DVD picks of the week: "Rio" and "Soul Surfer"

Along with the promise of fall movies just around the corner, late summer brings something else for movie lovers: Some of the year's best movies finally start to trickle onto DVD.

This week brings two of mine, the best animated movie I've seen this year and the inspiring story of Bethany Hamilton.

First up is "Rio," and on paper at least, there's no way this movie should be as good as it is. The story is at once very familiar, that of fish (well, actually birds) out of water, this time a blue macaw raised in comfortable domesticity until forced to fend for himself (with, of course, the help of new friends, this being a children's movie) in the streets of Rio de Janeiro, Brazil.

But what sets "Rio" apart from the animated pack is vibrant color, both local and overall. The streets of Rio spring to life in vibrant hues rarely seen in animated movies these days, especially if you watch them in muddied 3-D. Add to that a cast of memorable characters led by Jesse Eisenberg and Anne Hathaway as the macaws and also featuring voice work by the likes of Jane Lynch, Tracy Morgan, Wanda Sykes and other funny people, and you've got a great rental idea for this week.

My second weekly pick is "Soul Surfer," a nominally Christian movie that, even without that quality, couldn't help but be inspiring as it tells the tale of Bethany Hamilton, the Hawaiian girl who lost an arm in a shark attack but still went on to a successful career as a professional surfer. What it isn't, however, is mawkishly sentimental, dealing much more with life than dwelling on tragedy.

The movie has two principal strengths, starting with the performance of AnnaSophia Robb as Bethany. Her passion for the character shines through, and she gives Bethany an infectious spirit that makes this great story even better. And secondly, the surfing action throughout is first-rate, and beautifully shot in Hawaii and Tahiti by director Sean McNamara.

Add all that together and mix in just a good story very well told, and you've got a movie well worth a rental.

Guild to climb the 'Tree of Life'

The Macon Film Guild has some very interesting movies coming up in the next few months, starting with the Kelly Reichart Western "Meek's Cutoff" on Aug. 14 and then the Italian psychological thriller "The Double Hour" in September. It's in October, however that the guild has scored a real coup with Terrence Malick's "Tree of Life."

The great director's immensely personal movie won the Palme D'Or for best film at this year's Cannes Film Festival, and having seen this, I can confirm it's well deserved. In an at least partially autobiographical tale, Malick tells the story of a boy growing up in a suffocating family in Texas in the 1950s, and uses this springboard to ask powerful questions about faith and the meaning of life.

Believe me, it's all much, much better than I can make it sound here, so go ahead and mark your movie calendar for "Tree of Life" on Oct. 9 at the Douglass Theatre, and note that because of its 138-minute length, there will only be two screenings, at 2 and 7:30 p.m.

A "Prime Suspect" remake? Terminate with extreme prejudice!

It's probably good for my fairly under control blood pressure that as I'm first hearing about this idiocy, it also comes with word that NBC has - for now at least - shelved this monstrosity, and for the best possible reason.

Yes, the network whose last big brilliant idea was putting Jay Leno in prime time five nights a week (how'd that work out, guys?) was actually considering a remake of the sublime BBC police procedural "Prime Suspect."

And I can certainly understand the temptation. For sheer intensity matched with characters you actually care about, only "The Wire" and - at its best - "NYPD Blue" have even come close to matching "Prime Suspect" on this side of the pond, and almost all of the credit for that has to go Dame Helen Mirren.

Of all the characters of the last 20 years or so, on big screen or small, very few have been taken over as completely as Helen Mirren dived directly into the role of Jane Tennyson and made it entirely her own. And it's apparently their belated realization of just how impossible it would be to replace her that finally led NBC to abandon this madness.

Unable to find the right actress for this, NBC has now shelved it until at least June, and here's hoping forever. If I had to name one actress who could pull this off, the only name that even comes to mind is Anjelica Huston, but as great as she is, I can't even see that working, if God forbid she'd even be interested.

And if you've somehow never seen "Prime Suspect," I can't recommend it highly enough. If you want to get started, the beginning would be best, but if you only want to watch one, No. 3, with David Thewlis and Ciaran Hinds in a truly tawdry tale about child murder and serious police corruption, is the best of all in my book.

Here's hoping that this NBC "idea" gets aborted for good, and from now on today it's all about a trio of clips that at least managed to catch my eye this morning.

