Erika vs The Client List

Due to my meat sack being faulty, I spend a lot of time at home and couch-bound. Which means I spend a lot of time playing Pokemon* and watching Netflix. Despite this I seem to always be behind on things I'm "supposed" to watch, or people are telling me to watch. I also spend a lot of time scrolling through Netflix seeing what's new. This is where I found The Client List. The description caught my eye: single mother turns to sex work and ends up tuned into all of the town's gossip. The last sentence is even "Can this double life lead to a happy ending?" which made me think that this was going to be almost a romcom? A movie about a sex worker taking some agency and maybe getting into some mischief with all she knows about everyone's secrets.

I could not have been more wrong.

The movie opens with Sam and her husband off to the bank to beg for an extension on their mortgage payment since they've fallen on hard times. So already I have been lied to, she's not a single mom. Her own mother swings through to look after their three kids while they're gone, and reminds her daughter that she can and should use her looks to get her way. Which she promptly tries to do, and manages to convince the bank manager to give them the extension with her freakishly perfect memory of the conversation they first had. Still, it's a stall tactic. She and her husband are both desperately searching for jobs when she finds one the next town over at a place searching for massage therapists! Perfect! She's a licensed massage therapist! We all know where this is going. It's not just massages they give. She takes the job ignorantly, walks out when she finds out what they really do, and when she realizes between she and her husband they have a dollar to their name, she slinks back.

The movie spends the rest of its time showing us how morally reprehensible sex work is and how Sam remains sympathetic because she was driven to it out of desperation. We also see that she's very good at her job because she actually talks to and engages with her customers. The movie wastes an excellent opportunity to explore that more, and brushes it over just to explain why she's so popular and is being given lavish gifts by her johns. So, first it's sex work, but she's just running herself so ragged because... uuuuhhhh.... We never actually get a good reason why she can't scale back on her own hours (something we get told very early on she has the option of doing), but we're assured that she's working ever so hard and too much, all for her family! We're shown her just being super tired a lot until she nearly falls asleep at the wheel and one of her johns gives her some coke. Naturally, if you're a sex worker you're also doing coke? She says no at first, but as she struggles to keep up with the demands of motherhood and sex work, starts to use to give herself the extra kick.

Her whole issue boils down to: she needs to scale back at work (which we are given NO reason for her not to be able to do) but refuses to. We're supposed to feel sorry for her as she goes down the "wrong" path but again, I just keep seeing someone who doesn't know how to balance life and work, and I don't know that she wouldn't have gotten into trouble in any job that offered enough hours for her to run herself ragged. We're supposed to assume it's all the sex work being so demanding, but we see her getting up early and getting home late and are told what long hours she's putting in. Her issue isn't that she's a sex worker, it's that she has no work/life/self-care balance.

Eventually things go to total shit and the cops raid the place and she's all over the news. Her husband had no idea what she was doing and this is how he finds out. He takes off with the kids while she and the other girls try to make a plea bargain for less jail time in exchange for a list of their johns (this is where the movie gets its title). Sam, with her perfect memory and excellent rapport with her clients, is able to provide enough to get the sentence from minimum two years to 30 days and a 2 grand fine.  So far the movie has done nothing but say "sex work is bad and will ruin your life". Only after serving her sentence (both jail time and a separation from her husband) and finding her way back to the "right" path (waitressing as she goes back to school to provide for her family "honestly") that she gets her life back and forgiveness from those around her.

This movie is a mess. It nearly goes places and says something a bunch of times but veers from one place to the next too quickly. She at one point admits that she didn't dislike the work, and that she liked the way her clients treated her, but that is all swept aside as part of the reason why she is Bad and Wrong for what she did. Saying "well, it's not what I wanted, but yeah, it wasn't all bad" would have made for a much more nuanced and interesting ending, but no, sex work=bad. Even as she and one of her former co-workers are lamenting the money loss, they both seem to agree it's for the best. At one point her mother apologizes for telling her that her looks would get her everywhere in life, and that she should have fostered the importance of other traits, but that's not really explored either, nor the other ways that message would seriously mess up a kid. Just: yeah, that's part of why she thought this was an okay thing to do. The women go from church to her home at one point to ask her for help since, because their husbands were going to sex workers, they personally felt they were doing something wrong. Nothing around female bonding or forgiveness or the expectation on women to please, or husbands being unfaithful not being the wives' fault, just a cute cut away after Sam grabs some bananas to start giving tips. As far as we can tell, these women all still loathe her, if their response to her apology is any indication. The movie could have been potentially somewhat salvaged if only it had taken some of these scenes just a little bit further. The only consistent messages are "sex work is bad" and "counting on your looks is bad".

