Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Thursday, May 2, 2013

[in my head] Charli XCX + Marina & the Diamonds collab on "Just Desserts" (Boston Calling content)

That noise you might have just heard off in the distance was my head esploding after seeing that Charli XCX, she of 2013 Song of the Year contender "You (Ha Ha Ha)", and Marina, leader of those dance floor Diamonds, released a new collabo track yesterday, "Just Desserts." Oh. My.

It was inevitable for the two touring partners, who cross the US this month and hit Boston on Memorial Day weekend at two different-but-related events, to get us all worked up with this joint effort. "Just Desserts" is a nice slow-groove electronic number that's pretty much what you'd deserve from these two queens of a new era in pop.

And it's available for free download.

Marina and the Diamonds are in town May 25, performing at Day 1 of the Boston Calling music festival on City Hall Plaza. Because she and Charli are in the middle of a US tour together, Ms. XCX has picked up a date at Great Scott that same night, a sort of club-show halftime gig for the festival. It all works out so well, and no one gets left out, including Boston.

Here's the duo's full tour itinerary, which includes solo dates and appearances; they partner up May 6 at the Warfield in San Francisco, then go their separate ways at the end of the month. But what a run right there in the middle. I love that Charli is playing a smaller room in Allston, but I would have loved to see these two somewhere, most likely House of Blues, back-to-back in one night/venue.

05/02 – Seattle, WA @ Showbox SoDo *
05/03 – Vancouver, BC @ Commodore Ballroom *
05/04 – Portland, OR @ Wonder Ballroom *
05/06 – San Francisco, CA @ The Warfield
05/07 – Santa Ana, CA @ The Observatory
05/09 – Las Vegas, NV @ Boulevard Pool at the Cosmopolitan *
05/10 – San Diego, CA @ House of Blues
05/11 – Los Angeles, CA @ Shrine Exposition Center
05/12 – Las Vegas, NV @ LAVA Nightclub #
05/13 – Salt Lake City, UT @ Club Sound
05/14 – Englewood, CO @ The Gothic Theatre
05/16 – Lawrence, KS @ The Granada
05/17 – St. Louis, MO @ The Pageant
05/19 – Minneapolis, MN @ Skyway Theater
05/20 – Chicago, IL @ Riviera Theater
05/22 – Detroit, MI @ St. Andrews Hall
05/23 – Toronto, ON @ Sound Academy
05/24 – Montreal, QC @ Metropolis
05/28 – Pittsburgh, PA @ Stage AE
05/29 – Central Park Summerstage at Rumsey Playfield
05/31 – Brooklyn, NY @ Glasslands ^
06/01 – Philadelphia, PA @ Union Transfer ^
06/03 – Washington, D.C. @ U Street Music Hall ^
06/04 – Norfolk, VA @ The NorVa ^
06/06 – Orlando, FL @ The Social ^
06/08 – Miami, FL @ Grand Central Miami ^
06/10 – Charlotte, NC @ Visulite Theatre ^
06/12 – Indianapolis, IN @ Deluxe, Old National Centre ^
06/13-16 – Manchester, TN @ Bonnaroo Music & Arts Festival #

* = Marina only ^ = Charli XCX headlines # = Charli XCX only

[tonight in allston] Black Light Dinner Party + the Field Effect @ Brighton Music Hall, RadioBDC +1 live music series

Black Light Dinner Party and Vanyaland go way back. More than three years ago one of their former members was friends with my then-roommate, and tipped me off to their first single, "Older Together." It had 39 plays on their MySpace page, and pretty much nothing was known about the group of producers as they prepped one of their first gigs, a weekday night at All Asia Cafe in Cambridge. My first post on them, in January 2010, remains one of the most hit pages on this blog.

Since then, the electronic-pop band has rounded out to their current form, relocated to New York, released a string of incredible singles -- "Small Boxes," "Gold Chain," "Leave It All," "We Are Golden" -- an EP to showcase them, generated huge buzz, and released a music video with Ron Jeremy in it.

Through their rise, I've booked them to play the pill and the WFNX Funeral Party series, and spotlighted them in the Boston Phoenix Class of 2012 feature. They've come a long way since that first show at All Asia, and they have a long future ahead of them. It's been fun watching their ascent, and I'm excited to catch up with them again tonight at Brighton Music Hall when they play the latest in the RadioBDC +1 live music series.

As an added bonus, my BFFs The Field Effect are also on the bill, now fair game for RadioBDC since WFNX was killed off in March. Field Effect were pretty much the FNX house band, but I'm glad they're getting love from the remaining online alt-rock radio station as well. Sweet, we can all be friends again.

So yeah, this will be one giant love-in tonight, and maybe we'll film a VanyalandTV segment on site as well.

RSVP for the +1 series here, and check out the seemingly endless brilliance of BLDP below.

Tuesday, April 30, 2013

[tonight in allston] Treat Yo' Self benefit show for the One Fund @ Great Scott, with CreaturoS, Abadabad, raffles, food +++

Today's a travel day for me, heading back to Boston after a grand time in San Francisco, but wanted to give a quick shout out to the awesome One Fund benefit show the fine people at Eye Design are hosting tonight at Great Scott. It's a Treat Yo' Self night, their stellar industry gathering, but tonight tonight everyone comes together to treat others, in particular those affected by the Boston Marathon bombings.