First up comes a clip from the upcoming flick "Date Night" featuring Tina Fey, Steve Carell and, in this clip, a shirtless Marky Mark. Even though NBC's current king and queen of comedy would seem to make a dream team on the big screen, I somehow just can't get all that excited about this. I just get the sinking feeling it's gonna lack any of the truly manic appeal of "After Hours" in chronicling a supposedly "wild" night in NYC. Anyways, enjoy the clip.

Next up comes a TV spot for something I'm much more excited about, "The Runaways." On paper, the idea of Kristen Stewart and Dakota Fanning playing rockers Joan Jett and Cherie Currie just sounds dreadful, but the buzz about this out of Sundance was mostly positive, and it really does seem music video director Floria Sigismondi has come up with something that will rock when this finally comes out March 19. Enjoy.



And finally today comes a surprise that made me genuinely laugh out loud. I've never found Jimmy Kimmel all that funny at all, but Tracy Morgan can really do no wrong in my book (yes, I'm really gonna go see "Cop Out" just to see how funny he can manage to be in it, even though the reviews are dreadful.) In this clip I have to assume appeared on Kimmel's show sometime this week (after my school-night bed time, of course), he and Morgan make a rap video, and it's absolutely as silly as you might imagine. Here's hoping that Kimmel's turn as Lil' Jim puts the final nail in autotune. Enjoy, and have a perfectly bearable Thursday. Peace out.

An "Arrested Development" reunion - of sorts? Bring it on!

Just a quick report today fueled by a large cup of Jittery Joe's java, because I'm soon off to see "Shutter Island" and then go to see Jack McBrayer host a screening of "Forgetting Sarah Marshall" as part of the Macon Film Festival (crap film, but should still be fun night.)

Before all that fun, however, there are a couple of bits of intriguing news out there this morning.

Though the "Arrested Development" reunion diehard fans most want to see would have to be the tremendously long-gestating movie, any project that reunites creator Mitch Hurwitz with Will Arnett - a k a Gob Bluth, of course - on TV in the meantime has to be good news.

According to The Hollywood Reporter, Hurwitz and "Arrested Development" co-executive producer Jim Vallely are close to signing a deal to create a single-camera, half-hour series for Lionsgate TV to be aired on Fox, with Arnett to be the main star. The show, in what sounds rather suspiciously (but welcomely) like the further adventures of Gob Bluth, would be about a "rich Beverly Hill jackass" who falls in love with a charitable tree-hugging woman who can't stand his lifestyle. Come to think of it, it sounds an awful lot like "Curb Your Enthusiasm" too, but either way, it should be just insanely funny.

Hurwitz and Arnett have reunited on TV once before since the end of "Arrested Development," but calling their very-short-lived animated series "Sit Down, Shut Up" a disaster would be far too courteous. Here's hoping this new project comes together and works out a lot better, but doesn't keep Hurwitz and Vallely away from that "Arrested Development" flick for too long.

There's other news this morning about Thomas McCarthy, who, if I were ever to get around to listing my 10 favorite directors (actually, sounds like fun), would definitely make the roster somewhere in the middle of the pack.

Along with starring as that seriously unscrupulous reporter on the final season of "The Wire" (reminder, David Simon's New Orleans series "Treme" premieres on HBO on April 11!), McCarthy has directed two perfectly sublime indie flicks, "The Station Agent" and the even-better "The Visitor." And now comes great word about the cast for the new project he's developing for Fox Searchlight.

Paul Giamatti and Amy Ryan (double huzzah!) have joined the cast of "Win Win," which McCarthy is writing and directing as a semiautobiographical tale about a teen runaway who is taken in by a suburban New Jersey couple and joins the local high school's wrestling team (McCarthy wasn't the runaway, but rather one of his teammates.)

If that sounds suspiciously like a white, suburban "Blind Side," so what? I'd have to assume Giamatti will play the wrestling coach and Ryan the mother who takes the kid in, and with McCarthy guiding this it all sounds great to me. Shooting is set to start in the Garden State in April.

And by the way, did you know McCarthy is an Oscar nominee, for his contribution to the screenplay of "Up"? Congrats!

All I have after that today is a slew of clips from "Cop Out," courtesy of Collider.com. I'm still not convinced that Kevin Smith's hired hand flick is gonna be any good, but it should provide the ultimate confirmation that Tracy Morgan really can be funny in anything. Enjoy, and if you're headed to the big Macon Film Festival event tonight with Jack McBrayer at the Cox Capitol Theatre, I'll see you there. Peace out.

