Showing posts with label Cultural Products. Show all posts
Showing posts with label Cultural Products. Show all posts

Friday, April 3, 2009

Working at Home, Living at Work

So I have a brand new hot water boiler and a house full of in-laws this morning. In between all the boiler and family excitement yesterday, I assembled and carded a few obsidian and glass necklaces and earrings. I also had a good chat with a woman in Corner Brook looking for a few complete artifact reproductions as well as pieces suitable for a sandbox dig. This is another opportunity to make use of Cultural Products seconds.

Lori's mom was staying with us a couple of nights this week and noticed that our hot water was a slightly more yellow color than our cold water. Our hot water boiler is 7 years old and Lori has been keeping an eagle eye on it for the past 3. We finally got some discolouration in the water so we decided to replace it before it completely let go and flooded our basement.

Lori's parents have a good friend in the plumbing supply business and he gave us a deal on the tank and set us up with a reliable, cheap plumber to install it. Lori's dad was in town with his truck, so he could pick it up for us, no problem. Unfortunately, when he went to restart his truck after popping into the warehouse to get the boiler it wouldn't start. His official explanation was that water from the car wash must have shorted out the starting motor. This was controversial enough for his wife to hear, because she thinks he has a carwash addiction and doesn't need to wash the truck multiple times a week. Later in the day, when Lori's mom was out of the room, he wondered if opening up the hood to shampoo the engine and blast it with the pressure washer might be the real culprit.

So, the truck is in the garage and in-laws are in the basement.

That pretty much sums up the pros and cons of working at home. Its convenient to be able to be around when the plumber needs to show up. But the distinction between home life and work life is pretty blurry. To people on the outside it can feel like you are always at home, while to you it can feel like you are always at work.

Photo Credit: Tim Rast

Photo Caption: Obsidian jewelry from Elfshot.

Monday, March 30, 2009

Cultural Products Seconds

Last week was an unexpectely hectic week. I had a couple of suprise orders that had to be filled very quickly.

It got me thinking about the Cultural Products seminar two Saturday's ago. A lot of my artifact reproduction work falls under the umbrella of Cultural Products, and I know that some craft producers are curious about how they can get involved with making and selling cultural products.

The end of March is the end of the fiscal year for Federal and Provincial organizations, like Parks Canada or The Rooms. That means that the money in everyone's budget has to be spent by March 31st or they risk receiving proportionately less money the next year.

The Terra Nova Harpoon was an order that came out of year end money and last week a couple people at The Rooms found extra money in their budget that needed to be spent quickly. I had some extra product on hand that fit what they were looking for and I refered them to the Craft Council Shop in Devon House for a few more pieces. Whenever I fill an order I always try to make a small number of extra items, so that I have pieces on hand for just this sort of quick sale. I also find it more efficient to work in bigger batches and you always need product on hand for shows or surprise customers.

Some of the product that The Rooms bought could be classified as Seconds. Seconds are the pieces that don't quite meet a craftsperson's standards, but that aren't completely rubbish either. A ceramic plate or bowl that develops a hairline crack in the kiln is an example of a Second. I don't normally think of myself as producing seconds, but I do have pieces that break or are flawed for one reason or another. I tend to hang on to them, thinking that I may reuse the material down the road. In retrospect, however, I've got a lot of sales out of seconds and they tend to be in the most demand at the end of the fiscal year.

Artifact reproduction seconds work great for simulating artifacts in hands-on teaching situations. The majority of artifacts that archaeologists find are not the flawless museum showcase peices that make good reproductions for the gift shop. Most artifacts are broken and discarded objects that were no longer worth the effort to mend or rework by the people who made them.

Seconds can be good analogs for those artifacts. If a museum or university is running a hands-on program like a sandbox dig or mock laboratory program for students or tourists, they may be looking for your seconds. Its cheaper for them to fill up their programming with your cast-offs, its better for you to sell the pieces than throw them away and the programme participants get a more authentic experience because in most cases seconds are more like the damaged and discarded originals than your best work.

Pricing was a little tricky, because every piece was different. Some were broken while I was making them, some were abandoned at an early stage of manufacture, and some were complete pieces that had broken after they were finished. (As an aside, almost every artifact an archaeologist finds at a site could fit into one of those three categories, which is probably why seconds make such good artifact reproductions.) The pricing solution that worked for me was to pick an arbitrary price point and create groups of pieces that I could sell together at that price. I picked $50 for my sets. The sets ranged from a dozen small stone or antler pieces to a single unfinished soapstone lamp. Since these were seconds I didn't really consider the time that had gone into them when I priced them, for me the value of the objects were based on the likelyhood that I could re-use the material in the future. It was easier for me to think about the sets in $50 bunches and I think it made it easier for the customer to organize their selections. In the end we mixed and matched a bit between the sets, but it was an easy place to start the conversation.

It is kind of another chicken and egg scenario -- it probably hard to break into the cultural products seconds market unless you are already producing cultural products firsts. But still, its an option that exists, and in my experience its been worthwhile mentioning that I have broken or damaged pieces to musuems shopping for artifact reproductions.

Enough of that. I'm back to filling wholesale orders this week. For my office work I'm going to work on updating my website. I'd like to add Paypall and a shopping cart. From a preliminary look around It seems much easier to add check-out options to a website now that it was 5 years ago.

Photo Credits:
Tim Rast

Photo Captions:
Top: Broken Bifaces/Cultural Product Seconds
Bottom: Collecting up seconds. The little groups in the photo are $50 bunches of seconds, organized by culture.

Monday, March 9, 2009

Provincial Craft Wholesale Show is coming soon

I'm trying to figure out my work schedule for the rest of March today. I dropped off the Craft Council shop order on Friday so today is a fresh start on new work.

The next major event in Elfshot's Calendar is the Provincial Craft Wholesale Show on March 21-22, 2009 at the Holiday Inn in St. John's. It won't take a full two weeks to prepare for, but the production work that I do now will fit around that weekend. I have the wholesale order for Korea and a request from Terra Nova National Park for a Dorset Palaeoesimo Harpoon reproduction. If I can have some of those pieces done in time for the show, then they can help fill out the display.

Wholesale shows are a little different from retail shows in that you don't need to have product on hand for buyers to take away with them from the show. You have examples of your product and take orders. Its also a place to introduce new products to your customers. I have Fibre Optic brooches in mind for this years new jewelry, but I also like to have a new artifact reproduction in the line up. I need to come up with something fast. Usually I experiment leading up to the Fine Craft and Design Fair and get a sense there of what new product is working and what isn't. The new product that I introduce at the wholesale show has already been tested out on retail customers shopping for Christmas gifts. But I didn't attend the Fine Craft and Design Fair this year so I don't have that information.

The only wholesale show that I do is the one here in St. John's.
Most of my wholesale orders come from existing customers outside of the show, but I still think its important to let people know that I'm still alive and producing. Its very inexpensive to attend and I always get a few orders that I wouldn't otherwise know about, but I mostly do it to keep my face out there. I think that buyers need to know that you are a reliable producer.At the wholesale show I'll be participating on the panel of one of the producer seminars called "Cultural Product Development". Its description; "There are many opportunities to develop culturally based products for sale to tourist and other markets. In this seminar we will discuss some of these opportunities and how craftspeope can profit from them." If you wish to participate in the seminar it runs from 11:00am-12:30pm on March 21, 2009 - Registration information is here.

Photo Credits: Erick Walsh
Photo Caption:
Top, Elfshot Acrylite Point of Sale display loaded with Product
Bottom, Elfshot Banner
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