And the all-kindsa-entertainment lineup is what you'd expect from Eye Design: seven great bands, including CreaturoS, Abadabad, and Nervous, as well as three live art galleries, free grub from Boloco and Anna's Taqueria, and Lara Cecilia Diaz on site making fresh donuts and treats. Delish all around.

It's pay what you can, and you can find the full rundown of performers, artists, and raffle prizes here. Doors are at 9pm and it's 18-plus.

Thursday, April 25, 2013

[in my head] Jagwar Ma "Man I Need (White Label Version)"

As someone who still spins Britpop songs well into 2013 (the pill, yo, plug plug), it doesn't take much to get me excited about music that harkens back to the Madchester Era. So naturally, it took about 20 seconds of this new single from Australian duo JAGWAR MA to work me up into a mad-fer-it frenzy. All our friends are here -- traces of Primal Scream, the Mondays, the Roses, Andy Weatherall, Ashcroft -- just getting down under to one of the slickest beats we've heard outside the EDM world.

No Boston date yet, but my spies say our city's talent-buying crew have already made contact with Windish, their US agency.

Sweet Mary this is the new Anglophile anthem... especially right before the six-minute mark, when it all goes hazy. From the pill here in Boston to Popscene and the Queen Is Dead out in San Francisco, this needs to own modern indie dance floors this summer. You know, after the Daft Punk & Pharrell joint, of course.

Bump it...

And while we're here, let's check out their first single, "The Throw."

Wednesday, April 24, 2013

[in my head] New song from Girls Against Boys, "It's A Diamond Life"

So I woke up this morning to a new track from GIRLS AGAINST BOYS, the NYC/DC band's first new material in at least a decade. It's like going downstairs to check the mail and as you wipe the nightsnot out of your eye, you unexpectedly see an old friend waiting at the door. Very cool. Then you scan the old friend up and down and think "Shit, you look great." And then, "Uhhhh, why are you here?"

This new GVSB track, "It's a Diamond Life," via Soundcloud, looks and sounds pretty fab, a fairly by-the-numbers full-frontal-awesome that retains the band's trademark crunch. According to P4k, the song might or might not be on a new EP due this fall, around when the band wraps up a 15-date European run and hits the States for a trio of gigs: Sept. 11 at New York's Bowery Ballroom; Sept. 12 at Johnny Brenda's in Philly; and Sept. 13 at a to-be-announced venue in DC.

Of course, no Boston date... yet. In the meantime we're left with a gritty new tune that makes it feel like the mid-to-late-'90s all over again. Time to dust off Freak*on*ica.

Thursday, April 18, 2013

130 Strong: Allston Pudding's Marathon Relief Benefit Mixtape to raise money for the One Fund

The Boston music scene continues to amaze and inspire.

Tuesday morning, the Allston Pudding music blog put out a call for submissions for a charity mixtape, with the funds raised going to the victims of Monday's marathon bombings. Forty-eight hours later, and the result is massive: a 130-track (130!!!!) compilation, featuring everyone from Speedy Ortiz to Parlour Bells to Kingsley Flood to Mei Ohara to Fedavees to Plumerai to Nemes to Slowdim to Freezepop to Mellow Bravo to... oh my goodness just read the full track list below. It's huge. It's overwhelming. It's Boston.

And it's for a great cause.

All proceeds are going to the One Fund Boston, and anyone can donate the mix for as little as $1 (quite a deal). Anyone donating $10 or more are entered to win a sweet Allston Pudding sweatshirt, which is guaranteed to get you laid instantly wherever you wear it.

"Enormous thanks to all who contributed to this," wrote the Pudding this morning on their site. "Boston Music 4ever."

I'm not religious, but a-fucking-men.

Full track listing after the Bandcamp jump.