I'm disappointed. Not in the movie (okay in the movie too), but in myself for getting my hopes up. I should know better than to hope for, well, anything from mainstream media about sex workers with nuance or substance. I mean, can't have a movie saying that women get into sex work for different reasons, many stay because they like it and it lets them balance finances, work, and life more easily. Or that many balance parenting and their jobs just fine without developing a drug addiction. The other girls Sam works with don't seem to have any of these problems, but that'll never get explored. Just look at how having sex for money destroyed this poor woman's life! Saying anything else might give girls ideas about the choices they might have, or, lord forbid, maybe help to destigmatize sex work so maybe it'll get decriminalized and these women can do their jobs in safer environments! Can't have that. No, better make another movie about a woman ruining her life with it. Again. That's safer. 


*If anyone wants me to add them as a friend just leave your code in the comments. My code is 1993-8573-6315

Robots Trying Too Hard: Erika vs Jem and The Holograms, Episode 2

Last time on Jem and the Holograms: EVERYTHING IS ON FIRE

I'm not even being melodramatic; that was how we left things. Oh, and Jerrica and Raymond made a bet on who could make their band more popular in six months--winner gets the company AND A NEW MANSION (the mansion is from a third party who popped out of no where).  And, uh, there's an AI named Synergy that can project holograms from Jerrica's earrings.

They mean it when they say it's truly outrageous.

So the episode starts with EVERYTHING BURNING DOWN and the Holograms pulling orphans from the flames. Rio happens to drive up in his van (there are four cars we see repeatedly, three of them are vans. I suspect they're easier to animate) and comfort Jerrica before she decides it's time to go after that BRAND NEW MANSION and tells Rio to take the girls while they go find Jem to put on a show. Rio does not question this and loads up his van with orphans. The Misfits happen to be driving by and decide to follow Jerrica because.... reasons? This leads to the most hilariously mundane van chase I have ever seen. Just... yup, still driving. We get a few reaction shots of the girls' completely neutral facial expressions as this happens, before Jerrica uses Synergy to disguise their van as a dumpster. The Misfits somehow know who Rio is and decide to follow him instead when they spot him.

How big is this town? There's at least one recording studio and one film producer just giving out mansions, as well as an abandoned drive-in theater that horny teenagers aren't trying to impregnate each other at... yet everyone seems to know each other? Or maybe Rio just knows everyone. I thought Jerrica was the secret spy, but maybe Rio is too. MAYBE THEY'RE A SPY COUPLE.

So the girls get to the drive-in, Synergy is projecting herself on the screen BECAUSE THAT WON'T CATCH ANYONE'S ATTENTION, SUPER SUBTLE, to tell them "ENTER". Synergy. I get it. You take your role as deus ex machina and robo-guide very seriously, but they've been there before, and you were way more subtle leading them here last time. Tone it down. We still know who you are, you don't need to be a giant talking head to get the audiences attention. You're literally a holographic AI who can make people look however the flunch you want. If that doesn't get their attention holo-project spinach in their teeth that they can never get out.

So the girls get ready and... uh... they somehow have instruments even though theirs were smashed last episode? I guess there were backups? Did Daddy Bently think "I know my daughter, the spy, gets into a lot of trouble, so if I am going to set her up to be A SECRET POP SENSATION I should make sure she has some backup gear. It's only the responsible thing to do"? What sort of person was this man? He owns a foster home for girls and a recording company and makes AI's that are basically autotune.

We are launched into the next song, which is presumably being performed outside of the movie producer's house, which just... had people hanging out in front of it. Did they just perform for creepy paparazzi who were stalking this dude? But that is not what we see. What we see is Jem taking Rio on a variety of fantastical adventures, including but not limited to: summoning castles that are filled with magical gardens with questionable perspective shifts, unicorns that can walk into the air and then summon rainbows under them, the ability to breath under water with no apparent cause, and dance in midair. Not walking, ONLY DANCING. Not a bad superpower; I could boogie everywhere if it let me essentially fly.  Or even just be able to gain height. I'm short, that would save me from having to bring a chair or tall person with me everywhere I go.*

Maybe this is how Rio knows Jem? It kinda looks like he proposes to her at one point. He seems to not know Jerrica=Jem so he's cheating on his girlfriend with... his.. girlfriend? Awk.

