Warning: Artistic inspiration drawn from book titles may vary.
Left: The Dutch Shoe Mystery, by Ellery Queen (Pocket, 1952); cover illustration by George Mayers. Right: The Dutch Shoe Mystery, by Ellery Queen (Pocket, 1958); artwork by Jerry Allison. Published originally in 1931, this was the third whodunit starring author-sleuth Queen and his father, Inspector Richard Queen of the New York Police Department. It followed The Roman Hat Mystery (1929) and The French Powder Mystery (1930).
Although I often choose these cover pairings at random, that was not the case here. Today’s picks were inspired by news that “The American Mystery Classics Book Club”—linked to Otto Penzler’s publishing line of that same name, which last year released a fresh edition of The Dutch Shoe Mystery—“will be meeting on Zoom on February 1st at 6:30 p.m. EST to discuss [this] puzzling tale of murder in the hospital …” The event will be free to the public, and feature a special guest: Richard Dannay, the son of Ellery Queen co-creator Frederic Dannay. Simply drop an e-mail note to charles@penzlerpublishers.com to
RSVP.
Showing posts with label Jerry Allison. Show all posts
Showing posts with label Jerry Allison. Show all posts
Thursday, January 14, 2021
Saturday, November 28, 2020
Because I Needed a Cox Fix …
Murder in Vegas, by William R. Cox (Signet, 1960). The cover illustration here, by Jerry Allison, had previously been employed on Adam Knight’s I’ll Kill You Next (Signet, 1954).
READ MORE: “TMF Review: William R. Cox—Death on Location,”
by Steve Lewis (Mystery*File).
Labels:
Book Fixes,
Jerry Allison
Monday, December 24, 2018
Favorite Finds: “Odds Against Tomorrow”
Top vintage book fronts added to my collection in 2018.
Odds Against Tomorrow, by William P. McGivern (Cardinal, 1959). Cover art by Jerry Allison.
Odds Against Tomorrow, by William P. McGivern (Cardinal, 1959). Cover art by Jerry Allison.
Friday, May 15, 2015
Friday Finds: “Knocked for a Loop”
Another in our growing line of vintage book covers we love.
Knocked for a Loop (Pocket, 1958), by Craig Rice.
Illustration by Jerry Allison.
The woman who traveled under the byline “Craig Rice” was really Georgiana Ann Randolph Craig (1908-1957). Born in Chicago, she spent her early adult years in the Windy City laboring in the professional fields of radio and public relations. It wasn’t until 1939 that she began her career as a successful author of what Kevin Burton Smith, editor of The Thrilling Detective Web Site, calls “hard-boiled screwball comedy.” That was the year Eight Faces at Three first saw print, introducing readers to hard-drinking and unkempt Chicago lawyer-cum-private eye John J. Malone, who would go on to star in a dozen additional Rice books. As the Golden Age of Detection Wiki explains, the Malone tales usually found her protagonist “called in to a sticky situation to rescue either his friend Jake Justus or Jake’s great love, and later wife, Helene Brand. All three characters do a great deal of drinking and fast driving around Chicago, infuriating Captain Daniel Von Flanagan of the homicide squad.”
Knocked for a Loop (sometimes published as The Double Frame) was Rice’s 11th Malone yarn, and originally appeared as a Simon & Schuster “Inner Sanctum” hardcover in 1957. The Goodreads site offers the following plot synopsis:
READ MORE: “The 43 Percent (Alcohol) Solution: An Appreciation of Craig Rice,” by Patrick Ohl (At the Scene of the Crime).
Knocked for a Loop (Pocket, 1958), by Craig Rice.
Illustration by Jerry Allison.
The woman who traveled under the byline “Craig Rice” was really Georgiana Ann Randolph Craig (1908-1957). Born in Chicago, she spent her early adult years in the Windy City laboring in the professional fields of radio and public relations. It wasn’t until 1939 that she began her career as a successful author of what Kevin Burton Smith, editor of The Thrilling Detective Web Site, calls “hard-boiled screwball comedy.” That was the year Eight Faces at Three first saw print, introducing readers to hard-drinking and unkempt Chicago lawyer-cum-private eye John J. Malone, who would go on to star in a dozen additional Rice books. As the Golden Age of Detection Wiki explains, the Malone tales usually found her protagonist “called in to a sticky situation to rescue either his friend Jake Justus or Jake’s great love, and later wife, Helene Brand. All three characters do a great deal of drinking and fast driving around Chicago, infuriating Captain Daniel Von Flanagan of the homicide squad.”
