Showing posts with label Witches. Show all posts
Showing posts with label Witches. Show all posts

Friday, September 28, 2012

Wode - Demo 2011


Its not often I rep local talent or really pay attention to what's going on in my "scene" but every now and then a band comes along that perks my interest. Wode, from my barely frost bitten locale of Manchester, have perked my interest quite a bit lately. Having been fortunate enough to witness them on quite a few occasions over the past year they have blown me away every time. A full on blizzard of harsh but melodic guitars swirling around a rampaging drum assualt and topped with hoarse desperate vocals. Along similar lines to Wolves In The Throne Room combined with touches of Dark Funeral and early Nachtmystium.
If that sounds good then you owe yourself a listen to this beast below.




Thursday, July 12, 2012

Oakhelm - Betwixt and Between (2007)



Regular IllCon followers should know of the name Pete Jay and the quality musical output he has been part of. Quality shit such as Wormwood and Black Queen, both can be obtained here, and also of the all-mighty Assuck for those unacquainted.
Pete has been busying himself with Oakhelm (alongside members of the also pretty awesome Fall of The Bastards and Lovecraft inspired Aldebaran)  for some time now. I discovered this album a few months ago and it became something of a regular on my daily work route and then by chance I happened across the impressive green/yellow vinyl pressing of this in a second hand store. Both these events made up my mind about sharing it with you guys.
Oakhelm play a brand of black metal influenced by Viking and folk themes as much as double bass and raspy vocals. The whole Viking thing has never been something I really got when it came to the various sub-genres of metal that populate the musical landscape these days. I always found it somewhat cheesy at the best of times. Maybe its growing older or just a maturing of my musical palette but the tastefully composed acoustic breaks, chanting and well placed samples ( they actually recorded waves crashing against the shore, rainfall and a crackling campfire) just click with the rampant double bass, harsh riffing, twin leads and dual vocals. Some solid, Viking and folk influenced black metal from solid players.






On a unrelated note, I am beginning to compile the next part in the When drawing Goes Wrong series, Photoshop Abortions. Of course dealing with those heinous photo shopped album covers we all know. I thought I would throw it open to the IllCon contingency after the snowball of mentally crippled art posts and community high fiving that resulted in the superb MS paint thread. Anyway, if you know of any special needs, photo shopped terribleness in art form, then feel free to share it with us. You can email whipit@hotmail.co.uk or message via here and here.

Thursday, July 5, 2012

Scoring Spice

“Dune. Desert Planet. Arrakis. WATER.” --Kyle McLaughlin, in Lynch’s Magnum Opus, Dune
“Dune, where’s my car?” --Cobras

Many bands have tried and failed to capture the essence of Frank Herbert’s seminal, epic, orientalist space-opera, DUNE. For some, it might have been better if they had tried and died. 



It would be well-nigh impossible to document every Dune-inspired track in the universe, so these are but a sampling of the many existing varieties of Dune music. They are grouped in brackets because, as Paul Atreides has observed, "the worst potential competition for any young organism can come from its own kind."


Techno Bracket
Eon let loose in 1991 with a couple Dune-themed tracks, "The Spice Must Flow" and "Fear: The Mindkiller." "Fear: The Mindkiller" is a clear ancestor of the Mortal Kombat theme song, and samples (you guessed it!) the line "fear is the mind killer" a few thousand times. For good measure, Eon throws in a healthy dose of what sounds like the panting from Kraftwerk's "Tour De France." Because that's what Kraftwerk is awesome for-- panting.


Not shown: panting. Shown: nerding.

As bad as this may be, however, it’s still better than “German techno-pop ensemble from Münster Dune,” because by "techno pop" they mean Happy Hardcore. If you don’t know what that is, take a moment to thank the gods. You are either too young, too old, or were too under-a-rock-in-the-90s to have been exposed to this toxin. Preserve your innocence/health. If you must know, a representative track is "Can't Stop Raving," but don't say I didn't warn you. Also, Dune’s youtube page would have you know that the group is “named after the 1984 science fiction movie directed by David Lynch.” Yup. Straight from the source.