1. Kal Marks - Born Again 2. Speedy Ortiz - Bigger Party
3. Krill - The Troublesome Horse Gets The Milk
4. M. Reverdy Rhodes - My Bird
5. Hall Of Mirrors - Keep
6. Mean Creek - Do You Know
7. Duke & The Drivers - What You Got
8. Vegans - Sandslash
9. Trophy Lungs - Exit 28
10. The Box Tiger - Knives
11. DadFight - Patty Hearst
12. Chris North - Thanksgiving Day
13. The Deep North - Wake Up
14. Twin Berlin - Kill This Low
15. Red Oblivion - Simple
16. Andrew and The TV Cowboys - Sun Damaged
17. Bearstronaut - A Better Hand
18. Ruby Rose Fox - Old Fashioned
19. Old Abram Brown - Summer Home
20. Chandeliers - Temperance
21. Ian James - No Harm
22. Billy Dodge - Reach
23. Supermachine - Broken
24. Jones & Burns - Pack What You Can Carry
25. FEDAVEES - Prettybirds, Fly
26. Fishing The Sky - Sven
27. The Homing Bureau - To Only Have Come Back
28. Grey Season - Winter That Wasn't
29. Parlour Bells - Airwaves
30. Cowgill - Plans
31. The Interrobang - Zirconia
32. Found Audio - Queen of the Road
33. Endation - Sex Partner Sex
34. The Difference Engine - The Day That I Forgot You
35. Plumerai - Trip
36. Preacher Roe - Elise Elise
37. The Strange Avenues - Passing Time
38. The Daily Pravda - Holidays on the Run
39. Eddie Japan - A Town Called Nowhere
40. Moniker - Burn This City
41. The Life Electric - Carried Away
42. The Michael J. Epstein Memorial Library - The Violinist
43. Cahill - Tired Man
44. Rob Potylo - Quiet Desperation
45. Peter Campbell - Good Heart
46. The New Highway Hymnal - Out With The Lights
47. Kingsley Flood - Sun Gonna Lemme Shine
48. Big Girl - Broken
49. Brian Carroll - Devil Won't Get Me Down
50. Frank & Dependent - Earthworm Smoothie
51. Green Line Inbound - Mars
52. Brenda - Fix Your Eyes
53. Glenn Yoder & The Western States - Row
54. Cease the Wheels - Downcity Armory
55. The Field Effect - Headwrecked
56. Adam Jensen - Redemption Man
57. Nemes - Everest Isle
58. Eksi Ekso - Traitor Traitor
59. Muy Cansado - Not For Nothing
60. Idiot Genes - Drunk Consistenly
61. Aloud - Justice & Forgiveness
62. Mei Ohara - Deep Sea Vinyl
63. Guillermo Sexo - Emerald Comets
64. Velah - Glass Heart
65. Airport - I Got Love
66. Adam PC - Yeah Fuckin' A Right!
67. The Moan - You Ain't Mine
68. The Adventures Of - Edges
69. Bunny's A Swine - Greetings From The Bottom
70. Black Norse - Kill The King - Reign of Fire
71. The Milling Gowns - Arc & Pale
72. Alen of Dale - Morning Light
73. Slowdim - Uh Oh
74. Whysowhite - Get Busy
75. J / Q - A Savior Of My Own
76. Ginger Ibex - Catnip
77. Brighton MA - Good Kind of Crazy
78. Wide Iris - Tomorrows
79. The Suicide Dolls - Brand New and Close By
80. Dead Cats Dead Rats - Bad News
81. Modern Lighting - Grey Skies Tiny Stars
82. Ryan Scally - Near Beyond Alone
83. The Novel Ideas - The Field
84. Snow's House - Walk
85. Rebuilder - Heroes to a Sun
86. Friendly People - New York
87. Lara Ewen - One Day
88. The Rare Occasions - Scarlet Lies
89. The Spearmint Sea - Two
90. School for Robots - Insomniac
91. Banquet Hall - Ruins
92. Machines Learning - SatAMcoffee
93. The Russians - Sober and Un-Upsetting
94. Faux Ox - Colourform
95. Freezepop - Peptalk
96. Mount Peru - Psalm
97. The Hollow Sound - Cope
98. Ruby Ridge - Don't Turn Around
99. Mellow Bravo - When Im In Pain
100. The Electrical Fire - Rhythm of My Heart
101. Devil and a Penny - Steamboat
102. Eric Baro - In Love With A Broken Heart
103. Future Carnivores - Twice
104. Michael Maloney - Back To Boston
105. Satellites Fall - One Night
106. The Bynars - All I Wanna Do Is Have Some Fun Tonight
107. Howling Boil - Brighton, 1983
108. Butterknife - Coattails
109. I, Pistol - I Don't Care
110. Zip-Tie Handcuffs - Book Worm
111. The New Warden - Long Walk Home
112. The Blind Woods - Two Fish
113. The Saints of Sorrow - We Carry On
114. Walter Sickert & The Army of Broken Toys - Radioactive Brush
115. Sawtooth - Boston, Je T'aime
116. Eros and the Eschaton - Carry The Water
117. Nervous - Decode
118. Blue Moon Harem - Finland
119. EXH4LER - Skinny Girl From New York
120. Kangaroo Court - Unplanned
121. Axemunkee - Acid DJango
122. Royal Wedding - S.C.U.M.
123. Strange Mangers - Handmaids
124. Jay Wightman - I'm Green
125. The Shills - Move A Mountain
126. Courters - Dead Eye
127. Ryan Jackson Troika - Sink Piles
128. Marc Pinansky - Back In Boston
129. Bear Language - Mary Go Round
130. Sand Reckoner - Too Many Voices

Thursday, April 11, 2013

2013 Rock And Roll Rumble Halftime Report; Night 4 to 6 tonight through Saturday @ TTs

As the Rock and Roll Rumble rages on tonight at TT The Bear’s for Night 4 of the preliminary round, yesterday was the battle’s traditional Day of Rest. And we sure as fuck needed it. The New Highway Hymnal, Camden, and Eddie Japan took home their respective nights, and will move on to next week’s semis, unless one has a gig up at a seafood joint in Gloucester (maybe Eddie Japan could help open one of those new Asian-Latin fusion hotspots up in Salem).