I fucking love this show.

The Misfits are unhappy that The Holograms are trying to get ahold of the mansion but Mr. Movie Producer Dude (whose name I can't quite catch and will henceforth be named Mr. Mustache) points out "Until there's a winner it's still mine and YES THESE ORPHAN CHILDREN CAN LIVE THERE UNTIL THEY GET ON THEIR FEET. I'll go get the keys."

One of the Misfits is enraged and pushes him into the pool. Another hops on an earth mover and starts tearing up the guys lawn. Jerrica meanwhile is trying to pull Mr. Mustache out of the pool (pond?) but slips and flies hilarious like twelve feet through the air and lands on the ground RIGHT AS THE EARTHMOVER THAT THE MISFIT WAS DRIVING AND ABANDONED IS COMING STRAIGHT AT HER OH NO RIO MUST SAVE THE DAY NOW!!

He runs in, scoops Jerrica up and runs with enough time that she... could have stood up and walked. Is this some sort of foreplay? Do they have an ongoing damsel in distress/white knight roleplay scenario going on? Is this a weird sex thing? HOW OLD ARE THEY?

Aja, being the most useful of The Holograms, DIVES ONTO THE STILL MOVING EARTHMOVER, snatches the key, and grumbles about needing to throttle Roxy. (Apparently that's the name of the Misfit who did it but honestly they're sort of a hive mind thing to me. They at least once all talk in unison but only one voice comes out.) No biggie. ANOTHER TUESDAY. Not like I was dragging orphans out of a fire earlier or anything and haven't really slept in 24 hours.

Mr. Stache promises Jerrica/Jem to help the orphans in any way he can, but if the Misfits win, well, they're all SOL.

Another scene of The Misfits being scolded for engaging in DEEPLY ILLEGAL BEHAVIOR and being told they're lucky there's no one suing them. Which is true. Because they've nearly killed like six people this week. Raymond tells them to please stop TRYING TO FUCKING KILL PEOPLE and chases them out of his office. They then trash his waiting room. How are they not fired and in jail? WHY IS THERE NO LAW ENFORCEMENT IN THIS TOWN? IS IT SO SMALL THAT IT ONLY HAS A REALLY INTENSE MUSIC INDUSTRY AND NOTHING ELSE?

Cut to the girls happily settling into their new ("temporary") home which is totally sweet (pinball machines EVERYWHERE) and--oh yeah, The Holograms have a photo shoot! The photo shoot is also a musical number where Shana is conveniently shoved behind the others on the drums out of sight. You know, Shana, the only black character? Yeah.

How do you do makeup on Jem? She's wearing a hologram; does Synergy just... adjust the hologram to match the makeup being applied? While this is happening, The Misfits pay one of the kids thirty bucks to get in, and Zipper, the guy Raymond hired to try and scare the girls last time, is hired again. REALLY RAYMOND? DO YOU NOT KNOW ANY OTHER LOWLIFES? I bet the Misfits do, just ask them. I'm sure they have a few excellent references to give.

So Zipper goes AND PLANTS A FUCKING BOMB IN THE HOUSE. Just... shoves it under a couch cushion. It is not remotely hidden. This guy is so bad at his job BUT WHERE DID HE EVEN GET THIS BOMB? Did he make it? Are timed bombs easily acquired around here? So this town's industries are music and... explosives? This actually isn't sounding like a terrible place to live.

So Raymond just happens to be driving by and sees The Misfits have snuck onto the grounds and yells for them to get out of there because there's a bomb. Cue explosion, which damages a wing of the house and no one is hurt. Suddenly there are media everywhere and Raymond claims that someone said they planted the bomb to get The Misfits. Mr. Stache is all "No way he's so full of shit his eyes are brown you girls should stay 5evar" AND THEN A COUNTESS TURNS UP?! Also apparently Rio is their road manager? When did that happen? Either way the Countess is all "u should totes play my party" as she tries to eyefuck Stache who is all "Er, yeah, they will--I mean, er... ugh. We will." She then snubs The Misfits on her way out to go chill on her yacht and have young, nubile, oiled boys feed her grapes and fan her with palm leaves as she awaits her guests.