Winner: no one. No one is a winner here.

Metal Bracket
Another band of Krauts, Golem, attacked the Dune concept in their 1998 album “The 2nd Moon.” Check out the first track, The Wanderers. Featuring succinct riffage and abstract/subtly ESL lyrics (see e.g.: “Unlocking the gates of time, widening its bounds/Guarded by the maker ...facing desert ground”), Golem may actually have what it takes to make a Kwisatz Hadderach.



A further solid entry comes from Aussie rock band Buffalo (mentioned in a previous Cobras post), whose Dune Messiah takes us on a Pentagram-esque journey to Arrakis (and admit it, you always wanted to go to Arrakis with Pentagram). 



Pretty sure it would be like this...

Blind Guardian also pays a visit to the Dune-iverse in Traveller in Time. The morning sun! Of Dune! Good old Blind Guardian. If you haven’t heard this song, it’s pretty much exactly what you would expect from Blind Guardian (i.e., it is awesome, unabashed nerdery). They can really play their balisets ifyouknowwhatimean.



Picard Knows.


Also, according to a reliable source (wikipedia, duh), Iron Maiden tried to name To Tame A Land “Dune,” but Frank Herbert was having none of it. Apparently the band was told that "Frank Herbert doesn't like rock bands, particularly heavy rock bands, and especially bands like Iron Maiden." Good call on that one, F. Herb. 
Frank Herbert hates you. 
PS: Dreamtheater fans will be delighted to admit to you that Dreamtheater covered "To Tame A Land."  

Winner: Vote your choice in the comments. You are the dungeonmaster! You get to decide!

  • Blind Guardian
  • Buffalo
  • Golem
  • Iron Maiden
  • Dreamtheater

Prog/Jazz Bracket




More to F. Herb’s taste might be the smooth stylings of one Dave Matthews (!), a jazz keyboardist from Kentucky who hung out with James Brown and was apparently moved to gather together a bunch of other jazz players (Grover Washington, Eric Gale) and write several Dune-themed songs which readers should check out at their own risk. These are all on a 1977 album Dave Matthews titled, wait for it, “Dune.” The creativity here just does not end... or at least, not until the second side of the album, where Dave gives us NOT ONLY a disco-fied version of the Star Wars main theme (it was 1977, so Lucas didn’t quite know what he had on his hands), but also a limp cover of David Bowie's Space Oddity. On a related note, the only tolerable part of the latter song was sampled by MF (“Metal Face/Fingers”) Doom in Rap Snitch Knishes. You know. Like you do. Wait, what was I talking about?

Ah yes. Another entry in the Dune prog bracket are French prog rockers Dün, about whom we have previously heard. An interesting compare and contrast exercise may be done by playing Dave Matthew's "Arrakis" and Dün's “Arrakisback to back. Go on. Try it.






Winner:
  • Dave Matthews
  • Dün
Video Game Bracket
Yes, evidently there were at least two about a million soundtracked Dune videogames. Kids these days. Don’t they know about books? Require a little effort on your part, make no be-be-be-be-beeps. Anywho.

1992 saw the release of not one, but TWO Dune videogames. The first was called “Dune” by Cryo Interactive, and it carried a soundtrack called "Dune: Spice Opera." It’s not so bad, from what I can tell. Also, at 1:55 of the track embedded below, "Sign of the Worm," you can see a sweet rendering of Shai-Hulud in 1992 graphics. 


  
A competing video game company, Westwood Studios, released “Dune II” that same year; check out this sweet dialogue: “We were your pawns and Dune was your board.” The score is basically 8-bit plus. In 1998, Westwood Studios released “Dune: 2000” scored in part by professional video game composer Frank Klepaki. Good old Frank K. does a musical homage to/rip off of Toto’s score to Lynch’s Dune here on this track at about 3:22-32; otherwise, this is fairly unremarkable stuff.