With the day of rest comes a day of reflection, and here’s the Vanyaland Halftime Report. Yeah it should have been posted yesterday, I know. But allow it to not only collect our scattered thoughts on the first three nights, but rev up the rock engine for this evening’s tilt, starring Mount Peru, Whitcomb, Lifestyle, and Twin Berlin. Side note: Being allowed to witness the conquering heavy metal of Whitcomb right before Lifestyle synth-pops us back to 1988 is going to be an aural mindwarp, and proof positive why this whole shebang rules in the first place.

Random thoughts from the Rumble’s first three nights:

1. No reports of anyone getting laid so far at this year’s Rumble, but the T.T. The Bear’s Place microphone was beautifully fellated during Endation’s opening set Monday night. Singer/guitarist Ants Conley, already blessed with the best hair of the tournament, nearly deep-throated the entire fucking thing during their last song, "Medicine Bed." Clearly, the mic was hard and ready to pop: Endation’s relentless set was a 30-minute crunch lesson in how to kick a room’s ass with nothing but furious, impassioned dungeon music, and it was an unsettling wake-up-call experience for the 9pm early-birds. Between Conley and drummer Matt Graber, no two people in Boston sound larger.

2. Extreme never played the Rumble, but Nuno Bettencourt’s nephew now has: Adrian Bettencourt Andrade is the bassist/keyboardist for Herra Terra, who hit synth-rock cruising altitude almost immediately Monday night and never came down. Also I lost a bet when they set up all their gear within the 15-minute changeover.

3. In my A to Z recap earlier this week I mentioned that Lifestyle’s Sean Drinkwater last played a Rumble in 2001 with Freezepop, and that’s might be some sort of intermission record. Of course it wasn’t, this is Boston, where rock music has existed for 329 years. Eddie Japan’s crew took that shit waaaaay back, as guitarist Eric Brosius once Rumbled with Tribe back in 1988 (good grief, Orel Hershiser was President) and guitarist Bart LoPiccolo did the deed with Scattershot in 1990. There were bloggers in the room who weren’t even alive back then.

4. That wasn’t the only connection to Yesteryear: New Hampshire’s Supermachine earned high marks for a hard rock performance that stood out on Tuesday’s slate, issuing a no-nonsense bar rock approach that skillfully ignored any trend of the past 20 years. Singer David Nebbia was a commending presence, but it was equally hard to ignore guitarist Jay Fortin (and his cool hat) and bassist Paul Jarvis, who both played in Scissorfight, a Rumbler of ‘97. Bonus points to Supermachine for having a song called "Pill Cruise." I take mine every week.

5. In the prediction game, Luke O’Neil is two-for-three in picking Rumble winners so far, his only “miss” being that he didn’t pick any winner from Night 3. EDIT: Looks like Eddie Japan just showed up in his "winner picks," so we'll buy his story that he simply forgot to list them at the bottom. In his tl;dr rundown, he says of EJ: Seem like they have the type of sprawling gimmick that usually goes over well. That a much greater endorsement than the simple "no's" he gave the other three, so we'll accept it. Now back to our regular business... Calling Hymnal and Camden I guess bodes well for Ruby Rose Fox, Twin Berlin, The Field Effect, and Coyote Kolb. The latter two both play Friday so folks there’s your Wild Card.

6. We got the first cover of 2013 on Night 3, when Blackbutton bowed before the Cobain Gods and unleashed Nirvana’s “Breed. Much better than bringing the Dropkicks into this.

7. Speaking of Blackbutton, they were also the first band to provide stage visuals, but weren’t supposed to be. Lysergic Factory Lightshow were hired by the New Highway Hymnal to add trippy sights to the band’s psych-punk sounds, but one of its members blew a drama fuse early Sunday night after a dispute with organizers over setting up a merch table. After tossing vulgar insults at the door guy and telling organizer Anngelle Wood they’d See Her Next Tuesday (spoiler alert: he won’t), the Lysergic dudes left and ended any chance of ever stepping foot inside T.T. The Bear’s Place ever again. In related news, the New Highway Hymnal are currently looking for someone to do visuals for their semi-final appearance next week.

8. The rest of Night 1 went off without a hitch, as the Okay Win took on the dirty business of opening the whole joint with a three-guitar indie-pop serenade. Cancer Killing Gemini’s music continues to soundtrack some fucked up knife-fight space-orgy in my head, and Velah delivered a crisp set that recalled shoegaze without letting that one element define the overall thing. Also, Velah's performance furthers Jen Johnson’s place as one of the most gifted vocalists in Boston.

9. Midway through Eddie Japan’s opening number “Pushing Years” on Tuesday, I literally could not tell if lively frontman David Santos was singing in English or Spanish. It ruled.

10. They also had 11 people on stage for their finale, making them the Latin-flavored lounge-pop version of Bang Camaro. Or Polyphonic Spree. Or some other large ensemble band that sounds nothing like Eddie Japan but gets referenced here because music journalism is stupid.

11. A few days ago I went over the importance of having a good song, and the great one that the Deep North performed Monday night. Well Blackbutton has one too in “Still Kids.”

