When you're Will Smith ...

Actually, first off, just in case you're having any doubts, go see "Thor" if you're a fan of big, cheesy and thoroughly fun summer flicks. It's all three, and I loved it.

OK, moving on to the main attraction today, when you're Will Smith, I suppose getting to work with Quentin Tarantino is simply the logical next step, but if he indeed signs on for what QT is cooking up now, as the Hollywood Reporter reports he's likely to do, it should be nothing but cool.

For anyone who needs a catch-up, Tarantino's next flick will be a Western (though, as he himself has said more than once, it's indeed more of a "Southern") titled "Django Unchained." In it, if he takes the part, Smith would play the titular freed slave who teams up with a German bounty hunter (Christoph Waltz, natch) to reunite with his wife, and the two eventually set their sights on Django's former owner. Samuel L. Jackson is apparently on board to play the house slave of an "evil" plantation owner.

Sounds more than a bit crazy, right? Certainly, but look at the plot for "Inglourious Basterds" on paper, and that seemed ludicrous too, but it turned out to be by a pretty wide margin my favorite movie of 2009, with several scenes that are still permanently burned on my brain. Definitely stay tuned for more on this whenever I find it ...

In one more bit of movie news before what has to be best trailer I've seen all week, Bill Murray will be joined by one of my favorite actresses when he plays Franklin D. Roosevelt in an upcoming movie. Mull over for a second or two just how good Murray as FDR could be ...

The movie is called "Hyde Park on the Hudson," and it focuses on FDR's love affair with his cousin and is set during a June weekend in 1939 when the British King and Queen visited his upstate New York cottage in the first-ever visit to America by a member of the British monarchy. Juicy stuff that, and now comes word that definite Reel Fanatic fave Laura Linney has signed on to play the cousin, with Roger Michell (who back in the day directed still my favorite Jane Austen adaptation, that "Persuasion" starring Amanda Root and Ciaran Hinds) directing.

Sounds like slightly more serious stuff for Murray, but he'd be funny at a funeral, so I'm sure he will be here too.

And finally today, to wrap up a short Saturday morning report, I had never heard of this flick from "Man on a Wire" director James Marsh until I found this trailer this morning, but it looks fantastic. "Project Nim" follows the real-life project in the '70s that set out to teach a chimpanzee sign language and embed him in a family of humans.

As you can imagine from that scenario, it got more than bit crazy (as one of his keepers points out in the trailer, Nim liked "alcohol and driving fast.") It was also an important experiment, however, and it looks like a fascinating flick. Enjoy the trailer, keep an eye out for this in at least some markets July 8, and have a perfectly pleasant weekend. Peace out.

Tyler Perry and Buster Bluth in Macon? Yes, really

Before I get into any of that, today, Natalie Portman, Jane Austen and zombies? Yeah, I'll be there.

When you set out to write a book called "Pride and Prejudice and Zombies," you're really setting yourself up for a fall, because, well, who can deliver on a premise that good? Well, having read the book, I can tell you that Seth Grahame-Smith - with, of course, a big assist from Jane Austen - certainly did, because the book is a hoot.

And now it seems that Natalie Portman has signed to both produce and star as our zombie-fighting heroine Elizabeth Bennet in a movie version. That makes me giddy just writing it. Now, if they just could make zombies the new vampires, the world would certainly be a much better place.

And only something that good could knock this (admittedly somewhat old, but if you live here, still intriguing) news from the lead: Tyler Perry is coming to Macon (if anything deserves an exclamation point, that's it, but I just really don't like them.)

Yes, Madea herself will be taking to the stage at the Macon Centreplex on Feb. 9 as Perry unveils a new stage play, "Madea's Big Happy Family." As is the course with his ventures, I'm sure that if the audience eats this up it will become one of his movies someday soon.

Unfortunately, the tickets are rather insanely expensive, starting at $47.50 and ranging up to $77.50 - a little too rich for my blood, especially with the tickets on sale right before Christmas. I encourage anyone who can afford to, however, to check out this opportunity. Tickets (if there are indeed any left) are available at www.maconcentreplex or by calling (478) 751-9232.

In another Macon event that's much more within my budget and just as dear to my heart, the name just sums it up perfectly: "The Best of Buster Bluth with Tony Hale."

"Arrested Development" fans (and if you're not one, why not?) will certainly know what that means. It seems that Tony's parents live in Macon, and he's agreed to host this event at the Cox Capitol Theatre to benefit the Macon Film & Video Festival. At 8 p.m. Friday, Dec. 18, he'll be screening his three favorite "Arrested Development" episodes, and then take questions from the audience (and one of them, perhaps from me, will surely be about the alluring possibility of an "AD" movie.)

And best of all, it's only $10, which doesn't count the couple of beers I'll consume during all this goodness.

And in a final bit of Macon news, the Macon Film Guild is showing a movie this Sunday that I've been waiting for most of the year to see, "Cold Souls" (which of course means I'll have to work that day, and not be able to go ... shark farts.) Paul Giamatti stars as an actor who, tired of his daily existence, jumps at the opportunity to have his soul removed. It's when he later decides he wants it back that the apparently very clever fun from writer/director Sophie Barthes really gets going.

For those who will actually be able to go, and I encourage anyone who loves good movies to do so, the showings are at 2, 5 and 7:30 p.m. Sunday at the Douglass Theatre in downtown Macon.

Finally, since I know a great number of the few people who bother to read this don't live anywhere near Macon, I'll leave you today with a couple of video clips that caught my eye this morning.