Winner:
  • Dune: Spice Opera
  • Dune II
  • Klepaki
  • No one, again

Dune OST Bracket
The Lynch Dune OST has been reported on here, but I thought I might add a few words. Two of those words are "Brian Eno." Two more words are “fuck yeah.



but of course there is a fuckyeaheno.com
For the sake of completeness, here is the theme music from the Dune television series, composed by the dude who did the soundtrack to Final Destination V. If you have ever watched any sci-fi movie and heard some generic background symphonics, you’ve basically heard it. Speaking of orientalism, there’s also a Bonus New Age Track.


Winner: Toto/Eno OST. I’m sorry, this is just objective. Please send your complaints to James Madison.

Well, there you have it, friends. A smattering of the aural representations of the Dune-iverse. Please feel free to add on in the comments.


Behold Kris Mar, newest addition to the IllCon Team! Hail Kris Mar! May the rivers run red with the blood of your fallen foes, and may vampires tremble and expire at your feet just as they do under the mighty ax of Abe Lincoln!
I am impressed with the nerdiness contained herein, please feel free to contribute further in the future. Sweet.

-Cobras

Tuesday, February 28, 2012

No Visible Scars


As my esteemed colleague, Judge Shredd, mentioned below, We are in the end times. You only have to look at the economic and environmental situations across the globe, the rampant crime and disease rates, mankind has run its course. Mother Nature isn't too happy anymore and Megaupload is gone. We are facing extinction.
During these bleak times you need bleak music to soundtrack those last few heartbeats and breaths escaping you as the world slows down.
No Visible Scars managed to gain my attention with the 1970's/80's Giallo/Exploitation/Porn inspired artwork and imagery, they're love of the timeless C-90 tape,  and the fact quite a few of the digital releases are free. Most Illcon followers should be able to relate to one of those. I decided to give a heads up on a few of the releases worth investigating.

Elders Of The Apocalypse - The Law Of Iron (2011)
Nasty and ragged, thrashy death metal by guys with nasty names such as Plague Bearer and Sadistik Slayer. I guess the term "war metal" suits this best. I can hear elements of Kreator and Sodom in there alongside some  Bestial Warlust black noise and a slew of suitably apocalyptic samples. Awesome cover art included.

Nightbitch - Sex And Magic promo (2010)
This is the one I have been digging the most. Comprising the smooth pipes of that dude from Hour Of 13 with some total NWOBHM riffing crossed with proto-Doom jams. THIS SHIT ROCKS. This was a 3-track promo for the EP of the same name. They don't seem to have much else available but they have connections to a whole host of other bands according to Encyclopedia Metallum.

Poison Tongue - Lick You Sweety (2010)
That cover seem pretty attractive doesn't it? Bit more left field this time. Poison Tongue is Giallo/Exploitation inspired noisescapes. Its not full on harsh noise ( though it gets plenty harsh in places) but more ambient and unsettling due to the schizophrenic changes in volume and pacing. Kind of like those quiet bits in between Goblin freak outs crossed with Beherit's noise tendencies.

There you go gang. They have the usual places online here and here. I'm digging this label a lot recently. You should to.

Friday, February 24, 2012

JOHN MOTHERFUCKING CARPENTER - ASSAULT ON PRECINCT 13 SOUNDTRACK (1976)



I'll be honest with you guys: I ain't a big fan of John Carpenter's 1976 jam Assault on Precinct 13 (nor its 2005 remake, ugh)--after all, when you put that motherfucker side by side with JC's work in the 80's (The Thing, They Live, Big Trouble In Little China, hell, even second-tier shit like The Fog, Prince of Darkness, and 1994's In The Mouth of Madness) it just doesn't stand up. I mean, hey, what does? Nothing. That's what. But Precinct is still a good movie, to be sure: a study in isolation, paranoia, and xenophobia that plays out like an extended version of the police station raid scene in the original Terminator. It just came from a time when Carpenter was still in the process of perfecting his chops.

