Courtroom Artist Follow-Up

Judge Thomas Ellis.

Witness on the stand.

A former video poker machine operator who had over $1.7M in cash hidden at his house.

The prosecuting attorneys, Richard Edwards and Corey Ellis.

The trial that I was working as a courtroom artist is over. Former sheriff Bobby Medford and former "captain" Guy Penland (he was really an unpaid volunteer) were convicted of ten counts each of charges related to skimming protection money from illegal video poker machines. It wasn't even a close decision: after two weeks of testimony, the jury only needed two hours to reach a decision.


From my end, this was a good gig. I was working for WLOS TV, the local Asheville station, as their courtroom artist. I was in the court every day, drawing the defendents, lawyers, prosecutors, judge, and witnesses. At 11 every morning, I'd scoot out to the van and hit the drawings with watercolors. This would give the cameraman time to shoot the pictures and edit them into the narrative for the noon news show. Then I'd go back inside and work until they broke for lunch. In the afternoon, I was out of there at 4 to prep the drawings for the afternoon show. Occasionally I played "cub reporter" and took notes for the real reporter who was prepping the broadcast or doing the live stand-up.


From the drawing perspective, there was a huge difference in the stuff I did in the first few days and the stuff I did in the last. The first ones look like amateur scribblings (at least, they do to me), while the last ones are at least acceptable. There's still a lot of room for improvement, of course, and the Big Guys in LA, New York, Chicago, or Atlanta probably have nothing to fear from me. But that's fine. This kind of work is fun and pays the bills.


I had a great time working with the WLOS reporters and the cameramen. They were all smart, personable, fun to work with, funny, and extremely professional. Asheville may be a small market, but it doesn't mean the news crews aren't pros.


I would like to do some more courtroom art, but there's not much demand for that here. WLOS only needs me about once every 12-18 months. I'll prep some brochures, samples, and letters and send 'em out to some of the other news stations in a reasonable radius: Knoxville, Chattanooga, Greenville-Spartanburg, Winston-Salem, and see if there's any interest out there. My paintings are still my #1 priority, but courtroom art might be a good sideline.


All the above sounds a bit mercenary, doesn't it? Well, it is. I had mixed personal feelings during the Medford trial. Bobby Medford is in terrible health and I couldn't help but feel sorry for the pain he was obviously in. And Guy Penland looks like everybody's doting, friendly grandfather. But listening to the testimony painted a very different picture: these guys had no compunction about shaking down crooks for "protection" money and violating the trust that the public had put in them. And if that wasn't bad enough, I heard some horrible stories about run-ins that other people had with Medford and his crew that have not been, and never will be, examined by the public. So good riddance, Bobby and Guy.

Behind the Courtroom Scenes

This past week has been a stinker. I've been going non-stop from early morning to rack time and haven't been able to post any blogs ... or do laundry, or cut the grass, clean the car, or almost anything else. So today I'm in catch-up mode.

I've got some more courtroom drawings to post, but I've gotta get 'em out of my camera first, so they'll come later. Thought I'd share some impressions from a week in the courtroom.

First, it's not at all like Law & Order. No big surprises, no theatrics, no stomping around, no yelling (well, one time when there was an old guy who was hard of hearing, so the attorneys literally had to stand next to him and slowly shout their questions ... quite amusing, but not L&O stuff). All the attorneys for both sides know pretty much exactly what the others are going to ask. It's really a matter of "here's one side, here's the other, now you in the jury make your decision".

Another discovery for me: big issues can hide in small comments. Again, in L&O, key facts are emphasized with much over-acting. In real life, they can come out in just a bland reading of a list. The prosecutors had a witness on the stand on Day 2 asking him what various markings on a list meant, and in a quiet matter-of-fact tone he implicated two local sheriffs in taking money from illegal video poker machine operations. And neither set of attorneys made a big deal of it. Meanwhile, I'm sitting back there in the second row thinking "wait a minute, did I just hear what I think I heard??" You really have to pay attention - you snooze, you lose.