A Saturday cache of clips: Is there really hope for "Cop Out"?

This surely isn't terribly exciting to the rest of the world, but it's thrilling to me that I have actually managed to enter the mid-90s or so and am - for the first time - typing this on my fancy new laptop while enjoying a strong cup of java at Jittery Joe's. It might be also because of the large Brazilian brew I'm downing, but it makes me seriously giddy.

And you know, ever since I heard that Kevin Smith was making a rather routine-sounding buddy cop movie as his next flick - and one he didn't even write himself - I just assumed that "Cop Out" was one I would skip altogether.

But, as you can see from the red band clip below, he does have one definite strength in his corner, the indefatigably crude Tracy Morgan. If you love watching him on "30 Rock" - and when the Emmys are perennially showered on the show, I really can't understand why he isn't at least nominated - you know he's at his best when he appears to be just spouting whatever comes into his head. And from this seriously crude clip - be warned, it contains both talk of monkey sex and a 10-year-old getting punched in the nards - you can see that Kevin Smith understood that he should at least let Tracy Morgan be Tracy Morgan, which will be enough to sucker me into buying a ticket when this comes out Feb. 26. Enjoy.



Next up comes the teaser trailer for a new Luc Besson movie, which though it really doesn't reveal much at all, is still reason to celebrate. The movie is called "The Adventures of Adele Blanc Sec," and from what little I know about it so far, it's based on the comic books by Jacques Tati about a young novelist who gets into all kinds of Indiana Jones-style adventures in the early 20th century. Though this is listed as coming out in April in France and July in Japan, I can't yet find a U.S. release date, but one is sure to come soon. Enjoy.



Even if Avril Lavigne's new theme song for Tim Burton's "Alice in Wonderland" is nothing but a disaster, I'm still almost entirely convinced that the movie itself will rock when it finally comes out in the first week of March. In this clip featuring interviews with both Johnny Depp and Anne Hathaway, I got the sense for the first time that this is going to be "Alice"-meets-"Chronicles of Narnia," with, near the end of this clip, young Mia Wasikowska donning armor to go into battle for the White Queen. And if I can digress about her for a second, she's part of the seriously great ensemble cast of "That Evening Sun" - the best Southern movie I've seen in many years. Go see that one if you can.



There's no shortage of artistic efforts to aid Haiti, and there can really never be too many. Lionel Richie's reconstitution of "We Are the World" surely will have more star power, but I'll take this project over that one any day. As you'll see from this British TV clip, Pogues poet and drunkard extraordinaire Shane MacGowan has convened Nick Cave, Chrissie Hynde, Glen Matlock of the Sex Pistols. Mick Jones of the Clash and - though he doesn't appear in this clip - even Johnny Depp too, among others, to record a version of Screamin' Jay Hawkins' great "You Put a Spell on Me," with all proceeds going to help Haiti rebuild. You don't get to hear any of the new track in this behind-the-scenes clip, but it's still fun to watch (not the least so you can try and decipher just what in the world MacGowan is saying), and keep your eyes out for the single release at the end of this month. Enjoy.



And finally, in a definite case of saving the worst for last, here's an "Entertainment Tonight" visit to the set of "Burlesque," which gets my early vote for the biggest disaster of 2010. You do get to see Christina Aguilera, Kristen Bell and other very attractive young ladies cavorting around in their burlesque outfits, but this clip mostly just left me with this burning question: Just how in the world did Bell, Stanley Tucci and even Alan Cumming end up in what appears to be a "Showgirls" sequel of sorts with Cher as the matron? Sheesh. Anyways, enjoy the clip, have a great weekend and please, if you have the chance, do go see "That Evening Sun," which features a performance from Hal Holbrook that's even better than the one in "Into the Wild" that should have won him an Oscar. Peace out.



P.S.: The Blogger spell check is once again not working, so please forgive any egregious spelling errors. Thanks.

David Cronenberg and Sigmund Freud? Bring it on!

Avatar 3D. Most amazing visuals I've ever seen. Story-wise, meh. But credit for all the Iraq war parallels. Notice that?

It's really apropos of nothing, but I just thought that Twitter burst from the alwaysveryfunny Elizabeth Banks summed up James Cameron's movie rather perfectly, so I had to share it.