Knocked for a Loop (sometimes published as The Double Frame) was Rice’s 11th Malone yarn, and originally appeared as a Simon & Schuster “Inner Sanctum” hardcover in 1957. The Goodreads site offers the following plot synopsis:
Chicago lawyer John J. Malone finds himself framed for the murder of anti-crime crusader Leonard Estapoole and implicated in the kidnapping of Estapoole’s stepdaughter Alberta Commanday. While trying to find the real murderer, or at least clear his name, Malone is befriended by ex-chorus girl Tommie Storm and aided by crime boss Max Hook. Things get more complicated when Malone’s old friend Jake Justus reports that his wife, Helene, has gone missing after rushing to Chicago to visit the Estapooles, an affable but complex combined family full of suspects. Malone’s efforts to solve the case are further complicated by a kidnap victim who insists on staying kidnapped and a second murder. Along the way, he falls for a “thoroughly nice” girl and manages--barely--to keep himself and his friends out of jail.In addition to her Malone investigations, Rice composed non-series novels (notably 1944’s Home Sweet Homicide), ghost-wrote books for actor George Sanders and burlesque entertainer Gypsy Rose Lee (including Mother Finds a Body), and “collaborated” with Ed McBain on 1959’s The April Robin Murders (in the sense that he finished it, after her demise). Despite Rice’s tendency toward alcoholism and attempts at suicide, she is said to have died of natural causes.
READ MORE: “The 43 Percent (Alcohol) Solution: An Appreciation of Craig Rice,” by Patrick Ohl (At the Scene of the Crime).
Labels:
Craig Rice,
Friday Finds,
Jerry Allison
Tuesday, June 17, 2014
Two-fer Tuesdays: Their Aim Is True
A twice-monthly pairing of book covers that just seem to go together. Click on either of these images to open up an enlargement.
This week’s combination is dedicated to all those people who sometimes feel besieged by bosses, spouses, or louses of one variety or another. Being marked for attack is no picnic whatsoever, as the characters in these two novels can well attest.
On the left we find the 1959 Pocket Books edition of The Moving Target, the first novel to feature Los Angeles private eye Lew Archer, written by “John Macdonald” (actually, Kenneth Millar, who would soon change his nom de plume to Ross Macdonald). The man behind that paperback’s glowing imagery was Jerry Allison, who has also been credited with illustrating this book, as well as this one.
Now look to the right, and you’ll find the cover of The Hired Target, by Wilson Tucker. It was released in 1957 as by Ace Books as a “Double Edition” paperback, combined with Harry Whittington’s One Deadly Dawn. The prolific Lou Marchetti was responsible for creating this book’s striking cover art, which fulfills the challenging assignment of being both tender and threatening.
This week’s combination is dedicated to all those people who sometimes feel besieged by bosses, spouses, or louses of one variety or another. Being marked for attack is no picnic whatsoever, as the characters in these two novels can well attest.
On the left we find the 1959 Pocket Books edition of The Moving Target, the first novel to feature Los Angeles private eye Lew Archer, written by “John Macdonald” (actually, Kenneth Millar, who would soon change his nom de plume to Ross Macdonald). The man behind that paperback’s glowing imagery was Jerry Allison, who has also been credited with illustrating this book, as well as this one.
Now look to the right, and you’ll find the cover of The Hired Target, by Wilson Tucker. It was released in 1957 as by Ace Books as a “Double Edition” paperback, combined with Harry Whittington’s One Deadly Dawn. The prolific Lou Marchetti was responsible for creating this book’s striking cover art, which fulfills the challenging assignment of being both tender and threatening.
Labels:
Jerry Allison,
Lou Marchetti,
Two-fers
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