The first, also related directly to "Arrested Development," is, as best as I can tell, the opening for a pilot called "The Increasingly Poor Decisions of Todd Margaret" that's being pitched for the UK's Channel 4. The premise it sets up - David Cross navigating the high-speed world of modern London - is great, and as you can see from the clip, it's also got Will Arnett at his blustery best. Enjoy, and if you're watching this at work, for God's sake do it with headphones on, because the language is more than a bit salty.



And what could be better than that? Six minutes of "Chuck," of course. The first half finale of "Glee" was indeed, as my friend and boss of sorts Stephanie Hartley says, "gleetastic," but now that most shows have gone dark for December, there's nothing I'm looking forward to more on TV than the return of our favorite bumbling now-apparently-super spy.

NBC has upped the season three order from 13 to 19 episodes, and the show is set to return with a two-hour episode Sunday, Jan. 10, before settling into its regular Monday night slot with another hour the next night. Great news all of that, and just to what your appetite a little further, here's a six-minute preview of season three from NBC, which shows some of Chuck's new skills and that, thankfully, all our Buy More buds (including Tony Hale) will be making a return too. Enjoy the clip, and have a perfectly enjoyable Thursday. Peace out.

Jane Austen's got the cure for your TV blues

I have to confess it's been years since I've tuned in regularly for PBS' Masterpiece Theater, but given the ongoing writers' strike and the show's revamped formula, I think I'll definitely be returning starting this Sunday.

What's new? Well, first of all, the programs will be hosted by "X-Files" and Masterpiece Theater ("Bleak House") alum Gillian Anderson, which I have to say is at least a slight improvement from previous host Russell Baker (and a definite improvement from the past few years, which, if I'm not mistaken, had no host at all.)

Secondly, for the first series of shows beginning Sunday, it will be all about Jane Austen, which is just fine by me. It's a bit hard to tell, but I believe the order goes like this: Emma, Mansfield Park, Northanger Abbey, Persuasion (still my favorite Austen work), Pride and Prejudice and finally Sense and Sensibility. These aren't the Hollywood versions, but instead four new adaptations and two previously aired works (the only one I've seen is Pride and Prejudice, and though I know the ladies are rather devoted to Mr. Firth's Mr. Darcy, I just prefer Joe Wright's movie version instead.)

Check your local listings, of course, but in Georgia at least it airs at 9 p.m. Sundays (finally, a workout for my DVR, since I'll be watching "The Wire" whilst taping both that and Masterpiece.) Tune in for a definite alternative to the reality TV onslaught that's already started and will soon turn into a deluge.

Download Fox Searchlight scripts

I usually spend my brief lunch half-hour-or-so reading Chris Cillizza's fantastic The Fix political blog, but today I just might have another option.

Fox Searchlight has put the scripts for six (which may be all) of its 2007 releases up for download here, and it shows just how strong a year the studio had. Available for your perusal are the scripts for three movies that made my top 10 ("The Savages," "Once" and "Waitress"), two that just missed the cut ("Juno" and Mira Nair's charming "The Namesake"), and one I'd have to unfortunately call a failure, Wes Anderson's "Darjeeling Limited."

Speaking of "Juno," a quick visit to Variety, which somehow tracks daily box-office numbers, shows that Jason Reitman's little flick was actually at No. 1 for Tuesday, taking in $1,445,349 to National Treasure's $1,314,178. It has netted more than $54 million so far, and should approach the magical $100M with a few more weeks of wide release. Congrats! I think I'll be devouring Diablo Cody's script along with my soup this midday.

And kudos to Amy Ryan too

It was great to see Amy Ryan return on "The Wire" Sunday, even if it looks like her man McNulty may implode any day now.

If you haven't seen her performance in "Gone Baby Gone," do so as soon as you can. You can believe all the hype: If there is indeed an Oscars ceremony this year, there's no way in the world she shouldn't be taking home a Best Supporting Actress Oscar (unless it's main instead of supporting - I have trouble telling how they judge these things.)

And now she's joining the cast of Paul Greengrass' Iraq war thriller, which begins shooting today in Spain and is inspired by Rajiv Chandrasekaran's book "Imperial Life in the Emerald City: Inside Iraq's Green Zone".

Greengrass and Brian Helgeland turned that nonfiction work into a fictional thriller set in the "Green Zone," a walled and fortified area where U.S. troops stay during the Iraq occupation. Matt Damon plays an officer who teams with a senior CIA officer to search for evidence of weapons of mass destruction, Ryan will play a New York Times foreign correspondent sent to Iraq to investigate the U.S. government's WMD claims, and Greg Kinnear plays another CIA officer.

It seems like stars of "The Wire" are popping up everywhere on the big screen, which I don't see how I'll ever consider to be anything but a great development.

"Sweet Land" in Macon this Sunday

Given the mostly pathetic wide-release lineup this week (with Juan Antonio Bayona's "The Orphanage" a clear exception - go see that one if you like stylish and smart horror), the Macon Film Guild has a definitely welcome other option on the slate this weekend.

Director Ali Selim's "Sweet Land," based on a Will Weaver short story, tells the tale of a German mail-order bride who travels to Minnesota to marry a Norwegian man during World War I. Her nationality, naturally, is an issue for the assembled locals, but I'm sure everyone eventually learns to get along. Sounds a little sappy for my tastes, but both of my parents soundly endorse this one, and that's good enough for me.

It's showing this Sunday at 2, 4:30 and 7:30 p.m. at the Douglass Theatre in downtown Macon, and if you turn out for the 2 p.m. show I'll definitely see you there. Peace out.