Speaking of his chops...

Goddamn this dude has a way of creating atmosphere with a Casio keyboard, a shit drum machine, and about six notes. He performed similar magic with the ultra-basic They Live score, but Precinct takes it a step further. The entire duration of this recording is basically a study on "variations of a theme"--never straying from the same tempo and basic root notes, only occasionally stumbling into dark alleys of either murmuring noise or complete silence. I've been heavily into shit like this lately--moody, repetitive horror/suspense scores, the more Euro the better.

I was stoked to see that WhatFreshHell over at The Living Doorway was giving new-school retro minimalist Moog-horror composer Umberto a spin recently, as I too have been basking in the man's meaty fart-bass and soothing synth as of late. I highly recommend visiting Umberto's Bandcamp forthwith if you're into that kind of thing, although a pioneer and/or innovator he ain't. Dude wears his influences on his sleeve when he isn't outright ripping them off--Goblin, Frizzi, and, of course, ol' Uncle John. Credit where it's due, I guess. Whatever.
Carp did it first. Carp did it best.

Download HERE
John Carpenter website/Last.FM



Today is Friday, February 24th.

Witch means:

a) You are either going to Eli's Mile High Club in Oakland to see Bell Witch, Worm Uoroboobyrobbybobdobbs 'R' Us, Alaric, Sutekh Hexen, and muthafuckin' APOCRYPHON tonight (get there EARLY! We are opening at like 7:30 or some such bullshit!), or:

b) If you are unfortunate enough to live outside the San Francisco Bay Area, you should tune in to FCCFreeRadio.com Studio 1A at 10pm for Episode 24 of IllCon Radio. I won't be there, so it will probably suck. But they have a demonologist or some shit coming on, so maybe it will be cool. I dunno. Call Cory, Erik, and Al at 415.829.2980 and give them some shit. Tell 'em Cobras sent you.

ALSO:

SRSLY GUISE SOOOOOO STOKED FOR THIS

Thursday, December 1, 2011

THREE SPELLS


Holy shit, I didn't realize until just now that today is IllCon's three-year anniversary. Nice. What did you fuckers get me?

Nothing? Awesome.
Well, I got you three albums from Norway's own Gehenna (no, not that one), purveyors of only the finest elven/witchy/Dracula-based black metal that country has to offer. Are you into cheesy, mid-paced, mid-90's, synth-laden forest troll music played by a bunch of dudes (and a chick) wearing capes and shit? Good! Gehenna will be right up your alley, casting forth a etherial web of faerie magick to ensnare all your wildest Ren Faire fantasies! A little too "Opera Man" for you? Tough shit, man. Sometimes corny-ass Ouija board metal with the keyboards turned up way too loud is just what the Hessian soul needs, so far be it from me to deprive you of such Narnian majesties.
Three fucking years, man. Jesus.


FIRST SPELL EP (1994)


Download HERE
Purchase HERE


SEEN THROUGH THE VEILS OF DARKNESS (THE SECOND SPELL) (1995)


Download HERE
Purchase HERE


MALICE (OUR THIRD SPELL) (1996)


Download HERE
Purchase HERE

LOL

Metallum/Last.FM


PS check out this new logo I designed for Illogical Contraption Radio:


I'M A FUCKING GENIUS.

Friday, November 11, 2011

KING KILL 33: The Strange Life And Times Of James Shelby Downard


"The United States, which has long been called a melting pot, should more descriptively be called a witches' cauldron wherein the 'Hierarchy of the Grand Architect of the Universe' arranges for ritualistic crimes and psychopolitical psychodramas to be performed in accordance with a Master plan."

-J.S.D.