The Holograms get there by a smaller boat, rather than... wait, did this yacht not dock for people to board for this party? Okay... So the girls get there and are introduced to some VJ. who then introduces them to like the only black guy at the party (a music video director). Jem starts trying to play matchmaker with Shana because, hey, you're black... he's black... you should touch junk! He looks a lot older than the girls who are still living in a group home, like, he's able to grow an entire, thick mustache. He also looks a bit like Lando Calrissian. So Shana admits yeah, we have no money or backers and Lando is all "that's alright sweet thang I can hook you up" and starts trying to kiss her (DUDE YOU'RE LIKE 40 NO) while Jem is hitting on Rio who is pining after Jerrica.

"Rio, do you like me?"
"I hardly know you! And you won't tell me who you really are!"

He's got a point Jem. She says maybe she should and they're about to kiss. Rio, you're bad at this.

They are all naturally interrupted by The Misfits. According to their music video, they manage to turn things into a full out pie fight and don't nearly kill anyone, but I am skeptical because they have spent most of their time nearly killing people. Wait, no, I take it back. They get onto the control deck and promptly initiate RAMMING SPEED at a near by giant-ass military ship of some sort. DOES THIS MEAN CERTAIN DOOM FOR OUR HEROES? Lol no. BUT TUNE IN NEXT WEEK TO FIND OUT!!!!!11!!eleventy!!!!


*My husband and Will are both over 6" for a reason. They know I'm only using them to reach things.

The Eye of the World, chapters eleven, twelve, and thirteen, in which Rand's protagonism is revoked

It seriously takes them a chapter and a half to cross a ferry.  We pause for the anti-Sesame-Street moment about hating on strangers, and I see at least some indications of why this is considered a more feminist story than Tolkien--though frankly, these chapters also make it obvious that Egwene would have been a vastly better protagonist in every way.

The Eye of the World: p. 148--191

Chapter Eleven: The Road to Taren Ferry

For a couple of pages, Rand recaps where everyone is in their formation of horse-riders fleeing the monsters, and resolves to hang back to protect Egwene if her horse (his old reliable Bela) falls behind, because he is Brave and Chivalrous and suspects Moiraine and Lan don't really care if she makes it or not.  They reach Watch Hill and Mat and Perrin start talking about spending the night at the inn, and I can't decide if this is meant to be ironic.  Fellowship of the Ring, as I've noted before, basically starts with a weeks-long pub crawl as Frodo very slowly moves out of the Shire, sometimes spending months at a new place before shifting another town over.  Mat and Perrin seem to think they might be on a similar sort of journey, and Lan is all 'lol no, we keep going'.  In a welcome moment of realism, Rand points out that the horses are already run to exhaustion, but Moiraine is also all 'lol no, I cast Mass Empower Horse'. and they're instantly refreshed (though she exhausts herself).

Then they are overtaken by a flurry of similes:

A scream ripped the darkness, a sound like a man dying under sharp knives [....] The wind of the Draghkar's wings beat at Rand with a feel like the touch of slime, like chittering in the dank dimness of a nightmare.

I am 100% guilty of writing like this sometimes, I love a good simile like Haruka loves Michiru, but I like them to make sense, and I'm not sure how wind can beat at a person like chittering.  The idea of slimy wind is also weird but comprehensible, and that would have done the job.  (Also, how much does Rand know about what people sound like while being murdered with sharp knives?  Has he been hanging out with Wickerman al'Summerisle?)  The horses panic, but Lan gets everyone going again, and Rand hopes no one notices that he instinctively drew his sword like he was going to fight the draghkar.

More fleeing and monster shrieks:

Egwene's face in the moonlight was smiling in excited delight. Her braid streamed behind like the horses' manes, and the gleam in her eyes was not all from the moon, Rand was sure.

Is he implying that her eyes are literally glowing?  Because that would be suspicious.  More likely it's supposed to indicate that she's enjoying this way too much, which: Rand, I am demoting you to sidekick and giving the role of protagonist to Egwene, because so far she's way cooler than you.