As far as actual news today, there's word of a new David Cronenberg movie coming together, and on a subject that seems perfectly tailored to his view of the world and with a cast that's pretty solid too.

With full credit to The Playlist, which as far as I can tell broke this news first, it seems that the Australian distribution company Hopscotch Films has announced that two "Inglourious Basterds" (my favorite movie of 2009), Christoph Waltz and Michael Fassbender, plus Keira Knightley have all signed on to star in "The Talking Cure," which Cronenberg is directing based on the 2002 play by Christopher Hampton.

In it, Knightley would play Sabina Spielrein, a "beautiful young woman, driven mad by her past." For help, she turns to Carl Jung (Fassbender) and Sigmund Freud (Waltz).

Christoph Waltz as Sigmund Freud? Sounds like perfection to me, especially since Cronenberg's best movies deal as much with psychological as physical violence, especially my favorite of his flicks, "Spider."

But will any of this ever come together? Well, with that cast you would certainly think so, but Cronenberg is also attached to possibly direct a movie based on the Robert Ludlum thriller "The Matarese Circle," with Tom Cruise and Denzel Washington set to star.

As promising as that might sound, here's hoping "The Talking Cure" jumps it in his directing queue, and that he gets to work on it fairly fast, because it's just been way too long since the world has seen a David Cronenberg movie.

Just how did Kevin Smith manage to "Cop Out" on "A Couple of Dicks"?

No matter how he tries to defend it, "Cop Out," the new name for Kevin Smith's buddy cop movie starring Tracy Morgan and Bruce Willis and set to drop in February, is just nothing but boring in my book. And judging from the trailer you'll find at the end of this post, the movie itself probably won't be much better either.

But, any time Smith is given a forum to spout off, he always says at least a few things that make me smile, as he did when discussing the new title with Entertainment Weekly's Hollywood Insider blog. It's worth reading the whole thing, but here are a few highlights if you don't have the time, starting with exactly why he had to drop the "A Couple of Dicks" name in the first place:

(Be warned: The language in this, as usual with Mr. Smith, is more than a little salty.)

Kevin Smith: Look, losing A Couple of Dicks was almost akin to losing my own dick. It was a perfect buddy-cop movie comedy title. Everyone knew it. You couldn’t say that title to somebody without a f—ing smile crossing their face. But what I had gone through with Zack and Miri Make a Porno — “porno” had become very problematic, it became tough for us to advertise [the film], blah blah blah. Warner Bros. decided, “Hey man, we’ll call the networks and see if we’re going to get any problems [with A Couple of Dicks as a title], months before the movie’s ever going to come out.” The top 3 networks — CBS, ABC, NBC — said we can’t run one of your spots before 9 o’clock. ... So my feeling was like, it’s an R-rated movie, so who the f— are we talking to anyway before 9 o’clock? Warner Bros’s feeling was like, “Hey man, the sports audience, dickhead. We have to advertise to the sports audience on Saturday and Sunday and all those sporting events usually take place before 9 p.m. in the evening.” At which point, I was like, “Oh wow, you guys are way smarter than me.”

You still certainly can't convince me that "Cop Out" is any way a funny fallback, but he went on to explain how the title could have, amazingly, possibly been even worse:

Smith: So for months now, they’ve always had A Couple of Cops as kind of this fallback thing — a placeholder, essentially. And then all of a sudden, one of the producers of the movie was like, “Hey they’re locking the title, because the trailer is going to be put on Sherlock Holmes.” And I was like, “This is an abundance of wonderful and horrible information.” I want to be on Sherlock Holmes because everyone on the planet will probably go see it on Christmas, but I don’t want it to be A Couple of Cops. That just seems like we didn’t even try! We went from a really clever title to the least clever title of all time. I was like, “God that title is going to feel like such a f—ing cop out.” And [the producer] goes, “We should just call the movie that.”

OK, I know that's a lot of Kevin Smith for people who, like mi hermano, just find the man to be a tremendous tool, but any fans of juvenile comedy will at least smile at this final bit which includes the perfect, fan-suggested tagline, which means it will never appear on a movie poster.

Smith: We were making up sequel titles in our heads, dude. Like, you know, Two Bigger Dicks. Or Dicks 2: It Just Got Harder. Somebody online said you could take Cop Out and vary it with like, “Rock out with your Cop Out!” Hopefully that will be a tagline on a poster or a trailer. And if it is, we owe that random dude on Twitter like at least a few free passes.

