Posts

Showing posts with the label Thomson Virgil

Singing Stein

Just enjoyed an evening of odd, wonderful Gertrude Stein. Singing Stein is Encompass New Opera Theatre's contribution to Gertrude's Paris Festival at Symphony Space. The program note, written by Encompass Artistic Director Nancy Rhodes, describes the background and the works: Tonight you will see Virgil Thomson's Capital Capitals , the first musical stage piece he set to Stein's words in 1927. Thomson turned the text that Stein wrote in 1923 using demographic field reports and statistics into a competitive musical conversation, a joust for four gentlemen.... During World War I, Gertrude drove an ambulance in the South of France, and became intrigued with the sunny cities of Aix-en-Provence, Arles, Avignon and Les Baux. In Capital Capitals , she fashioned a garrulous discussion among four men who represent those cities. Capturing her wit, Thomson employs a panoply of rhythmic variety, using some of his Missouri plainchant, C majorish ditties, and undulant Spanish rh...

Collectors and Promoters: the Steins

The Steins Collect at the SFMoMA is a big show. it reunites the collections of Gertrude, Leo, and Michael and Sarah Stein, dispersed after their deaths. Gertrude and Leo collected both Matisse and Picasso, among other artists, until they quarreled over Picasso's turn to Cubism. Leo rejected Picasso and became contented with looking at Matisse's new work in exhibition. Gertrude continued to champion Picasso, but not Matisse, for she saw an analogue in the Spanish master's experiments in forms to her own avant-gardism in writing. Michael and Sarah remained faithful to Matisse, who loved their son Allan and painted him many times. Portraits of Michael and Sarah by Matisse were hung in pride of place in their house. There were so many Matisse works in the show that it was impossible to do them justice on one visit. I was enchanted by joyous colors of The Girl with Green Eyes, as well as a small delicate drawing of Madame Matisse in the olive grove. The Conversation, a paintin...