Showing posts with label Ed Grant. Show all posts
Showing posts with label Ed Grant. Show all posts
Tuesday, July 4, 2023
Peril Makes an Entrance
(Above) Murder Is the Pay-Off, by “Leslie Ford,” aka Zenith Jones Brown (Dell, 1954). Cover illustration by Carl Bobertz.
Last year, while preparing to write a piece for CrimeReads about “colorful [paperback] cover themes from crime fiction’s past,” I put together a dozen or so sets of vintage examples that I found interesting and upon which I could cleverly comment. I wound up narrowing those down to just seven, including book fronts featuring threatening vehicles, oversized heads, women’s legs, and disembodied hands. Among the discards were covers on which men of a suspicious character either hid behind or sought to break through doors in order to menace women on the other side.
I figured at the time that those might be useful later, in some way or other. But I hadn’t given any further thought to them until last month, when I happened across the 1953 Dell edition of George Harmon Coxe’s Venturous Lady and decided to blog about it as part of this page’s “book fixes” series. Artist Griffith Foxley painted the front of that 80-year-old paperback, which shows a woman hiding in a bedroom, as a man pushes open the door, gun in hand.
This seems like as good a time as any to dust off the remainder of the door-danger covers in my collection, and display them here. Among the illustrators whose work graces the following 14 paperback covers are Ed Grant (The Fabulous Clipjoint), Clyde Ross (They Came to Baghdad), Barye Phillips (Knock Three-One-Two), Mitchell Hooks (Stranger at the Door), Frank McCarthy (The House Without a Door), Lu Kimmel (Runaway Black, written by Ed McBain under the pseudonym Richard Marsten), Victor Kalin (Killer with a Key), and Robert Stanley (The Glass Triangle). I already wrote several years ago about The Crooked Man and There Was a Crooked Man, but added them to this gallery too, because they so well fit the theme.
Women confronted by dangerous gents at doors weren’t only seen on softcover novels of old. They served equally well on crime-fiction magazines, as evidenced by the July 1946 issue of Detective Tales and the March 1957 number of True Detective. Unfortunately, I do not know who painted either of those fronts.
Subscribe to:
Posts (Atom)