12. Speaking of Night 3, it’s clear that Glenn Yoder can pretty much do no wrong (Except win his night of course, ha!). But the spirited root-rock performance by the former Cassavette and his new Western States was one of my favorites ever for a preliminary round. Yoder’s great song is clear and obvious: the Chevy-baiting Americana jaunt of “Younger Brother” is a pleasurable listen. Bonus points are issued to Yoder’s awesome bassist Cilla Bonnie and her amazing facial expressions. It was a treat watching someone have that much fun on stage.

13. I wasn’t a judge Tuesday night, but I felt like anyone could have taken Night 3, whether it been eventual winners Eddie Japan and their sweat-swinging upbeat pop, the clenched-fist rock of Supermachine, Yoder’s ability to twang in a non-offensive way to folks who just don’t twang, or the gritty grunge guitar pull of Blackbutton, who might have been at a disadvantage going on last Tuesday night, because it was clear the room was fatigued after three impressive performances that ranged the musical spectrum.

14. I was a judge on Monday for Night 2, however, and having the last slot didn’t deter Camden, whose uber-slick brat-rock really stole the show. And that was hard to do with the Deep North, Herra Terra, and Endation all throwing down their own thing. Camden’s songs are as catchy as Tuukka Rask’s glove hand, and no doubt many were singing “Talk talk talk talk / Talking on the telephone” on the rides home to our residential safe spaces.

15. This week rules. Good job, Rumble, good job Boston.

Tuesday, April 9, 2013

In My Head: The Deep North "Wake Up" + the impact of a great song (sorta Rumble recap)


Photo by Chrissy Bulakites

Last night, before having the honor of judging Night 2 of the 2013 Rock And Roll Rumble, I sat on a Rock Shop panel talking to bands about how to get press or spins on the radio. I've participated in this discussion before, both at previous Rock Shops and at Berklee College of Music, and my initial response to the overarching question is basic: "Write a great song." It generally gets some awkward, muffled laughs, until the crowd sees I'm serious.

Want to get your band written about: "Write a great song."

Want to get your band heard on the radio: "Write a great song."

Want to get people, writers, DJ booking agents, groupies, anyone, interested in your band: "Write a great song."

I didn't bust out that line last night (I blame my hangover), but I was immediately reminded of it a few hours later when THE DEEP NORTH took the stage as the second act of Night 2. More on the overall night, and thoughts on Sunday's opener, in my Rumble Halftime Report coming tomorrow, but I'm still struck about how a great song transcends everything, from favoritism to fancy press photos or connections or whatever. After a warm opening song to start their set, the quintet then launched into "Wake Up," a majestic, beautifully polished rock anthem that at its peak is as tall as the sky. Rebecca Frank's vocals are engaging; the song just pulls you in. The night ended up going to Camden, whose bratty, speedball guitar-pop was inspired and slung with ease, but I'm sure the Deep North walked away with a lot of new fans. Actually, the galactic electronic rock of Herra Terra and Endation's raw rock crunch served those bands very well, as well. It was a great night of music at TTs.

But yeah, back to the point: you write a great song, and people will notice. And they did. I included the Deep North in my Boston Phoenix Class of 2013 feature based on this song alone.

And Glenn di Benedetto, fellow judge of last night's Rumble, wrote a few minutes ago on Facebook: "This song right here. In Parlour Bells, I value memorable songwriting often with an infectious pop/rock aesthetic, so when a peer band achieves that so wonderfully I can't help but be in awe of it."

Indeed.

Sunday, April 7, 2013

An A to Z guide to the preliminary week of the 2013 Rock And Roll Rumble, tonight through Saturday @ T.T. The Bear's Place

***

The Rock and Roll Rumble returns tonight for its 34th annual dance, bringing together 24 bands from around New England and allowing them to be part of a friendly competition that beneath the surface is just one big music festival. In joining some other recent Rumble previews that are definitely worth your attention (nice work Allston Pudding and the Boston Herald), here is the Vanyaland A to Z guide of what’s in store for the week ahead at T.T. The Bear’s Place in Cambridge, beginning tonight and wrapping up the preliminary week on Saturday, April 13.

***

A – A is for Anngelle Wood. The tireless host and organizer of the Rumble has brought it back from the brink of extinction. Her local music show, Boston Emissions, airing every Sunday night on WZLX 100.7 FM, is required listening for what's going on around town. There's a Rumble pre-party tonight around 8pm, so let's raise a glass to all who help put this thing together.

B – B is for Blackbutton (Night 3, April 9). The rock trio's single “Still Kids” is the type of song you’d hear at 3am on MTV sometime in the early ‘90s, right after an Afghan Whigs video. And then you’d wake up the next day and go to Strawberries or Sam Goody to buy the entire CD for $16.99.

C – C is for Cancer Killing Gemini (Night 1, April 7), Camden (Night 2, April 8), and Coyote Kolb (Night 5, April 12). A trio of C bands this year, and they run the sonic spectrum from the galactic post-industrial of CKG, Camden’s speedball indie brat-pop, and the MTV-show-approved burnt-in Americana of Coyote Kolb, which is a nice dark horse pick to play three Rumble shows this spring. Also: C U at TTs, rite?.

