Showing posts with label Grace Nichols. Show all posts
Showing posts with label Grace Nichols. Show all posts

Thursday, December 29, 2022

For Forest Poem by Grace Nichols

 


For Forest Poem 
Grace Nichols

Forest could keep secrets
Forest could keep secrets

Forest tune in every day
to watersound and birdsound
Forest letting her hair down
to the teeming creeping of her forest-ground

But Forest don't broadcast her business
no Forest cover her business down
from sky and fast-eye sun
and when night come
and darkness wrap her like a gown
Forest is a bad dream woman

Forest dreaming about mountain
and when earth was young
Forest dreaming of the caress of gold
Forest roosting with mysterious eldorado
and when howler monkey
wake her up with howl
Forest just stretch and stir
to a new day of sound

but coming back to secrets
Forest could keep secrets
Forest could keep secrets
And we must keep Forest




Wednesday, December 28, 2022

Like a Beacon Poem by Grace Nichols



Like a Beacon Poem
by Grace Nichols

In London
every now and then
I get this craving
for my mother's food
I leave art galleries
in search of plantains
saltfish/sweet potatoes

I need this link

I need this touch
of home
swinging my bag
like a beacon
against the cold



Tuesday, December 27, 2022

Cat-rap Poem by Grace Nichols

 


Cat-rap Poem
by Grace Nichols

Lying on the sofa
all curled and meek
but in my furry-fuzzy head
there's a rapping beat.
Gonna rap while I'm napping
and looking sweet
gonna rap while I'm padding
on the balls of my feet

Gonna rap on my head
gonna rap on my tail
gonna rap on my
you know where.
So wave your paws in the air
like you just don't care
with nine lives to spare
gimme five right here.

Well, they say that we cats
are killed by curiosity,

but does the moggie mind?
No, I've got suavity.
When I get to heaven
gonna rap with Macavity,
gonna find his hidden paw
and clear up that mystery.

Nap it up
scratch it up
the knack is free
fur it up
purr it up
yes that's me.

The meanest cat-rapper you'll ever see.
Number one of the street-sound galaxy.




Monday, December 26, 2022

Biographies / Grace Nichols

 

Grace Nichols


Grace Nichols

Grace Nichols is a poet whose work has been central to our understanding of the important cultural Caribbean-British connection for nearly 3 decades. From her first collection, I Is a Long Memoried Woman (1983), to her more recent work such as Picasso, I Want My Face Back (2009), she has uncovered with a disquieting lyricism and humour the various facets of life as a woman and as an immigrant living in the UK.

Nichols was born in Guyana in 1950, and moved to live in the UK in 1977. Her work is influenced by the history and culture of her homeland, in particular the oral story-telling tradition with its fantastic folk tales, the landscape and its rural tasks and the history of enslavement (particularly relating to women). ‘To My Coral Bones’ from Startling the Flying Fish (2006) explores the importance of Nichols’ Caribbean heritage, suggesting she has ‘alwayscarried deepthese islands’.

On arrival in the UK, Nichols’ work began to respond to the contemporary situation. She was one of a number of West-Indian poets, including Linton Kwesi-Johnson and John Agard, whose work also touched on racial tensions at a time when immigration was at the centre of the political debates under Margaret Thatcher’s government. Poems from her 1984 collection The Fat Black Woman’s Poems are an arresting and humourous riposte, presenting the unfettered thoughts of the heroine in the bath or at the shops. A later poem, ‘Hurricane Hits England’, expresses the connection between cultures, when a hurricane reminds her that ‘the earth is the earth is the earth’.

Her poetry is characterized not just by the themes above, but by an acute attention to the language which carries the poems. Her work marries the Creole of her homeland with standard English, creating new possibilities for rhythm and rhyme. As such, while reading her poetry on the page offers fascinating insights to the potential for linguistic hybridity, it is when spoken aloud that her techniques sing most powerfully.

In her reading for the Archive, Nichols’ voice brings the poems to life, giving free reign to the infectious lyrical sweep of her verse. For example, in ‘Praise Song for My Mother’ (which is on the current GCSE syllabus), there is a true harmony in the blend of the vibrant imagery, ‘the fish’s red gill’ and ‘the flame tree’s spread’, the haunting recollection of the past tense ‘You were’, and the forward movement of the repeated stanza structure and end-rhymes.

Her poetry for children is characterized by the same rhythms as her other poetry, although the subjects are designed to appeal to a younger audience. ‘Cat-Rap’, included here, proves that Nichols herself is ‘The meanest cat-rapper you’ll ever seeNumber one of the street-sound galaxy’.



Sunday, December 25, 2022

Hurricane Hits England by Grace Nichols




Hurricane Hits England 

by Grace Nichols




It took a hurricane, to bring her closer
To the landscape.
Half the night she lay awake,
The howling ship of the wind,
Its gathering rage,
Like some dark ancestral spectre.
Fearful and reassuring.

Talk to me Huracan
Talk to me Oya
Talk to me Shango
And Hattie,
My sweeping, back-home cousin.

Tell me why you visit
An English coast?
What is the meaning
Of old tongues
Reaping havoc
In new places?

The blinding illumination,
Even as you short-
Circuit us
Into further darkness?

What is the meaning of trees
Falling heavy as whales
Their crusted roots
Their cratered graves?

O why is my heart unchained?

Tropical Oya of the Weather,
I am aligning myself to you,
I am following the movement of your winds,
I am riding the mystery of your storm.

Ah, sweet mystery,
Come to break the frozen lake in me,
Shaking the foundations of the very trees within me,
Come to let me know
That the earth is the earth is the earth.