In addition to his super-cool name, the mysterious hermit, conspiriologist, synchromysticist, anthroponomastic etymologist, and onomastic toponymist James Shelby Downard had quite a few things going for him before his death in 1998, including a vast knowledge of Freemasonry, language, politics, and, perhaps most importantly, alchemy. He was a man who knew no equal in the realms of conspiracy and paranoia, and, had his work not been brought to light by Feral House writer/editor Adam Parfrey in the years before his death, he would have passed almost unnoticed as such.

Downard's unique take on Americana via occult symbolism and revisionist history was firmly rooted in the basic tenets of alchemical magic, and his belief that alchemy (as practiced by Freemasons, of course) guided much of America's historical path. Downard was not a prolific man, espousing his theories in small pamphlets spread out through the years. But his most compelling ideas about Americana and alchemy can be boiled down to three major points (a "trinity" if you will--more on that later):

1) The detonation of the first atomic bomb at the Trinity site in New Mexico in 1945 represented the "destruction of primordial matter" necessary to begin magical transformation in alchemical lore.
2) The assassination of John F. Kennedy in Dallas, TX, November 22, 1963 represented the "killing of the king" which functions as a second step in the alchemical trinity.
3) A third, unidentified event would complete this Trinity and usher in a new age of either supreme enlightenment or supreme evil. Traditionally, this alchemical "third step" consists of "MAKING MANIFEST ALL THAT IS HIDDEN".


Downard's best known work, a summation of these theories co-authored by controversial anti-Zionist conspiracy nut Robert Hoffman II, was titled King Kill 33, self-published, and distributed in small batches in 1987. You can read the preface (and then some) HERE, and after that buckle up and READ KING KILL 33 IN ITS ENTIRETY RIGHT HERE. It is some heavy shit.

Arguably, Downard's second greatest venture into the public eye came via Adam Gorightly's book, James Shelby Downard's Mystical War (BUY IT!), released in 2008.
Amazon.com says this: "Mind Control, occult scenarios, conspiracy and ritual crimes… In "James Shelby Downard’s Mystical War," author Adam Gorightly chronicles the famed conspiracy researcher’s life long battles against Masonic Sorcery as an investigator and exposer of the Science of Symbolism, Onomatology (Science of Names) and Mystical Toponomy (Science of Places). "James Shelby Downard’s Mystical War" picks up where Downard left off and follows the bread crumbs down a rabbit hole where only the brave (or crazy!) dare follow."

Then again, Amazon is often full of shit. If you'd like to learn a bit more before actually purchasing Gorightly's book, check out an excellent, detailed review (which nearly doubles as a Downard bio) over at Loren Coleman's Twilight Language blog. From his write-up:

"As you begin to read this new book about Downard, you might think that you have opened a cryptocomedic LSD trip about a conspiracy-oriented Forrest Gump-like character, who amazingly finds himself in all the wrong places at the wrong times...
Gorightly escorts the reader abroad a rollercoaster ride in which Downard is a Freemason scapegoat being ritualistically abused, watching the KKK hang a person at a crossroads, seeing Alexander Graham Bell receiving homoerotic sex magik fellatio, visiting J. Edgar Hoover's office, and getting a phone call from FDR.
"

Click HERE for full size.

Ever heard of William Grimstad? Me neither, but here's an oft-quoted excerpt from William Grimstad's piece on Downard, taken from 1978's Weird America:

"Would you believe John F. Kennedy as a ceremonial king-who-must-die? I'm afraid there is a certain body of opinion, undoubtedly the farthest-out brain wave of assassinology yet, that maintains the killing was pulled off, not by the Russians, the Cubans, the CIA, or the Mafia, but by alchemists.
As I understand the hypothesis, President Kennedy was for some reason chosen as The King (remember "Camelot," "Macbird" and all that?) after the fashion of James G. Frazer and Mary Renault whose "The King Must Die" he had been given to read before his death. This killing of the king in Dallas was related somehow to the touching off of the world's first atomic bomb at the Trinity Site in New Mexico 18 years earlier. Apparently the Bomb was the "destruction of primordial matter" stage of the grand alchemical working, but these conspiracy buffs aren't much more specific on details than were the early alchemists in their recipes. Anyway, Kennedy represented the next stage of the process - the "Death of the White King" - when he was immolated on a trinity site of his own. For, aren't Dealey Plaza and the ill-famed Triple Underpass on the bank of the old Trinity River?
"