Our judge, Thomas Ellis is quite interesting. See his Wikipedia entry here. He's a high-profile guy brought in from the DC area just for this trial. He took charge of his courtroom from the very first minute. Judge Ellis much more intrusive into questioning than anything you've seen on TV (with the exception of Judge Judy, who's just damn intrusive, period). If he doesn't like an attorney's question, he'll jump in and rephrase it, or ask his own questions if the attorney isn't covering something he thinks should be covered. Sometimes he looks like he's asleep, then all of a sudden he'll pounce on a comment or question from an attorney. The "sleep" look is deceptive: he's really concentrating his rather formidable intellect on the matter at hand. But he's also interested in getting a fair trial. We already know his thoughts on whether the defendents are guilty or innocent, but he goes to extreme lengths to make sure the jury doesn't. All his personal opinions are discussed outside the jury's hearing.

One of the things that this case has pounded home to me is just how fair our legal system is. Yes, it's big and convoluted, but it's a system of laws and court decisions that have been carefully crafted over two hundred years, mostly by people who put sound decisions above all. There aren't any arbitrary decisions allowed ... if anything is questionable, it can be appealed or the case can even be retried, and none of them want that. Nope, our system is, especially in this particular case, a good system being correctly used by some very smart and dedicated people.

As a courtroom artist, I'm just a small wienie in this story. I get there a few minutes early and take a seat in the second row on the right side (the first row is reserved for attorneys and others involved). This way I can get the best look at the witness stand, judge, and defense attorneys. As for the prosecutors, it seems no matter where I sit, all I get are their backs, so I try to work on them during breaks.

I only take in a small drawing board, a small stack of hot-pressed watercolor paper, my drawing tools (a mechanical pencil with a very soft lead and also a kneaded eraser), and a small sketch pad for notes. During the proceedings, I work on getting a decent drawing. I try to get the best likeness possible, while also trying to breathe some life into the figures by tilting the heads, having them look this way or that, lean on an arm, whatever. Sometimes I'll just focus on one large figure, sometimes two or three. When I do a "scene", I'll compress the key elements. For example, in reality the witness stand is way over to the right while the defense table is way over to the left, the judge is in the middle, and the flag is way back in the background. When I draw them, I'll cram 'em all together. This is the only way to get all the important stuff recognizably visible.

At 11 a.m., I leave, even if something's still happening. I head out to the TV station's van and break out my watercolors. I'll normally have two or three drawings going, and will work fast on getting the color laid in. In the past, I've used pastels (way too messy and complicated) and watercolor pencils (too uncontrollable and deceptive). Regular watercolors work best for me. I need to have the drawings done by 11:30 so that the cameraman can shoot them and then splice all the images together with the reporter's narrative for the noon news show. Then it's back into the courtroom until the lunch break. In the afternoon, it's the same routine, and I have to get back to the TV van about 4 pm so we can be ready for the evening news.

The reporter and I work closely on what we're going to cover. Not every witness needs to be mentioned; sometimes we don't know that until after the fact. So I have to draw every witness and then we determine which ones to focus on back at the van. We also compare notes on what we heard to make sure we're getting our story straight.

I discovered last night that one of our cameramen, Joe Avery, has his own blog, which you can see here. He wrote about his experience of working with me and included a couple of photos. Well, let me tell you, these cameramen are an amazing bunch. They don't just stand around and shoot video all day. They're the ones that put the piece together. The reporter writes up the story and records the audio. The cameraman takes the audio and matches up all the different video shots to the appropriate sections. There may be a dozen different shots. So he's playing his equipment like a madman, swapping tapes in and out, running the story over and over, pounding buttons, and looking remarkably like a mad scientist in a Grade B movie dungeon. Except he's for real. Once the story's done, he and the reporter get ready and do the live stand-up intro and closing for the evening news. Cool stuff, a lot of fun to watch, and even more fun to be a part of.

More Courtroom Art

Defense attorneys cross-examining a witness.

These are the DA's case files ... all eight crates of them ...

The defendents, former Captain Guy Penland (left) and former Sheriff Bobby Medford (right).

The DA's questioning a witness.