D – D is for The Deep North (Night 2, April 8) and the Daily Pravda (Night 6, April 13). Both bands are known for an ambitious, big-room sound, and are both led by dynamic vocalists, from the towering prom-wave belt of the Deep North’s Rebecca Frank to the Bowiean glam-glide of David Jackel of the Daily Pravda.

E – E is for Endation (Night 2, April 8) and Eddie Japan (Night 2, April 9). Despite being the lone duo in this year’s Rumble, Endation stand to make perhaps the most noise, their sludgy creature-rock might be enough to let the people downstairs at the Middle East hear what’s going on up at TTs for a change. Meanwhile, the crooning Japans have enough smooth modern rock seduction to not only win their night, but convince us to wake up in their bed come morning.

F – F is for The Field Effect (Night 5, April 12). The most fuckable band in Boston is the likely odds-on favorite to win the whole thing, but their rock value plummeted 43% with the recent shuttering of WFNX. Both panties and boxers worn inside TTs and along Brookline Street will disintegrate by the minute-mark of standout guitar-pop gem “Ogunquit, ME.”

G - G is for Group of Death. Every year there’s one preliminary night that could masquerade as the Finals, a stacked four-band bill that puts aside musical diversity for one night and fills the role as simply a killer rock show. And this year, it’s Night 2 on Monday, April 8: The aforementioned Endation, Camden, and the Deep North, as well as...

H – H is for Herra Terra (Night 2, April 8). The techni-color electronicore rocket-ride that is a Herra Terra performance should woo the judges and leave them dizzy. But with only a 15 minute set up between bands, there’s also a chance the Central Mass band performs only two songs before the time their slot time ends at 11pm. So many plugs, so much gear, but with nothing going to waste.

I – I is for the Indefinite Article. Remember that time in 2007 when a white-boy rap-rock group brought a few hundred of their “Indef”-t-shirt-wearing friends to Harper’s Ferry and horrified a whole music scene all the way to the finals, only to be stopped by a classic rock beard-train called Township? Yeah, that happened.

J – J is for Jack Burton vs David Lo Pan (Night 6, April 13). Yeah yeah, the Rumble is a festival, we know, but it's, by birthright, also competition and these dudes already have a Vs in their name. Diversity rears it’s beautiful head when the metal onslaught of JB vs DLP is sandwiched by the very-different-sounding Parks and Ruby Rose Fox on Saturday night. Tune in for the latest episode of When Allston Metal Dudes Invade Cambridge and Stand At The TTs Bar Waiting For Brian E King To Stop Melodi-Fucking Their Denim Jackets, this weekend only in the Rumble!

K – K is for Kenmore Square. The now Disney-fied Comm Ave artery 'hood housed the first two Rumbles at the Rat (that long-gone Boston club that anyone who was there will never let you forget about) in ’79 and ‘80 before moving nearby to the Metro and Spot for the next few years. It then grew so big it hit the Orpheum in 1985, when the legendary O Positive took part and somehow didn’t win it all. Dafuq is that about?

L – L is for Lifestyle. All the kids traded in their guitars for keyboards a few years ago, but oddly Lifestyle is the lone synth-pop representation this year (CKG and Herra Terra do have electronic strains, but fall more on the rock side of the rainbow). Even more odd is Sean Drinkwater’s break between Rumbles: his “other band,” Freezepop, was a semi-finalist in 2001 (won by Bleu). A dozen years between Rumbles, that’s gotta be some sort of record, right? I’m sure some message board knows the answer to this.

M – M is for Mount Peru (Night 4, April 11). There will be a full day-and-a-half of rest before the easy-breezy Americana pop of Mount Peru open Thursday’s slate, and Thom Valicenti’s slide-away songwriting acumen found on last year’s Your Kingdom’s Come Undone EP might be enough to sway the judges early on. It’s also worth noting that Mount Peru’s Mary Flatley also plays in Cat Sounds. #meow.

N – N is for The New Highway Hymnal (Night 1, April 7). Yes, they are on my record label, Vanya Records. Yes, their noisy psych-punk is awesome. Otherwise they wouldn’t be on my label. Duh.

O – O is for The Okay Win (Night 1, April 7). Last year, the Grownup Noise had the opening slot on Night 1 of the Rumble, but had to bail due to a last minute “injury” to one of their members. This year’s the Okay Win have the honor of leading everything off, so we’ll toss them in a padded room and escort them to Cambridge tonight so theuy don’t get hurt. Could there be a Grownup Noise curse? What if all the opening bands sustain injuries and can’t play from here on out? Will there be a spot waiting for them at Capt. Carlo’s? If the Okay Win do get on stage unscathed, the chances of success are good for this indie-folk group; there’s even a sweet Larry Bird reference in their ode to the 1992 Olympic basketball Dream Team, “Good Hustle, Vol. 1.” So if any of the judges tonight are older than 35, that might be tough for the other bands to overcome.