Sounds feasible, right? We already know the Freemasons run the show, dangling, as it were, from puppet-strings held by the Illuminati, who are in turn controlled by a vastly secretive race of shapeshifting reptilian space aliens. Common knowledge here, really, but the weird connections that Downard pointed out in his life work will really blow your mind. I don't mean to mislead: he didn't have any reptoid/Illuminati theories per se. But the loose ends he ties together via language, numbers, and geography are multitudinous are cripplingly odd nonetheless...


Also important: Masonry and the Downardian Nightmare, by Adam Parfrey. Foreward to Part 1 of JSD's autobiography, Carnivals of Life and Death. Buy said volume HERE. Parfrey's pieces on Downard in the much-cited Apocalypse Culture books are absolutely essential. Downard's Carnival only covers his life from birth to age 26--he died before completion of the second volume.

But back to the names and numbers...

Consider, my friends, these concepts (taken en masse from The Sorcerer's Apprentices. James Shelby Downard and the Mysteries of Americana, by Jonathan Vankin and John Whalen), just the tip of the iceberg, really, when studying JSD's work:

- Dallas is located just south of the 33 degree of latitude. The 33rd degree is Freemasonry's highest rank.
- Kennedy's motorcade was rolling toward the "Triple Underpass" when he was slain by, according to some analysts, three gunmen. Three tramps were arrested right after the murder. Hiram Abiff, architect of Solomon's Temple and mythic progenitor of Freemasonry was murdered according to Masonic legend by three "unworthy craftsmen."
- "Dea" in Latin means goddess. "Ley" in Spanish can refer to law or rule. "Dealey Plaza" was "goddess-rule" plaza.
- Blamed for the assassination was a man named "Oz," explained by Downard as "a Hebrew term denoting strength." Divine strength is integral to the King-killing rite.
- "Oz" was killed by "Ruby," just as the ruby slippers freed Dorothy from the land of Oz in The Wizard of Oz, "which one may deride as a fairy tale but which nevertheless symbolizes the immense power of 'ruby light' otherwise known as the laser."


- Dealey Plaza is near the Trinity River, which before the introduction of flood control measures submerged the place regularly. Dealey Plaza therefore symbolizes both the trident and its bearer, the water-god Neptune. "To this trident-Neptune site," writes Downard, "came the 'Queen of Love and Beauty' and her spouse, the scapegoat, in the Killing of the King rite, the 'Ceannaideach' (Gaelic word for Ugly Head or Wounded Head). In Scotland, the Kennedy coat of arms and iconography is full of folklore. Their Plant Badge is an oak and their Crest has a dolphin on it. Now what could be more coincidental than for JFK to get shot in the head near the oak tree at Dealey Plaza. Do you call that a coincidence?" For those in our audience still too puzzled by the whole "Wizard of Oz" thing to get that last bit: the "Queen" is Jackie and "Ceannaideach" is the Gaelic form of Kennedy.
- An earlier "Trinity Site," in New Mexico, was the location of the first atomic bomb explosion. Chaos and synergy, breaking apart and joining together are the first principles of alchemy. The atomic bomb broke apart the positive and negative (male and female) elements that compose primordial matter. Physicists refer to this fiendish trickery as "nuclear fission."
- The New Mexico "Trinity" sits on the 33rd degree latitude line.