But what about the trailer, which appeared this week? Well, like I said above, it really doesn't look too promising at all, even with an appearance from the alwaysveryfunny Susie Essman of "Curb Your Enthusiasm." I love Morgan on "30 Rock," but it's clear he's only as strong as the material he's working with, and "Cop Out" just looks way too weak. It certainly appears like Mr. Smith's stint as a hired hand for Warner Bros. will result in exactly the kind of "comedy" that appears and disappears very quickly each February. Anyways, "enjoy" the trailer, and have a perfectly pleasant Christmas eve. Peace out.

Does Chuck really know kung-fu? Well, sort of

It may seem awfully odd and - well - kinda pathetic to be commenting on what goes on at Comic-Con when I'm not even there, but I love reading this stuff and also passing on what I find.

And before I get into the mostly good news about "Chuck," there were two tidbits from yesterday that caught my eye, both in their own way rather sad.

Kevin Smith showed up to "promote" his buddy-cop movie "A Couple of Dicks," but without any footage and mainly with the news that the title will have to be changed. Not a huge deal, I guess, but the reason is just pathetic: You apparently can't say a certain word (and it's not couple) before 9 p.m. on TV and get your ads on the air. What in the world?

I can't say the signs are terribly good for this one, but I really enjoyed "Zach and Miri Make a Porno," and Bruce Willis and Tracy Morgan should make a great comedic duo, so I guess I should keep hope alive.

Things were apparently - and by force - more grim at the "Futurama" panel, where I guess you have to give Matt Groening credit for facing the audience at all, especially since he couldn't bring any actors with him (in case you missed it, Twentieth Century Fox essentially fired them all after they wouldn't take pay cuts and is now recasting ALL the parts - as it stands, I won't be watching that.)

Groening used his sarcastic best to try and stay above the fray, but the bitterness clearly came through in this: "The core of my being is at peace... There are no mistakes," he said. "I embrace the universe. I send loving thoughts to all living beings, including the 'Futurama' cast and Fox executives."

Here's hoping against hope that they somehow get this resolved with Billy West, Katey Segal and everyone else coming back, but I don't really see it happening at this point.

But the big TV news in my book was all about "Chuck," and like I said, if you're a big fan of the show like me, it was all as good as we could expect.

First and foremost, according to the Hollywood Reporter's James Hibberd and a few other reports I cobbled together, Chuck (Zachary Levi) will not be the next coming of Bruce Lee in every episode, which would, of course, eliminate the need for his handlers (and if you make the show with out Adam Baldwin or Yvonne Strahovski, I'm not gonna watch that either.)

According to Levi himself: "The Chuck-fu ... he can't just know kung fu all the time, otherwise his handlers are obsolete. So our very talented and wise creators, they've structured it so the powers have a window, a shelf life, there's a glitch in the system ... I have my powers, but they don't necessarily last -- that's the secret."

That can only be good news, because if at his core Chuck isn't still a pretty goofy guy, the show will lose a lot of its charm. I've included a picture of the art for season three, which would clearly make a really cool comic book cover.

As far as the panel itself went, the cast apparently entered the stage to Jeffster performing "Take Me Home Tonight," which must have just been a riot.

A few other interesting tidbits:

Per co-creator Josh Schwartz: "Something very emotional and traumatic will happen between Chuck and Sarah, but it will be really-really good."

Also: "Now that Awesome knows Chuck's secret, you'll see him pulled into a spy role as well, probably not as reluctantly as he should be." Awesome the spy? Bring it on!

And in a final tease to the fans, Schwartz made this vague claim about the premiere of the third season: "It could be sooner than was announced. We don't know."

I seriously doubt we'll see "Chuck" again until next February, after the next Winter Olympics, but it definitely seems that when it does make it back it will look a lot like the show I've grown to love. Peace out.

What's Zack Snyder up to after "Watchmen"?

The picture above is one of nine in a gallery online at Vanity Fair that's well worth checking out here. This "Honeymooners" shot had to be my favorite because Bill Hader, Anna Faris, Leslie Mann and Jason Bateman are all just sensationally funny people, but there's plenty more to enjoy - including Seth Rogen as Frida Kahlo - in the gallery.