Moiraine cloaks them all with thick noise-cancelling fog (Rand spends half a page angsting about the health risks of breathing in girl-magic) until they ride into Taren Ferry, a town we are told full of snobby folk who look down upon Rand's villages, and coincidentally are all thieves and cheaters themselves.  No sense of irony here, I guess, but that's what happens when your protagonists are Objectively Honest Rural Folks--other people just have to cope with their own inadequacies and jealousy.  An introspective sort of person might wonder if perhaps their own preconceived notions about strangers aren't reflected in the preconceived notions held by strangers, and whether the obvious wrongness about the slander strangers spout doesn't hint at the possibility that one has unthinkingly absorbed prejudices oneself.  There are no introspective people here.  Lan tracks down the ferryman and pours gold into his hands until he agrees to take them across immediately.

Chapter Twelve: Across the Taren

As they march to the boat, Rand overhears Moiraine talking about the ferryman remembering "too much as it is", and not wanting him to see more of her.  I don't know if there's meant to be an implication that Moiraine can erase people's memories, but I'm going to assume she can and that she doesn't want to, which is a point in her favour.

Thom, Mat, and Perrin are all muttering about food, but Egwene continues pleased:

There must be a difference in what you saw, it seemed to him, depending on whether you sought adventure or had it forced on you. The stories could no doubt make galloping through a cold fog, with a Draghkar and the Light alone knew what else chasing you, sound thrilling. Egwene might be feeling a thrill; he only felt cold and damp and glad to have a village around him again, even if it was Taren Ferry.

I love meta and all, but this just drives home the point I mentioned above, that Egwene should be the protagonist here and Rand is unnecessary.  Fantasy is already full of reluctant farmboy heroes, and I don't think Rand is breaking new narrative ground with his grumpiness.  Give me a scared but enthusiastic hero, please.

We get a full page of the menfolk making their weapons obvious to the burly ferry-pullers, including the gleeman parlour-tricking a dagger into his fingers from nowhere, eliciting claps and giggles from Egwene and smiling from Moiraine, I kid you not.  The dudes are acting tough and the gals are applauding.  That's what's happening right now.  I want to bite someone.

They cross over slowly, and--oh, really?  Rand asks Lan if he really thinks the ferry crew was thinking about robbing them, and Lan basically says 'Hey, I heard the rumours in your town; I thought you knew these guys were all thieves' and Rand feels bashful about not believing it.  That's our moral of the story: rumours about Rival Town are true and it's silly to think they might just be okay folks like us.  (None of Rand and company have ever been here before, so they have zero personal experience, just optimism to work from.)

On the far bank, Lan pays up, tips the pullers individually, and pays more when a 'freak whirlpool' obliterates the ferry they've just stepped off, such that, as Moiraine unsubtly points out, no one else will be able to cross for a while.  Mat starts to ask if she did it, but Moiraine is very 'I'm getting you to Tar Valon, don't make me justify everything I do'.  She does, however, take a minute to brag about how she extended her fog miles down the river, which will convince the Fade that they fled by boat rather than land, and she is super smart and talented.  Rand reminds us again that "He did not think the shine in [Egwene's] eyes was all from moonlight."  Girl's apparently got LCD retinas.

They stop at a tree grove where Lan apparently previously predicted they might need to rest, and so left dry wood and such.  There is much camping, angsting about the threat of having Moiraine magically re-energise them, and the dangers therein.  Moiraine is busy talking to Egwene about magic, male saidin and female saidar that make up the One Power, the evil taint on saidin, and how she sees in Egwene the potential to be a natural wielder.

"You are very close to your change, your first touching. It will be better if I guide you through it. That was you will avoid the... unpleasant effects that come to those who must find their own way."

Moiraine and Egwene practice together with a crystal, and Egwene manages to get a tiny flicker of light out of it, to Rand's deep dismay and her own exultant joy.  I'm so glad I made Egwene the protagonist, because Rand is just a twerp now.  Egwene just got told "You're a wizard, Harry" and Rand is busy anger-moping because a woman just helped his crush better understand her first touching and now it's like they don't even need men at all.  (Lan quietly contemplates telling Rand to lay off the Axe bodyspray and fedoras.  Mat quietly contemplates asking Perrin if he likes stories about gladiators.)