- The Kennedy assassination's true significance was concealed by the Warren Commission headed by Freemason Earl Warren with Freemason Gerald Ford as its public spokesman. The Commission drew its information from the FBI headed by Freemason J. Edgar Hoover and the CIA, which transmitted information through former director Freemason Allen Dulles who sat on the commission.
- A decade later Ford, when president himself, was the target of an attempted assassination in front of the St. Francis Hotel, located opposite Mason Street in the City of St. Francis, San Francisco. Members of the Freemasonic "Hell Fire Club," site of many a sex orgy involving such luminaries as Freemason Benjamin Franklin, called themselves "Friars of St. Francis."
- The St. Francis Hotel was also the site of sex orgies. On its premises occurred the rape- murder of Virginia Rappe by silent film comic Roscoe "Fatty" Arbuckle. Virginia Rappe's name is a variation on "virgin rape." The rape of a virgin is an important alchemical sex-magic rite.


I apologize for throwing all of this information at you in such a relatively short amount of time. Downard's writing takes lots of time to digest (to say the least). But allow me one last digression before I leave you:

Remember up top, when I alluded to the alchemical "third step" Downard predicted in almost all of his work--the act of MAKING MANIFEST ALL THAT IS HIDDEN? The historical event that would usher a New Dark Age (and/or enlightenment)? Remember?
Well, many have speculated that a very major tragedy in American history, a tragedy that the man himself didn't live to witness, served as completion of the Downardian Trinity...

Totally, bro

James Shelby Downard was indeed a weird guy--seen by many as a genius, a guru, a wizard--but most often, as a kook. I definitely count myself among those who think he may have been on to something huge and hidden. But then again, there are those who doubt he ever existed at all.

Friday, July 22, 2011

OWLnight, OWLright

Hey Ya'll remember that band Owl I posted about a ways back? Well, as I usually do, I invited myself to be a part of that band, and now we are venturing out of our Owl's nest and into the night. Here's a little refresher-the first and original Owl DEMO. Of course, we've been in the studio a whole lot this year and have a 7" and a full OWLbum in the works. Starting off on Sunday it's yours truly dirty thirty. I can now graduate from P.I.T. (Puma in training) to official Puma, I believe. Yay for me.


If you did not catch Lord Dying OR Nether Regions on tour you really, really should.

Then next week we embark on adventures in the Northwest Regions of our great country. Observe:

SAT - JULY 30 - Eli's Mile High Club, Oakland, CA
w/ Ghetto Blaster, Funeral Stain

SUN - JULY 31 - The HQ, Reno, NV
w/ P.R.O.B.L.E.M.S.(pdx), Sptting Image, The Z-28s

MON - AUG 1 - The Alibi, Arcata, CA

TUE - AUG 2 - Camping, Devil's Lake. With whomever dares to spend the night in the woods with Owl.

WED - AUG 3 - The Know Portland, OR
w/ Drunk Dad, Lord Dying (DUDE)

THUR - AUG 4 - Fort Drunkenfall, Seattle, WA

FRI - AUG 5 - Olympia, WA - TBA

SAT AUG 6 - Portland, OR - The Alleyway
w/ The Guild

SUN AUG 7 -Musichead, Medford, OR
w/ Landmine Marathon, Enshadowed Empire


http://www.facebook.com/pages/OWL/185806301446575
http://www.myspace.com/owldeathlife.


I'm sorry for all the self promotion people, but guilt is the only way I can get you to come.

Wednesday, April 20, 2011

Dear Robitussin:


I have consumed you more than solid food in the last four days. Yet I am endlessly coughing. I keep drinking you. I think you are opening my third eye.



I keep waking up in cold sweats, having hallucinated that I was wandering endlessly in a sunless forest. My clothing was replaced by a wolf's bane, I was surrounded by savage women, baring carnivorous teeth and bloody bosoms.




I was being dragged to a ceremony. It was a Ceremony of the most Bloody kind, being offered to the Great God Pan. Flutes and fires and fables. Oh my.


Blood Ceremony


(Based on actual robitussin hallucinations: take heed, stick to weed, and happy 4:20 ya'll)


Monday, April 18, 2011

ANTONIUS REX





An Italian prog classic and favorite of mine, I present Antonius Rex. Antonio, who comprised this band I believe (I don't do wiki or research before I post, I'm just assuming that this was his prog-ject:Antonio=Antonius DUUUUH) was briefly in Black Widow, an excellent band if I do say so myself, as well as contributing to the occult prog soundscapes of Jacula.


