Originally posted on 10/28/20
Hardly the exploitation thriller the title would suggest, SHOCK TREATMENT (Severin Films, 1972) is a sober, deliberately-paced foray into slowburn suspense and growing tension that gradually develops like a photograph until the disturbing final image is revealed.
This French production from director and co-writer Alain Jessua (THE KILLING GAME, LIFE UPSIDE DOWN) offers its own take on a now familiar premise: a patient at a secluded clinic/ wellness resort/ rejuvanation facility begins to see beyond the fascade of happy patients and benign doctors and suspects a more sinister agenda at work.
That patient is Hélène Masson (Annie Girardot, ROCCO AND HIS BROTHERS, THE PIANO TEACHER), a woman in her late 30s who feels that age is catching up with her and yearns for something that will keep her a step ahead of it.
As one might suspect (and Hélène indeed eventually does), not all is as it seems despite the regular customers basking in their newfound youthful glow and crowing about Dr. Devilers as they laze about in saunas draped in seaweed or cavort naked in the warm ocean waves. (The scene in which Delon himself strips to the skin and joins them will definitely be of interest to his fans.)
The plot thickens when Hélène notices the Portuguese servants hired to work there, all healthy young men, begin to behave strangely as though drugged and/or somehow depleted, and when tragedy strikes her friend after he expresses his own fears about the place and wishes to leave, she takes it upon herself to investigate what's really going on there. This, of course, puts her in grave peril.
With the beautiful French seaside as his canvas, director Jessua has concocted an attractively mounted and technically adept visual page-turner that grows more absorbing with each unsettling revelation.
His most valuable asset is a solid performance by Annie Girardot, whose Hélène is a thoroughly likable and identifiable protagonist for whom we care quite a bit as death and deceit begin to close in on her.
Alain Delon's handsome but shady doctor is less of a stretch, although he acquits himself well. The rest of the cast capably portray their spoiled, idle-rich sycophants of Dr. Devilers who care about nothing but their own well-being and endless vanity.
The film has been described as a political allegory, which seems apt enough, although it might apply to any scenario in which people blindly follow a charismatic leader who offers them promises and pipe dreams at a terrible price.
SHOCK TREATMENT has that look and feel of a "foreign film" (unless, of course, you happen to be French) in the best sense of the term, offering a refreshingly different sensibility that increases our own vicarious feeling of being in a strange, unfamiliar setting. While never resorting to gore or sensation for its own sake, it builds to a chilling climax that may leave you as dazed and disoriented as its hapless heroine.
Buy the standard Blu-ray edition (single disc)
Buy the 2-disc SE w/slipcover, reversible wrap, and CD soundtrack
Buy the DVD
Special Features:
Alain Jessua – The Lone Deranger: Interview with Bernard Payen, Curator at The Cinémathèque Française
Koering’s Scoring – Interview with Soundtrack Composer René Koering
Director’s Disorder – Interview with Director Alain Jessua
Drumrunning – René Koering Commentary on Three Sequences
Trailer
Special Limited Edition also includes:
Reversible Wrap
Limited Edition Slipcover
CD Soundtrack
Disc Specs:
Aspect ratio: 1.66:1
Audio: English mono with optional closed captions, French mono with English subtitles
Region A
Special edition slipcover:
Special edition reversible cover:
Originally posted on 7/11/20
This is definitely not your usual killer zombie movie, which is either a good thing or a bad thing depending on what you usually expect or demand from a killer zombie movie.
If you expect them to actually be good movies, then you may be out of luck. But if you merely expect them to be perversely entertaining, indigestibly icky, and sometimes downright disconcerting, then REVENGE OF THE LIVING DEAD GIRLS (Severin Films, 1987) might be right up your cemetery path.
There's a plot running through the whole thing--something about a greedy tycoon named Alphan (Patrick Guillemin) who hires an equally unscrupulous goon to illegally dump all the super-toxic waste that his plant churns out--that the filmmakers really spend a lot of time and effort developing until finally the living dead girls show up to get the blood 'n' gore party started.
