I think we need to send someone to go round and check on the BPI

The BPI is involved in a scheme called Get It Right From A Genuine Site. It's well meaning, kind of like a Sunday School teacher getting you to colour in pictures of Jesus holding a lamb and believing that this will stop you from becoming a bad person when you grow up. It's not that there's anything wrong with it, it's just it's so disconnected from how the world works.

Reg sits in front of his computer, about to torrent a dodgy Taylor Swift album.

"Hold on" thinks Reg, "before I do that, I should check the BPI's Get It Right From A Genuine Site site, just to check it is okay."

He checks the site.

He realises he is doing wrong.

He goes to Spotify.

He can't find 1989, so he sighs and goes back to the torrents.

There's a site to promote the campaign at getitrightfromagenuinesite.org - snappy, eh? - but this is where the BPI suddenly froze in panic.

What if someone started a site at getitrightfromagenuinesite.com? And they could fill that site up with things that aren't genuine at all. And the people of the UK, who have come to trust getitrightfromagenuinesite.org wouldn't realise, and MUSIC AS WE KNOW IT WOULD CEASE TO EXIST.

TorrentFreak has discovered that the BPI has binge bought all the domains it could find:

UK music group BPI owns the GetitRightFromaGenuineSite.org domain but to be doubly sure there are no imposters the group has also bagged at least 17 others, including the .audio, .band, .biz, .com, .digital, .email, .foundation and .net variants.

But what, worried the BPI, if people decided to try and parody our lovely campaign? What then?

And so, they fired up the registration site again:

TF discovered these domains while trawling through WHOIS records this week but it was more of a surprise to see that the BPI had also grabbed a bunch of ‘pirate’ versions too. As can be seen below, the BPI has secured the opportunity for people to GetitRightFromaPirateSite too.

Now, you could say there's wisdom in buying up a domain name that could work against you, but this is a pretty specific wording.

At time of writing, these domains are still available:

getitrightfromagenuine.site
getitrightfromagenuinesite.uk.com
pirateitrightfromagenuinesite.com (and all other variants)
getitrightfromatorrentsite.com (and all other variants)
getitfreefromagenuinesite.com (and all other variants)
getitrightfromaginuwinesite.com

You get the idea.

What makes this slightly less funny is that you're paying for this - despite the BPI being a cartel run by some of the largest businesses on the planet, the getitrightfromagenuinesite cybersplurge and the related activity is being paid for by the government.

Additional fun fact - you can still register a domain under the name BritishPornographicIndustry.

Pirate Bay hopes for a full flotilla

Possibly not the Christmas Present the copyright industry was hoping for: The Pirate Bay has released its source code into the open so anyone who fancies running a mini Pirate Bay can do so.

It's a response to Swedish police - acting on behalf of the private companies which control copyrights - closing the site down last week and, therefore, something like the 795th time the music and film industry have learned the lesson that file sharing isn't something you can just send policemen and lawyers to fix.

RIAA feeling the pinch

As the major labels slide towards the exit, times are getting tougher for their cartel organisation. TorrentFreak has looked at the RIAA's finances:

In its most recent filing the RIAA lists 72 people on the payroll compared to 117 two years earlier. In total these employees earned $12.7 million of which nearly 25% went into the pockets of the top two executives.

The top earner in the year ending March 2011 was Mitch Bainwol (CEO) with $1.75 million a year with a working week of 50 hours. Current CEO Cary Sherman (then President) came in second with $1.37 million.

Other high income employees were Neil Turkewitz (EVP International), Steve Marks (General Counsel) and Mitch Glazier (Public Policy & Industry Relations) with $696,036, $675,528 and $599,661 respectively.

They're still doing nicely; and the cash paid to lobbyists is still high - USD2.3million spunked away on trying to distort the legislative process.

But the good times are coming to an end as the money dries up:

The total revenue in the latest filing is $29.1 million, down from $51.35 million two years earlier.

Given the main business of the RIAA has been to stop piracy, and its success has been markedly poor, is it any wonder that the cash is draining away?

Where is music shared? Not so much online, it turns out

Here's an interesting little chart that was leaked to TorrentFreak. It's from the NPD survey into Digital Music from the end of last year, and forms part of the RIAA's campaign for a "six strikes" rule in the US:

What you'll spot about this is that the unpaid acquisition of digital music, far from being an internet-centred phenomenon, actually takes place in the physical realm. All these years on from Hope Taping Is Killing Music, and most of the time tracks change hands without cash flowing in the opposite direction, it's still done face to face.

The sheer amount of musician's money the RIAA is pouring into lobbying for control of the net, and the enormous dents to our information rights they're calling for, and they're not even worrying about their bigger challenge.

Of course, a cynic might think that because physical swapping is even harder to do anything about, and attracts less glittery opportunities for RIAA people to meet-and-greet in Washington (always a good chance for them to put out feelers for their next jobs), that might be why we hear a lot less about hard drive swapping. But it couldn't be that, could it?