And speaking of seriously funny, a hearty huzzah to Spike TV (which I'm fairly certain I haven't tuned in to up to this point) for reviving a true American hero of physical comedy, the great Super Dave Osborne. If you grew up in the '80s like I did, Super Dave was the king of failed stunts, and now he's about to bring it all back again for four episodes he will write and of course star in this summer. Definitely keep your eyes out for that.

And he's not the only very funny guy who's about to make a comeback. Dave Chappelle sidekick Charlie Murphy - a k a Eddie's currently funnier brother - will launch his show "Charlie Murphy's Crash Comedy" on something called Crackle.com beginning March 20. And please, please, please Mr. Murphy, just go right ahead and steal the concept of "Charlie Murphy's True Hollywood Stories." It was the funniest thing on Dave's show, and he apparently won't be needing it anytime soon.

And since this is already the longest intro having nothing to do with the headline, why not more really funny from Kevin Smith, who proves there's not only life after making a porno, but a real cash cow.

For the record, I really liked "Zack and Miri Make a Porno." It was sweet and funny all at once, and that thoroughly disgusting anal sex joke at the end - I suppose it was the "money shot" - just made me laugh out loud. Almost as funny but thoroughly depressing, however, is that - for Wal-Mart, at least - Mr. Smith and those Weinstein boys have stripped the "porno" from the title completely for DVD shelves, labeling it simply "Zack and Miri." Sad. Really sad.

Now, even though that flick only made a rather paltry $31 million in its theatrical run, Mr. Smith is about to hit the big time. Warner Brothers has signed him to direct the detective comedy "A Couple of Cops," which was apparently at one point, and in Smith's hands probably will again be, known as "A Couple of Dicks." It will star Bruce Willis and Tracy Morgan. In the flick, according to the trades, the duo will track down a stolen baseball card, rescue a Mexican beauty and deal with gangsters and laundered drug money.

I can't find anything but good news there. For proof that Willis can be a great comedic actor with the right material, look no further than "Bandits" with Billy Bob Thornton and Cate Blanchett (well worth a rental if you can still find it.) And Tracy Morgan, though Tina Fey and Alec Baldwin try to steal all the acclaim, is the biggest fool on "30 Rock" and plays it with gusto. That recent bit with Dr. Spaceman about how diabetes might give him the chance to replace one of his feet with a wheel was just priceless.

OK, enough of that. Since this is "Watchmen" week, it should be all about Zack Snyder, and I promise that from here on out it mostly will be. It may be old news to most of the world, but the item I came across this morning was the first I had heard about "Sucker Punch," his next flick after "Watchmen."

And it sounds thoroughly intriguing. The new news is that "Mamma Mia!" star Amanda Seyfried is about to sign on to lead the mostly female cast, with Vanessa Hudgens, Abbie Cornish, Evan Rachel Wood and Emma Stone all eyeing the project too.

So, what is it? Well, here's the description from Variety: Set in the 1950s, "Punch" follows a girl who is confined to a mental institution by her stepfather, who intends to have her lobotomized in five days. While there, she imagines an alternative reality to hide her from the pain, and in that world, she begins planning her escape, needing to steal five objects to help get her out before she is deflowered by a vile man.

Sounds like it steals more than a bit from "Pan's Labyrinth," but I love movies about the imagination, especially when it's needed to survive. And Zack Snyder has already proven that he has a pretty wild one himself, and he promises he'll use it to fill "Sucker Punch" to create something like " 'Alice in Wonderland' with machine guns," so definitely stay tuned for more on this.

And finally today, a little catching up. No less than two of my co-workers asked me yesterday if I had seen the new trailer for McG's "Terminator Salvation," which will unspool in front of "Watchmen" (which I'll be watching in Imax!) this weekend. I had to admit I had not, but as you can see below, it does indeed - as they led me to believe - kick all kinds of ass. Enjoy, and have a perfectly passable Wednesday. Peace out.

"30 Rock" almost a week early? I'll take that!

I admit that I was very slow to get on the "30 Rock" train, but now that I've given in I have no idea why I had any reservations in the first place.

The show will probably never be as funny as it was in the pilot episode when Tina Fey is wooing Tracy Morgan to join "The Girlie Show," but despite more than a few rough patch during the strike-shortened season two, the show has remained almost as consistently funny as the Emmy hype would have you believe.

And it certainly returns as partner "The Office" is hitting its stride. Last night's episode had not only the most heart of any in recent memory, but anyone who doesn't enjoy watching Amy Ryan give a devilish "hell yeah" to the prospect of sex or Dwight pining for his lost love just probably doesn't enjoy good TV anyway.