P – P is for Parks (Night 6, April 13). With the first slot on the last night, we’re wading in deep Rumble waters before we get to the pop brilliance of Brian E. King. But that’s no matter. I hate predictions, but the perfect sunshine pop of Parks could (should, would?) win the whole fucking thing. At least they’ll make people smile and hold hands before Jack Burton Vs David Lo Pan punch us all in the balls right afterwards. Yay Rumble.

Q – Q is for Quit. As in, end your set when your time slot is up. There’s a fucking schedule here, everyone gets their 30 minutes to show off their songs, and the musical diversity of the lineups means there’s very little gear sharing and all different kinds of shit to be loaded on and off the stage. Don’t be a dickhead. That’s like, the only rule, outside of “Don’t cover the Dropkicks.” No one likes dickheads.

R – R is for Ruby Rose Fox (Night 6, April 13). A darkhorse candidate to advance, the neo-soul stylings of the Double-R-F will at least cleanse the room of JB vs DLP’s trail of sweat and metal mucus on Saturday. A lounge act with greater urgency, Ruby Rose Fox’s gripping vocals possess the same type of allure as those of Johnette Napolitano.

S – S is for Supermachine (Night 3, April 9), the Suicide Dolls (Night 5, April 12). Only a pair of S bands in this year’s dance, and neither are from Massachusetts. Small Stone Recordings’ Supermachine hail from Portsmouth, New Hampshire, and add some balls to this years class, tossing in some added stoner rock vibes that the judges tend to love. Meanwhile the Suicide Dolls trek up from the Great Highway Buffer State of Connecticut to drop a fireball of glitter-punk perfect for a Friday night spent looking for a fight.

T – T is for Twin Berlin (Night 4, April 11). Yes they sound a lot like the Strokes, and yes they won some weird competition that let them record something and play dress-up in Los Angeles with Travis Barker of Blink 182. But at their best, Twin Berlin are a full-frontal guitar-rock band with enough hooks to last a season of Wicked Tuna. Shame the drummer is a Flyers fan, though.

U – U is Upset. Why are predictions silly? Because every year the winner is a band no one saw coming. You called Vermont’s Bow Thayer & Perfect Trainwreck in advance last year? Prove it and I’ll let you write for Vanyaland. This year’s field, maybe more than ever before, is anyone’s game. There’s a compelling case for all 24 bands, which, now that I type this out, means there won’t be such a thing as an “upset” this year. But I’m not thinking of another “U” blurb so whatever.

V – V is for Velah (Night 1, April 7). And it rhymes with Stella. Or stellar if you’re from New England, and that’s just what Jen Johnson’s new band is. The singer with an enchanting voice that could soothe the mind of an amphetamine addict returns to the Rumble, which she played along with Velah drummer Mike Latulippe while in Static of the Gods back in 2011. A grand band with an opulent rock and roll sound fir for both dreams and nightmares.

W – W is for Whitcomb (Night 4, April 11) and White Dynomite (Night 5, April 12). The two W bands are face-kicking battle-beasts of boozy rock and roll: Maine’s Whitcomb douse Thursday’s fun slate with some major-league riffage, while Allston garage rock overlords White Dynomite take an intoxicated cheetah, dress it up in a fancy white suit, and train it to shit racket-roll bile all over Friday’s friendly slate.

X – X is for the Sex Execs. They lost to Til’ Tuesday in the 1983 Rumble, which also featured the Del Fuegos, Prime Movers, Mickey Bliss, Salem 66, Digney Fignus, Jerry’s Kids, and the Mike Viola Alliance.

Y – Y is for Glenn Yoder & the Western States (Night 3, April 9). The perfect-voiced Yoder has the chops to make a run, and as mentioned before, the judges tend to like the whole Americana thing these days (see Cask Mouse and Bow Thayer last year). But Yoder and his Western States have enough zing and zip to woo the rock-leaning decision-makers as well. Also, Glenn Yoder is dreamy as fuck.

Z – Z is for the Zzzzzzzz. Because we’ll all need some sleep after six great shows in seven short days.

Predictions:

Just kidding predictions are lame. That said, here it goes: Parks wins it all, with Glenn Yoder & the Western States and the Field Effect playing in one hell of a final party on Friday, April 26.

Or not.

Doesn’t matter.

Let's have fun. Boston rules.

Wednesday, April 3, 2013

[tonight in somerville] Appomattox @ Radio, with Soccer Mom, Future Carnivores, and Tartufi

A few weeks ago I wandered into Great Scott just after dinnertime one weekday and an old APPOMATTOX record was playing from behind the bar. I hadn't heard from the band in a while after they left Boston for the shittier pastures of New York several years ago, but I was immediately struck by the guitar-pop greatness their mid-2000s song "Either Way." Shit, I think I booked them at the pill way back when (2006?) based on this song alone, calling them "Fugazi with higher ambitions." Well, either way it's ok, because "Either Way" is a total jam and still holds up, hookier than a Joy Division bassist.

Now Nick Gaynier and his crew are back in town for the first time in at least a year, a sort-of homecoming tonight at Radio in Somerville, with a fresh batch of new-to-us songs and more of the kinetic rock-pop energy that gave us the same rush back in the mid-2000s that those sweet 5-Hour Energy Boost bottles do now. Without charging us $3.49 for each high.

