Showing posts with label Emma Goldman. Show all posts
Showing posts with label Emma Goldman. Show all posts

Thursday, April 18, 2013

Recalling America's Lost "Progressive Era"

by Len Hart, The Existentialist Cowboy


Neither Edith Wharton nor E. M. Forster admired it, but Louis Auchincloss calls "The Wings of the Dove" the greatest of Henry James' novels. Published in 1902, the novel represented something of a “comeback for James”, whose only bestseller, Daisy Miller, had appeared more than two decades earlier. Set amid fashionable London drawing rooms and gilded Venetian palazzos, the story concerns a pair of lovers who conspire to obtain the fortune of a doomed American heiress. This version is said to be “the definitive New York Edition” appearing in 1907 with the author's Preface.

As Hollywood screenwriters might “pitch it”:
... a naïve young woman becomes both victim and redeemer in James's meticulous “map” (ordeal?) of drama, treachery and self-betrayal. “It seems to me that I know the characters even more intimately than I know the characters in the earlier novels of his Balzac period. The Wings of the Dove represents the pinnacle of James's prose.” said Louis Auchincloss.
Many British Novels depict the deterioration and ultimate collapse of the British "class system", most prominently the work of Vera Brittain. However, James captures it perfectly in this intimate portrait of three people trapped in a system that Bush would create in America, a system of primogeniture and privilege, a system of those who have and those who do not. As Billie Holiday would sing later in America: “God Bless the Child that's Got His Own!”
Money, you've got lots of friends
Crowding round the door
When you're gone, spending ends
They don't come no more Rich relations give
Crust of bread and such
You can help yourself
But don't take too much
Mama may have,Papa may have
But God bless the child that's got his own, That's got his own
There are undoubtedly many other models that do have a chance of working, that can be devised and improvised so that short falls of the various systems might be addressed.
For many, "economics" has become ideological and their view of it is "religious" in nature. Supply-side economics, for example, is accepted and espoused as a matter of "faith". Like various cultists, "supply siders" will not tolerate other world views.

I have often thought that it was the long cold war that radicalized economic thinking in this country but it's not so simple as that. Much of it has to do with the nature of the "very rich". There is a line in Henry James' “The Wings of the Dove” in which a young newspaper reporter warns his idealistic, "revolutionary" friends that the aristocrats would not reform themselves and, therefore, must not be entrusted to rule the British Empire. That story is set in London, circa 1900.

Arguably – the most radical period in world history was roughly 1840-1920. Karl Marx and colleague Friedrich Engels had issued the Manifest der kommunistischen Partei (Communist Manifesto) (1848) which they had hoped would precipitate a world wide social revolution. They very nearly succeeded. Socialism was advanced –even in America. Eugene Debs was the Socialist candidate for President. It was Debs who famously said in his defense: “While there is a lower class, I am in it; while there is a criminal element, I am of it; and while there is a soul in prison, I am not free”. Almost concurrently, Lincoln Steffens was exposing abuses throughout an increasingly unfair capitalist system. Anarchists found a voice in Emma Goldman.

When a viable labor movement began to frighten a growing class of “robber barons”, the “evil empire” of "robber barons" would strike back. By 1914, the “working man's” great champion, Clarence Darrow, was severely chastened but eventually acquitted of bribery charges in Los Angeles. His most egregious sin? He had dared defend two brothers –the McNamaras –on charges that they had bombed the Los Angeles Times building which ultimately caught fire and burned down. Though he brokered a successful “plea bargain”, he would never defend another labor case.

World War I –instead of energizing the U.S. movement as it had done in Russia –rallied "patriots" to the flag and had the effect –as do all wars –of limiting dissent, free speech and free thought! America marched off to war singing a George M. Cohan tune: “Over There!” Later –the Hoover Administration would deny World War I veterans their bonuses and ordered a military attack upon the veterans who dared demand their due!

The U.S. Army attack upon “their own” was a nation's ultimate betrayal of those who put their lives on the line for its defense. One is always at a loss for words to describe a betrayal so venal.
_________________________________________________________________________________

Sunday, August 19, 2012

'Ragtime' Revisited: A Review of E.L. Doctorow's Masterpiece of True Fiction

by Len Hart, the Existentialist Cowboy

I've lost track of my many 'reads' of E.L. Doctorow's great novel: Ragtime. I will probably read it that many times again. Every 'read' has been a new experience; and with every 'read', I learn something new.

Initially, as a lover of music to include 'Ragtime', I was attracted to the novel by its title. A review in a major news magazine peaked my interest. Here was a novel that included a vast array of real and fictional characters --Houdini, J.P. Morgan, a pioneer 'Ragtime' pianist called 'Coal House Walker', Evelyn Nesbett, Emma Goldman, 'Mother's Younger Brother', Robert Peary, J.P. Morgan, Henry Ford, Evelyn Nesbett, Stanford White, Harry Thaw, Archduke Franz Ferdinand of Austria, Countess Sophie Chotek, Booker T. Washington, Sigmund Freud, Carl Jung, Theodore Dreiser, Jacob Riis and Emiliano Zapata.

There was also 'Tateh' and his young daughter. Tateh made 'silhouettes', selling them to help him to feed his little daughter and, if there was any left-over, himself. His fortunes improved when he learned how to make his creations appear to move. Eventually, the struggling Tateh became a director in the 'new' industry of motion pictures.

Like a creation by Tateh, all of these characters come to life and 'move' in Doctorow's book.

I do not recommend this book to anyone who is incurious. I do not recommend this book to anyone who is unwilling to see American history through fresh eyes. I do not recommend this book to those who cannot appreciate a different or fresher point of view. I do not recommend this book to anyone who cannot see the world through the eyes of the world's richest man and, on the next page, the eyes of the very poorest.
"Professional historians denominated it “the Progressive Era” and emphasized how Presidents Theodore Roosevelt and Woodrow Wilson had moved to control the power of big business while other middle-class reformers initiated reforms in the structure of government that diffused political power more broadly and democratically. For these historians the Progressive Era was the first step in a continuing reform process that, after an interregnum of conservative reaction in the Twenties, reached its apex in the New Deal and Fair Deal of Presidents Roosevelt and Truman in the Thirties and Forties. The story they told was one of a half-century in which the excesses of capitalism were brought under control, working men and women formed unions and secured a fairer share of the fruits of their labor, and political reform made the society more democratic and inclusive. Such change was possible because, they believed, there was broad agreement among most Americans about political means and ends and this consensus engendered evolutionary rather than revolutionary change."

--E.L. Doctorow’s Ragtime and American Cultural History, John Raeburn, American Studies Department, University of Iowa