon Film Guild is showing a movie this Sunday that I've been waiting for most of the year to see, "Cold Souls" (which of course means I'll have to work that day, and not be able to go ... shark farts.) Paul Giamatti stars as an actor who, tired of his daily existence, jumps at the opportunity to have his soul removed. It's when he later decides he wants it back that the apparently very clever fun from writer/director Sophie Barthes really gets going.

For those who will actually be able to go, and I encourage anyone who loves good movies to do so, the showings are at 2, 5 and 7:30 p.m. Sunday at the Douglass Theatre in downtown Macon.

Finally, since I know a great number of the few people who bother to read this don't live anywhere near Macon, I'll leave you today with a couple of video clips that caught my eye this morning.

The first, also related directly to "Arrested Development," is, as best as I can tell, the opening for a pilot called "The Increasingly Poor Decisions of Todd Margaret" that's being pitched for the UK's Channel 4. The premise it sets up - David Cross navigating the high-speed world of modern London - is great, and as you can see from the clip, it's also got Will Arnett at his blustery best. Enjoy, and if you're watching this at work, for God's sake do it with headphones on, because the language is more than a bit salty.



And what could be better than that? Six minutes of "Chuck," of course. The first half finale of "Glee" was indeed, as my friend and boss of sorts Stephanie Hartley says, "gleetastic," but now that most shows have gone dark for December, there's nothing I'm looking forward to more on TV than the return of our favorite bumbling now-apparently-super spy.

NBC has upped the season three order from 13 to 19 episodes, and the show is set to return with a two-hour episode Sunday, Jan. 10, before settling into its regular Monday night slot with another hour the next night. Great news all of that, and just to what your appetite a little further, here's a six-minute preview of season three from NBC, which shows some of Chuck's new skills and that, thankfully, all our Buy More buds (including Tony Hale) will be making a return too. Enjoy the clip, and have a perfectly enjoyable Thursday. Peace out.