Fangs for the Fantasy Episode 73

This week we discuss our book of the week – Son of a Witch by Gregory Maguire and the problems we found of it. We also look at True Blood as we move further into the series as well as considering the direction – or lack thereof – of Continuum and it’s recent anti-choice messages





25/6-2/7: The Fall by Guillermo del Torro
2/7-9/7: Even White Trash Zombies Get the Blues: Diana Rowland
9/7-16/7: Carpe Demon: Adventures of a Demon Hunting Soccer Mom by Julie Kenner
16/7-23/7: Who Fears Death by Nnedi Okorafor

Review: Son of a Witch by Gregory Maguire

Liir leads an interesting life after the death of Elphaba. Still unsure as to whether she was his mother or not, he is left somewhat rudderless, following Dorothy back to the Emerald City as much because he has little else to do more than anything. Along the way it’s clear that Oz politics is far more complex than it seems – and certainly not everyone is so happy that the “Wicked Witch of the West” is dead.

In the Emerald City – in fact, in Oz in general, Liir is quickly out of his depth. As the rulership changes from the Wizard to Lady Glinda, to the Scarecrow, to the Holy Emperor, politics quickly drags the country along. Liir is torn with commitments he has no idea how to fulfil – from finding Noor, to helping the Elephant Nastoya to even helping the Council of Birds – and trying to make his own life. Drifting from the City to the military, his world is shaken repeatedly with massive moral quandaries and dire consequences of his actions

There is so much of this book I like – it has some pretty epic scenes with the dragons and the council of birds, yet all without Liir becoming super-powered or even seeking them out, he’s almost driven to it. We can see the seeds of rebellion as he sees to the full evil of what he’s facing and why rebellion is necessary.

I love his relationship with Trism – albeit it seems awfully quickly entered into, awfully brief and awfully abruptly ended (I desperately wanted to see more because it had the hallmarks of an extremely good relationship). I loved them on the run together – and would have loved that part of the story to have been much longer so we could see the affection grow between them as they both confronted the consequences of their actions.

I liked his relationship with Candle and the life they were building – and how that contrasted with the duties that were placed on him. I liked her power of music and what strength it had – something else I’d like to have heard more on. I wanted to see more of their life together, of them building a home, of them developing an affection.

I liked the moral conflicts that were raised of cause and effect. I think the Birds’ quandary was a little contrived (“it’s not for me to decide who gets their face scraped or not” um, no, that’s not a moral quandary. No-one should get their face scraped off slowly by dragon claws and if you can stop it you should. This isn’t a moral quandary and it isn’t playing god), but in general there was a lot of genuine conflict here.

I loved him tapping into hidden reserves of power and the implication that he has more to come and more to give – it would be interesting to see developed in a sequel (actually, it would have been interesting to see develop in this book).

I loved and liked a whole lot of this book, really. The problem? The problem is everything I described there happened in the last 25% of the book. The remaining 75% has none of that. It has lots and lots of Liir kind of wandering randomly from place to place, it does a lot to establish who characters are who may kinda, sorta, become relevant for the actual 25% but it doesn’t do much more.

Fangs for the Fantasy, Episode 69

This week we discuss our book of the week, Wicked, the Life and Times of the Wicked Witch of the West by Gregory Maguire

We discuss the season finale of Game of Thrones (which was awesome) as well as the brand new season premier of Teen Wolf. We also discuss our ongoing shows, The Almighty Johnsons and Continuum which we’re still on the fence about.

We also discuss class and how wealth and class is depicted on television.







For the next few weeks our book of the week will be:

4/6-11/6: The Strain by Guillermo del Torro
11/6-18/6: Raven Cursed by Faith Hunter
18/6-25/6: Son of a Witch by Gregory Maguire
25/6-2/7: The Fall by Guillermo del Torro

Review: Wicked, the Life and Times of the Wicked Witch of the West, by Gregory Maguire

This is the story of the Wizard of Oz – but told from the point of view of Elphaba, the Wicked Witch of the West. It’s a story of the brutal dictator, the Wizard of Oz and his coup that overthrew the old regime. It’s a story of his systematic marginalisation of the Animal population and escalating oppression

It is a story of the Wicked Witch of the East’s rising up against that dictatorship, before her reign was brought to an end by a very badly timed farmhouse.

It’s a story of the Wicked Witch of the West’s childhood – of her growing up with the stigma of her green skin and her devout father dragging them to the most obscure and marginalised corners of Oz. Of her school life, her determination to learn and rumination on the nature of humanity and evil, of the friends and allies she made.

This is a story of the Wicked Witch of the West campaigning against the oppression of the Animals, of facing off and fighting down the plots of the Wizard – and finding love along the way. And having all that crash down and seeking redemption for what she left in her wake.

In short, this is the Wizard of Oz, but from an angle unimaginable from the film.

This story raises a lot of very deep questions and issues – what constitutes sentient life and humanity and where do we draw the line. What is terrorism and what is a freedom fighter. The issue of collateral damage and the issue of refusing to face injustice for fear of the fall out, ordered dictatorship vs revolutionary chaos, autocrat vs theocrat, the nature and value of apology and forgiveness. And, always, the issue of what evil is, where it comes from and what causes it.

The problem is that, as the book passes through each stage of the Witch’s story, so too do we abandon each set of questions raised. Rather than delving into them, they’re raised, the Witch ruminates on them somewhat, and then we tend to pass away from it before bringing it to a decent conclusion or hefty examination. The questions are raised but could use more development before moving on to the next one. Sometime the questions raised are barely even touched upon (such as the nature of evil) and because we don’t have any analysis – instead the whole scene seems unnecessary and superfluous (like the adult Elphaba dropping in on Avaric and staying for dinner. Or going to see Boq and his family – in theory these scenes have been added for more philosophical questioning but because the questioning and development doesn’t really go anywhere, it feels unnecessary).

Writing wise, I didn’t find it an easy read. Elphaba spends a lot of time – especially in the latter half of the books, navel gazing and thinking. There’s lots of internal monologuing and musing and chasing their own thoughts round in circles. It doesn’t flow very well, is often repetitive. This is especially true because there’s just so much there. So many themes, so many questions raised, so many plot questions raised to be left hanging for our own interpretation. This isn’t necessarily a bad thing but there are just so many of them that it’s confusing, it’s difficult and, in the end, work. With the question of Yackle, the Time Dragon, the old headmistress, Elphaba’s parentage,  the wizard, his book and his potion and their nature, the shoes there was just so much there, so many questions, so few answers and yes it makes you think and consider, but it’s also tiring.