Chapter Thirteen: Choices

Moiraine goes to each of them in turn and gives them Magic Headrubs that purge their aches and exhaustion.  She can't do the same for herself, and she refuses food (oh my god can we have one book where wanting food sometimes isn't treated as a weakness) and curls up by the fire.  They all wake up super-rested and take off, Mat and Perrin still talking about how soon they'll get to go home, and then it's time for a week of travel montage.  Lan also starts teaching them combat; they're all already amazing archers (this is so improbable) but there's plenty to learn about the axe and sword.  Lan visibly fails to react when Rand explains that he already knows 'the flame and the void' that Lan starts explaining.  In case we forgot that Rand's adoptive dad was a super fencer.

One morning Egwene wakes up, unbraids her hair, and brushes it out a hundred times, to Rand's consternation.  (He counted the hundred strokes.)  Egwene just says that Aes Sedai don't braid their hair unless they want to, so, implicitly, screw village traditions.  Rand continues to be uncomfortable with his non-girlfriend's acceptance of her own body and attributes, and implies all non-Moiraine Aes Sedai are minions of Satan.  They end up shouting at each other until shushed by Lan.  Mat and Perrin discuss turning south up ahead to go on adventures, since they obviously ditched the monsters for good back at the ferry, but Indisputable Badass Moiraine informs them that they're still hunted by the Dark One, she opposes anything the Dark One wants, and therefore she'd rather kill them all herself than let them be captured.

Next night, Rand snoops on Egwene's magic lessons, and overhears a listing of the Five Powers, "Earth, Wind, Fire, Water, and Spirit".

But is this the true face of the Dragon... or of the Dark One?

Egwene wants Moiraine to confirm it was only male wizards who screwed up the world, and Moiraine refuses to answer, instead talking about fear and potential and unsubtly indicating that Egwene was not the only potential wizard in her village.  Egwene refuses to be thrown off, anen:

"Well, it was the men, but they were no more wicked than any men. They were insane, not evil."

LOW BAR SURPASSED!  This is the least ableism we've had since Ender's "I'm crazy but I'm okay" line, but here it's explicitly stated as a fact relevant to morality and to understanding the context of actions!  (There's no space given to the idea of degrees of culpability, the distinction between 'fully sane' and 'responsible for one's actions' or 'trustworthiness', but like I said: low bar.)

They finally arrive at the city of Baerlon, which leaves all the farmboys agape at its vastness, though Lan scoffs at calling it a city.  Moiraine says the dangers is greater here, what with magic-haters and Darkfriends about, and so they'll have to go about hidden under cloaks and using fake names.  Yes, good, everyone pull your cloaks up on this sunny day.  That will avoid attracting attention.

Just waiting for the bus, don't mind me.  Need to drop by the bakery.  For pie.  Yeah. 

The gatekeeper recognises Lan and Moiraine, already knows their fake names, and warns them that there are Children of the Light in the city (people who, Rand has heard, hate Aes Sedai and Darkfriends equally).  He's also heard that the Aes Sedai who went to fight the false Dragon have suffered casualties, and that the Dragon marches on the fortress called the Stone of Tear.  Apparently this is relevant to "the Karaethon Cycle", also called "the Prophecies of the Dragon", which says that "the Stone of Tear will never fall until the People of the Dragon come" and "the Stone will never fall till the Sword That Cannot Be Touched is wielded by the Dragon's hand".

I'm so glad this chapter is almost over.

Said untouchable sword is in found in the Heart of the Stone of Tear, and no one knows what it is or whether it's a sword at all.  Rand questions how it can be wielded by the Dragon before the city falls if he can't get at it until he's already conquered, and gets brushed off, because Rand at least continues to have his gift for genre savviness and has detected an obvious prophecy twist coming.  (My guess is that Rand will wield the sword in hopes of defending Tear from the false Dragon, but they'll lose the city anyway for some reason.)

They finally pick the lock on a gate to an inn (that seems unnecessary) and the innkeeper happily welcomes them (with their fake names) to the Stag and Lion, and the women excitedly rush for baths.  Women, with their hatred of filthiness, ugh.

Next month: I'm not sure what posting schedules will be like through December, what with weekend RPGs and visiting family and all that, but I will endeavour to keep up the usual weekly pace.