Also on tonight's bill are Vanya noise-mongering faves Soccer Mom, the rock romanticists Future Carnivores -- they have a new video for "What's Unbelievable" that is worth your time -- and San Francisco's Tartufi, who I haven't a clue about outside these props from Spin. Solid bill all around.

Here's a new track from Appomattox, called "Radiator." Ask them to play it tonight.

Friday, March 29, 2013

[tonight in cambridge] Guillermo Sexo record release party @ T.T. The Bear's Place

Of course, because Boston's music scene kinda rules in 2013, we're not the only game in town. Across the river indie guys and gal GUILLERMO SEXO drop new EP Bring Down Your Arms on the ol' vinyl spin-span, heading a pretty serious lineup of reckless rock and roll at T.T. The Bear's Place in Cambridge with Young Adults, Bent Shapes and CreaturoS. That's one white hot ticket.

The Sexos teased us with the songs off Arms back in January, and I instantly became smitten with the livewire "Echo Out My Call." Vocalist Noell Dorsey takes on some sort of immortal goddess feel here, and the call-to-arms assertiveness makes it one of the best tracks out of Boston so far this year.

Above photo by P Nick Curran






Thursday, March 28, 2013

In My Head: Stephie Coplan "Fuck You, Hollywood"

STEPHIE COPLAN is on a rampage.

After demanding "No Assholes on Christmas" and then declaring "I Hate February 14 (Shoot Me)" the Cambridge-to-New York songwriter has got a bit more vitriol to thrown down, and this time she's set her sights out west: "Fuck You, Hollywood" is the tenth effort in her grand plan to release a new song every week, and this one's got a nice little new wave beat to it. It sounds like it could be in a blockbuster rom-com, but we all know better than that by now.

It's a shame WFNX isn't still around, I woulda loved intro'ing this bad boy.

Download the song for the nice-price of fah-free, and peep my Phoenix feature on Copes that ran last year. While she just played a sold-out gig at Brighton Music Hall with Jukebox the Ghost and Pretty & Nice, she and her Pedestrians are back in town May 4 with a show at her old stomping grounds, the Lizard Lounge in Cambridge.

Video rules, too...

Wednesday, March 27, 2013

Video: Kid Mountain take to the Great Scott patio

Just when you thought last night's Treat Yo Self party presented by Eye Design show was over, headliner KID MOUNTAIN took to the Great Scott patio around 1am and offered up one additional take away song. Boston's music scene has a lot of cool things going for it, but rad acts of spontaneity aren't exactly atop the list.

Here's a sneak-peek at the stripped down performance, which actually happened without the entire Boston police force descending on the corner of Harvard and Comm, or a million neighbors complaining about noise, or someone getting shot or stabbed.

It happened, it was cool, it ended, we all went home. Life went on. Crazy.

Stay tuned for the full video coming soon from our friends in Eye Design.

Tuesday, March 26, 2013

[tonight in allston] Eye Design presents Personal Finance record release @ Great Scott

Pretty cool show going down tonight at Great Scott via the crew at Eye Design, who I believe last time did up the Allston rock club was for the Color Channel record release party. Tonight's edition of Treat Yo' Self is a four star rock banger, led by the dream-pop post-punk glory of ORCA ORCA, who had a pretty good show last month with Beach Fossils, as well as the chill vibes of Kid Mountain, and the noisy-pop of BEDROOM EYES, who the Phoenix named Best New Band in New Hampshire last summer. They have since validated our claim by moving to Allston.

But I'm mostly jazzed up to catch the record release party from the wacked-out PERSONAL FINANCE, a trippy experimental band who drop I.O.U. Mania tonight.

"We recorded the EP entirely at home in my bedroom instead of in a studio like all the other sutff we've done," Personal Finance head dude Patrick Orr (no relation to Bobby) tells Vanyaland. "Our mission was to combine German psychedelic music (or krautrock) with country music. "Christmastime in Peru" [is] an improvised jam that nobody in the band even knew was being taped... then I went back and overdubbed some harmonies and synthesizer and whatnot. But all the lyrics on that one are straight off the dome. We're going to be recording a new full length album this summer."

Word is they made anywhere from 8 to 11 cassette versions of the release. Good thing the internet exists.

A while back I wrote up Personal Finance's crunchy jam "Fact Addict" for le PHX, and here's what became of it:

There’s a lost passage in Bret Easton Ellis’s American Psycho where Patrick Bateman, dining at a highly coveted table at Dorsia, reflects on his wasted time spent in an artsy post-punk band while still attending Phillips Exeter Academy in the late ’70s. Actually, okay, that doesn’t really exist, and Ellis never made Bateman musically savvy beyond an obsession with Huey Lewis. But had the famed fictional serial killer started up a band before attending Harvard, it could have been called PERSONAL FINANCE and sounded much like the two-year-old Jamaica Plain quintet. “Fact Addict,” off last year’s Chump Change EP, is a crunchy modern-rock romper right out of 1982; vocalist and Personal Finance CEO Patrick Orr growls about blueprints, measurements, and US presidents. All that’s missing are mergers and acquisitions. This is not an exit.