Courtroom Artist Again

This past week has been busy. I've been working with our local TV station, WLOS, in covering the trial of Bobby Medford. He's a former sheriff who's been charged with extortion, mail fraud, and other activities related to skimming money from illegal video poker machine operations. Monday and Tuesday were devoted to jury selection and the rest of the week to the prosecution's case. Frankly, it looks like it might go on for a month. But for me, it's fun: sitting in court, working fast, trying to get a likeness that has some character to it, and dealing with all the difficulties of having to sit behind my subjects. I've been working on hot-pressed watercolor paper, doing the drawings with a soft-lead mechanical pencil. About an hour before the scheduled newscast, I go out to the station's van and lay in the watercolor washes. When they're done, the cameraman shoots them and then splices the news report together. Then I take my drawings and go home. Yes, I keep the drawings, they get to show 'em on TV.

Here are some of the drawings I've done so far:

Back in Court

I was back in court today, working for WLOS as a courtroom artist. Today three of the four primary defendents were formally read the charges, pled "not guilty", and requested a jury trial. The news teams all thought it would be over pretty quick, a 10-min process for each one. NOT! The first one, Bobby Medford, went for about an hour and a half. The next two were considerably quicker, about 45 min each. Fortunately for me, the judge allowed me and the other artist (for the local newspaper) to sit in the jury box, so we had good views of all the principals. Here are a few of the drawings that made it onto the evening news:

This is Bobby Medford (center), the former Sheriff, along with two of his attorneys.

Johnny Harrison (right), a former police lieutenant ...

"Butch" Davis (right), another former police lieutenant.

I've used pastels in court before, but this time decided to go with watercolor. I'm better with a pen and pencil than I am with pastel, and you gotta have all your pastels out, which is a hassle. So I worked on getting a reasonably good drawing in the courtroom, then went outside and laid on the watercolor.

Oh, and today's outcome? All three remain in jail without bail. The judge said that, since they were police officers when these crimes were committed, he couldn't give them any restriction that they hadn't already violated. So in the slammer they go. The trials will probably occur around the March timeframe.

Courtroom Artist

On Thursday, I got a call from our WLOS, our local ABC TV station, asking me if I could be their courtroom artist that afternoon. I've worked with them before as a courtroom artist and it has always been interesting. This time was no exception.

Bobby Medford, the former Sheriff of Buncombe County (where Asheville is located) was arrested that morning and indicted on multiple counts of extortion, involvement in illegal poker machine gambling, using law enforcement officers to collect protection money, and some other things. This is a really big deal around here - he was just defeated in his re-election bid last year and was a pretty popular sheriff. But he's also got some other investigations against him that are working their way along, such as a lot of missing stuff from the evidence locker. So he's facing a world of trouble.

Thursday afternoon was his first appearance in federal court. He and a number of co-defendents were basically told of the charges against them and then whisked off to jail for the weekend. The reporter and I were in the peanut gallery - she was listening to the proceedings and I was madly sketching away. Unfortunately for me, the judge wouldn't let me sit in the jury box this time and instead ordered me into the fourth row! Bummer. About all I got to see was the back of the defendents' heads. But I got some sketches done and, when the proceedings were over, went outside and sharpened them up with watercolor. They came out fairly reasonably well. Sorry I can't post any images right now as WLOS has the drawings, but I might be able to get some soon.

On Monday morning, we're back in court again. This time they'll do the formal "here's the charges, how do you plead?" "Innocent, your honor." "Fine. Court date is (fill in a date here). Next." He'll probably be there ten minutes.

It's an interesting feeling, being a courtroom artist. One part is the kinda gleeful voyeurism that we all experience watching Judge Judy or whatever. On the professional side, I've gotta draw like a madman to try to get some images that can be used for the upcoming news report, so I can't really listen to what's being said. The subjects are always moving around, people are getting in the way, and I can only see the backs of their heads. And then there's the "vulture" factor: here are all the reporters inside and cameramen outside who are scrambling to get something on the accused and their lawyers that they can use in a report. Get one of the principals in the case out on the street and he/she will have a crowd of cameramen and reporters moving right along with 'em. That part is very comical.

So on Monday, I'll be back in court. And then again sometime next year, I'll probably be there for the actual case. I'll try to post some of the drawings here when I can.