(Antonio Bartoccetti-Satan's right hand man)



I'm into witchy shit with lots of organs and ladies singing chants and violins and flutes and shit. Here's their album from 1977, ZORA. Rather proggy and classical, with a satanic twist. My favorite song on the album? Morte al Potere- It's the soundtrack to your first bong hit of the night.


Stonin' and Bonin'.


Sunday, March 27, 2011

SPRING NON-MIXTAPE 2011

This cover art took me FOREVER to put together.

So yeah, I try to do one of these "anti-mixtapes"on the first day of each new season, but I somehow missed the first day of Spring 2011 through a horrendous barrage of wind and near-freezing rain. So you guys are getting this one a week late (which is better than never). It's a pretty hefty mix this time around (over two hours of tunes), custom-made (as always) to play in order when dropped into an iTunes playlist.
I tried to challenge myself by playing a little word game with this one. I'm sure you guys can figure it out (please note that the first band is POWER Quest and the last band is POWERmad).
Enjoy!

1. POWER QUEST "Far Away"
2. QUEST FOR BLOOD "Noise"
3. PAGAN BLOOD "The Call of Gods"
4. PAGAN ALTAR "Flight of the Witch Queen"
5. BLACK ALTAR "The Revelation of Scourge"
6. BLACK DEATH "Night of the Living Death"
7. NAPALM DEATH "Nazi Punks Fuck Off"
8. EXTREME NAPALM TERROR "Part 5"
9. SLEEP TERROR "Ascetic Meditation"
10. ETERNAL SLEEP "... To The End"
11. HATE ETERNAL "Praise of the Almighty"
12. HATE FOREST "With Fire And Iron"
13. FOREST OF FOG "Die Klage des Windes"
14. FOG OF WAR "M.O.S.H."
15. INVOCATION WAR "Infinite Power"
16. BURIAL INVOCATION "Desecration Remains"
17. BURIAL CHAMBER TRIO "Untitled"
18. SKIN CHAMBER "On A Drunk"
19. SKIN INFECTION "Locust Swarm"
20. DEAD INFECTION "Autophagia"
21. DEAD CONGREGATION "Voices"
22. MOURNFUL CONGREGATION "As I Drown In Loveless Rain"
23. MOURNFUL NIGHT "Rain of Razors"
24. RAVEN BLACK NIGHT "Morbid Gladiator"
25. BLACK HAWK "First Attack"
26. KILLERHAWK "Wish Me Well"
27. MANIAC KILLER "Hypnotic Gore"
28. MANIAC BUTCHER "Barbarians"
29. MAD BUTCHER "Mad Butcher"
30. POWERMAD "Slaughterhouse"

2:11:15, 204.5 MB

ILL JAMS BRO

Tuesday, March 8, 2011

100 Posts

Seanford at home


Being the first IC contributor to reach 100 posts is an unflattering achievement. Does it mean my boss just comes into work less often then your boss? Or does it mean I've stopped getting laid? Remember when I used to get laid all the time? What happened to that? I wonder if it has anything to do with my Four Loko phase? What was that about? And now that that's over, what's next?


Highfiving Myself (A Celebrasean)



Best ProtoMetal/Heavy 70's Record
HERE



6 Pack of ProtoMetal found here.
6 Pack of Psyche found here.


Best Epic Soundtrack Music

HERE



Remember when I laid you down slow with some Doom Humping?


Best Heavy Funk/DudeWop Record

HERE



Remember that EPIC Roky Erickson Retrospective?



Best Underground Fancy Metal

HERE



This was probably the best record you didnt download. Foolishness.


Best Unreleased Record

HERE



Every Witchfinder General recording ever?? Man, what a bro.