Showing posts with label Dan Lampinski. Show all posts
Showing posts with label Dan Lampinski. Show all posts

Sunday, January 21, 2018

Electric Light Orchestra - Live Boston 1976

Electric Light Orchestra - Orpheum Theatre
March 19, 1976
Boston, MA.

Master audience recording taped by Dan Lampinski

CD1
01 Intro
02 Fire On High
03 Poker
04 Nightrider
05 King Of The Universe >
06 instrumental >
07 Bluebird Is Dead
08 cello solo
09 Showdown

CD2
01 Eldorado Overture > 
02 Can't Get It Out Of My Head
03 Poor Boy (The Greenwood) (beginning cut)
04 Illusions In G Major
05 Eldorado
06 violin solo
07 Strange Magic
08 10538 Overture >
09 Do Ya 
10 Evil Woman
11 Ma-Ma-Ma Belle
12 E: Roll Over Beethoven
Journey opened
Jeff Lynne - Vocals, lead guitar
Bev Bevan - drums, percussion
Richard Tandy - keyboards, moog, mellotron
Kelly Groucutt - bass guitar, backing vocals
Mik Kaminski - violin
Hugh McDowell - cello
Melvyn Gale - cello

Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes

Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)

Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
  16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.
A 24-bit/96-KHz flac24 version of this recording is also available.

Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.
He recorded many of the major 70's bands: Yes, Genesis, Pink Floyd, Queen, Blue Oyster Cult, Frank Zappa, Jethro Tull, ELP, Kiss, Black Sabbath, The Who, Al Stewart, Alice Cooper, Jeff Beck, Bruce Springsteen, Supertramp, Jean-Luc Ponty, Moody Blues, Neil Young, The Faces, Rush, Rick Wakeman, Kansas, as well as several "under the radar" acts.
Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ'ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.
Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.
The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.
Always remember - the more generous you are with your music, the more it comes back to you.

Kev & Carl
June 2009

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Sunday, October 21, 2012

The Tubes - Live Boston 1976


The Tubes - Orpheum Theatre
Boston, MA
April 23, 1976
Master audience recording taped by Dan Lampinski @320

Sorry folks, I got it in mp3, I'm not the one that turned it into an mp3.


Set I/CD1
01 Young And Rich Grandiose Instrumental Overture >
02 What Do You Want From Life?
03 Tubes World Tour
04 Pimp
05 Mondo Bondage > Don't Touch Me There > Mondo Bondage Reprise
06 Brighter Day
07 Poland Whole/Madam I'm Adam

Set II/CD2
01 Slipped My Disco
02 Gimme Dat Harp > Love Will Keep Us Together
03 The Cathy Perkins Amateur Hour
04 Proud To Be An American
05 It's Not Unusual
06 3rd Stone From The Sun
07 Waiting For My Man > Boy Crazy
08 Quay Lewd's Drug Deal
09 Stand Up And Shout (spliced)
10 White Punks On Dope

The intro to "Love Will Keep Us Together" is the Captain Beefheart tune "Gimme Dat Harp" featuring Roger on blues harp.

Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt
Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.

**Supplied Notes**
Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.
He recorded many of the major 70's bands: Yes, Genesis, Pink Floyd, Queen, Blue Oyster Cult, Frank Zappa, Jethro Tull, ELP, Kiss, Black Sabbath, The Who, Al Stewart, Alice Cooper, Jeff Beck, Bruce Springsteen, Supertramp, Jean-Luc Ponty, Moody Blues, Neil Young, The Faces, Rush, Rick Wakeman, Kansas, as well as several "under the radar" acts.
Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ'ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.
Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honor his kindness and generosity by sharing these recordings freely.
Always remember - the more generous you are with your music, the more it comes back to you.
Kev & Carl June 2009


  

Boston '76