So, what will we get to see when "30 Rock" finally returns to join it next week? Well, thanks to NBC (and well, me), if you don't mind watching it on a really small screen you can find out today. All I'll tell you for now is that Jack is back, Liz's adoption interview is a hoot, and keep your eyes open for the mention of Colin Firth erotica.

I can't think of any more enjoyable way to kill 20 minutes of a Friday, so enjoy this season three premier, and have a great weekend.

Whatever happened to David O. Russell?

The last time I ever remember seeing or hearing about director David O. Russell was when that clip of him going nuts on poor Lily Tomlin hit YouTube, so he's definitely in need of a new gig to wipe away that memory. And now, in what would be - rather amazingly - his first feature film in five years, that's taking shape in the form of "Nailed."

And speaking of "I (heart) Huckabees," the flick which generated that infamous clip, it fits for me in that odd category of movies that I "appreciate" rather than "like." Though I think I have an idea of what he was going for there, I'd still much rather see flicks that fall into the latter category. But he did also make two movies I love in "Three Kings" and "Flirting with Disaster," so any news of a Russell comeback is good news to me.

And, believe it or not, he's making that comeback with a romantic comedy co-written with Kristen Gore (yes, the daughter of that man obsessed with Manbearpig.) I had originally heard it would be based on Gore's Capitol Hill chick lit novel "Sammy's Hill," but the flick - now called "Nailed" - seems to have become a little more interesting (with quite a cast developing too.)

Catherine Keener (hearty huzzah!), James Marsden and Tracy Morgan are about to join the already-announced Jake Gyllenhaal and Jessica Biel.

In what's now described as a D.C. satire (set for release in 2009), Biel plays Alice, a waitress who starts behaving erratically (in the form of "wild, sexual urges" according to the IMDB) after getting shot in the head by a nail. Determined to fight for better health care, she heads to Washington, where she (of course) falls for a congressman (Gyllenhaal) who says he will fight for her cause. Marsden will her hometown boyfriend, Keener will play a Congresswomen, and Morgan will most likely play an injured compatriot of Alice's.

That all sounds more than a bit meh to me, but if it's sharp enough satire it just might work. Besides, a return by David O. Russell in just about any form is welcome to me. Now, if he can just manage to stay on his meds this time ...

Brewer on the comeback trail too

It's really hard to exaggerate how much I love Craig Brewer's movie "Hustle & Flow." I've probably seen it 10 times by now, and in it's own odd way, it never fails to be inspiring and entertaining.

On the flip side, I have almost as negative a feeling for Brewer's second feature flick, "Black Snake Moan." I've seen it twice now (just to see if I had somehow missed something the first time - I didn't), and I still can't tell what in the world he was going for with that more than slightly offensive mess.

I had heard he was going to rebound with what would be a surefire hit - a music biopic (I know there are too many of those already, but bear with me) about the black country singer Charley Pride, to star the great Terrence Howard, but it would seem that's dead for now.

Instead, Brewer has signed on to work with someone else script, in this case "Sopranos" scribe Michael Caleo, for an adaptation of Columbia professor Sudhir Venkatesh's book "Gang Leader for a Day: A Rogue Sociologist Takes to the Streets." Even if didn't come directly from the mind of Mr. Brewer, it sounds right up his alley.

The book apparently recounts years that Ventakesh spent with a crack-dealing gang in Chicago for a research project. After befriending the Black Kings, he found a close-knit group whose corporate culture was much like that of a successful legitimate business, and was eventually given the job of calling the shots of the criminal enterprise for a day.

Sounds pretty cool to me, and if I may digress a bit, Terrence Howard (who indeed seems to work all the time) appears to have landed the role that will win him the Oscar he surely deserved for "Hustle & Flow." In a 2009 flick titled "The Crusaders," which was written by former "West Wing" scribe Lawrence O'Donnell, he'll play Thurgood Marshall in the story of the drive to outlaw segregation in the U.S.

But getting back to Mr. Brewer, I'm happy to see him getting this rather cool-sounding project, and hoping for a big comeback from the dreck that was "Black Snake Moan." I'll leave you today with this video for "It's Hard Out Here for a Pimp," which will hopefully brighten up everyone's Monday morning just a bit. Peace out.